The Atlantic Monthly, Volume 12, No. 70, August, 1863

"Upon the carte du jour at Restaurant Sowee was written Grouse. 'How shall we have them?' said I, cook and convive, to Loolowcan, marmiton and convive. 'One of these cocks of the mountain shall be fried, since gridiron is not,' responded I to myself, after meditation; 'two shall be spitted and roasted; and, as Azrael may not want us before breakfast to-morrow, the fourth shall go upon the carte de déjeuner'.

"'O Pork! what a creature thou art!' continued I, in monologue, cutting neat slices of that viand with my bowie-knife, and laying them fraternally, three in a bed, in the frying-pan. 'Blessed be Moses, who forbade thee to the Jews, whereby we, of freer dispensations, heirs of all the ages, inherit also pigs more numerous and bacon cheaper! O Pork! what could campaigners do without thy fatness, thy leanness, thy saltness, thy portableness?'

"Here Loolowcan presented me the three birds, plucked featherless as Plato's man. The two roasters we planted carefully on spits before a sultry spot of the fire. From a horizontal stick, supported on forked stakes, we suspended by a twig over each roaster an automatic baster, an inverted cone of pork, ordained to yield its spicy juices to the wooing flame, and drip bedewing on each bosom beneath. The roasters ripened deliberately, while keen and quick fire told upon the frier, the first course of our feast. Meanwhile I brewed a pot of tea, blessing Confucius for that restorative weed, as I had blessed Moses for his abstinence from porkers.

"Need I say that the grouse were admirable, that everything was delicious, and the Confucian weed first chop? Even a scouse of mouldy biscuit met the approval of Loolowcan. Feasts cooked under the greenwood tree, and eaten by their cooks after a triumphant day of progress, are sweeter than the conventional banquets of languid Christendom."

"Life in the Open Air"—containing sketches of travel among the mountains and lakes of Maine, as well as the story of "Love and Skates," which has been spoken of, "The March of the Seventh Regiment," "Washington as a Camp," an essay descriptive of Church's great picture, "The Heart of the Andes," and two fragments, one of them the charming commencement of a story which promised to be one of his best and most enjoyable efforts in this direction—is the concluding volume of Winthrop's collected writings. I speak of it in this place, because it is in some part a companion-book to the volumes we have been discussing. It is as full of buoyant life, of fresh and noble thought, of graceful wit and humor, as those; in parts it contains the most finished of his literary work. Few Americans who read it at the time will ever forget that stirring description of the march of the New-York Seventh; it is a piece of the history of our war which will live and be read as long as Americans read their history. It moved my blood, in the reading, tonight, as it did in those days—which seem already some centuries old, so do events crowd the retrospect—when we were all reading it in the pages of the "Atlantic." In the unfinished story of "Brightly's Orphan" there is a Jew boy from Chatham Street, an original of the first water, who, though scarce fairly introduced, will, I am sure, make a place for himself and for his author in the memories of all who relish humor of the best kind.

"Cecil Dreeme" and "Edwin Brothertoft" are quite other books than these we have spoken of. Here Winthrop tried a different vein,—two different veins, perhaps. Both are stories of suffering and crime, stories of the world and society. In one it is a woman, in the other a man, who is wronged. One deals with New York city-life of the very present day; the other is a story of the Revolutionary War, and of Tories and Patriots. The popular verdict has declared him successful, even here. "Cecil Dreeme" has run through no less than fifteen editions.

In this story we are shown New York "society" as doubtless Winthrop knew it to be. Yet the book has a curious air of the Old-World; it might be a story of Venice, almost. It tells us of Old-World vices and crimes, and the fittings and furnishings are of a piece. The localities, indeed, are sketched so faithfully, that a stranger to the city, coming suddenly, in his wanderings, upon Chrysalis College Buildings, could not fail to recognize them at once,—as indeed happened to a country friend of mine recently, to his great delight. But the men are Americans, bred and formed—and for the most part spoiled—in Europe; Americans who have gone to Paris before their time, if it be true, what a witty Bostonian said, that good Americans go to Paris when they die. With all this, the book has a strange charm, so that it takes possession of you in spite of yourself. It is as though it drew away the curtain, for one slight moment, from the mysteries which "society" decorously hides,—as though he who drew the curtain stood beside it, pointing with solemn finger and silent indignation to the baseness of which he gives you a glimpse. Yet even here the good carries the day, and that in no maudlin way, but because the true men are the better men.

