ANNE OF GEIERSTEIN
[As Sir Walter Scott's new work has not reached us in time to enable us to fill in the outline of the story in our present Number, we give a few sketchy extracts, or portraits,—such as will increase the interest for the appearance of the Narrative.
There are some admirable specimens of Swiss scenery, which have the effect of sublime painting: witness the following attempt of two travellers, father and son, who with their guide, are bewildered in the mountains by a sudden storm. The younger attempts to scale a broken path on the side of the precipice:]
Thus estimating the extent of his danger by the measure of sound sense and reality, and supported by some degree of practice in such exercise, the brave youth went forward on his awful journey, step by step, winning his way with a caution, and fortitude, and presence of mind, which alone could have saved him from instant destruction. At length he gained a point where a projecting rock formed the angle of the precipice, so far as it had been visible to him from the platform. This, therefore, was the critical point of his undertaking; but it was also the most perilous part of it. The rock projected more than six feet forward over the torrent, which he heard raging at the depth of a hundred yards beneath, with a noise like subterranean thunder. He examined the spot with the utmost care, and was led by the existence of shrubs, grass, and even stunted trees, to believe that this rock marked the farthest extent of the slip, or slide of earth, and that, could he but round the angle of which it was the termination, he might hope to attain the continuation of the path which had been so strangely interrupted by this convulsion of nature. But the crag jutted out so much as to afford no possibility of passing either under or around it; and as it rose several feet above the position which Arthur had attained, it was no easy matter to climb over it. This was, however, the course which he chose, as the only mode of surmounting what he hoped might prove the last obstacle to his voyage of discovery. A projecting tree afforded him the means of raising and swinging himself up to the top of the crag. But he had scarcely planted himself on it, had scarcely a moment to congratulate himself, on seeing, amid a wild chaos of cliffs and woods, the gloomy ruins of Geierstein, with smoke arising, and indicating something like a human habitation beside them, when, to his extreme terror, he felt the huge cliff on which he stood tremble, stoop slowly forward, and gradually sink from its position. Projecting as it was, and shaken as its equilibrium had been by the recent earthquake, it lay now so insecurely poised, that its balance was entirely destroyed, even by the addition of the young man's weight. Aroused by the imminence of the danger, Arthur, by an instinctive attempt at self-preservation, drew cautiously back from the falling crag into the tree by which he had ascended, and turned his head back as if spell-bound, to watch the descent of the fatal rock from which he had just retreated. It tottered for two or three seconds, as if uncertain which way to fall; and had it taken a sidelong direction, must have dashed the adventurer from his place of refuge, or borne both the tree and him headlong down into the river. After a moment of horrible uncertainty, the power of gravitation determined a direct and forward descent. Down went the huge fragment, which must have weighed at least twenty tons, rending and splintering in its precipitate course the trees and bushes which it encountered, and settling at length in the channel of the torrent, with a din equal to the discharge of a hundred pieces of artillery. The sound was re-echoed from bank to bank, from precipice to precipice, with emulative thunders; nor was the tumult silent till it rose into the region of eternal snows, which, equally insensible to terrestrial sounds, and unfavourable to animal life, heard the roar in their majestic solitude, but suffered it to die away without a responsive voice.
The solid rock had trembled and rent beneath his footsteps; and although, by an effort rather mechanical than voluntary, he had withdrawn himself from the instant ruin attending its descent, he felt as if the better part of him, his firmness of mind and strength of body, had been rent away with the descending rock, as it fell thundering, with clouds of dust and smoke, into the torrents and whirlpools of the vexed gulf beneath. In fact, the seaman swept from the deck of a wrecked vessel, drenched in the waves, and battered against the rocks on the shore, does not differ more from the same mariner, when, at the commencement of the gale, he stood upon the deck of his favourite ship, proud of her strength and his own dexterity, than Arthur, when commencing his journey, from the same Arthur, while clinging to the decayed trunk of an old tree, from which, suspended between heaven and earth, he saw the fall of the crag which he had so nearly accompanied. The effects of his terror, indeed, were physical as well as moral, for a thousand colours played before his eyes; he was attacked by a sick dizziness, and deprived at once of the obedience of those limbs which had hitherto served him so admirably; his arms and hands, as if no longer at his own command, now clung to the branches of the tree, with a cramp-like tenacity, over which he seemed to possess no power, and now trembled in a state of such complete nervous relaxation, as led him to fear that they were becoming unable to support him longer in his position.
