The Knickerbocker, or New-York Monthly Magazine, March 1844

The glad, verdant bloom of the soul;
Thee absent, our pleasures take wing,
And Sorrow usurps her control.

ISABEL

Hush! her face is chill,
And the summer blossom.
Motionless and still,
Lieth on her bosom.
On her shroud so white,
Like snow in winter weather,
Her marble hands unite,
Quietly together.

How like sleep the spell
On her lids that falleth!
Wake, sweet Isabel!
Lo! the morning calleth.
How like Sleep!—’tis Death!
Sleep’s own gentle brother;
Heaven holds her breath—
She is with her mother!

ONE READING FROM TWO POETS

——My imagination
Carries no favor in it but Bertram’s.
I am undone; there is no living, none,
If Bertram be away.

    Shakspeare.

Should God create another Eve and I
Another rib afford, yet loss of thee
Would never from my heart.

    Milton.

I have this evening, while seated in my lonely chamber, ventured—not, I hope, with profane hands—to draw one inappreciable gem from out of the carcanet of each of the two unrivalled masters of the poetry of our language. I was curious to see the effect to be produced by a close juxtaposition of these two exquisite specimens of the soul’s light; of the revealment of its original genius; of the intense brilliancy of its Truth, falling as it does in one ray upon two objects so diverse in their character as the virgin love of the retired and comparatively humble but devoted Helena, and the married constancy of the Father of our race.

The effect reminds me of an échappée de lumière that I once beheld in the gallery of the Vatican, when a sudden emergence of light brightened with the same gleam the calm face of the Virgin of the clouds, (called di Foligno,) and at the same instant illuminated the whole principal figure in the Transfiguration of Raffaelle; floating as it does, and tending almost with a movement upward, in the air of ‘the high mountain’ where the miracle took place–as these two grand paintings then stood, side by side, in the solemn, in the holy quiet of that lofty and sequestered apartment. O moment! never to be forgotten, never to be obscured by any lapse of after time!

And thus, although in a less palpable world, do these two passages of immortal verse, wearing each its beam of golden light, stand in their effulgence before the sympathies of the observer alive to the charms and influences of moral beauty! Surely no other poet has the world produced comparable to Shakspeare for the revelation of the love of the yet unwedded girl; and who is there to be named with Milton, in the tenderness and truth with which he has touched upon conjugal relationship; and that necessity, that inappeasable requirement of intercommunion that accompanies, as its immediate consequence, the sacrament of the nuptial rite where there is destined to exist the real, the progressive, the indissoluble intermarriage of soul with soul!

How effectually and with what truth does the dramatic Bard raise the veil and exhibit to us the imagination of this retired girl, bred up in all the deep earnestness of mind that a country life and comparative seclusion could induce, dwelling and brooding over the form of one individual brought into intimate association with her, ‘seeing him every hour’ where she had little else to interest her, nor any thing to contemplate, but, as she says,

‘sit and draw
His archéd brows, his hawking eye, his curls,
In our heart’s table; heart too capable
Of every trick and line of his sweet favour.

·····

——it hurts not him
That he is loved of me: I follow him not
With any token of presumptuous suit.
I know I love in vain, strive against hope,
Yet, in this captious and intenible sieve,
I still pour in the waters of my love
And lack not to love still.’

Behold her as she sits, the beautiful creation!—delighting to magnify the qualities of the idol of her affections and to depreciate herself in the comparison; overlooking, perhaps incapable of once imagining the thought of his harsh and selfish and impracticable nature, and constantly endowing him with all the fresher breathings of her spiritual existence—like the Rainbow of the Waterfall, that clothes, with its own celestial dyes, the dark and shapeless mass of Rock upon whose bosom it appears to dwell! faltering, trembling, quivering, fading, disappearing; returning, resting;—glowing, yet never dazzling; liquid, yet sustained!

‘It were all one
That I should love a bright particular star
And seek to wed it, he is so above me:
In his bright radiance and collateral light
Must I be comforted, not in his sphere.
The hind that would be mated by the lion
Must die for love!

This is the way in which these precious irradiations of joy beam and hover over man; startled and frightened often out of the presence even of his image while they thus adorn and decorate him; and then they love him for what they fondly dream to be the halo of his proper spirit; for the light and tenderness, the purity, the gentleness, the refinement and grace, that have their life and element and colour, only in the deep yet overflowing heart of Woman in her Love!

But then comes Wedlock; and often, with wedlock, comes marriage; or succeeds it; the marriage that God bestowed on man in Eve, when, according to that scriptural and exquisite conception, they twain become one. When the Rock shall as by a miracle receive into all its crevices, interstices, and pores, the beautiful existence that has played upon it! When the soul of man opens at every noble passion in succession and at every pulse, to embrace, imbibe, absorb, receive, possess, acquire, the being that we call Woman! finds her in every former want, or present wish, or bright, or unfrequented passage of the soul; now all occupied, all satisfied by her; fancies thoughts to be his thoughts which are her thoughts; and blesses himself, when he discovers it, that imaginations in themselves so sweet, should in some visit of her delicate spirit have been breathed into his Essence from a source so pure! is near her, when distant; is present with her, when absent; converses with her, without words; gazes upon her, without sight; listens to her, without sound; watches her, without motion; and has not yet lost her balmy presence when Death shall long have removed forever that precious image from his corporal sense. This is Marriage.

Out of this state descends that profound expression of the soul in Milton, (God make us thankful for him!) when he intends the verb that he escapes in the passage that adorns my Essay, should be supplied by a pulsation in the breast of Eve:

‘yet loss of thee
Would never—from my heart.’

Would never?—would never be torn, out-rooted, obliterated, banished, extinguished, forgotten, diminished, obscured, from his heart. The throb of her spirit is to supply the word, or mould the thought, and vivify the pause so as to satisfy her full affection to its utmost contentment and desire. This is marriage. This is attainment to that state of more perfect existence which terrestrial life procures for the soul of man, never thenceforth in all its future changes to be lost. The incorporeal mingling, the mystical union of two varied emanations of life; as Light and Heat intermarry in their offset and passage from the sun; and Truth and Love from the breast of The Ineffable!

How can I live without thee! how forego
Thy sweet converse and love so dearly join’d
To live again in these wild woods forlorn?
Should God create another Eve and I
Another rib afford, yet loss of thee
Would never from my heart: no, no, I feel
The link of nature draw me.
Bone of my bone thou art and from thy state
Mine never shall be parted, bliss or woe.

And shall the passage of one such soul across the mere brook of Death dissolve affiances so deep, so latent, and so pure as this? This Life of Life, is it to be so suddenly quenched in man, and man himself continue to exist? Shall the soul that lingers here still retaining its identity lose that which has chiefly formed for it a distinctive being? Or entering into a happier state of existence shall it be dispossessed of all that treasure of recollection and delight on which its joys and hopes have been so largely founded? These long remembrances of mutual beneficence and good, these intertwining and interwoven affections, and the unbounded and mingling love of their common offspring, shall these all perish and the soul itself yet be styled immortal? Or,—shall the first-gone spirit meet its arriving mate upon the border of that further shore, bless it with the radiant welcome of celestial companionship and guidance, and lead it on to higher virtue in a happier state, as it hath beamed upon it and in part educated it on Earth?–Doubt this not, my Heart! Doubt this not, my Soul!

    John Waters.

WHERE IS THE SPIRIT-WORLD?

BY A NEW CONTRIBUTOR