Spindler, whose "Jew" has been pronounced the best historical romance of Germany, has published a humorous novel, under the title of "Putsch and Company," which is highly praised.
The Neapolitan government has prohibited the circulation of Humboldt's Cosmos, Shakspeare, Goldsmith, Heeren's Historical Treatises, Ovid, Lucian, Lucretius, Sophocles, Suetonius, Paul de Kock, Victor Hugo, E. Girardin, G. Sand, Lamartine, Valéry's L'Italie, Goethe, Schiller, Thiers, A. Dumas, Molière, all the German philosophers, and Henry Stephens's Greek Dictionary. We happened not long since to have occasion to examine the Prohibitory Index of Gregory XVI., issued in 1819; the names of the books prohibited in which reminded one of lists taken from the muster-rolls of Michael and Satan, only there were more from the former. Among the forbidden books were Grotius on the Law of War and Peace, Bacon's Advancement of Learning, Milton's Areopagitica, and Paradise Lost, unless corrected. The Paradise Lost or Lycidas, after having undergone the requisite inquisitorial corrections, would be a rare curiosity of literature. If Italy does not degenerate into barbarism, it will not be for the want of the most strenuous endeavors of her rulers.
One of the most beautiful alabaster vases in the Vatican, possessing a historical interest, as being the one in which were deposited the ashes of the sons of Germanicus, or as some say, those of Augustus himself, has been recently destroyed by an accident. It stood upon a pedestal near a window which was burst open by a violent wind. The heavy curtains of the window were blown against the vase, dashing it to the floor, and shattering it into so many fragments that restoration is pronounced impossible.
Oersted, the celebrated chemist, the discoverer of Electro-magnetism, has just completed the fiftieth year of his professorship in the Royal University of Copenhagen. On this anniversary the King of Denmark presented him with the grand cross of the order of Dannebrog. The University presented him with a new insignia of his Doctor's degree, including a gold ring, bearing the head of Minerva in cameo. And the citizens made him a present of the use for life of a beautiful villa in the outskirts of Copenhagen, which was still more acceptable and valuable from having been the former residence of the poet Oehlenschlager. Oersted is nearly in his eightieth year; but his recently-published work, "The Spirit in Nature," evinces that he retains the full possession of his mental powers.
The "passion-plays" or "mysteries," which were such favorites during the middle ages, have their sole remaining representative in the village of Ammergau, in Upper Bavaria, where they are celebrated, every ten years, with great pomp and solemnity. In the year 1633, a fearful pestilence fell upon that district, and the inhabitants made a solemn vow, that if it were removed, they would every ten years set forth a solemn representation of the "Passion and death of the Saviour." The pestilence ceased, and from that time the vow has been most religiously observed among that secluded and enthusiastic people. The representation consists of a series of tableaux representing the principal incidents in the closing scenes of the life of the Saviour, which are given in a sort of amphitheatre, of which the stage is roofed over, the audience being exposed to those sudden storms common in all mountainous regions. The representation lasts some eight hours, and is witnessed by many thousands of spectators. The German and French papers contain long accounts of that which took place a few months since; and speak in high terms of the artistic character, and solemn and devotional effect of the whole performance.
A life of Ugo Foscolo, an Italian refugee in England, has appeared at Florence. He is held up as a model and example to his countrymen. Foscolo was undoubtedly a man of no inconsiderable genius and of great acquirements; but to form an idea of his moral characteristics, we must imagine a man with Hobbes's theory of the identity of right with might and desire, without Hobbes's blameless life; with Byron's laxity of moral sentiment and conduct, without Byron's generosity; with Sheridan's reckless carelessness in respect to pecuniary affairs, without Sheridan's cheerful and kindly disposition; with Coleridge's want of mastery over his intellectual nature, without Coleridge's high purposes and keen sense of duty; with Johnson's rude and intolerable humor, without Johnson's royal humanity. Too proud, while in England, to repeat his lectures on Italian literature, because he thought his audience came only to gaze at him, he was not too proud to receive pecuniary aid from those to whom he was already deeply indebted; or to squander in luxury and debauchery the little fortune of his own illegitimate daughter, left her by her maternal relations: a daughter whom he abandoned until this fortune was bequeathed her. If Italy has only such saviours to look to, she will gain little by throwing off her present masters.
The Vicomte D'Arlincourt publishes, under the title of "L'Italie Rougé," a history of the revolutions in Rome, Naples, Palermo, Florence, Parma, Modena, Tuscany, Piedmont, and Lombardy, from the election of Pius IX., in June, 1846, to his return to Rome in April, 1850. The author visited Italy to gather materials, and his work, which is drawn from authentic sources, brings to light many new facts, and striking traits in the characters of the principal actors in the affairs of Italy.
