Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 85, January, 1875

In the British Museum, among the Elgin Marbles, Phidias has carved a pile of heaped-up marble waves, and out of them rise the arms of Hyperion—the most beautiful arms in the world. Homesick for heaven, those weary arms try to free themselves of the clinging foam. Another minute and surely the triumphant god will leap from his watery couch and guide with unerring hands the coursers of the Dawn! But that reluctant minute is eternal, and the divinity still remains incapable, clogged and wrapped in the embrace of marble waves. Yet the real sun every morning succeeds in equipping himself for his journey, and arrives, glad, at his welcome bath in the western sea.

The inference I draw is: If you want a career to be eternal instead of transitory, hand it over to Art.

The true moral of it all is, that we are all savage myths of the Course of the Sun. We disappear any number of times, but we rise and trail new clouds of glory, and our readers or our audiences perceive that it is the same old Hyperion back again. The youth who by the faithful hound, half buried in the snow, is found far up on the most inaccessible peaks of imagination, is perceived to grasp still in his hand of ice that Germanesque and strange device—Auf Wiedersehen.

FOLLOWING THE TIBER

TWO PAPERS.—1

"Ecce Tiberum!" cried the Roman legions when they first beheld the Scottish Tay. What power of association could have made them see in the clear and shallow stream the likeless of their tawny Tiber, with his full-flowing waters sweeping down to the sea? Perhaps those soldiers under whose mailed and rugged breasts lay so tender a thought of home came from the northerly region among the Apennines, where a little bubbling mountain-brook is the first form in which the storied Tiber greets the light of day. One who has made a pilgrimage from its mouth to its source thus describes the spot: "An old man undertook to be our guide. By the side of the little stream, which here constitutes the first vein of the Tiber, we penetrated the wood. It was an immense beech-forest.... The trees were almost all great gnarled veterans who had borne the snows of many winters: now they stood basking above their blackened shadows in the blazing sunshine. The little stream tumbled from ledge to ledge of splintered rock, sometimes creeping into a hazel thicket, green with long ferns and soft moss, and then leaping once more merrily into the sunlight. Presently it split into numerous little rills. We followed the longest of these. It led us to a carpet of smooth green turf amidst an opening in the trees; and there, bubbling out of the green sod, embroidered with white strawberry-blossoms, the delicate blue of the crane's bill and dwarf willow-herb, a copious little stream arose. Here the old man paused, and resting upon his staff, raised his age-dimmed eyes, and pointing to the gushing water, said, 'E questo si chiama il Tevere a Roma!' ('And this is called the Tiber at Rome!') … We followed the stream from the spot where it issued out of the beech-forest, over barren spurs of the mountains crested with fringes of dark pine, down to a lonely and desolate valley, shut in by dim and misty blue peaks. Then we entered the portals of a solemn wood, with gray trunks of trees everywhere around us and impenetrable foliage above our heads, the deep silence only broken by fitful songs of birds. To this succeeded a blank district of barren shale cleft into great gullies by many a wintry torrent. Presently we found ourselves at an enormous height above the river, on the ledge of a precipice which shot down almost perpendicularly on one side to the bed of the stream.... A little past this place we came upon a very singular and picturesque spot. It was an elevated rock shut within a deep dim gorge, about which the river twisted, almost running round it. Upon this rock were built a few gloomy-looking houses and a quaint, old-world mill. It was reached from the hither side by a widely-spanning one-arched bridge. It was called Val Savignone."[1 - The Pilgrimage of the Tiber, by Wm. Davies.] Beyond this, at a small village called Balsciano, the hills begin to subside into gentler slopes, which gradually merge in the plain at the little town of Pieve San Stefano.

Thus far the infant stream has no history: its legends and chronicles do not begin so early. But a few miles farther, on a tiny branch called the Singerna, are the vestiges of what was once a place of some importance—Caprese, where Michael Angelo was born exactly four hundred years ago. His father was for a twelvemonth governor of this place and Chiusi, five miles off (not Lars Porsenna's Clusium, which is to the south, but Clusium Novum), and brought his wife with him to inhabit the palazzo communale. During his regency the painter of the "Last Judgment," the sculptor of "Night and Morning," the architect of St. Peter's cupola, first saw the light. Here the history of the Tiber begins—here men first mingled blood with its unsullied waves. On another little tributary is Anghiara, where in 1440 a terrible battle was fought between the Milanese troops, under command of the gallant free-lance Piccinino, and the Floren-tines, led by Giovanni Paolo (commonly called Giampaolo) Orsini; and a little farther, on the main stream, Città di Castello recalls the story of a long siege which it valiantly sustained against Braccio da Montone, surnamed Fortebraccio (Strongarm), another renowned soldier of fortune of the fifteenth century.

