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The Atlantic Monthly, Volume 08, No. 47, September, 1861

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2018
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It is strange that Cavour and Mrs. Browning should have died in the same month, within twenty-three days of each other,—the one the head, the other the heart of Italy. As head and heart made up the perfect life, so death was not complete until Heaven welcomed both. It seemed also strange, that on the night after Mrs. Browning's decease an unexpected comet should glare ominously out of the sky. For the moment we were superstitious, and believed in it as a minister of woe.

Great as is this loss, Mrs. Browning's death is not without a sad consolation. From the shattered condition of her lungs, the physician feels assured that existence could not at the farthest have been prolonged for more than six months. Instead of a sudden call to God, life would have slowly ebbed away; and, too feeble for the slightest exertion, she must have been denied the solace of books, of friends, of writing, perhaps of thought even. God saved her from a living grave, and her husband from protracted misery. Seeking for the shadow of Mrs. Browning's self in her poetry, (for she was a rare instance of an author's superiority to his work,) many an expression is found that welcomes the thought of a change which would free her from the suffering inseparable from her mortality. There is a yearning for a more fully developed life, to be found most frequently in her sonnets. She writes at times as though, through weakness of the body, her wings were tied:—

"When I attain to utter forth in verse
Some inward thought, my soul throbs audibly
Along my pulses, yearning to be free,
And something farther, fuller, higher rehearse,
To the individual true, and the universe,
In consummation of right harmony!
But, like a wind-exposed, distorted tree,
We are blown against forever by the curse
Which breathes through Nature. Oh, the world is weak;
The effluence of each is false to all;
Add what we best conceive, we fail to speak!
Wait, soul, until thine ashen garments fall,
And then resume thy broken strains, and seek
Fit peroration without let or thrall!"

The "ashen garments" have fallen,—

"And though we must have and have had
Right reason to be earthly sad,
Thou Poet-God art great and glad!"

It was meet that Mrs. Browning should come home to die in her Florence, in her Casa Guidi, where she had passed her happy married life, where her boy was born, and where she had watched and rejoiced over the second birth of a great nation. Her heart-strings did not entwine themselves around Rome as around Florence, and it seems as though life had been so eked out that she might find a lasting sleep in Florence. Rome holds fast its Shelley and Keats, to whose lowly graves there is many a reverential pilgrimage; and now Florence, no less honored, has its shrine sacred to the memory of Theodore Parker and Elizabeth Barrett Browning.

The present Florence is not the Florence of other days. It can never be the same to those who loved it as much for Mrs. Browning's sake as for its own. Her reflection remains and must ever remain; for,

"while she rests, her songs in troops
Walk up and down our earthly slopes,
Companioned by diviner hopes."

The Italians have shown much feeling at the loss which they, too, have sustained,—more than might have been expected, when it is considered that few of them are conversant with the English language, and that to those few English poetry (Byron excepted) is unknown.

A battalion of the National Guard was to have followed Mrs. Browning's remains to the grave, had not a misunderstanding as to time frustrated this testimonial of respect. The Florentines have expressed great interest in the young boy, Tuscan-born, and have even requested that he should be educated as an Italian, when any career in the new Italy should be open to him. Though this offer will not be accepted, it was most kindly meant, and shows with what reverence Florence regards the name of Browning. Mrs. Browning's friends are anxious that a tablet to her memory should be placed in the Florentine Pantheon, the Church of Santa Croce. It is true she was not a Romanist, neither was she an Italian,—yet she was Catholic, and more than an Italian. Her genius and what she has done for Italy entitle her to companionship with Galileo, Michel Angelo, Dante, and Alfieri. The friars who have given their permission for the erection of a monument to Cavour in Santa Croce ought willingly to make room for a tablet on which should be inscribed,

SHE SANG THE SONG OF ITALY. SHE WROTE "AURORA LEIGH."

REVIEWS AND LITERARY NOTICES

Edwin of Deira. By ALEXANDER SMITH. London: Macmillan & Co. Boston: Ticknor & Fields. 16mo.

A third volume of verse by Alexander Smith certainly claims a share of public attention. We should not be at all surprised, if this, his latest venture, turn out his most approved one. The volcanic lines in his earlier pieces drew upon him the wrath of Captain Stab and many younger officers of justice, till then innocent of ink-shed. The old weapons will, no doubt, be drawn upon him profusely enough now. Suffice it for us, this month, if we send to the printer a taste of Alexander's last feast and ask him to "hand it round."

* * * * *

BERTHA

"So, in the very depth of pleasant May,
When every hedge was milky white, the lark
A speck against a cape of sunny cloud,
Yet heard o'er all the fields, and when his heart
Made all the world as happy as itself,—
Prince Edwin, with a score of lusty knights,
Rode forth a bridegroom to bring home his bride.
Brave sight it was to see them on their way,
Their long white mantles ruffling in the wind,
Their jewelled bridles, horses keen as flame
Crushing the flowers to fragrance as they moved!
Now flashed they past the solitary crag,
Now glimmered through the forest's dewy gloom,
Now issued to the sun. The summer night
Hung o'er their tents, within the valley pitched,
Her transient pomp of stars. When that had paled,
And when the peaks of all the region stood
Like crimson islands in a sea of dawn,
They, yet in shadow, struck their canvas town;
For Love shook slumber from him as a foe,
And would not be delayed. At height of noon,
When, shining from the woods afar in front,
The Prince beheld the palace-gates, his heart
Was lost in its own beatings, like a sound
In echoes. When the cavalcade drew near,
To meet it, forth the princely brothers pranced,
In plume and golden scale; and when they met,
Sudden, from out the palace, trumpets rang
Gay wedding music. Bertha, among her maids,
Upstarted, as she caught the happy sound,
Bright as a star that brightens 'gainst the night.
When forth she came, the summer day was dimmed;
For all its sunshine sank into her hair,
Its azure in her eyes. The princely man
Lord of a happiness unknown, unknown,
Which cannot all be known for years and years,—
Uncomprehended as the shapes of hills
When one stands in the midst! A week went by,
Deepening from feast to feast; and at the close,
The gray priest lifted up his solemn hands,
And two fair lives were sweetly blent in one,
As stream in stream. Then once again the knights
Were gathered fair as flowers upon the sward,
While in the distant chambers women wept,
And, crowding, blessed the little golden head,
So soon to lie upon a stranger's breast,
And light that place no more. The gate stood wide:
Forth Edwin came enclothed with happiness;
She trembled at the murmur and the stir
That heaved around,—then, on a sudden, shrank,
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