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The Atlantic Monthly, Volume 04, No. 24, October, 1859
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2019
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18
Rimbault's Edition of Overbury's Works, London, 1856, p. 50.
19
See Dyce's Strictures etc., 1859, p. 28.
20
See the edition passim.
21
Strictures on Collier's Shakespeare, London, 1859
22
This memorandum is characteristic. In full it is as follows:—
"Sept: the 9th: Cloathes: 1. Shirt: 3: bands: 8 handkecheirfs: 4 neckcloaths: 7: pa: cuffs: 1. bootes tops: 1 cap: an old towell: a Napkin."
The writer was evidently young, poor, and a dandy. His youth is shown by his wearing neckcloths, which were a new and youthful fashion at the date of this memorandum; his dandyism, by the number of his handkerchiefs, (a luxury in those days,) and of his cuffs, which answer to our wristbands, and by his lace boot-tops; his poverty, by his wearing three bands, four neckcloths, and seven pair of cuffs (probably one a day for the week) to one shirt. His having, in respect to the last garment, was probably like Poins'
23
"one for superfluity and one other for use." The cap was probably that which he wore when he laid aside his wig. His hose, of colored silk, probably made only "semi-occasional" visits to the laundress.
24
See As You Like It, in the folio of 1623, p. 196, col. 2, "I answer you right painted cloath," and Henry VIII., Idem, p. 224, col. 2, "They that beare the Cloath of Honour ouer her."
Rimbault's Edition of Overbury's Works, London, 1856, p. 50.
19
See Dyce's Strictures etc., 1859, p. 28.
20
See the edition passim.
21
Strictures on Collier's Shakespeare, London, 1859
22
This memorandum is characteristic. In full it is as follows:—
"Sept: the 9th: Cloathes: 1. Shirt: 3: bands: 8 handkecheirfs: 4 neckcloaths: 7: pa: cuffs: 1. bootes tops: 1 cap: an old towell: a Napkin."
The writer was evidently young, poor, and a dandy. His youth is shown by his wearing neckcloths, which were a new and youthful fashion at the date of this memorandum; his dandyism, by the number of his handkerchiefs, (a luxury in those days,) and of his cuffs, which answer to our wristbands, and by his lace boot-tops; his poverty, by his wearing three bands, four neckcloths, and seven pair of cuffs (probably one a day for the week) to one shirt. His having, in respect to the last garment, was probably like Poins'
23
"one for superfluity and one other for use." The cap was probably that which he wore when he laid aside his wig. His hose, of colored silk, probably made only "semi-occasional" visits to the laundress.
24
See As You Like It, in the folio of 1623, p. 196, col. 2, "I answer you right painted cloath," and Henry VIII., Idem, p. 224, col. 2, "They that beare the Cloath of Honour ouer her."
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