As the widening flood winds on through the beautiful plain, a broad sheet of water on the right spreads for miles to the foot of the mountains, whose jutting spurs form many a bay, cove and estuary. It was in the small hours of a night of misty moonlight that our eyes, stretched wide with the new wonder of beholding classic ground, first caught sight of this smooth expanse gleaming pallidly amid the dark, blurred outlines of the landscape and trees. The monotonous noise and motion of the train had put our fellow-travelers to sleep, and when it gradually ceased they did not stir. There was no bustle at the little station where we stopped; a few drowsy figures stole silently by in the dim light, like ghosts on the spectral shore of Acheron; the whole scene was strangely unreal, phantasmal. "What can it be?" we asked each other under our breaths. "There is but one thing that it can be—Lake Thrasimene." And so it was. Often since, both by starlight and daylight, we have seen that watery sheet of fatal memories, but it never wore the same shadowy yet impressive aspect as on our first night-journey from Florence to Rome.

Not far from here one leaves the train for Perugia, seated high on a bluff amid walls and towers. We had been told a good deal of the terrors of the way—how so steep was the approach that at a certain point horses give out and carriages must be dragged up by oxen. It was with some surprise, therefore, that we saw ordinary hotel omnibuses and carriages waiting at the station. But we did not allow ourselves to feel any false security: by and by we knew the tug must come. We set off by a wide, winding road, uphill undoubtedly, but smooth and easy: however, this was only the beginning; and as it grew steeper and steeper, we waited in trepidation for the moment when the heavy beasts should be hitched on to haul us up the acclivity. We crawled up safely and slowly between orchards of olive trees, which will grow wherever a goat can set its foot: beneath us the great fertile vale of Umbria spread like a lake, the encircling mountains, which had looked like a close chain from below, unlinking themselves to reveal gorges and glimpses of other valleys. Thus by successive zigzags we mounted the broad turnpike-road, now directly under the fortifications, now farther off, until we saw them close above us, with the old citadel and the new palace. And now surely the worst had come, but the carnage turned a sharp corner, showing two more zigzags, forming a long acute angle which carried us smoothly to the rocky plateau on which the city stands, and we bowled in through the old gate-way at a round trot, with the usual cracking of whips and rattling and jingling of harness which announces the arrival of travelers at minor places on the Continent.

We were not comfortable at Perugia—and let no one think to be so until there is a new hotel on a new principle—but it is a place where one can afford to forego creature comforts. Of all the towns on the Tiber, so rich in heirlooms of antiquity and art, none can boast such various wealth as this. The moment one leaves the centre of the town, which is built on a table of rock, the narrow streets plunge down on every side like dangerous broken flights of stairs: they disappear under deep cavernous arches, so that if you are below they seem to lead straight up through the darkness to the soft blue heaven, while from above they seem to go straight down into deep cellars, but cellars full of slanting sunshine. And whether you look up or down, there is always a picture in the dark frame against the bright background—a woman in a scarlet kerchief with a water-vessel of antique form, or a ragged brown boy leading a ragged brown donkey, or a soldier in gay uniform striking a light for his pipe. As soon as you leave the live part of the town, with the few little caffès and shops, and the esplanades whence the thrice-lovely landscape unfolds beneath your gaze, you wander among quiet little paved piazzas with a bit of daisied grass in their midst, surrounded by great silent buildings, whence through some opening you descry a street which is a ravine, and the opposite cliff rising high above you piled close with gray houses overhung with shrubs and creepers, and little gardens in their crevices like weeds between the stones of a wall; or you come out upon a secluded gallery with tall, deserted-looking mansions on one hand—except that at some sunny window there is always to be seen a girl's head beside a pot of carnations or nasturtiums—and on the other a parapet over which you lean to see the town scrambling up the hillside, while a great breadth of valley and hill and snow-covered mountain stretches away below.

