The Atlantic Monthly, Volume 04, No. 22, August, 1859

But how shall we describe what is before us? The events open, if we may draw a term from our subject, with a prologue spoken by angels,—

"Peace on earth, and good-will towards men."

There had been Jezebels and Lady Macbeths enough; the memory of David still smelt of blood; the Roman eagles were gorging their beaks on human flesh; and the Samaritan everywhere felt the gnawing, shuddering sense of hatred and scorn. No chorus appears answering to chorus, praising the god of battles, or exulting in the achievements of arms; but the sympathies of Him who was touched with the feeling of our infirmities answer to the wants and woes of the race, and every thoughtful mind ecstatically encores. The inexorable Fate of the Greeks does not appear, but a good Providence interferes, and Heaven smiles graciously upon the scene. There is passion, indeed, grief and sorrow, sin and suffering,—but the tempest-stiller is here, who breathes tranquillity upon the waters, and pours serenity into the turbid deep. The Niobe of humanity, stiff and speechless, with her enmarbled children, that used sometimes to be introduced on the Athenian stage for purposes of terror or pity, is here restored to life, and she renders thanks for her deliverance and participates in the general joy to which the piece gives birth. No murderers of the prophets are hewn in pieces before the Lord; but from the agonies of the cross and the depths of a preternatural darkness, the tender cry is heard, on behalf of the murderers of the Son of God, "Father, forgive them, for they know not what they do!" No Alcestis is exhibited, doomed to destruction to save the life of her husband,—but One appears, moving cheerfully, voluntarily, forwards, to what may be termed the funeral pile of the world, from which, phoenix-like, he rises, and gloriously ascends, drawing after him the hearts, the love, the worship of millions of spectators. The key of the whole piece is Redemption, the spirit that actuates is Love. The chief actors, indeed, are Christ and Man; but innumerable subsidiary personages are the Charities. The elements of a spiritualized existence act their part. Humanity is not changed in its substance, but in its tendencies; the sensibilities exist, but under a divine culture. Stephen is as heroic as Agamemnon, Mary as energetic as Medea. Little children are no longer dashed in pieces,—they are embraced and blessed.

But let us select for attention, and for a conclusion to these remarks, a particular scene. It shall be from Luke. This evangelist has been fabled a painter, and in the apotheosis of the old Church he was made the tutelar patron of that class of artists. If the individuality of his conceptions, the skill of his groupings, and the graphicness gave rise to such an idea, it would seem to have its foundation as well in Nature as in superstition. Matthew has more detail, more thought; Luke is more picturesque, more descriptive. John has more deep feeling; Luke more action, more life. The Annunciation, the Widow of Nain, the Prodigal Son, the Good Samaritan, the Rich Man and Lazarus, and the incident to which we shall presently advert, are found in Luke alone.

The incident in question is the dining of Christ at the house of Simon the Pharisee, and, while they were reclining at meat, the entrance of a woman which was a sinner, who bathes the feet of Jesus with tears, and wipes them with the hair of her head. The place is the city of Nain; the hour noon. The dramatis personae are three,—Jesus, Simon, and the Woman,—and, if we choose to add them, the other guests, who are silent spectators of what transpires.