A statue in honor of the celebrated astronomer Olbers has been erected in a public square at Bremen. He was by profession a physician, and enjoyed a very extensive practice. His fame as an astronomer rests upon his discovery of some of the asteroids; the suggestion and confirmation of the theory that they are fragments of a shattered planet; and especially upon his method of calculating the orbits of comets, from the few observations of which they are susceptible. In 1830 was celebrated the "jubilee" of his having reached the fiftieth year of his doctorate, upon which occasion he was honored by all those tokens of respect which the Germans are so fond of lavishing on such occasions. He died March 2, 1840, at the age of 82.
Scandinavian Literature is mainly known to the world, in general through the medium of German translators and critics. The names of Oehlenschlager and Andersen are sufficient evidence that it is not unworthy of cultivation. We find in the Grenzboten a notice of a new Danish Romance which though reminding one strongly of Fouque's Undine, has in its treatment something of the grim mirth, and gigantic humor of the old Vikings. The tale is entitled the Mermaid, and is founded upon the fancy of Paracelsus, that the mermaids though created without a soul may acquire one by a union with a human being. This idea is developed with more drollery than delicacy in the tale in question. The mermaids instead of, as in the orthodox conception, terminating in a fish's tail, waddle about upon flat, clumsy feet, covered with scales. When a person is drowned, he is laid upon a table, in a condition bearing all the marks of death, except that he retains a perfect consciousness. If, however, a mermaid becomes enamored of him, he comes to life as a merman, and swims about in company with dolphins and such like sea-monsters; and if he desires to ascend to upper air, he can do so, by taking the body of some other drowned person. The hero of the romance is introduced as lying drowned upon the table, in company with two other corpses, that of a faithless woman and her betrothed. The jealousy of the dead man, and his doubts whether the other two corpses do not excite similar feelings, are set forth with broad humor. He however gains the affection of the queen of the sea, and so becomes a merman, while the other two bodies are left lying on the table, until two other mermen assume them for the purpose of paying a visit to terra-firma. The hero at last wishes to revisit upper air, and the body which he assumes happens to be that of a famous bon-vivant, by which he is brought into a number of embarrassing situations; he becomes betrothed to one who loves not his new but his old self, and thus is enamored of his one "him" while she despises his other. He meets the two persons who had been lying with him upon the table; yet it is not they, but the two mermen, who have taken possession of their bodies. This continual interpenetration of different souls and bodies, by which the personages are always forgetting their identity, has a very comic effect, which, however, is marred by the grave and sentimental tone which is given to the whole narrative. At last the hero, who is a sad scoundrel, succeeds in enticing his sea-queen ashore, where he exhibits her for money, as a sea-monster.
OBITUARIES
Among the recent deaths we notice the following: Gustav Schwab, a German poet of some note, belonging to the school of Uhland, aged fifty-eight. On the morning of the day of his death, he was entertaining a party of friends, by reading to them a translation he had just completed from the poems of Lamartine. – Count Brandenburgh, the Prussian Minister. He was an illegitimate son of the grandfather of the present King of Prussia, born in 1792. He was educated for the army, and passed through various stages of promotion, until 1848, when he was appointed general in command of the 8th corps d'armée. The same year, when the cause of his master seemed irretrievably lost in the revolutionary storm, he took the helm of government, and under his guidance the storm was weathered. His death was probably occasioned by chagrin at the result of the Warsaw Conference, where Austria gained a complete triumph over Prussia. – M. Alexandre, a famous French chess-player, and author of two volumes upon that game, at an advanced age. – M. Sauve, for more than half a century chief editor of the Moniteur. He assumed the charge of the French official paper in 1795, and left it only when compelled by the infirmities of age, after the Revolution of February. During this long period he acted as sponsor to all the governments which arose one after the other, with a dexterity and pliability which Talleyrand might have envied. – General Bonnemain, ex-peer and Marshal of France, who had served through all the campaigns of the Empire and the Republic. – Sir Lumley St. George Skeffington, author of a number of dramatic works of considerable merit. – Mr. Raphall, one of the two Catholic members of Parliament who voted against the Jewish claims. He was a man of great wealth, and is said to have given within the last few years £100,000 for the building purposes of the Church. He was of Armenian descent, a singular instance of a person of Oriental extraction rising to eminence in the Occident. – M. Charles Motteley, one of the most enthusiastic and successful book-collectors of France. His collection was especially rich in Elzevir editions, and in rare and beautiful books. A very large sum was offered for it