[We must leave the reader here, although in dire suspense—and we regret to do so, because a beautiful incident follows—to give the following exquisite sketch of the heroine—a Swiss maiden. We will endeavour to connect these passages with our abridgment of the narrative.]
An upper vest, neither so close as to display the person—a habit forbidden by the sumptuary laws of the canton—nor so loose as to be an encumbrance in walking or climbing, covered a close tunic of a different colour, and came down beneath the middle of the leg, but suffered the ancle, in all its fine proportions, to be completely visible. The foot was defended by a sandal, the point of which was turned upwards, and the crossings and knots of the strings which secured it on the front of the leg were garnished with silver rings. The upper vest was gathered round the middle by a sash of parti-coloured silk, ornamented with twisted threads of gold; while the tunic, open at the throat, permitted the shape and exquisite whiteness of a well-formed neck to be visible at the collar, and for an inch or two beneath. The small portion of the throat and bosom thus exposed was even more brilliantly fair than was promised by the countenance, which last bore some marks of having been freely exposed to the sun and air—by no means in a degree to diminish its beauty, but just so far as to show that the maiden possessed the health which is purchased by habits of rural exercise. Her long, fair hair fell down in a profusion of curls on each side of a face whose blue eyes, lovely features, and dignified simplicity of expression, implied at once a character of gentleness, and of the self-relying resolution of a mind too virtuous to suspect evil, and too noble to fear it. Above these locks beauty's natural and most beseeming ornament—or rather, I should say, amongst them—was placed the small bonnet, which, from its size, little answered the purpose of protecting the head, but served to exercise the ingenuity of the fair wearer, who had not failed, according to the prevailing custom of the mountain maidens, to decorate the tiny cap with a heron's feather, and the then unusual luxury of a small and thin chain of gold, long enough to encircle the cap four or five times, and having the ends secured under a broad medal of the same costly metal. I have only to add, that the stature of the young person was something above the common size, and that the whole contour of her form, without being in the slightest degree masculine, resembled that of Minerva, rather than the proud beauties of Juno, or the yielding graces of Venus. The noble brow, the well-formed and active limbs, the firm and yet light step; above all, the total absence of any thing resembling the consciousness of personal beauty, and the open and candid look, which seemed desirous of knowing nothing that was hidden, and conscious that she herself had nothing to hide, were traits not unworthy of the goddess of wisdom and of chastity.
THE SELECTOR, AND LITERARY NOTICES OF NEW WORKS
FRENCH COOKERY AND CONFECTIONERY
Monsieur Ude, who is, unquestionably, the prince of gastronomers, has just published the tenth edition of his French Cook, of which, line upon line, we may say, Decies repelita placebit; and Jarrin, the celebrated artiste en sucre, has also revised his Italian Confectioner, in a fourth edition. We should think both these works must be the literary furniture of every good kitchen, or they ought to be; for there is just enough of the science in them to make them extremely useful, whilst all must allow them to be entertaining.
A few years ago, Mrs. Glasse ruled the roast of cookery, and not a stew was made without consulting her invaluable book. Whilst we were embroiled in war, her instructions were standing orders, but with the peace came a host of foreign luxuries and fashions, among these, Cookery from France. Hence the French system became introduced into the establishments of the wealthy of this country, to which may be attributed the sale of nine editions of M. Ude's work; for it is strictly what it professes to be, "A System of Fashionable and Economical Cookery, adapted to the use of English Families." The tenth edition, before us, is a bulky tome of about 500 pages, with an appendix of observations on the meals of the day; mode of giving suppers at Routs and soirées, as practised when the author was in the employ of Lord Sefton; and above all, a brief history of the rise and progress of Cookery, from an admirable French treatise. This is literally the sauce piquante of the volume, and we serve a little to our readers:—
It appears that the science of Cookery was in a very inferior state under the first and second race of the French kings. Gregory of Tours has preserved the account of a repast of French warriors, at which, in this refined age, we should be absolutely astounded. According to Eginhard, Charlemagne lived poorly, and ate but little—however, this trait of resemblance in Charlemagne and Napoleon, the modern Eginhards have forgotten in their comparison of these two great men. Philippe le Bel was hardly half an hour at table, and Francis I. thought more of women than of eating and drinking; nevertheless, it was under this gallant monarch that the science of gastronomy took rise in France.