Let, us consider, first, the Woman. She "was a sinner." This is all, in fact, that we know of her; but this is enough. The term "sinner," in this instance, as in many others, does not refer to the general apostasy in Adam; it is distinctive of race and habit. She was probably of heathen extraction, as she was certainly of a dissolute life. The poetry of sin and shame calls her the Magdalen, and there may be a convenience in permitting this name to stand. The depth of her depravity Christ clearly intimates in his allusion to the debtor who owed five hundred pence, and the language of Simon teaches that the infamy of her life was well understood among the inhabitants of the city. If a foreigner, she had probably been brought into the country by the Roman soldiers and deserted. If a native, she had fallen beneath the ban of respectability, and was an outcast alike from hope and from good society. She was condemned to wear a dress different from that of other people; she was liable at any moment to be stoned for her conduct; she was one whom it was a ritual impurity to touch. She was wretched beyond measure; but while so corrupt, she was not utterly hardened. Incapable of virtue, she was not incapable of gratitude. Weltering in grossness, she could still be touched by the sight of purity. Plunged into extremest vice, she retained the damning horror of her situation. If she had ever striven to recover her lost position, there were none to assist her; the bigotry of patriotism rejected her for her birth,—the scrupulousness of modesty, for her history. The night, that consecrated so many homes and gathered together so many families in innocence and repose, was to her blacker than its own blackness in misery and turpitude; the morning, that radiated gladness over the face of the world, revealed the extent and exaggerated the sense of her own degradation. But the vision of Jesus had alighted upon her; she had seen him speeding on his errands of mercy; she hung about the crowd that followed his steps; his tender look of pity may have sometimes gleamed into her soul. Stricken, smitten, confounded, her yearnings for peace gush forth afresh. It was as if Hell, moved by contrition, had given up its prey,—as if Remorse, tired of its gnawing, felt within itself the stimulus of hope. But how shall she see Jesus? Wherewithal shall she approach him? She has "nothing to pay." She has tears enough, and sorrows enough,—but these are derided by the vain, and suspected by the wise. She has an alabaster box of ointment, which, shut out as she is from honorable gain, must be the product and the concomitant of her guilt. But with these she must go. We see her threading her lonely way through the streets, learning by hints, since she would not dare to learn by questions, where Jesus is, and stops before the vestibule of the elegant mansion of Simon the Pharisee.

Who is Simon the Pharisee? Not necessarily a bad man. We associate whatever is odious in hypocrisy or base in craft with the name Pharisee, while really it was the most distinguished title among the Jews. Many of the Pharisees were hypocrites; not all of them. The name is significant of profession, not of character. He could not have been an unprincipled, villanous man, or he would never have tendered to Jesus the hospitalities of his house. Indeed, Christ allows him, in the sense of moral indebtedness, to owe but fifty pence. He was probably a rich man, which might appear from the generous entertainment he made. He was a respectable man. The sect to which he belonged was the most celebrated and influential among the Jews; and when not debased by positive crime, a Pharisee was always esteemed for his learning and his piety. He had some interest in Christ, either in his mission or his character,—an interest beyond mere curiosity, or he would not have invited him to dine with him. He betrays a sincere friendliness, also, in his apprehension lest Christ should suffer any religious contamination.

The third person in the scene is Christ, who, to speak of him not as theology has interpreted him to us, but as he appeared to the eyes of his contemporaries, was the reputed son of Joseph and Mary, the Bethlehemites; who by his words and deeds had attracted much attention and made some converts; now accused of breaking the Jewish Sabbath, now of plotting against the Roman sovereignty; one who in his own person had felt the full power of temptation, and who had been raised to the grandeur of a transfiguration; so tender he would not bruise the broken reed, so gentle his yoke was rest; raying out with compassion and love wherever he went; healing alike the pangs of grief and the languor of disease; whom some believed to be the Messiah, and others thought a prophet; whom the masses followed, and the priests feared;—this is the third member of the company.

The two last, with the other guests, are engaged at their meal, and in conversation. The door is darkened by a strange figure; all eyes are riveted on the apparition; the Magdalen enters, faded, distressed, with long dishevelled hair. She has no introduction; she says nothing; indeed, in all this remarkable scene she never speaks; her silence is as significant as it is profound. She goes behind the couch where Jesus, according to Oriental custom, is reclined. She drops at his feet; there her tears stream; there the speechless agony of her soul bursts. Observe the workings of the moment. See how those people are affected. Surprise on the part of Simon and his friends turns to scorn, and this shades into indignation. Jesus is calm, collected, and intently thoughtful. The woman is overwhelmed by her situation. The lip of Simon curls, his eye flashes with fire of outraged virtue. Jesus meets his gaze with equal fire, but it is all of pure heavenly feeling. Simon moves to have the vagabond expelled; Christ interrupts the attempt. But the honor of the house is insulted. Yes, but the undying interests of the soul are at stake. But the breath of the woman is ritual poison, and her touch will bring down the curses of the law. But the look of Christ indicates that depth of spirituality before which the institutions of Moses flee away as chaff before the wind. Simon has some esteem for Jesus, and in this juncture his sensations take a turn of pity, spiced, perhaps, with a little contempt, and he says with himself,—"Surely, this man cannot be a prophet, as is pretended, or he would know who and what sort of woman it is that touches him; for she is a sinner; she is unclean and reprobate."