Then what historical associations, straggling away across three thousand years to when Perugia was one of the thirty cities of Etruria, and kept her independence through every vicissitude until Augustus starved her out in 40 B.C.! Portions of the wall, huge smooth blocks of travertine stone, are the work of the vanished Etruscans, and fragments of several gateways, with Roman alterations. One is perfect, imbedded in the outer wall of the castle: it has a round-headed arch, with six pilasters, in the intervals of which are three half-length human figures and two horses' heads. On the southern slope of the hill, three miles beyond the walls, a number of Etruscan tombs were accidentally discovered by a peasant a few years ago. The outer entrance alone had suffered, buried under the rubbish of two millenniums: the burial-place of the Volumnii has been restored externally after ancient Etruscan models, but within it has been left untouched. Descending a long flight of stone steps, which led into the heart of the hill, we passed through a low door formerly closed by a single slab of travertine, too ponderous for modern hinges. At first we could distinguish nothing in the darkness, but by the uncertain flaring of two candles, which the guide waved about incessantly, we saw a chamber hewn in the rock, with a roof in imitation of beams and rafters, all of solid tufa stone. A low stone seat against the wall on each hand and a small hanging lamp were all the furniture of this apartment, awful in its emptiness and mystery. On every side there were dark openings into cells whence came gleams of white, indefinite forms: a great Gorgon's head gazed at us from the ceiling, and from the walls in every direction started the crested heads and necks of sculptured serpents. We entered one by one the nine small grotto-like compartments which surround the central cavern: the white shapes turned out to be cinerary urns, enclosing the ashes of the three thousand years dead Volumnii. Urns, as we understand the word, they are not, but large caskets, some of them alabaster, on whose lids recline male figures draped and garlanded as for a feast: the faces differ so much in feature and expression that one can hardly doubt their being likenesses: the figures, if erect, would be nearly two feet in height. The sides of these little sarcophagi are covered with bassi-rilievi, many of them finely executed: the subjects are combats and that favorite theme the boar-hunt of Kalydon; there was one which represented the sacrifice of a child. The Medusa's head, as it is thought to be, recurs constantly, treated with extraordinary power: we were divided among ourselves whether it was Medusa or an Erinnys with winged head. The sphinx appears several times: there are four on the corners of an alabaster urn in the shape of a temple, exquisite in form and features, and exceedingly delicate in workmanship. Bulls' heads, with garlands drooping between them, a well-known ornament of antique altars, are among the decorations. But far the most beautiful objects were the little hanging figures, which seemed to have been lamps of a green bronze color, though we were assured that they are terra-cotta: they are male figures of exquisite grace and beauty, with a lightness and airiness commonly given to Mercury; but these had large angel pinions on the shoulders, and none on the head or feet. There was not a scholar in the party, so we all returned unenlightened, but profoundly interested and impressed, and with that delightful sense of stimulated curiosity which is worth more than all Eurekas. With the exception of a few weapons and trinkets, which we saw at the museum, this is all that remains of the mighty Etruscans, save the shapes of the common red pottery which is spread out wholesale in the open space opposite the cathedral on market-days—the most graceful and useful which could be devised, and which have not changed their model since earlier days than the occupants of those tombs could remember.

The conquering Roman has left his sign-manual everywhere, but one is so used to him in Italy that the scantier records of later ages interest us more here. Like every other old Italian town, Perugia had its great family, the Baglioni, who lorded it over the place, sometimes harshly and cruelly enough, sometimes generously and splendidly—protectors of popular rights and patrons of art and letters. Their mediaeval history is full of picturesque incident and dramatic catastrophe: it would make a most romantic volume, but a thick one. At length the Perugians, master and men, grew too turbulent, and Pope Paul III. put them down, and sat upon them, so to speak, by building the citadel.

