Blackwood's Edinburgh Magazine — Volume 56, No. 346, August, 1844

And there they are! the winged insect lovers of pleasure, and of gain and strife—in one word, of sin—entangled in the ladder webb; while such a monster is in the centre, watching his larder. John Bell is instinctively a moral weaver. Fine-spun are his philosophical threads; we stop not to enquire if they will bear the tug of life. He is trying them, however, on the "tug of war." Pen and needle are set to work philosophically, methodically, benignly. In this he is but a unit out of many thousands. His opinions are not singular. Amiable moralist!— delightful is the dream, sweetly sounding the wisdom; but is it practicable? John Bell's warfare, "The Assault," is, without a doubt, "confusion worse confounded;" it is not easy, at a view, to find legs and arms and heads in their anatomical order. We must trace the human figure as through its map. Perhaps this is purposely done to resemble a battle the more truly, where limbs are apt to fly out of their places. But John Bell thinks—

"The play's the thing
Wherewith to touch the conscience of the king."

So he pours forth from his "Unpublished Play" a choice tirade against the royal play of human ninepins:—

"And then a battle, too—no doubt it is
A right fine thing; or rather to have been there.
But all things have their price; and this, methinks,
Is rather dear sometimes. Oh! glory's but
The tatter'd banner in a cobwebb'd hall,
Open'd not once a-year—a doubtful tomb,
With half the name effaced. Of all the bones
Have whiten'd battle-fields, how many names
Live in the chronicle? and which were in the right?
One murder hangs a man upon a rope,
A hundred thousand maketh him a god,
And builds him up a temple in the air
Out of men's skulls. A loving mother bears
A thousand pangs to bring into the world
One child; your warrior sends a thousand out,
Then picks his teeth."

    JOHN BELL—Unpublished Play.
Such was Shakspeare's momentary humour, when he put it into Falstaff's mouth to ask what honour is "to him that died o' Wednesday." It is a humour that won't last—'tis against nature—man is more than half belligerent, and has a "murder" in him (to give it a bad name) "that will out." Even the peaceable Ephraim took up the handspike, and used it too, with "friend, keep thee in thy own ship." The "friend" was hyprocrisy—the use of the handspike, natural; the very elements are at war, and were made to be so—storms are as necessary as sunshine. But excellent able John Bell likes sunshine best; and who does not like him the better for that? And sweet sunshine has he shed around "The good Mayde"—a sunshine that makes its own magic circle, within which evil spirits or evil men shall not come. Tempt on, ye wizards—she looketh upwards, yet think not she will fall or miss her way—the Unseen guideth her steps. Bell's account of the matter is, however, far better. Let him publish his quaint poem, all of it; the specimens warrant the request.

"Thus doth the goode Mayde, with a stedfaste eye,
Walke through the troubles vaine, and peryls dire,
That doe beset mayde's path with haytes full slie,
The trappes and gynnes of mischief's cunning syre.
Ne nought to her is riches' golden shower,
Ne gaudy baites of dresse and rich attyre,
Ne lover's talke, ne flatteries' worthless store,
Ne scandal's forked tongue—that ancient liar,
Ne music's magic breath, ne giddy wheel
Of gay lascivious daunce, ne ill-raised mirthe,
Ne promised state doth cause her mind to reel,
Or lure from thoughts of heaven to joys of earthe."

Our poet, a moralist etcher, reverts to the old subject; and we have "The Progresse of Warre," in a series, as part of a frieze for his Temple of Peace. This is most clear—for he who runs may read; yet, on a second view, we doubt that—for we see, what we did not at first see, writing under each tablet that is by no means intelligible. Having, with Mr Bell, seen an end of the battle, it is fit time, with Mr Herbert, to discuss "The Day after the Battle." "Next day did many widows come"— that verse of Chevy Chase is the subject. The slaughtered knight, the widow, and the dog, tell the tale, and tell it well too. The widow is the best figure. We have had enough of battle and all its horrors; let us turn to tranquillizing nature, where the undisturbed lichen may grow upon the rocks, and the branches of unpruned trees throw out their sheltering leafage, and the innocent insects know it is their home; and even in the seeming silence, if you listen, may you hear the still voice of a busy creation, a world of a few summer hours—yet seemeth it to them an eternity of enjoyment. And such a scene we have in the "Woody Scene," by Thomas Fearnley—poor Fearnley!—and is it not lightly, elegantly touched with the needle? the scene realized? Or, would you see a wilder spot, turn to his "Norwegian Scenery," and see the saw-mill, or whatever the building be, at the very entrance of the deep wood in its gloom, with the mountain torrent pouring over the rocks. In this sequestered spot, man has built him a home, and turned to human uses the rebellious waters, even on the very skirts of the wilderness; and there he is, for his hours are not all of toil, gloriously angling, for he has hooked his fish. Poor Fearnley! would he could have remained in this country! Had he been moderately patronised, he might have added an honourable name to our dictionary of painters.