These, then, are Winthrop's writings,—the literary works of a young man who died at thirty-two, and who had spent a goodly part of his mature life in the saddle and the canoe, exploring his own country, and in foreign travel. As we look at the volumes, we wonder how he found time for so much; but when we have read, we wonder yet more at the excellence of all he wrote. In all and through all shines his own noble spirit; and thus these books of his, whose printed pages he never saw, will keep his memory green amongst us; for, through them, all who read may know that there wrote a true gentleman.

Once he wrote,—

"Let me not waste in skirmishes my power,
In petty struggles. Rather in the hour
Of deadly conflict may I nobly die,
In my first battle perish gloriously."

Even so he fell; but in these written works, as in his gallant death, he left with us lessons which will yet win battles for the good cause of American liberty, which he held dearest in his heart.

HILARY

Hilary,
Summer calls thee, o'er the sea!
Like white flowers upon the tide,
In and out the vessels glide;
But no wind on all the main
Sends thy blithe soul home again:
Every salt breeze moans for thee,
Hilary!

Hilary,
Welcome Summer's step will be,
Save to those beside whose door
Doleful birds sit evermore
Singing, "Never comes he here
Who made every season's cheer!"
Dull the June that brings not thee,
Hilary!

Hilary,
What strange world has sheltered thee?
Here the soil beneath thy feet
Rang with songs, and blossomed sweet;
Blue skies ask thee yet of Earth,
Blind and dumb without thy mirth:
With thee went her heart of glee,
Hilary!

Hilary,
All things shape a sigh for thee!
O'er the waves, among the flowers,
Through the lapse of odorous hours,
Breathes a lonely, longing sound,
As of something sought, unfound:
Lorn are all things, lorn are we,
Hilary!

Hilary,
Oh, to sail in quest of thee,
To the trade-wind's steady tune,
Past the hurrying monsoon,
Into torrid seas, that lave
Dry, hot sands,—a breathless grave,—
Sad as vain the search would be,
Hilary!

Hilary,
Chase the sorrow from the sea!
Summer-heart, bring summer near,
Warm, and fresh, and airy-clear!
—Dead thou art not: dead is pain;
Now Earth sees and sings again:
Death, to hold thee, Life must be,
Hilary!

DEBBY'S DÉBUT

On a cheery June day Mrs. Penelope Carroll and her niece Debby Wilder were whizzing along on their way to a certain gay watering-place, both in the best of humors with each other and all the world beside. Aunt Pen was concocting sundry mild romances, and laying harmless plots for the pursuance of her favorite pastime, match-making; for she had invited her pretty relative to join her summer jaunt, ostensibly that the girl might see a little of fashionable life, but the good lady secretly proposed to herself to take her to the beach and get her a rich husband, very much as she would have proposed to take her to Broadway and get her a new bonnet; for both articles she considered necessary, but somewhat difficult for a poor girl to obtain.

Debby was slowly getting her poise, after the excitement of a first visit to New York; for ten days of bustle had introduced the young philosopher to a new existence, and the working-day world seemed to have vanished when she made her last pat of butter in the dairy at home. For an hour she sat thinking over the good-fortune which had befallen her, and the comforts of this life which she had suddenly acquired. Debby was a true girl,—with all a girl's love of ease and pleasure; and it must not be set down against her that she surveyed her pretty travelling-suit with much complacency, rejoicing inwardly that she could use her hands without exposing fractured gloves, that her bonnet was of the newest mode, needing no veil to hide a faded ribbon or a last year's shape, that her dress swept the ground with fashionable untidiness, and her boots were guiltless of a patch,—that she was the possessor of a mine of wealth in two of the eight trunks belonging to her aunt, that she was travelling like any lady of the land with man-and maid-servant at her command, and that she was leaving work and care behind her for a month or two of novelty and rest.