"Simon!" says Jesus, with a tone that pierced to the worthy host's heart, and arrested the force of his pious alarm,—"Simon!"

"Sir, say on," is the reply of the Pharisee, who is awed by this appeal into an humble listener.

Whereupon Jesus relates the story of the two debtors, and, with irresistible strength of illustration and delicacy of application, breaks the prejudice and wins the composure of the Jew. "If, then," he continues, "he loves much to whom much is forgiven, what shall we say of one who loves so much?"

"See," he goes on, pointing to the woman, "See this woman,—this wretch. I entered thy house; thou gavest me no water for my feet; but she has washed my feet with her tears and wiped them with her hair. She kisses my feet; she anoints them with ointment. Wherefore I say unto thee, her sins, which are many, are forgiven; for she loved much."

This scene, however inadequately it may be set forth, contains all that is sublime in tragedy, terrible in guilt, or intense in pathos. The woman represents humanity, or the soul of human nature; Simon, the world, or worldly wisdom; Christ, divinity, or the divine purposes of good to us ward. Simon is an incarnation of what St. Paul calls the beggarly elements; Christ, of spirituality; the woman, of sin. It is not the woman alone,—but in her there cluster upon the stage all want and woe, all calamity and disappointment, all shame and guilt. In Christ there come forward to meet her, love, hope, truth, light, salvation. In Simon are acted out doting conservatism, mean expediency, purblind calculation, carnal insensibility. Generosity in this scene is confronted with meanness, in the attempt to shelter misfortune. The woman is a tragedy herself, such as Aeschylus never dreamed of. The scourging Furies, dread Fate, and burning Hell unite in her, and, borne on by the new impulse of the new dispensation, they come towards the light, they ask for peace, they throng to the heaven that opens in Jesus. Simon embodies that vast array of influences that stand between humanity and its redemption. He is a very excellent, a very estimable man,—but he is not shocked at intemperance, he would not have slavery disturbed, he sees a necessity for war. Does Christ know who and what sort of a woman it is that touches him? Will he defile himself by such a contact? Can he expect to accomplish anything by familiarity with such matters? Why is he not satisfied with a good dinner? "Simon!" "Simon!"

The silence of the woman is wonderful, it is awful. What is most profound, most agitating, most intense cannot speak; words are too little for the greatness of feeling. So Job sat himself upon the ground seven days and seven nights, speechless. Not in this case, as is said of Schiller's Robbers, did the pent volcano find vent in power-words; not in strong and terrible accents was uttered the hoarded wrath of long centuries of misrule and oppression. The volcano, raging, aching, threw itself in silence into the arms of one who could soothe and allay it. The thunder is noisy and harmless. The lightning is silent,—and the lightning splits, kills, consumes. Humanity had muttered its thunder for ages. Its lightning, the condensed, fiery, fatal force of things, leaped from the blackness of sin, threaded with terrific glare the vision of man, and, in the person of the woman, fell hot and blasting at the feet of Jesus, who quenched its fire, and of that destructive bolt made a trophy of grace and a fair image of hope. She could not speak, and so she wept,—like the raw, chilling, hard atmosphere, which is relieved only by a shower of snow. How could she speak, guilty, remorseful wretch, without excuse, without extenuation? In the presence of divine virtue, at the tribunal of judgment, she could only weep, she could only love. But, blessed be Jesus, he could forgive her, he can forgive all. The woman departs in peace; Simon is satisfied; Jesus triumphs; we almost hear the applauses with which the ages and generations of earth greet the closing scene. From the serene celestial immensity that opens above the spot we can distinguish a voice, saying, "This is my beloved Son; hear ye him!"

We speak of these things dramatically, but, after all, they are the only great realities. Everything else is mimetic, phantasmal, tinkling. Deeply do the masters of the drama move us; but the Gospel cleaves, inworks, regenerates. In the theatre, the leading characters go off in death and despair, or with empty conceits and a forced frivolity; in the Gospel, tranquilly, grandly, they are dismissed to a serener life and a nobler probation. Who has not pitied the ravings of Lear and the agonies of Othello? The Gospel pities, but, by a magnificence of plot altogether its own, by preserving, if we may so say, the unities of heaven and earth, it also saves.