But time would fail us to tell of the Baglioni, or Pope Paul the Borghese, or Fortebraccio, the chivalric condottiere who led the Perugians to war against their neighbors of Todi, or even the still burning memories of the sack of Perugia by command of the present pope. We can no longer turn our thoughts from the treasures of art which make Perugia rich above all cities of the Tiber, save Rome alone. We cannot tarry before the cathedral, noble despite its incompleteness and the unsightly alterations of later times, and full of fine paintings and matchless wood-carving and wrought metal and precious sculptures; nor before the Palazzo Communale, another grand Gothic wreck, equally dignified and degraded; nor even beside the great fountain erected six hundred years ago by Nicolo and Giovanni da Pisa, the chiefs and founders of the Tuscan school of sculpture; nor beneath the statue of Pope Julius III., which Hawthorne has made known to all; for there are a score of churches and palaces, each with its priceless Perugino, and drawings and designs by his pupil Raphael in his lovely "first manner," which has so much of the Eden-like innocence of his master; and the Academy of Fine Arts, where one may study the Umbrian school at leisure; and last, but not least, the Sala del Cambio, or Hall of Exchange, where Perugino may be seen in his glory. It is not a hall of imposing size, so that nothing interferes with the impression of the frescoes which gaze upon you from every side as you enter. Or no; they do not gaze upon you nor return your glance, but look sweetly and serenely forth, as if with eyes never bent on earthly things. The right-hand wall is dedicated to the sibyls and prophets, the left to the greatest sages and heroes of antiquity. There is something capricious or else enigmatical in the mode of presenting many of them—the dress, attitude and general appearance often suggest a very different person from the one intended—but the grace and loveliness of some, the dignity and elevation of others, the expression of wisdom in this face, of celestial courage in that, the calm and purity and beauty of all, give them an indescribable charm and potency. At the end of the room facing the door are the "Nativity" and "Transfiguration," the latter, infinitely beautiful and religious, full of quiet concentrated feeling. We were none of us critics: none of us had got beyond the stage when the sentiment of a work of art is what most affects our enjoyment of it; and we all confessed how much more impressive to us was this Transfiguration, with its three quiet spectators, than the world-famous one at the Vatican. Although there are masterpieces of Perugino's in nearly every great European collection, I cannot but think one must go to Perugia to appreciate fully the limpid clearness, the pensive, tranquil suavity, which reigns throughout his pictures in the countenances, the landscape, the atmosphere.

We found it hard to rob Perugia even of a day for a pilgrimage to the tomb of Saint Francis at Assisi, yet could not leave the neighborhood without making it. We took the morning-train for the little excursion, meaning to drive back, and crossed the Tiber for the first time on the downward journey at Ponte San Giovanni. We got out at the station of Santa Maria degli Angeli, so named from the immense church built over the cell where Saint Francis lived and died and the little chapel where he prayed. The Porzionuncula it was called, or "little share," being all that he deemed needful for man's abode on earth, and more than needful. It was hither that he came in the heyday of youth, forsaking the house of his wealthy father, the love of his mother, a life of pleasure with his gay companions, and dedicated himself to poverty and preaching the word of God. One of our party had said that she considered Saint Francis the author of much evil, and as having done irreparable harm to the Italian people in sanctifying dirt and idleness. But apostles are not to be judged by the abuse of their doctrine; and although it cannot be denied that Saint Francis encouraged beggary by forbidding his followers to possess aught of their own, he enjoined that they should labor with their hands for several hours daily. And to me it seemed as if out of Palestine there could be no spot of greater significance and sacredness to any Christian than this, where in a sanguinary and licentious age a young man suddenly broke all the bonds of self, and taught in his own person humility, renunciation and brotherly love as they had hardly been taught since his Master's death. The sternness of his personal self-denial is only equaled by his sweetness toward all living things: not men alone, but animals, birds, fishes, the frogs, the crickets, shared his love, and were called brother and sister by him. The great and instantaneous movement which he produced in his own time was no short-lived blaze of fanaticism, for its results have lasted from the twelfth century to our own; and although we may well believe that the day is past for serving Christ by going barefoot and living on alms, the spirit of Saint Francis's doctrine, charity, purity, self-abnegation, might do as much for modern men as for those of six hundred years ago. Believing all this, we were not sorry that our uncompromising friend had stayed behind, and it was in a reverent mood that we left the little stone chamber—which shrinks to lowlier proportions by contrast with the enormous dome above it—and turned to climb the long hill which leads to the magnificent monument which enthusiasm raised over him who in life had coveted so humble a home.