When these agreeable facts were fully realized, and Aunt Pen had fallen asleep behind her veil, Debby took out a book, and indulged in her favorite luxury, soon forgetting past, present, and future in the inimitable history of Martin Chuzzlewit. The sun blazed, the cars rattled, children cried, ladies nodded, gentlemen longed for the solace of prohibited cigars, and newspapers were converted into sun-shades, nightcaps, and fans; but Debby read on, unconscious of all about her, even of the pair of eyes that watched her from the opposite corner of the car. A gentleman with a frank, strong-featured face sat therein, and amused himself by scanning with thoughtful gaze the countenances of his fellow-travellers. Stout Aunt Pen, dignified even in her sleep, was a "model of deportment" to the rising generation; but the student of human nature found a more attractive subject in her companion, the girl with an apple-blossom face and merry brown eyes, who sat smiling into her book, never heeding that her bonnet was awry, and the wind taking unwarrantable liberties with her ribbons and her hair.

Innocent Debby turned her pages, unaware that her fate sat opposite in the likeness of a serious, black-bearded gentleman, who watched the smiles rippling from her lips to her eyes with an interest that deepened as the minutes passed. If his paper had been full of anything but "Bronchial Troches" and "Spalding's Prepared Glue," he would have found more profitable employment; but it wasn't, and with the usual readiness of idle souls he fell into evil ways, and permitted curiosity, that feminine sin, to enter in and take possession of his manly mind. A great desire seized him to discover what book so interested his pretty neighbor; but a cover hid the name, and he was too distant to catch it on the fluttering leaves. Presently a stout Emerald-Islander, with her wardrobe oozing out of sundry paper parcels, vacated the seat behind the two ladies; and it was soon quietly occupied by the individual for whom Satan was finding such indecorous employment. Peeping round the little gray bonnet, past a brown braid and a fresh cheek, the young man's eye fell upon the words the girl was reading, and forgot to look away again. Books were the desire of his life; but an honorable purpose and an indomitable will kept him steady at his ledgers till he could feel that he had earned the right to read. Like wine to many another was an open page to him; he read a line, and, longing for more, took a hasty sip from his neighbor's cup, forgetting that it was a stranger's also.

Down the page went the two pairs of eyes, and the merriment from Debby's seemed to light up the sombre ones behind her with a sudden shine that softened the whole face and made it very winning. No wonder they twinkled, for Elijah Pogram spoke, and "Mrs. Hominy, the mother of the modern Gracchi, in the classical blue cap and the red cotton pocket-handkerchief, came down the room in a procession of one." A low laugh startled Debby, though it was smothered like the babes in the Tower; and, turning, she beheld the trespasser scarlet with confusion, and sobered with a tardy sense of his transgression. Debby was not a starched young lady of the "prune and prism" school, but a frank, free-hearted little body, quick to read the sincerity of others, and to take looks and words at their real value. Dickens was her idol; and for his sake she could have forgiven a greater offence than this. The stranger's contrite countenance and respectful apology won her good-will at once; and with a finer courtesy than any Aunt Pen would have taught, she smilingly bowed her pardon, and, taking another book from her basket, opened it, saying, pleasantly,—

"Here is the first volume, if you like it, Sir. I can recommend it as an invaluable consolation for the discomforts of a summer day's journey, and it is heartily at your service."

As much surprised as gratified, the gentleman accepted the book, and retired behind it with the sudden discovery that wrong-doing has its compensation in the pleasurable sensation of being forgiven. Stolen delights are well known to be specially saccharine; and much as this pardoned sinner loved books, it seemed to him that the interest of the story flagged, and that the enjoyment of reading was much enhanced by the proximity of a gray bonnet and a girlish profile. But Dickens soon proved more powerful than Debby, and she was forgotten, till, pausing to turn a leaf, the young man met her shy glance, as she asked, with the pleased expression of a child who has shared an apple with a playmate,—

"Is it good?"

"Oh, very!"—and the man looked as honestly grateful for the book as the boy would have done for the apple.