Of all common tragedy, we may exclaim, in the words of the old play,—

"How like a silent stream shaded with night,
And gliding softly, with our windy sighs,
Moves the whole frame of this solemnity!"

The Gospel moves by, as a pure river of water of life, clear as crystal, from the throne of God and the Lamb; on its surface play the sunbeams of hope; in its valleys rise the trees of life, beneath the shadows of which the weary years of human passion repose, and from the leaves of the branches of which is exhaled to the passing breeze healing for the nations.

THE RING FETTER

A NEW ENGLAND TRAGEDY

There are long stretches in the course of the Connecticut River, where its tranquil current assumes the aspect of a lake, its sudden bends cut off the lovely reach of water, and its heavily wooded banks lie silent and green, undisturbed, except by the shriek of the passing steamer, casting golden-green reflections into the stream at twilight, and shadows of deepest blackness, star-pierced, at remoter depths of night. Here, now and then, a stray gull from the sea sends a flying throb of white light across the mirror below, or the sweeping wings of a hawk paint their moth-like image on the blue surface, or a little flaw of wind shudders across the water in a black ripple; but except for these casual stirs of Nature, all is still, oppressive, and beautiful, as earth seems to the trance-sleeper on the brink of his grave.

In one of these reaches, though on either side the heavy woods sweep down to the shore and hang over it as if deliberating whether to plunge in, on the eastern bank there is a tiny meadow just behind the tree-fringe of the river, completely hedged in by the deep woods, and altogether hidden from any inland road; nor would the traveller on the river discover it, except for the chimney of a house that peers above the yellow willows and seems in that desolate seclusion as startling as a daylight ghost. But this dwelling was built and deserted and weather-beaten long before the date of our story. It had been erected and inhabited during the Revolution, by an old Tory, who, foreseeing the result of the war better than some of his contemporaries, and being unwilling to expose his person to the chances of battle or his effects to confiscation, maintained a strict neutrality, and a secret trade with both parties; thereby welcoming peace and independence, fully stocked with the dislike and suspicion of his neighbors, and a large quantity of Continental "fairy-money." So, when Abner Dimock died, all he had to leave to his only son was the red house on "Dimock's Meadow," and a ten-acre lot of woodland behind and around the green plateau where the house stood. These possessions he strictly entailed on his heirs forever, and nobody being sufficiently interested in its alienation to inquire into the State laws concerning the validity of such an entail, the house remained in the possession of the direct line, and in the year 18— belonged to another Abner Dimock, who kept tavern in Greenfield, a town of Western Massachusetts, and, like his father and grandfather before him, had one only son. In the mean time, the old house in Haddam township had fallen into a ruinous condition, and, as the farm was very small, and unprofitable chestnut-woodland at that, the whole was leased to an old negro and his wife, who lived there in the most utter solitude, scratching the soil for a few beans and potatoes, and in the autumn gathering nuts, or in the spring roots for beer, with which Old Jake paddled up to Middletown, to bring home a return freight of salt pork and rum.

The town of Greenfield, small though it was, and at the very top of a high hill, was yet the county town, subject to annual incursions of lawyers, and such "thrilling incidents" as arise from the location of a jail and a court-room within the limits of any village. The scenery had a certain summer charm of utter quiet that did it good service with some healthy people of well-regulated and insensitive tastes. From Greenfield Hill one looked away over a wide stretch of rolling country; low hills, in long, desolate waves of pasturage and grain, relieved here and there by a mass of black woodland, or a red farm-house and barns clustered against a hill-side, just over a wooden spire in the shallow valley, about which were gathered a few white houses, giving signs of life thrice a day in tiny threads of smoke rising from their prim chimneys; and over all, the pallid skies of New England, where the sun wheeled his shorn beams from east to west as coldly as if no tropic seas mirrored his more fervid glow thousands of miles away, and the chilly moon beamed with irreproachable whiteness across the round gray hills and the straggling pond, beloved of frogs and mud-turtles, that Greenfield held in honor under the name of Squam Lake.