by the British Museum, but he refused to suffer it to leave France, and gave it to the French nation. The collection is to be kept separate, and to bear an inscription commemorative of the donor. – Lord Nugent, Member of the House of Commons for Aylesbury. He had occupied a number of political stations of importance, and was throughout his life a firm advocate of liberal principles. The Greek Revolution of 1823, found in him a warm supporter; and he did much to ameliorate the condition of the refugees whom the issue of the war in Hungary threw upon the shores of England. Lord Nugent was an author of no mean reputation; his "Memorials of Hampden" is an exceedingly well-written, and in the main accurate and impartial biography of the Great Commoner, and elicited one of the most brilliant of Macauley's early reviews. He was also the author of a book of Eastern travels, entitled "Lands Sacred and Classical," and a number of political pamphlets on the liberal side. – Karl Aug. Espe, one of the most laborious of the hard-working scholars of Germany. He was the editor of Brockhaus's Conversations-Lexicon of the Present, and of the eighth and ninth editions of the Conversations-Lexicon, as well as of works of decided merit in various departments of science. – Martin d'Auche, the last survivor of the French National Assembly of 1789. Though one of the most insignificant of men, the part he acted in the "Oath of the Tennis-court," one of the most famous scenes of the early part of French Revolution, has given him a place in history. The government, alarmed at the boldness of the deputies of the Third Estate in declaring themselves the National Assembly, independent of the other Orders, and proposing to effect radical and sweeping reforms in the state, excluded them from their chamber. The deputies assembled in an empty Tennis-court, in great excitement, where an oath was solemnly proposed that they would not separate, but would meet, at all hazards, until they had formed the Constitution. The oath was taken unanimously, with but one exception, that of poor Martin d'Auche, then deputy from Castelnaudry. There was at first some danger to his person, in the excitement of the moment; but it was hinted that he was not altogether in his right mind, and he escaped, being even suffered to inscribe some sort of a protest on the records. In David's picture of the scene he is represented with folded arms, amid the groups who are taking the oath by raising the right hand. This oath of the Tennis-court, the first actual collision between Royalty and the National Assembly, may be looked upon as the starting-point of the Revolution.
Literary Notices
Memoirs of the Life and Times of General John Lamb, by Isaac Q. Leake (published by J. Munsell, Albany), is an interesting narrative of the political and military life of one of the revolutionary patriots of New York, who died at the commencement of the present century. His active services in the war of the Revolution, and his eminent position in the subsequent party controversies, are described with impartiality and force. His character is succinctly portrayed by his biographer in the following passage: "Few men have acted more manfully the parts which have been allotted to them. As a pioneer of the great events which wrought out the Revolution, he was second to none in perseverance and intrepidity. As a soldier in the field, he was never surpassed in valor and constancy by any the most daring. As a citizen, neighbor, and philanthropist, he was distinguished for his public spirit; respected for his suavity; and admired for his benevolence."
The Memoir and Writings of James Handasyd Perkins, edited by William Henry Channing, published in two volumes by Crosby and Nichols, Boston, is an enthusiastic tribute to the memory of a remarkable man, who, by the simplicity, earnestness, and benevolence of his character, the originality and beauty of his intellect, and the devotion of his life to practical philanthropy, had won an unusual share of admiration and reverence. Mr. Perkins was born in Boston, where his father was a merchant of distinguished eminence, but, on arriving at the age of early manhood, he removed to the city of Cincinnati, and from that time became a favorite with all classes, and soon bore a conspicuous part in the social, religious, and literary relations of that metropolis. The sketch of his juvenile life here presented by his biographer, with whom he was intimately connected, both by the ties of blood, and by strong intellectual affinities, abounds with pleasing reminiscences of a happy childhood, and is highly characteristic of the peculiar influences of a New-England home. His subsequent career at the West exhibits a noble picture of manly endeavor, stern self-reliance, rare mental activity and enterprise, and a generous devotion to the interests of the public. From the specimens of his writings contained in these volumes, most of which have been published in different periodicals, we are impressed with a profound sense of the vigor and justness of his intellect, the wealth of his imagination, the versatility of his tastes, and the extent and accuracy of his attainments.
Crosby and Nichols have issued an edition of selections from the Letters of William Von Humboldt to a Female Friend, under the title of Religious Thoughts and Opinions. They are devoted to subjects of a grave, reflective character, and present a highly favorable view of the wisdom, earnestness, and moral elevation of the distinguished author.