Few have heard the name of Gonthier d'Andernach. What Bacon was to philosophy, Dante and Petrarch to poetry, Michael Angelo and Raphael to painting, Columbus and Gama to geography, Copernicus and Galileo to astronomy, Gonthier was in France to the art of cookery. Before him, their code of eating was formed only of loose scraps picked up here and there; the names of dishes were strange and barbarous, like the dishes themselves.
Gonthier is the father of cookery, as Descartes, of French philosophy. It is said that Gonthier, in less than ten years, invented seven cullises, nine ragoûts, thirty-one sauces, and twenty-one soups.
A woman opened the gates of an enlightened age; it was Catherine, the daughter of the celebrated Lorenzo de Medici, niece of Leo the Tenth, then in all the bloom of beauty. Accompanied by a troop of perfumers, painters, astrologers, poets, and cooks, she crossed the Alps, and whilst Bullan planned the Tuileries, Berini recovered from oblivion those sauces which, for many ages, had been lost. Endowed with all the gifts of fortune, the mother and the wife of kings, nature had also gifted her with a palate, whose intuitive sensibility seldom falls to the lot of sovereigns. In consequence of which, after having driven before her this troop of male and female soothsayers, who pretended to foretel the future, she consulted her maître d'hôtel, about some roast meat brought from luxurious Florence; and dipped in a rich sauce the same hand that held the reins of the empire, and which Roussard compared to the rosy fingers of Aurora! Let the foolish vulgar laugh at the importance which the queen-mother seems to place in the art of cooking; but they have not considered that it is at table, in the midst of the fumes of Burgundy, and the savoury odour of rich dishes, that she meditated the means of quelling a dangerous faction, or the destruction of a man, who disturbed her repose. It was during dinner she had an interview with the Duke of Alba, with whom she resolved on the massacre of St. Bartholomew.
Not long after the massacre of St. Bartholomew the throne was occupied by Henry de Valois, brother to Charles the Ninth, and son of Catherine. He was a prince of good appetite, a lover of wine and good cheer, qualities which his mother had carefully fostered and cultivated, that she alone might hold the reigns of government. Henry de Valois spent whole days at table, and the constellations of the kitchen shone with the greatest splendour under this gourmand king. We date from the beginning of his reign the invention of the fricandeau, generally attributed to a Swiss. Now the fricandeau having its Columbus, its discovery appears not more wonderful than that of America, and yet it required une grande force de tête.
Though we acknowledge the immense influence this monarch had over cookery, we must not conceal that he brought in fashion aromatic sauces, tough macaroni, cullises, and brown sauces calcined by a process like that of roasted coffee. These sauces gave the dishes a corrosive acidity, and as Jourdan le Cointe remarks, far from nourishing the body, communicated to it a feverish sensation, which baffled all the skill of physicians, in their attempts to cure it. They were positive poisons which the Italians had introduced into France, a taste for which spread through every class of society.
Under the reign of Henry III. a taste for warm drinks was joined to that of spicy dishes. Hippocrates recommends hot water in fevers, Avicenna in consumption, Trallien in phrensy, Plato in loathings, AEtius in strangury,—whence we conclude that warm water, having so many different qualities, must have been a very useful article at table, had it only been to assist digestion, considering that people ate copiously in the reign of the Valois. They made not one single repast without a jug full of hot water, and even wine was drunk lukewarm.
