"His virtues
Will plead like angels, trumpet-tongued, against
The deep damnation of his taking-off,"
would have re-rung in his ears; and a strange medley – words and music – would they have made – with his wife's
"When in swinish sleep
Their drenched natures lie, as in a death,
What cannot you and I perform upon
The unguarded Duncan?"
That is my idea of the Soliloquy. Think on it.
TALBOYS.
The best critics tell us that Shakspeare's Lady Macbeth has a commanding Intellect. Certes she has a commanding Will. I do not see what a commanding Intellect has to do in a Tragedy of this kind – or what opportunity she has of showing it. Do you, sir?
NORTH.
I do not.
TALBOYS.
Her Intellect seems pretty much on a par with Macbeth's in the planning of the murder.
NORTH.
I defy any human Intellect to devise well an atrocious Murder. Pray, how would you have murdered Duncan?
TALBOYS.
Ask me rather how I would – this night – murder Christopher North.
NORTH.
No more of that – no dallying in that direction. You make me shudder. Shakspeare knew that a circumspect murder is an impossibility – that a murder of a King in the murderer's own house, with expectation of non-discovery, is the irrationality of infatuation. The poor Idiot chuckles at the poor Fury's device as at once original and plausible – and, next hour, what single soul in the Castle does not know who did the deed?
SEWARD.
High Intellect indeed!
TALBOYS.
The original murder is bad to the uttermost. I mean badly contrived. What colour was there in colouring the two Grooms? No two men kill their master, and then go to bed again in his room with bloody faces and poignards.
BULLER.
If this was really a very bad plot altogether, it is her Ladyship's as much – far more than his Lordship's. Against whom, then, do we conclude? Her? I think not – but the Poet. He is the badly-contriving assassin. He does not intend lowering your esteem for her Ladyship's talents. Am I, sir, to think that William himself, after the same game, would have hunted no better? I believe he would; but he thinks that this will carry the Plot through for the Stage well enough. The House, seeing and hearing, will not stay to criticise. The Horror persuades Belief. He knew the whole mystery of murder.
NORTH.
My dear Buller, wheel nearer me. I would not lose a word you say.
BULLER.
Did Macbeth commit an error in killing the two Grooms? And does his Lady think so?
TALBOYS.
A gross error, and his Lady thinks so.
BULLER.
Why was it a gross error – and why did his lady think so?
TALBOYS.
Because – why – I really can't tell.
BULLER.
Nor I. The question leads to formidable difficulties – either way. But answer me this. Is her swooning at the close of her husband's most graphic picture of the position of the corpses – real or pretended?
SEWARD.
Real.
TALBOYS.
Pretended.
BULLER.
Sir?
NORTH.
I reserve my opinion.
TALBOYS.
Not a faint – but a feint. She cannot undo that which is done; nor hinder that which he will do next. She must mind her own business. Now distinctly her own business is – to faint. A high-bred, sensitive, innocent Lady, startled from her sleep to find her guest and King murdered, and the room full of aghast nobles, cannot possibly do anything else but faint. Lady Macbeth, who "all particulars of duty knows," faints accordingly.
NORTH.
Seward, we are ready to hear you.
SEWARD.
She has been about a business that must have somewhat shook her nerves – granting them to be of iron. She would herself have murdered Duncan had he not resembled her Father as he slept; and on sudden discernment of that dreadful resemblance, her soul must have shuddered, if her body served her to stagger away from parricide. On the deed being done, she is terrified after a different manner from the doer of the deed; but her terror is as great; and though she says —