Protestantism and Catholicity compared in their Effects on the Civilization of Europe, by the Rev. J. Balmes, is republished from the English translation, by John Murphy and Co., Baltimore, in a large octavo volume. The work, which has signalized the name of its author as one of the ablest modern defenders of the Catholic faith, was originally written in Spanish, and was soon translated into the French, Italian, and English languages. It is devoted to an illustration of the superior influence of Catholicism in a social and political point of view, maintaining the favorable effects of that religion on social advancement, and subjecting the claims of Protestantism to a stringent examination. As a powerful statement of the arguments in behalf of the secular supremacy of Catholicism, it may be read with interest by those who wish to study both sides of the controversy, which is now raging with so much violence in England.
University Education, by Henry P. Tappan, D.D. (published by G.P. Putnam), is a discussion of the general theory and objects of the higher education, of the history of literary institutions in modern times, and of the present condition of the so-called American Universities. The author arrives at the conclusion, that the attempt to adapt our colleges to the temper of the multitude, to the supposed demands of the popular mind, does not promise any valuable results, since the political condition of the country is such that a high education, and a high order of talent do not generally form the sure guarantees of success. The tact of the demagogue triumphs over the accomplishments of the scholar and the man of genius. The education given in our colleges does not promote the acquisition of wealth and of political influence, and hence is not valued by a commercial people, with free political institutions. Dr. Tappan accordingly maintains that as our seats of learning do not answer to the commercial and political spirit of the country, they should be made to correspond to the philosophical or ideal – the architectonic conception of education. This would adapt them to every want of the human mind and of society, for if men are educated as men, they will be prepared for all the responsibilities and duties of men. We should then in due time have great examples of the true form of humanity, showing the charms, and power, and dignity of learning. Education would appear in its true light, as the highest aim of man, not a mere machine for the facile performance of the business of the world, and a powerful check would be given to the excessive commercial spirit, and the selfish manœuvres of demagogues which now prevail to such a disastrous extent. Men of true cultivation would then have their legitimate influence in all the relations of society, throwing a new aspect over the arts, commerce, and politics, and producing a high-minded patriotism and philanthropy. Great ideas of fundamental principles would be shown to be more mighty and plastic than all the arts, tact, and accomplishments of expediency. The host of penny-a-liners, stump orators, discoursers upon socialism, bigots, and partisans would give way before sound writers, true poets, lofty and truthful orators, and profound philosophers, theologians, and statesmen. We should have a pure national literature, and a proud national character. The multiplication of colleges after the same imperfect model will only serve to increase our difficulties.
The time has arrived, then, in the opinion of the author, for an experiment of a different kind. The educational system of this country can be reformed only by the establishment of genuine Universities – institutions, where in libraries, cabinets, apparatus, and professors, provision is made for a complete and generous course of study – where the mind may be cultivated according to its wants – and where in the lofty enthusiasm of ripening scholarship, the bauble of an academical diploma is forgotten. With such institutions, those who wish to be scholars, would have some place to resort to, and those who have already the gifts of scholarship would have some place where to exercise them. The public would then begin to comprehend what scholarship means, and discern the difference between sciolists and men of learning. We should hear no more talk about discarding Greek and Latin, for there would be classical scholars to show the value of the immortal languages and the immortal writings of the most cultivated nations of antiquity. There would be mathematicians prepared for astronomers and engineers. There would be philosophers who could discourse without textbooks. No acute distinctions would be drawn between scholastic and practical education; it would be seen that all true education is practical, and that practice without education is ignoble; and scholarship and the scholar would be clothed with dignity, grace, and a resistless charm.
The work of founding Universities of this character, Dr. Tappan maintains, has been delayed too long. They are natural and necessary institutions in a great system of public education. To postpone their creation is to stop the hand upon the dial-plate which represents the progress of humanity. No part of our country, he supposes, presents equal facilities for carrying out this magnificent plan as the city of New York. The metropolitan city of America, the centre of commercial activity, the vast reservoir of wealth, it takes the lead in the elegancies and splendor of life in the arts of luxury and amusement. At the same time, it is the great emporium of books and of the fine arts, the resort of musical professors, artists, and men of letters. The high degree to which it has carried commercial enterprise, the extent of wealth and luxury in its society demand the vigorous life, and the counterbalancing power of intellectual cultivation. It should add to the natural attractions of a metropolitan city, the attractions of literature, science, and the arts, as embodied in a great University, which drawing together students from every part of the Union, would strengthen the bonds of our nationality by the loftiest form of education, the sympathy of scholars, and the noblest productions of literature.