Perhaps it was the scenery, perhaps the air, possibly the cheapness of the place as far as all the necessaries of life went, that tempted Judge Hyde to pitch his tent there, in the house his fathers had built long ago, instead of wearing his judicial honors publicly, in the city where he attained them; but, whatever the motive might be, certain it is that at the age of forty he married a delicate beauty from Baltimore, and came to live on Greenfield Hill, in the great white house with a gambrel roof and dormer windows, standing behind certain huge maples, where Major Hyde and Parson Hyde and Deacon Hyde had all lived before him.

A brief Northern summer bloomed gayly enough for Adelaide Howard Hyde when she made her bridal tour to her new home; and cold as she found the aspect of that house, with its formal mahogany chairs, high-backed, and carved in grim festoons and ovals of incessant repetition,—its penitential couch of a sofa, where only the iron spine of a Revolutionary heroine could have found rest,—its pinched, starved, and double-starched portraits of defunct Hydes, Puritanic to the very ends of toupet and periwig,—little Mrs. Hyde was deep enough in love with her tall and handsome husband to overlook the upholstery of a home he glorified, and to care little for comfort elsewhere, so long as she could nestle on his knee and rest her curly head against his shoulder. Besides, flowers grew, even in Greenfield; there were damask roses and old-fashioned lilies enough in the square garden to have furnished a whole century of poets with similes; and in the posy-bed under the front windows were tulips of Chinese awkwardness and splendor, beds of pinks spicy as all Arabia, blue hyacinths heavy with sweetness as well as bells, "pi'nies" rubicund and rank, hearts-ease clustered against the house, and sticky rose-acacias, pretty and impracticable, not to mention the grenadier files of hollyhocks that contended with fennel-bushes and scarlet-flowered beans for the precedence, and the hosts of wild flowers that bloomed by wood-edges and pond-shores wherever corn or potatoes spared a foot of soil for the lovely weeds. So in Judge Hyde's frequent absences, at court or conclave, hither and yon, (for the Judge was a political man,) it was his pretty wife's chief amusement, when her delicate fingers ached with embroidery, or her head spun with efforts to learn housekeeping from old Keery, the time-out-of-mind authority in the Hyde family, a bad-humored, good-tempered old maid,—it was, indeed, the little Southerner's only amusement,—to make the polish and mustiness of those dreary front-parlors gay and fragrant with flowers; and though Judge Hyde's sense of the ridiculous was not remarkably keen, it was too much to expect of him that he should do otherwise than laugh long and loud, when, suddenly returning from Taunton one summer day, he tracked his wife by snatches of song into the "company rooms," and found her on the floor, her hair about her ears, tying a thick garland of red peonies, intended to decorate the picture of the original Hyde, a dreary old fellow, in bands, and grasping a Bible in one wooden hand, while a distant view of Plymouth Bay and the Mayflower tried to convince the spectator that he was transported, among other antediluvians, by that Noah's ark, to the New World. On either hand hung the little Flora's great-grandmother-in-law, and her great-grandfather accordingly, Mrs. Mehitable and Parson Job Hyde, peering out, one from a bushy ornament of pink laurel-blossoms, and the other from an airy and delicate garland of the wanton sweet-pea, each stony pair of eyes seeming to glare with Medusan intent at this profaning of their state and dignity. "Isn't it charming, dear?" said the innocent little beauty, with a satisfaction half doubtful, as her husband's laugh went on.

But for every butterfly there comes an end to summer. The flowers dropped from the frames and died in the garden; a pitiless winter set in; and day after day the mittened and mufflered schoolboy, dragging his sled through drifts of heavy snow to school, eyed curiously the wan, wistful face of Judge Hyde's wife pressed up to the pane of the south window, its great restless eyes and shadowy hair bringing to mind some captive bird that pines and beats against the cage. Her husband absent from home long and often, full of affairs of "court and state,"—her delicate organization, that lost its flickering vitality by every exposure to cold,—her lonely days and nights,—the interminable sewing, that now, for her own reasons, she would trust to no hands but her own,—conscious incapacity to be what all the women about her were, stirring, active, hardy housekeepers,—a vague sense of shame, and a great dread of the future,—her comfortless and motherless condition,—slowly, but surely, like frost, and wind, and rain, and snow, beat on this frail blossom, and it went with the rest. June roses were laid against her dark hair and in her fair hands, when she was carried to the lonely graveyard of Greenfield, where mulleins and asters, golden-rod, blackberry-vines, and stunted yellow-pines adorned the last sleep of the weary wife and mother; for she left behind her a week-old baby,—a girl,—wailing prophetically in the square bedroom where its mother died.