The cliff on which Assisi stands rises abruptly on the side toward the Tiber: long lines of triple arches, which look as if hewn in the living stone, stretch along its face, one above another, like galleries, the great mass of the church and convent, with its towers and gables and spire-like cypress trees, crowning all. It is this marriage of the building to the rock, these lower arcades which rise halfway between the valley and the plateau seeking the help of the solid crag to sustain the upper ones and the vast superimposed structure, that makes the distant sight of Assisi so striking, and almost overwhelms you with a sense of its greatness as the winding road brings you close below on your way up to the town. It is a triple church. The uppermost one, begun two years after the saint's death, has a magnificent Gothic west front and high steps leading from the piazza, and a rich side-portal with a still higher flight leading from a court on a lower level. As we entered, the early afternoon sun was streaming in through the immense rose-window and flooding the vast nave, illumining the blue star-studded vault of the lofty roof and the grand, simple frescoes of Cimabue and Giotto on the walls. Thence we descended to the second church, in whose darkness our vision groped, half blind from the sudden change; but gradually through the dusk we began to discern low vaults stretching heavily across pillars which look like stunted giants, so short are they and so tremendously thick-set, the high altar enclosed by an elaborate grating, the little side-chapels like so many black cells, and through the gloom a twinkle and glimmer of gold and color and motes floating in furtive sunbeams that had strayed in through the superb stained glass of the infrequent windows. The frescoes of Giotto and his school enrich every spandril and interspace with their simple, serious forms—no other such place to study the art of that early day—but a Virgin enthroned among saints by Lo Spagna, a disciple of Perugino's, made a pure light in the obscurity: it had all the master's golden transparency, like clear shining after the rain. From this most solemn and venerable place we went down to the lowest church, the real sepulchre: it was darker than the one we had left, totally dark it seemed to me, and contracted, although—it is in the form of a Greek cross—each arm is sixty feet: in fact, it is only a crypt of unusual size; and although here were the saint's bones in an urn of bronze, we were conscious of a weakening of the impression made by the place we had just left. No doubt it is because the crypt is of this century, while the other two churches are of the thirteenth.

There are other things to be seen at Assisi; and after dining at the little Albergo del Leone, which, like every part of the town except the churches, is remarkably clean, my companion set out to climb up to the castle, and I wandered back to the great church. As I sat idly on the steps a monk accosted me, and finding that I had not seen the convent, carried me through labyrinthine corridors and galleries, down long flights of subterranean stone steps, one after another, until I thought we could not be far from the centre of the earth, when he suddenly turned aside into a vast cloister with high arched openings and led me to one of them. Oh, the beauty, the glory, the wonder of the sight! We were halfway down the mountain-side, hanging between the blue heaven and the billowy Umbrian plain, with its verdure and its azure fusing into tints of dreamy softness as they vanished in the deep violet shadows of thick-crowding mountains, on whose surfaces and gorges lay changing colors of the superbest intensity. Poplars and willows showed silvery among the tender green of other deciduous trees in their fresh spring foliage and the deep velvet of the immortal cypresses and the blossoming shrubs, which looked like little puffs of pink and white cloud resting on the bosom of the valley. A small, clear mountain-stream wound round the headland to join the Tiber, which divides the landscape with its bare, pebbly bed. It was almost the same view that one has from twenty places in Perugia, but coming out upon it as from the bowels of the earth, framed in its huge stone arch, it was like opening a window from this world into Paradise.

Slowly and lingeringly I left the cloister, and panted up the many steps back to the piazza to await my companion and the carriage which was to take us back to Perugia. The former was already there, and in a few minutes a small omnibus came clattering down the stony street, and stopping beside us the driver informed us that he had come for us. Our surprise and wrath broke forth. Hours before we had bespoken a little open carriage, and it was this heavy, jarring, jolting vehicle which they had sent to drive us ten miles across the hills. The driver declared, with truly Italian volubility and command of language and gesture, that there was no other means of conveyance to be had; that it was excellent, swift, admirable; that it was what the signori always went from Assisi to Perugia in; that, in fine, we had engaged it, and must take it. My companion hesitated, but I had the advantage here, being the one who could speak Italian; so I promptly replied that we would not go in the omnibus under any circumstances. The whole story was then repeated with more adjectives and superlatives, and gestures of a form and pathos to make the fortune of a tragic actor. I repeated my refusal. He began a third time: I sat down on the steps, rested my head on my hand and looked at the carvings of the portal. This drove him to frenzy: so long as you answer an Italian he gets the better of you; entrench yourself in silence and he is impotent. The driver's impotence first exploded in fury and threats: at least we should pay for the omnibus, for his time, for his trouble; yes, pay the whole way to Perugia and back, and his buon' mano besides. All the beggars who haunt the sanctuary of their patron had gathered about us, and from playing Greek chorus now began to give us advice: "Yes, we would do well to go: the only carriage in Assisi, and excellent, admirable!" The numbers of these vagrants, their officiousness, their fluency, were bewildering. "But what are we to do?" asked my anxious companion. "Why, if it comes to the worst, walk down to the station and take the night-train back." He walked away whistling, and I composed myself to a visage of stone and turned my eyes to the sculptures once more. Suddenly the driver stopped short: there was a minute's pause, and then I heard a voice in the softest accents asking for something to buy a drink. I turned round—beside me stood the driver hat in hand: "Yes, the signora is right, quite right: I go, but she will give me something to get a drink?" I nearly laughed, but, biting my lips, I said firmly, "A drink? Yes, if it be poison." The effect was astounding: the man uttered an ejaculation, crossed himself, mounted his box and drove off; the beggars shrank away, stood aloof and exchanged awestruck whispers; only a few liquid-eyed little ragamuffins continued to turn somersets and stand on their heads undismayed.

