Drearily blows the north wind
From the land of ice and snow;
The eyes that look are weary,
And heavy the hands that row.
And with one foot on the water,
And one upon the shore,
The Angel of Shadow gives warning
That day shall be no more.
Is it the clang of wild-geese?
Is it the Indian’s yell,
That lends to the voice of the north wind
The tones of a far-off bell?
The voyageur smiles as he listens
To the sound that grows apace;
Well he knows the vesper ringing
Of the bells of St. Boniface —
The bells of the Roman Mission,
That call from their turrets twain,
To the boatman on the river,
To the hunter on the plain!
Even so in our mortal journey
The bitter north winds blow,
And thus upon life’s Red River
Our hearts, as oarsmen, row.
And when the Angel of Shadow
Rests his feet on wave and shore,
And our eyes grow dim with watching,
And our hearts faint at the oar,
Happy is he who heareth
The signal of his release
In the bells of the Holy City,
The chimes of eternal peace!
– John Greenleaf Whittier.
SEVEN TIMES FOUR
Heigh ho! daisies and buttercups,
Fair yellow daffodils, stately and tall;
When the wind wakes, how they rock in the grasses,
And dance with the cuckoo-buds, slender and small;
Here’s two bonny boys, and here’s mother’s own lasses,
Eager to gather them all.
Heigh ho! daisies and buttercups,
Mother shall thread them a daisy-chain;
Sing them a song of the pretty hedge-sparrow,
That loved her brown little ones, loved them full fain;
Sing, “Heart thou art wide, though the house be but narrow” —
Sing once, and sing it again.
Heigh ho! daisies and buttercups,
Sweet wagging cowslips, they bend and they bow;
A ship sails afar over warm ocean waters,
And haply one missing doth stand at her prow.
O bonny brown sons, and O sweet little daughters,
Maybe he thinks of you now!
Heigh ho! daisies and buttercups,
Fair yellow daffodils, stately and tall;
A sunshiny world full of laughter and leisure,
And fresh hearts, unconscious of sorrow and thrall;
Send down on their pleasure smiles passing its measure —
God that is over us all.
– Jean Ingelow.
THE LARK AT THE DIGGINGS
The house was thatched and whitewashed, and English was written on it and on every foot of ground round it. A furze bush had been planted by the door. Vertical oak palings were the fence, with a five-barred gate in the middle of them. From the little plantation all the magnificent trees and shrubs of Australia had been excluded, and oak and ash reigned safe from overtowering rivals. They passed to the back of the house, and there George’s countenance fell a little, for on the oval grass-plot and gravel-walk he found from thirty to forty rough fellows, most of them diggers.
“Ah, well,” said he, on reflection, “we could not expect to have it all to ourselves, and indeed it would be a sin to wish it, you know. Now, Tom, come this way; here it is, here it is – there!” Tom looked up, and in a gigantic cage was a light brown bird.
He was utterly confounded. “What, is it this we came twelve miles to see?”
“Ay! and twice twelve wouldn’t have been much to me.”
“Well, but what is the lark you talked of?”
“This is it!”
“This? This is a bird.”
“Well, and isn’t a lark a bird?”
“Oh, ay, I see! ha! ha! ha! ha!”
Robinson’s merriment was interrupted by a harsh remonstrance from several of the diggers, who were all from the other end of the camp.
“Hold your cackle,” cried one, “he is going to sing;” and the whole party had their eyes turned with expectation towards the bird.
Like most singers, he kept them waiting a bit. But at last, just at noon, when the mistress of the house had warranted him to sing, the little feathered exile began, as it were, to tune his pipes. The savage men gathered round the cage that moment, and amidst a dead stillness the bird uttered some very uncertain chirps, but after a while he seemed to revive his memories, to call his ancient cadences back to him one by one, and to string them together.