Judge Hyde did not marry again, and he named his baby Mehitable. She grew up as a half-orphaned child with an elderly and undemonstrative father would naturally grow,—shy, sensitive, timid, and extremely grave. Her dress, thanks to Aunt Keery and the minister's wife, (who looked after her for her mother's sake,) was always well provided and neat, but no way calculated to cultivate her taste or to gratify the beholder. A district school provided her with such education as it could give; and the library, that was her resort at all hours of the day, furthered her knowledge in a singular and varied way, since its lightest contents were histories of all kinds and sorts, unless one may call the English Classics lighter reading than Hume or Gibbon.

But at length the district-schoolma'am could teach Mehitable Hyde no more, and the Judge suddenly discovered that he had a pretty daughter of fourteen, ignorant enough to shock his sense of propriety, and delicate enough to make it useless to think of sending her away from home to be buffeted in a boarding-school. Nothing was left for him but to undertake her education himself; and having a theory that a thorough course of classics, both Greek and Latin, was the foundation of all knowledge, half a score of dusty grammars were brought from the garret, and for two hours every morning and afternoon little Miss Hitty worried her innocent soul over conjugations and declensions and particles, as perseveringly as any professor could have desired. But the dreadful part of the lessons to Hitty was the recitation after tea; no matter how well she knew every inflection of a verb, every termination of a noun, her father's cold, gray eye, fixed on her for an answer, dispelled all kinds of knowledge, and, for at least a week, every lesson ended in tears. However, there are alleviations to everything in life; and when the child was sent to the garret after her school-books, she discovered another set, more effectual teachers to her than Sallust or the "Graeca Minora," even the twelve volumes of "Sir Charles Grandison," and the fewer but no less absorbing tomes of "Clarissa Harlowe"; and every hour she could contrive not to be missed by Keery or her father was spent in that old garret, fragrant as it was with sheaves of all the herbs that grow in field or forest, poring over those old novels, that were her society, her friends, her world.

So two years passed by. Mehitable grew tall and learned, but knew little more of the outside world than ever; her father had learned to love her, and taught her to adore him; still shy and timid, the village offered no temptation to her, so far as society went; and Judge Hyde was beginning to feel that for his child's mental health some freer atmosphere was fast becoming necessary, when a relentless writ was served upon the Judge himself, and one that no man could evade; paralysis smote him, and the strong man lay prostrate,—became bedridden.

Now the question of life seemed settled for Hitty; her father admitted no nursing but hers. Month after month rolled away, and the numb grasp gradually loosed its hold on flesh and sense, but still Judge Hyde was bedridden. Year after year passed by, and no change for better or worse ensued. Hitty's life was spent between the two parlors and the kitchen; for the room her dead mother had so decorated was now furnished as a bedroom for her father's use; and her own possessions had been removed into the sitting-room next it, that, sleeping or waking, she might be within call. All the family portraits held a conclave in the other front-parlor, and its north and east windows were shut all the year, save on some sultry summer day when Keery flung them open to dispel damp and must, and the school-children stared in reverentially, and wondered why old Madam Hyde's eyes followed them as far as they could see. Visitors came now and then to the kitchen-door, and usurped Keery's flag-bottomed chair, while they gossiped with her about village affairs; now and then a friendly spinster with a budget of good advice called Hitty away from her post, and, after an hour's vain effort to get any news worth retailing about the Judge from those pale lips, retired full of disappointed curiosity to tell how stiff that Mehitable Hyde was, and how hard it was to make her speak a word to one! Friends were what Hitty read of in the "Spectator," and longed to have; but she knew none of the Greenfield girls since she left school, and the only companion she had was Keery, rough as the east wind, but genuine and kind-hearted,—better at counsel than consolation, and no way adapted to fill the vacant place in Hitty's heart.