Half an hour elapsed: the sun was beginning to descend, when the sound of wheels was again heard, and a light wagon with four places and a brisk little horse came rattling down the street. A pleasant-looking fellow jumped down, took off his hat and said he had come to drive us to Perugia. We jumped up joyfully, but I asked the price. "Fifty francs"—a sum about equivalent to fifty dollars in those regions. I smiled and shook my head: he eagerly assured me that this included his buon mano and the cost of the oxen which we should be obliged to hire to drag us up some of the hills. I shook my head again: he shrugged and turned as if to go. My unhappy fellow-traveler started forward: "Give him whatever he asks and let us get away." I sat down again on the steps, saying in Italian, as if in soliloquy, that we should have to go by the train, after all. Then the new-comer cheerfully came back: "Well, signora, whatever you please to give." I named half his price—an exorbitant sum, as I well knew—and in a moment more we were skimming along over the hard, smooth mountain-roads: we heard no more of those mythical beasts the oxen, and in two hours were safe in Perugia.

THE PARADOX

I wish that the day were over,
The week, the month and the year;
Yet life is not such a burden
That I wish the end were near.

And my birthdays come so swiftly
That I meet them grudgingly:
Would it be so were I longing
For the life that is to be?

Nay: the soul, though ever reaching
For that which is out of sight,
Yet soars with reluctant motion,
Since there is no backward flight.

    CHARLOTTE F. BATES.

A NIGHT AT COCKHOOLET CASTLE

I

Cockhoolet was the name of the place: it was a farm of which the Ormistons were and had been tenants for several generations. A father, mother and five olive-branches made up the family. A healthy, happy, united, thriving family they were, and as such much respected. There were two sons and three daughters, the eldest of whom was Bessie, the "Rose of Cockhoolet," as she was called; for that she had all the beauty and sweetness of the rose was generally allowed, although there were people who could not be made to see this—people who were probably idiopts; not idiots—although they might have a streak of idiocy in them, too, perhaps—but idiopts, or persons who were color-blind. None of the young men of the district were color-blind.

The clergyman of the parish in which Cockhoolet was situated, and at whose church the Ormistons attended, was an old man comparatively, whose sermons were old-fashioned, and not given forth with the fire of youth: he was not one you would have expected to be very popular, especially with the young; yet various young men from considerable distances were attracted to his church, and, generally speaking, they settled themselves in pews opposite the gallery in front of which sat Mr. Ormiston and his family. Any person who chanced to be in the vicinity, if of discerning powers, might have been conscious of the electricity in the air. Dull people neither saw nor felt it.

Bessie Ormiston was not dull, but, being a modest girl, she would rather not have been stared at; and, being a good girl, she thought people might be better employed in church: still, she was only a girl, and it would not be the truth to say she was mortally offended. Did the person ever exist who was offended at an honest compliment? If he ever did, he ought to have been fed on sarcasm for the rest of his days.