While we can not accord with Dr. Tappan's sanguine expectations of the effect of such an institution as he has described either in checking the prevalence of worldliness, selfish ambition, and insane devotion to gain which mark the whole of modern society, European no less than American, or in giving a wise and harmonious development to the energies of youthful genius, we can not but admire the noble enthusiasm, the high sense of the scholar's vocation, and the genuine intellectual ability with which he has presented the subject to the attention of the public. He has opened an important field of discussion; but it demands the best thoughts of the most comprehensive and sagacious minds to do it justice. We hope that his treatise will not be overlooked in the swarm of current publications, and that the subject, which he has started, with so much energy, will be pursued to its legitimate conclusion.
The Bards of the Bible, by George Gilfillan, republished by Harper and Brothers, exhibits the characteristics of fervor, liveliness of fancy, and affluence of illustration, which distinguish the writings of the author, with a greater coherence and depth of thought than we find in his literary portraitures. In the first chapters of the volume, the author discusses the general character of Hebrew Poetry, making free use of the views of Herder, Eichhorn, and Ewald, though without servilely following their steps, and then considers in detail the poetry of the Pentateuch, of the Book of Job, of the Historical Books, of the Book of Psalms, of Solomon, of the Prophetic Writings, and of the New Testament. He approaches the sacred volume with freedom, and yet with reverence, blending the spirit of searching criticism, with a warm enthusiasm for its inspiration and character. Without attempting to cast doubt upon its superhuman aspects, he dwells with affectionate ardor on its traits of domestic tenderness, of natural beauty, and of poetical imagination, connecting the sublime and awful conception of the Oriental bards with whatever is richest and most impressive in the associations of modern experience. The union of devotional sentiment and poetic fancy, which forms such a prominent feature in this gorgeous volume, will recommend it to the lovers of Holy Writ as well as to readers of cultivated taste. No one will hesitate to forgive Mr. Gilfillan's exuberance of imagination and his not unfrequent indulgence in verbosity, for the sake of his earnestness of heart, and his glowing and often graceful eloquence.
Webster's Revised Dictionary. Octavo Edition. (Harper and Brothers.) It is now three years since the Revised Edition of Dr. Webster's Dictionary came from the press. The public have, therefore, had full time to decide upon its merits; and the decision has been, both in this country and Great Britain, that it is far superior to any work of the kind in our language; that it is, in the words of a distinguished English scholar, "one of the necessaries of life to a literary man." The Octavo Edition, the one now before us, is designed to present, in a convenient form and at a low price, the most important matter of the larger work. It omits the more learned etymologies and extended quotations from other works; but gives every word and every shade of meaning with exactness, though often in a more condensed form. It is thus much fuller, in proportion, than any other abridgment of a dictionary.
There are two peculiarities of the Octavo Edition which belong neither to the large work, nor to any other dictionary. The first is a Synopsis of Words differently pronounced by different orthoepists. This presents at a single view all the disputed cases of pronunciation in our language; with the decision of distinguished orthoepists, in respect to every word of doubtful pronunciation, the reader is referred to a list where he may consult all the important authorities at a single glance. The other peculiarity relates to Synonyms. Our language being derived from so many different sources, is singularly rich in synonymous words. It is therefore a matter of lively interest to every one who would write well, to have some great repository of synonyms always at hand, to which he may repair at any moment, when he wishes to convey his ideas with peculiar exactness of meaning or variety of expression. A dictionary is the natural and appropriate place for such a collection. Accordingly in the Revised Octavo Edition after the definitions of each important word, we find a list of all the other words in our language which have the same general sense and application. The volume contains many thousand lists of this kind which must obviously have cost great labor in their compilation. The costly work of Perry is the only one which has ever been executed on this plan, and as this contains only the words given in Johnson, it is necessarily incomplete. We quote a single instance which may stand for hundreds and which shows the remarkable copiousness of our language.
"To support. Syn.– To bear; hold up; sustain; maintain; endure; verify; substantiate; countenance; patronize; help; back; second; uphold; succor; relieve; encourage; favor; nurture; nourish; cherish; shield; defend; protect; stay; assist; forward."
Besides the dictionary proper, the Octavo Edition contains Walker's Key to the pronunciation of Classical and Scripture Names, with some thousands of additional words from later writers; and a Vocabulary of Modern Geographical Names, with their pronunciation, compiled by the author of Baldwin's Universal Gazetteer, whose accuracy in this respect is so generally acknowledged. It is a gratifying proof of the advancement of the art of printing, in the United States, that a large Royal Octavo volume like this, of more than thirteen hundred pages, can be afforded on excellent paper, with a clear type, and in stout binding, for about three dollars. An abridgment of Dr. Webster's Dictionary has recently been issued in London, in a miserable style of execution, the definitions being not more than half as complete as those of the volume before us, without the Synopsis and Synonyms or other appendages of this work; and is sold at four dollars a copy.