So the years wore away, and Miss Hyde's early beauty went with them. She had been a blooming, delicate girl,—the slight grace of a daisy in her figure, wild-rose tints on her fair cheek, and golden reflections in her light brown hair, that shone in its waves and curls like lost sunshine; but ten years of such service told their story plainly. When Hitty Hyde was twenty-six, her blue eyes were full of sorrow and patience, when the shy lids let their legend be read; the little mouth had become pale, and the corners drooped; her cheek, too, was tintless, though yet round; nothing but the beautiful hair lasted; even grace was gone, so long had she stooped over her father. Sometimes the unwakened heart within her dreamed, as a girl's heart will. Stately visions of Sir Charles Grandison bowing before her,—shuddering fascinations over the image of that dreadful Lovelace,—nothing more real haunted Hitty's imagination. She knew what she had to do in life,—that it was not to be a happy wife or mother, but to waste by a bedridden old man, the only creature on earth she loved as she could love. Light and air were denied the plant, but it grew in darkness,—blanched and unblooming, it is true, but still a growth upward, toward light.

Ten years more of monotonous patience, and Miss Hyde was thirty-six. Her hair had thinned, and was full of silver threads; a wrinkle invaded either cheek, and she was angular and bony; but something painfully sweet lingered in her face, and a certain childlike innocence of expression gave her the air of a nun; the world had never touched nor taught her.

But now Judge Hyde was dead; nineteen years of petulant, helpless, hopeless wretchedness were at last over, and all that his daughter cared to live for was gone; she was an orphan, without near relatives, without friends, old, and tired out. Do not despise me that I say "old," you plump and rosy ladies whose life is in its prime of joy and use at thirty-six. Age is not counted by years, nor calculated from one's birth; it is a fact of wear and work, altogether unconnected with the calendar. I have seen a girl of sixteen older than you are at forty. I have known others disgrace themselves at sixty-five by liking to play with children and eat sugar-plums!

One kind of youth still remained to Hitty Hyde,—the freshness of inexperience. Her soul was as guileless and as ignorant as a child's; and she was stranded on life, with a large fortune, like a helmless ship, heavily loaded, that breaks from its anchor, and drives headlong upon a reef.

Now it happened, that, within a year after Judge Hyde's death, Abner Dimock, the tavern-keeper's son, returned to Greenfield, after years of absence, a bold-faced, handsome man, well-dressed and "free-handed," as the Greenfield vernacular hath it. Nobody knew where Abner Dimock had spent the last fifteen years; neither did anybody know anything against him; yet he had no good reputation in Greenfield. Everybody looked wise and grave when his name was spoken, and no Greenfield girl cared to own him for an acquaintance. His father welcomed him home with more surprise than pleasure; and the whole household of the Greenfield Hotel, as Dimock's Inn was new-named, learned to get out of Abner Dimock's way, and obey his eye, as if he were more their master than his father.

Left quite alone, without occupation or amusement, Miss Hyde naturally grasped at anything that came in her way to do or to see to; the lawyer who had been executor of her father's will had settled the estate and gone back to his home, and Miss Hyde went with him, the first journey of her life, that she might select a monument for her father's grave. It was now near a year since Judge Hyde's death, and the monument was on its way from Boston; the elder Dimock monopolized the cartage of freight as well as passengers to the next town, and to him Miss Hyde intrusted the care of the great granite pillar she had purchased; and it was for his father that Abner Dimock called on the young lady for directions as to the disposal of the tombstone just arrived. Hitty was in the garden; her white morning-dress shone among the roses, and the morning air had flushed her pale cheek; she looked fair and delicate and gracious; but her helpless ignorance of the world's ways and usages attracted the world-hardened man more than her face. He had not spent a roué life in a great city for nothing; he had lived enough with gentlemen, broken-down and lost, it is true, but well-bred, to be able to ape their manners; and the devil's instinct that such people possess warned him of Hitty Hyde's weakest points. So, too, he contrived to make that first errand lead to another, and still another,—to make the solitary woman depend on his help, and expect his coming; fifty thousand dollars, with no more incumbrance than such a woman, was worth scheming for, and the prey was easily snared.