Not only was Bessie pretty—she was also rich. A grand-uncle had left her five thousand pounds, her brothers and sisters getting only one thousand each. There is no use in asking reasons for this: simply, the Rose was born with a silver spoon in her mouth. Perhaps, indeed, the old man did not know he had so much money, for it was as residuary legatee that Bessie got the five thousand pounds, and it was not thought she would get anything like that: people remarked, in the language of the district, which was apt occasionally to be strong and graphic rather than elegant,—people remarked that "old Ormiston had cut up well." Five thousand charms added to those Bessie already possessed—not to mention that her father was a rich man—made her most miraculously charming: like Tibby Fowler of the Glen, whose perplexities of this kind have been embalmed in song, she had wealth of wooers, and wealth, it is well known, makes wit waver.

It is a saying that an Englishman's house is his castle, but the phrase is understood to be figurative: Mr. Ormiston's house was his castle without a figure. Cockhoolet Castle is very old, at least one part of it is, having been built probably about the year 1400. A more modern part was built in 1527, while the most modern part of all was added in 1726: this last division of it is used as the farm-house. The rooms have been painted and papered in the present style of house decoration, and in the sitting-rooms, in addition to the little old windows, the thick walls have been pierced and a large bow-window put in with fine effect. There are three narrow stone staircases leading up the three divisions of the castle; there are long passages; there are sudden short flights of steps taking you up or down into all manner of cornered rooms; there is a hall which might hold the population of the county. Keeping up one of the spiral staircases, you come out on the roof, round which there is a walk guarded by a low stone coping: should you want to fling yourself over, you have ample opportunity. There are stone sentry-boxes where you can sit hidden from the wind and everything else, and look far and wide over the country, and down into the garden if you can do so without growing giddy. There is also a dungeon tenanted by nothing more subject to suffering than potatoes and other roots, for which it is a most favorable receptable, the walls being so thick and the roof so low that cold cannot get in in winter nor heat in summer: there is only a single narrow slit in the wall for the admission of light, but it is comforting to know that the doomed wretches who inhabited it in past ages had at least a temperate climate.

There is the room Queen Mary Stuart slept in when she occasionally visited in the vicinity. The reader is perhaps not familiar with Queen Mary's name in connection with Cockhoolet Castle, but there may be other facts about her of which he is also ignorant. Does he know, for instance, that she had a daughter by her third marriage, whom, as an infant, she despatched to France to be reared in a nunnery, "that she may not," said the unhappy queen, "run the risk of having such a lot as I have"? Does he know that John Knox was possessed by a mad passion of love for Mary Stuart? It has always been thought otherwise—that in point of fact he held her in contempt; but as it is proverbial that "nippin' and scartin' (figurative of course) is Scotch folks' wooin'," there may be truth in the new discovery. But true or not true, it is enough to make the bold Reformer blush standing on the top of his pillar in the necropolis of Glasgow: perhaps he is blushing, if he were near enough to see.

Be that as it may, there is no manner of doubt that Mary Stuart honored Cockhoolet Castle by abiding under its roof when it suited her to do so. Have not I, the present writer, stood in the room she slept in—looked from the small windows set in the ten-foot thick wall from which she looked? Have I not gazed over the same country, up to the same skies, into the same moon at which she gazed? Could her face be more fair than that of the present Rose of Cockhoolet, her thoughts more innocent, her reveries more sweet, than those of Bessie Ormiston, who in the course of time had succeeded to the room which had been consecrated by royal slumbers?

It is a matter of certainty that Mary Stuart planted a tree fast by Cockhoolet Castle—she would not have been herself if she had not done that—and a magnificent tree it is, very old and quite big enough for its age. The queen must have been fond of planting trees, and, considering the number she planted, it is astonishing how she found time for so many less innocent employments: she must have improved each shining hour, and, poor woman! she had not too many of these.

There is a walk also, called the Lady's Walk, leading away from the castle up a bosky dell, where a burn amuses itself playing at hide-and-seek, but, like a little child, betrays its hiding-places by its voice, and comes out into the light again and laughs at its own joke. Did the queen ever wander here? did she ever "paidle in the burn when summer days were fine"? did its murmur ever soothe her ear? did she ever see her fair face in its pools, or drop bitter tears to mingle and; flow on with its waters?