Celebrated Saloons by Madame Gay and Parisian Letters by Madame Girardin, translated from the French by L. Willard (Boston, Crosby and Nichols) is an agreeable collection of gossip and anecdotes illustrative of the manners of Parisian society. The translation is executed with care, retaining to a considerable extent the graces of the original.
James Munroe and Co., Boston, have issued a volume of Home Ballads, A Book for New Englanders, by Abby Allin, exhibiting a more than ordinary degree of poetic merit, pervaded with a pleasing vein of domestic sentiment. Some of the peculiar features of New England character and scenery are hit off with excellent success.
History of My Pets, by Grace Greenwood (Boston, Ticknor and Co.) is a spirited and beautiful little volume intended for juvenile entertainment, but commending itself by the freshness of its style, and the sweet pathos of the narrative to readers of every age.
The Island World of the Pacific, by Rev. Henry T. Cheever, published by Harper and Brothers, is a work that can not fail to command an extensive circulation, with the present important relations between the Sandwich Islands and the United States. It is designed to present a correct picture of the best part of Polynesia, as it appeared to the observer in the year 1850. The most popular works on the subject refer to a much earlier date, while changes are effected with such rapidity in that part of Polynesia which is the subject of this volume, that revolutions may take place in the lapse of seven years. This book, accordingly, meets a general want of the times, by giving a true and life-like exhibition of the Island World of the Pacific at the close of the first half of the nineteenth century. The author writes from personal observation: his sketches are forcible and impressive; he has a lively sense of the picturesque in nature, and sometimes indulges his taste for the comic; though more frequently he fortifies his descriptions with moral reflections and extracts from favorite poets, until the reader is tempted to cry, "Hold! enough!" We know not, however, where to look for information on the subject in a more readable form, and have no doubt that this volume will be eagerly sought by the traveler to the Pacific, as well as by the general reader.
Memoirs of the Life and Ministry of the Rev. John Summerfield, by John Holland, has been published in an abridged form by the American Tract Society, containing the original memoir, with the omission of certain parts which seemed to be of less general interest, and the insertion of several of the most characteristic letters of Summerfield. In its present shape, it is a delightful tribute to the rare and beautiful character of its greatly beloved subject.
The Greek Exile (published by Lippincott, Grambo, and Co.) is an autobiographical narrative of the captivity and escape of Christophorus Pilato Castanis, during the massacre on the Island of Scio by the Turks, with an account of various adventures in Greece and America. It relates a variety of startling incidents, with which the life of the author has been strangely diversified.
The Prize Essay on the Use and Abuse of Alcoholic Liquors, by William B. Carpenter, has been reprinted from the London edition by Crosby and Nichols, for the Massachusetts Temperance Society. It is accompanied with explanatory notes by the American Editor, and an original preface by John C. Warren, M.D., of Boston, who expresses the opinion that the "work of Dr. Carpenter is the most valuable contribution to the aid of temperance which it has received since the productions of L.M. Sargent, Esq."
The Mother's Recompense, published by Harper and Brothers, is the Sequel to the domestic story of Home Influence, by Grace Aguilar, the entire work having been written nearly fifteen years ago, when its author was little above the age of nineteen. Although the last illness of Grace Aguilar prevented this story from receiving a careful revision for the press, it will be found to do no discredit to her refined and elevated genius, and to breathe the same pure, kindly, and feminine spirit which distinguishes her former productions.
The Diosma, by Miss H.F. Gould (Boston, Philips, Samson, and Co.), is the title of a new volume, consisting in part of original poems, which are now for the first time presented to the public, and in part, of selections from the fugitive pieces of several popular English writers. The contributions from the pen of the author fully sustain her reputation for a lively fancy, and a certain graceful ease of expression, while the gatherings she has made from other sources attest the purity of her taste, and her magnetic affinities with the delicate and the lovely.
G.P. Putnam has issued an elegant illustrated edition of Poems, by S.G. Goodrich, comprising a selection from the productions of the author, which have made him favorably known to the public as an agreeable versifier. They are characterized by a lively fancy, a ready command of poetical language, and the elevation of their moral sentiments. The embellishments of the volume are executed with great artistic skill.