If the poor have preserved the memory of Henry IV., we cannot say as much of his cooks. That monarch did nothing for them;—either Nature had not endowed him with a good appetite, (for what prince ever was perfect,) or he looked upon them, as, in the last century, we looked upon soups, as things of hardly any use; but in return they also did nothing for him.
It is very remarkable, that in France, where there is but one religion, the sauces are infinitely varied, whilst in England, where the different sects are innumerable, there is, we may say, but one single sauce. Melted butter, in English cookery, plays nearly the same part as the Lord Mayor's coach at civic ceremonies, calomel in modern medicine, or silver forks in the fashionable novels. Melted butter and anchovies, melted butter and capers, melted butter and parsley, melted butter and eggs, and melted butter for ever: this is a sample of the national cookery of this country. We may date the art of making sauces from the age of Louis XIV. Under Louis XIII. meat was either roasted or broiled: every baker had a stove where the citizen, as well as the great lord, sent his meat to be dressed; but, by degrees, they began to feel the necessity of sauces.
It appears that the great wits of the age of Louis XIV. had not that contempt for cookery which some idealists of our days affect to have. Boileau has described a bad repast like a man who has often seen better; he liked the pleasures of the table, which have never been incompatible with the gifts of genius, or the investigations of the understanding. "I cannot conceive," says Doctor Johnson, "the folly of those, who, when at table, think of every thing but eating; for my part, when I am there I think of nothing else; and whosoever does not trouble himself with this important affair at dinner, or supper, will do no good at any other time." Boswell affirms that he never knew a man who dispatched a dinner better than the great moralist. But what avails it to defend cooks and gourmands? It is an axiom in political economy, according to Malthus, that he who makes two blades of grass grow, where before there was but one, ought to be considered as the benefactor of his country, and of mankind. Is not this a service which the epicure and the cook every day do their country? Addison thought differently from Johnson on this subject: "Every time," says he, "that I see a splendid dinner, I fancy fever, gout, and dropsy, are lying in ambush for me, with the whole race of maladies which attack mankind: in my opinion an epicure is a fool." What does this blustering of Addison prove? Boswell also asserts, that Addison often complained of indigestion. And in the present times, the first chemist of the day, Sir Humphry Davy, passes for a finished gourmand.
Roasting, boiling, frying, broiling, do not alone constitute the arc of cooking, otherwise the savage of the Oronoco might be maître d'hôtel with Prince Esterhazy.
The science of gastronomy made great progress under Louis XV., a brilliant epoch for the literature of gastronomy: together with the fashions, customs, freedom of opinion, and taste for equipages and horses brought from Great Britain—some new dishes taken from the culinary code of this country, such as puddings and beef-steaks, were also introduced into France. Thanks to the increasing progress and discoveries in chemistry, and to the genius of our artists, the art of cookery rose to the greatest height towards the end of the last century. What a famous age was that of Mezelier, l'Asne, Jouvent, Richaud, Chaud, and Robert.
History will never forget that great man, who aspired to all kinds of glory, and would have been, if he had wished, as great a cook as he was a statesman—I mean the Prince de Talleyrand, who rekindled the sacred flame in France. The first clouds of smoke, which announced the resurrection of the science of cookery in the capital, appeared from the kitchen of an ancient bishop.
A revolution like the French, which presented to their eyes such terrible spectacles, must have left some traces in their physical or intellectual constitution. At the end of this bloody drama, the mind, bewildered by the late dreadful scenes, was unable to feel those sweet and peaceable emotions, in which it had formerly delighted; as the palate, having long been at rest, and now become blunted, must require high-seasoned dishes, to excite an appetite. The reign of the Directory, therefore is that of Romances à la Radcliffe, as well as of Sauces à la Provençale. Fortunately, the eighth of Brumaire pulled down the five Directors, together with their saucepans.
Under the Consulship, and during the empire, the art of cooking, thanks to the labours of Beauvilliers, Balaine, and other artists, made new and remarkable improvements. Among the promoters of the gastric science, the name of a simple amateur makes a distinguished figure—it is Grisnod de la Reynière, whose almanac the late Duke of York called the most delightful book that ever issued from the press. We may affirm, that the Almanach des Gourmands made a complete revolution in the language and usages of the country.