The burn has kept trotting through the dell for six thousand years, singing its song all the time, and its speed is as good and its voice as clear and musical as when the morning stars sang together and all the sons of God shouted for joy. Many a wild story it could tell if its murmur could be understood; but it is a murmur only—a murmur which crept into the ears of Cæsar's legions, of Queen Mary, of Bessie Ormiston, and will creep into yours, O reader! if you like to go and explore the Lady's Walk, when you can interpret the murmur for yourself, as all your predecessors no doubt did. In days of old it fed the moat, traces of which are to be seen round the castle still, although it has long since been filled up and covered, like the park of which it forms part, with rich natural pasture, soft, thick and velvety. In short, Cockhoolet had everything that a castle ought to have, and wanted nothing that a castle ought not to want, not even a ghost.

It was not the ghost of Mary Stuart: that would have been too shocking—a ghost without a head, or having a head and a broad vivid ray of red encircling its neck. Such a ghost would have made every one who saw it lose his senses. Cockhoolet Castle had a ghost: so much was certain, but hitherto no one had ever either seen or heard it. How, then, was it certain? Why ask a question like that? Is it reasonable to pin a human being down to prove a ghost? Will not presumptive evidence do? Strange things had happened, must have happened, at the castle: is it for a moment to be supposed that these things had happened and all gone scot free?—in other words, that not one of them had left a ghost? It is not to be supposed.

II

It was Christmas Day. Christmas Day is not solemnized and festivalized in Scotland as it is in England; still, the observance of it in some shape is creeping in more and more. It was Christmas, and Mr. and Mrs. Ormiston had gone to be present at a feast from which they were not expected to return till the following day. There were left at home the Rose, as head of the family for the time being; her sisters, Bell and Jessie, supposed to be little girls still, although the supposition made them very indignant; and her two brothers, John and William. A guest aad two servants made up the known inhabitants of the house.

The guest was a young man who had arrived before the heads of the house left, and had been laughingly charged by them to see that the children did not work mischief. He was an old friend of the family; at least as old a friend as he was a man, and she had been in the world a quarter of a century. We shall call him Edwin: that name will do as well as another; indeed, better, for he might not like his own made public. It need hardly be said that among the rest young Edwin loved, and, like his namesake in the ballad, he never talked of love. This might be stupid, but the stupidity which springs from true modesty is not to be classed with the stupidity which springs from want of brains, even when, as is quite likely, the consequences are to the full as disastrous. Now, how is a young lady to understand or bring things to a bearing in a case like this? The Rose could not go up to Edwin and tell him she was not a goddess; neither could she say, "Although I have five thousand pounds—and you know it, and I know that you know it, and you know that I know that you know it—I am quite ready to believe that you love me, and would love me if I hadn't a farthing:" she could not say this, but she thought it, she worried herself thinking over it, and, being a sensible girl with a humble opinion of herself, she came to the conclusion that she had been altogether mistaken—that Edwin did not care for her, at least not as she cared for him, otherwise why should he not say so? "If," she thought—"if I were in his place and he in mine, neither money nor pride, nor anything else, would keep me silent." And the roses in her face deepened in color as she thought of her own silly folly in allowing her feelings to be drawn in, and she determined her folly should cease from that hour; which determination had the effect of bringing sharp, short speeches about Edwin's ears tinged with sarcasm that were meant to convey to him the conviction that she did not care a pin about him; and they answered the purpose admirably.

Love is a fickle game, which they
Whose stakes are deepest worst can play,

Edwin was at Cockhoolet that Christmas Day by the same fatality that causes a moth to hover round a brilliant light; and when her sister told Bessie that Edwin had come and was putting his horse into the stable, she said, "Is Mr. Forrester here again? He must surely be dull at home." But of course she received him with friendly civility.

Edwin employed the forenoon out of doors with the boys and two other visitors. A Mr. and Mrs. Parker arriving unexpectedly, who were anxious to see the castle, the afternoon was spent in going through every part of it from dungeon to roof.

Bessie carried the keys: she was châtelaine, seneschal and cicerone, all rolled in one.

Going up the narrow stairs, the party had to climb Indian file: in the passages they could spread out a little, and in some of the rooms in the uninhabited portion they had to walk circumspectly, as if they were crossing water on stepping-stones, for the flooring was wanting in some places, leaving a stretch of bare rafters. Bessie tripped lightly over them, and then turned to wait for the others. "Don't be frightened," she said: "these rafters are as sound as the day they were laid down. The flooring has not rotted: it must have been taken up for some purpose. They did not know how to scamp work in those days."

"If we fall through, where shall we go?" inquired Mrs. Parker, looking down into what seemed deep mysterious darkness.