Woodbury's New Method of learning the German Language (published by Mark H. Newman), is an admirable manual for German students, combining the excellencies of a simple text-book for beginners, and a copious and authentic work of reference for more advanced pupils. In its method, it is not surpassed by any Grammar now in use, blending the theoretical with the practical, with excellent judgment, and passing from the rudiments of the language to its more recondite principles, by a natural gradation, eminently adapted to secure the progress of the learner. It has already been extensively adopted by judicious teachers, and its general introduction would tend to facilitate the acquisition of the German language by American students.
Poems of Sentiment and Imagination, by Frances A. and Metta V. Fuller (published by A.S. Barnes and Co.), is a collection of the poetical contributions of those favorite Western writers to various popular journals, with several pieces that have not before appeared in print. Genial, fervent, and tender, colored with the picturesque hues of a pure enthusiasm, and breathing a warm spirit of domestic affection, these poems appeal to the noblest emotions of the heart, and command admiration by awakening the sympathies. We welcome them as the first fruits of a noble harvest at no distant day.
The Lives of the Queens of Scotland, by Agnes Strickland, Vol. I. (Harper and Brothers), contains the biographies of Margaret Tudor, the consort of James IV. of Scotland, and of Magdalene of France, the first consort of James V., prepared from the most authentic documents, and written in a style of chaste and simple elegance, appropriate to the subject. The two succeeding volumes of this series will be devoted to the life of Mary Stuart, which was commenced before the publication of the Life of Elizabeth Tudor, in the Queens of England. Each of the Lives will form a distinct narrative in itself, presenting a graphic picture of the progress of civilization and refinement, the development of the arts, and the costume of the periods which they describe. The work will embody many original royal letters, with a variety of facts, anecdotes, and local traditions, gathered in the desolate palaces and historic scenes, where every peasant preserves in his memory the chronicles of the past. The author expresses the wish that her volume will not be limited to one class of society, in spite of the subject of which it treats, but that it may impart pleasure to the simple as well as to the refined, and be read with equal zest by children and parents, by the intelligent operative and the cultivated scholar. The manner in which she has executed her task leaves no doubt of the fulfillment of her hope.
The last number of Thackeray's History of Pendennis is issued by Harper and Brothers, an announcement far from welcome to the thousands who have followed the career of the exemplary Pen and his associates through the manifold windings of fashionable life in London. Their history, however, is not of so ephemeral a character as the scenes in which they acted. Thackeray has too great skill in quietly depicting the foibles of humanity, for his descriptions to be soon forgotten. He deals out such effective touches with such grave retenue of manner, that they do not weary the reader by their repetition. Their fidelity to life is attested by their at once suggesting so many resemblances. Arthur Pendennis and the virtuous Major are not the exclusive products of English soil. You may see them in Broadway at any hour of the day. With his universality, growing from the fact that his likenesses are drawn from nature, and not arbitrarily created, the pungent satires of Thackeray will long retain their flavor. They administer a bracing medicine to the effeminacy of the age, and must exert a wholesome influence.
Harper and Brothers have issued the last number of Southey's Life and Correspondence, winding up the biography of this eminent man of letters, with the graceful modesty which has been exercised throughout the whole progress of the work by the affectionate and judicious Editor. With the ample materials at his command, he might have produced a far more ambitious and brilliant history, but we think he has shown his good sense in reserving that task for writers who sustained a less intimate and delicate relation to the subject. The personal biography of Southey is contained, to a great extent, in his frank and voluminous correspondence. No one can read this without delight, on account of the transparent sincerity of the details, the high tone of feeling with which it is pervaded, and the inimitable sweetness and almost antique simplicity of the style. It gives a more distinct idea of the essential peculiarities of Southey's character than can be obtained from any other source. A critical survey of his writings, and his social and literary position, would involve a complete history of contemporary literature, and would furnish a text for one of the most delightful volumes which have appeared for many years. Such an attractive subject will no doubt appeal to the ambition of some writer qualified to do it justice, and meantime, we are grateful for this tribute of filial veneration to the honored patriarch of English Literature.
The Decline of Popery and its Causes (published by Harper and Brothers), is the title of a Discourse delivered in the Broadway Tabernacle by Rev. N. Murray, D.D., in which the history of the Roman Catholic religion is briefly portrayed, and several arguments adduced to show its probable decadence among enlightened nations. Among the causes of the decline of Catholicism presented by Dr. Murray, are the circulation of the Bible, the increasing intelligence of the race, the frivolous legends of the priests, the despotic character of Popery, and the rapidly increasing influence of Protestantism. The Discourse evinces extensive historical research, and uncommon controversial shrewdness.