It is not to be expected that any country village of two streets, much less Greenfield, could long remain ignorant of such a new and amazing phase as the devotion of any man to any woman therein; but, as nobody liked to interfere too soon in what might only be, after all, a mere business arrangement, Greenfield contented itself with using its eyes, its ears, and its tongues, with one exception to the latter organ's clatter, in favor of Hitty Hyde; to her no one dared as yet approach with gossip or advice.

In the mean time Hitty went on her way, all regardless of the seraphs at the gate. Abner Dimock was handsome, agreeable, gentlemanly to a certain lackered extent;—who had cared for Hitty, in all her life, enough to aid and counsel her as he had already done? At first she was half afraid of him; then she liked him; then he was "so good to me!" and then—she pitied him! for he told her, sitting on that hard old sofa, in the June twilight, how he had no mother, how he had been cast upon the charities of a cruel and evil world from his infancy; reminded her of the old red school-house where they had been to school together, and the tyranny of the big boys over him,—a little curly, motherless boy. So he enlarged upon his life; talked a mildly bitter misanthropy; informed Miss Hyde by gradual insinuations that she was an angel sent on earth to console and reform a poor sinner like him; and before the last September rose had droped, so far had Abner Dimock succeeded in his engineering, that his angel was astounded one night by the undeniably terrestrial visitation of an embrace and a respectfully fervid kiss.

Perhaps it would have been funny, perhaps pathetic, to analyze the mixed consternation and delight of Mehitable Hyde at such bonâ-fide evidence of a lover. Poor woman's heart!—altogether solitary and desolate,—starved of its youth and its joy,—given over to the chilly reign of patience and resignation,—afraid of life,—without strength, or hope, or pleasure,—and all at once Paradise dawns!—her cold, innocent life bursts into fiery and odorous bloom; she has found her fate, and its face is keen with splendor, like a young angel's. Poor, deluded, blessed, rapture-smitten woman!

Blame her as you will, indignant maidens of Greenfield, Miss Flint, and Miss Sharp, and Miss Skinner! You may have had ten lovers and twenty flirtations apiece, and refused half-a-dozen good matches for the best of reasons; you, no doubt, would have known better than to marry a man who was a villain from his very physiognomy; but my heart must needs grow tender toward Miss Hyde; a great joy is as pathetic as a sorrow. Did you never cry over a doting old man?

But when Mrs. Smith's son John, a youth of ten, saw, by the light of an incautious lamp that illuminated a part of the south parlor, a good-night kiss bestowed upon the departing Abner by Miss Hitty Hyde and absolutely returned by said Abner, and when John told his mother, and his mother revealed it to Miss Flint, Miss Flint to Miss Skinner, and so forth, and so on, till it reached the minister's wife, great was the uproar in Greenfield; and the Reverend Mrs. Perkins put on her gray bonnet and went over to remonstrate with Hitty on the spot.

Whether people will ever learn the uselessness of such efforts is yet a matter for prophecy. Miss Hyde heard all that was said, and replied very quietly, "I don't believe it." And as Mrs. Perkins had no tangible proofs of Abner Dimock's unfitness to marry Judge Hyde's daughter, the lady in question got the better of her adviser, so far as any argument was concerned, and effectually put an end to remonstrance by declaring with extreme quiet and unblushing front,—

"I am going to marry him next week. Will you be so good as to notify Mr. Perkins?"

Mrs. Perkins held up both hands and cried. Words might have hardened Hitty; but what woman that was not half tigress ever withstood another woman's tears?

Hitty's heart melted directly; she sat down by Mrs. Perkins, and cried, too.

"Please, don't be vexed with me," sobbed she. "I love him, Mrs. Perkins, and I haven't got anybody else to love,—and—and—I never shall have. He's very good to love me,—I am so old and homely."

"Very good!" exclaimed Mrs. Perkins, in great wrath, "good! to marry Judge Hyde's daughter, and—fifty thousand dollars," Mrs. Perkins bit off. She would not put such thoughts into Hitty's head, since her marriage was inevitable.

"At any rate," sighed Hitty, on the breath of a long-drawn sob, "nobody else ever loved me, if I am Judge Hyde's daughter."