We are yet too near the restoration to determine the degree of influence it had on cookery in France. The restoration has introduced into monarchy the representative forms friendly to epicurism, and in this respect it is a true blessing—a new era opened to those who are hungry.
M. Jarrin's fourth edition contains upwards of 500 receipts in Italian confectionery, with plates of improvements, &c. like a cyclopaedian treatise on mechanics; and when our readers know there are "seven essential degrees of boiling sugar," they will pardon the details of the business of this volume. The "degrees" are—1. Le lissé, or thread, large or small; 2. Le perlé, or pearl, le soufflet, or blow; 4. La plume, the feather; 5. Le boulet, the ball, large or small; 6. Le cassé, the crack; and, 7. the caramel. So complete is M. Jarrin's system of confectionery, that he is "independent of every other artist;" for he even explains engraving on steel and on wood. What a host of disappointments this must prevent!
If we look further into, or "drink deep" of the art of confectionery, we shall find it to be a perfect Microcosm—a little creation; for our artist talks familiarly of "producing picturesque scenery, with trees, lakes, rocks, &c.; gum paste, and modelling flowers, animals, figures, &c." with astonishing mimic strife. We must abridge one of these receipts for a "Rock Piece Montée in a lake."
"Roll out confectionery paste, the size of the dish intended to receive it; put into a mould representing your pond a lining of almond paste, coloured pale pink, and place in the centre a sort of pedestal of almond paste, supported by lumps of the same paste baked; when dry put it into the stove. Prepare syrup to fill the hollow of the lake, to represent the water; having previously modelled in gum paste little swans, place them in various parts of the syrup; put it into the stove for three hours, then make a small hole through the paste, under your lake, to drain off the syrup; a crust will remain with the swans fixed in it, representing the water. Next build the rock on the pedestal with rock sugar, biscuits, and other appropriate articles in sugar, fixed to one another, supported by the confectionery paste you have put in the middle, the whole being cemented together with caramel, and ornamented. The moulding and heads should then be pushed in almond paste, coloured red; the cascades and other ornaments must be spun in sugar."
These are, indeed, romantic secrets. Spinning nets and cages with sugar is another fine display of confectionery skill—we say nothing of the nets and cages which our fair friends are sometimes spinning—for the sugar compared with their bonds—are weak as the cords of the Philistines.
THE NATURALIST
ROOKS
We glean the following interesting facts from the Essex Herald, as they merit the record of a Naturalist.
"The voracious habits of the rook, and the vast increase of these birds of late years in certain parts of Essex, has been productive of great mischief, especially in the vicinity of Writtle and of Waltham. Since February last, notwithstanding a vigilant watch, the rooks have stolen sets of potatoes from a considerable breadth of ground at Widford Hall. On the same farm, during the sowing of a field of 16 acres with peas, the number of rooks seen at one time on its surface has been estimated at 1,000, which is accounted for by there being a preserve near, which, at a moderate computation, contains 1,000 nests. But the damage done by rooks at Navestock and Kelvedon Hatch, and their vicinities, within a small circle, has been estimated at £2,000. annually. Many farmers pay from 8s. to 10s. per week, to preserve their seed and plants by watching; but notwithstanding such precautions, acre after acre of beans, when in leaf and clear from the soil, have been pulled up, and the crop lost. The late hurricane proved some interruption to their breeding; and particularly at the estate of Lord Waldegrave, at Navestock, where the young ones were thrown from their nests, and were found under trees in myriads; the very nests blown down, it is said, would have furnished the poor with fuel for a short period."
The writer attributes this alarming increase of rooks to "a desire on the part of gentlemen to cause them to be preserved with the same watchfulness they do their game." The most effectual means of deterring the rook from their depredations, is, he says, "to obtain several of these birds at a period of the year when they can be more easily taken; then cut them open, and preserve them by salt. In the spring, during the seed time, these rooks are to be fastened down to the ground with their wings spread, and their mouths extended by a pebble, as if in great torture. This plan has been found so effectual, that even in the vicinity of large preserves, the fields where the dead birds have been so placed, have not been visited by a single rook."