Henry Smeaton, by G.P.R. James (Harper and Brothers), is the latest production of that fertile novelist, and will be read with fresh interest by the numerous admirers of his genius, who have recently added the pleasure of his genial acquaintanceship to the charm of his graphic creations. The scene of this novel is laid in the reign of George the First, and abounds with rich historical illustrations, and glowing delineations of character. The plot, without outraging probability by its extravagance, is constructed with a good deal of ingenuity, and sustains the interest of the most hardened novel-reader through its spirited details to the final happy denouement.
Fashions for Later Winter
The continuance of cold weather throughout this month will permit no change in material for out-of-door costume differing in warmth from December and January. Cloaks of various elegant patterns and rich material are worn; chiefly velvet, with elegant ornaments. The most admired style for a cloak is black velvet, having three rich agraffes, or fastenings, of passementerie, drooping with long, graceful, soft-looking tassels; the first agraffe closes the cloak at the throat; the second is put on at about the middle, and the third at the lower part. Five rows of chain lace black satin, border the cloak all around, as well as the sleeves. Another elegant style is a cloak of narcarat velvet, a kind of deep red, lined with white satin, quilted in flowers and leaves, and encircled with a band of martin sable of considerable depth; a cape, or stole, of the same kind of fur descends upon the side of the front so as to join the lower band. There is also upon the sleeves, which are cut square and very wide, a deep band. Those of a more matronly description are generally trimmed with nine rows of waved galons upon the sleeves, the fronts being encircled with five rows of the same kind of trimming; a rich fringe a quarter of a yard in depth, having a netted or waved beading, is placed in addition to the rows of galon upon the lower part of the cloak.
The Manteau Andriana is an elegant garment, made of violet velvet, having a small capuchon, or hood, decorated with a rich fancy trimming in passementerie, to which are attached at regular distances long soft tassels; very wide sleeves, in the Oriental form, decorated to match the capuchon. The lower part of the cloak is ornamented with a kind of shell work in passementerie; upon the front are placed Brandebourgs in Spanish points.
The figure on the left in, shows an elegant style of Carriage Costume. A dress of blue silk; plain high body; the waist and point of a moderate length; the skirt long and full, with two broad flounces pinked at the edge. Paletot of dark purple velvet, trimmed with black lace; the sleeves very wide at the bottom, and finished by a fall of broad black lace, set on very full. The skirt has two rows of lace at the back, terminating at the side seam, the top one headed by a trimming of narrow lace. The fronts are ornamented in their whole length by rows of trimming of black lace, placed at equal distances. Bonnet of yellow satin and black velvet; the form of the front round, the corners nearly meeting under the chin.
The figure on the right, shows a beautiful style of Morning Costume – a jupe of French gray watered silk, long and immensely full. Coin de feu of dark green velvet, fitting tight, and buttoning to the throat. It has a small square collar, something like that of a riding habit, and a full frill of narrow lace standing up. The sleeves are of the pagoda form; the trimming is a very rich silk guimpe, of quite a novel design. Under-sleeves of cambric or lace, with two scalloped falls, and fulled at the wrist.
Exhibits an elegant Ball Costume. A low dress of white crape, worn over a jupe of white satin; the body plain; a deep berthe falling over the plain short sleeve, embroidered with white floss silk. The skirt is very full. It has three broad flounces, scalloped at the edge, and embroidered ceinture of very broad white satin ribbon. The head-dress is of pale blue satin, trimmed with gold.
The taste, this winter, among the extremely fashionable is decidedly for gorgeous Oriental patterns, both in material and style. A very pretty pattern for an Evening Dress is made of a material called Organdi. A double jupe is embroidered in straw-colored silk. The pattern of the embroidery forms upon the upper skirt sheaves of wheat, and ascends to the waist; upon the under skirt the sheaves form a wreath of much smaller pattern, allowing a space between this row of embroidery and that on the upper skirts. The body is decorated with a berthe, which forms in front a kind of heart, the lower part or point being attached with a nœud of straw-colored satin ribbon.
Bonnets. – Those which are most worn this season are extremely open in front, as seen in, but close at the ears. They are moderately trimmed, consisting of rûches of lace, leaves and flowers of velvet, nœuds of ribbon and velvet, and feathers. The interior is sometimes decorated in a fanciful manner, having garnitures composed of choux, or a bunch of ribbons of the same color as the bonnet, only in different shades: for example, a chou of green ribbon composed of the lightest shades, the bonnet of a very dark green. Most of the crowns are made of the jockey form, that is, round, but not plain, being generally covered with folds or fullings, according to the fancy and taste of the modiste. The curtain is now an important part of the bonnet, and requires great care in the placing, as it gives a very youthful appearance to the bonnet, if properly put on.