The scarcity of the rook in France, and the antipathy which the French have to that bird is thus accounted for:—
"The fact has been often related by a very respectable Catholic Priest, who resided many years at Chipping-hill, in Witham, that such was the arbitrary conduct of the owners of abbeys and monasteries in France, in preserving and cultivating the rook and the pigeon, that they increased to such numbers as to become so great a pest, as to destroy the seed when sown, and the young plants as soon as they appeared above the ground; insomuch, that the farmer, despairing of a reward for his labour, besides the loss of his seed, the fields were left barren, and the supply of bread corn was, in consequence, insufficient to meet the necessities of so rapidly increasing a people. The father of the gentleman to whom we have alluded, was, for this offence, one of the first victims to his imprudence. The revolutionary mob proceeded to his residence, from whence they took him, and hung his body upon a gibbet; they next proceeded to destroy the rooks and pigeons which he had cultivated in great numbers, and strived to preserve with the same tenacity as others do in this country. We are told by the son of this martyr to his own folly, that the mob continued to shoot the birds amidst the loudest acclamations, and that they exulted in the idea that in each victim they witnessed the fall of an aristocrat."
THE BANANA TREE
The amount and rapidity of produce of this plant probably exceed that of any other in the known world. In eight or nine months after the sucker has been planted, clusters of fruit are formed; and in about two months more they may be gathered. The stem is then cut down, and a fresh plant, about two-thirds of the height of the parent stem, succeeds, and bears fruit in about three months more. The only care necessary is to dig once or twice a year round the roots. According to our author, on 1,076 square feet, from 30 to 40 banana trees may be planted in Mexico, which will yield in the space of the year 4,414 lbs. avoirdupois of fruit; while the same space would yield only 33 lbs. avoirdupois of wheat, and 99 of potatoes. The immediate effect of this facility of supplying the wants of nature is, that the man who can, by labouring two days in the week, maintain himself and family, will devote the remaining five to idleness or dissipation. The same regions that produce the banana, also yield the two species of manioc, the bitter and the sweet: both of which appear to have been cultivated before the conquest.
—Foreign Quarterly Review
INDIAN CORN
The most valuable article in South American agriculture, is unquestionably the maize, or Indian corn, which is cultivated with nearly uniform success in every part of the republic. It appears to be a true American grain, notwithstanding many crude conjectures to the contrary. Sometimes it has been known to yield, in hot and humid regions, 800 fold; fertile lands return from 300 to 400; and a return of 130 to 150 fold is considered bad—the least fertile soils giving 60 to 80. The maize forms the great bulk of food of the inhabitants, as well as of the domestic animals; hence the dreadful consequences of a failure of this crop. It is eaten either in the form of unfermented bread or tortillas (a sort of bannock, as it is called in Scotland;) and, reduced to flour, is mingled with water, forming either atolle or various kinds of chicha. Maize will yield, in very favourable situations, two or three crops per year; though it is but seldom that more than one is gathered.
The introduction of wheat is said to have been owing to the accidental discovery, by a negro slave of Cortez, of three or four grains, among some rice which had been issued to the soldiers. About the year 1530, these grains were sown; and from this insignificant source has flowed all the enormous produce of the upper lands of Mexico. Water is the only element necessary to ensure success to the Mexican wheat grower; but it is very difficult to attain this—and irrigation affords the most steady supply.
Ibid
THE AGAVE AMERICANA,
On Maguey, is an object of great value in the table land of the interior of Mexico; from this plant is obtained the favourite liquor, the pulque. At the moment of efflorescence, the flower stalk is extirpated, and the juice destined to form the fruit flows into the cavity thus produced, and is taken out two or three times a day for four or five months; each day's produce is fermented for ten or fifteen days; after which the pulque is fit to drink, and before it has travelled in skins, it is a very pleasant, refreshing liquor, to which the Mexicans ascribe as many good qualities as the Highlander does to whiskey. The stems of the maguey can supply the place of hemp, and may be converted into paper. The prickles too are used as pins by the Indians.
—Ibid
THE ANECDOTE GALLERY
DOCTOR PARR