And what has become of Webster? We remember well his "Boys let loose from School." Here he is—and but one plate—"Anticipation"—well named. The pie is come home, and the boy's eyes open, and his mouth waters. The story is quaintly told by Townsend thus:—Lights and shadows of boyish days! how bright and deep they are! The schoolmaster's frown may be charmed away by the gift of a new top, or a score of marbles. But what are these in the cotter's life to the stirring vicissitudes of a pie! ——Before its departure for the bakehouse, did he not ponder admiringly on the delicate tact that mingled the bony scraps with.

'Herbs, and other country messes,
Which the neat-handed Phillis dresses?'

"Since then, imagination has been at play; and, in accordance with its suggestions, his bib and tucker have been donned, as trusty adjutants to the formidable wooden spoon. Thus armed, while sister Phillis—the creative genius of the savoury structure—regards the baker's boy with her modest glance, young Corydon, with his prophetic anticipation, is ogling the baker's burden. If his knife be as sharp as his appetite, 'twill want no whetting! We must expect that, in the afternoon, when anticipation shall have faded through the stages of its fulfilment, if no longer entranced by the pleasures of Hope, he will solace himself with those of Memory." And there, sure enough, is the grinning baker's boy, and the pie admirably baked; and the boy of the bib and tucker, and the wooden spoon, realizing it through his nostrils, and magnifying it through his eyes; and there is the neat-handed Phillis, who cares little for the eating. Feminine and gluttonous seldom come together. "The little glutton" is ever the male. This was in Webster's own way, and he has hit it off truly; he has seen it hundreds of times, and knew as well as Townsend who should have the wooden spoon. We find we have omitted to notice one plate, and that by Redgrave. We did not expect landscape by his hand. It is, however, very clever; there is a light over the dark church-tower which a little offends. Keep down that a little, and you recognize the true effect of nature. It is a view of Worcester. "A spot," says Mr Redgrave, "memorable as the scene of that battle signalized by Oliver Cromwell as the 'crowning mercy;' and whence the young Charles II. commenced the series of romantic and perilous adventures which terminated in his safety."

Our work of criticism is at an end; not so our pleasure. We shall look at this choice volume again and again; and as we have somewhat arrogantly, and with a conceit of our ability and right so to do, taken the Etching Club under our especial care, regard, and patronage, we shall think ourselves at liberty to encourage and to exhort them whenever we see fit. We therefore do exhort them to go on, to give a taste for painters' etchings, to improve themselves, too; and let each make it a rule to himself never to take the trouble to touch a subject that is not worth doing; nor to tell a story not worth telling, however such may seem to look pretty or with effect upon copper or paper; by all means to avoid "annual sentimentalities," and commonplace "acting charades;" and never to forget that expression is the soul of the art. For the present, we dismiss them with thanks—like the prudent physician, who, as Fielding says, always stands by to see nature work, and contents himself by clapping her on the back, by way of approbation, when she does well.

A LOVE-CHASE—IN PROSE

CHAPTER I

Bandvale Hall had lain empty for a long time—old Frank Edwards, so well known as a sportsman, had been dead for eighteen years, his horses sold, his kennels dismantled, and his son, after so absurdly long a minority, (for his father had capriciously fixed his majority at twenty-three,) only now coming of age; but whether he would reside at Bandvale, or continue in the neighbourhood of Leicester, where his guardian lived, or what he would do, nobody could tell. The estate, we were told, in spite of the economical management of four or five attorneys, and a couple of stewards, was more involved than when old Frank died; and many a time have I sighed, as I ambled past the lodges, and saw grass growing over the drive, contrasting these appearances with the jolly days I had known in the hall, "when the beards wagged all—shall we ever see the like again?" But change passes over all; and Bandvale was not the only place or the only thing that felt its influence. We were all very different from what we were; we had a railway within half an hour's drive; we had a Methodist chapel in the village; we had a clergyman who preached in his surplice, and would have had a hurl off a lame donkey if he had ventured into the saddle; the hounds were given up; you were asked to dinner at half-past seven, and got home again by ten; rather a changed state of affairs since old Frank kept the ball alive, and Parson Holt rode his grey nag over bank and fence, and we had two packs within ten miles, and no Methodists in the village, and no railroad in the county, and every thing was exactly as it ought to be; and we dined at five, and got home—when it pleased Heaven. Sometimes I turned down the avenue, and took a melancholy look at the old Hall. It is a great square house; flanked with two turrets, with fine old stone windows, and a stone porch in the middle. The Bandvale river runs through the park about three hundred yards from the front door, and is crossed by two bridges in the direction of the lodges, east and west; and beyond it rises the upland, all dotted over with clumps of elm—and at the highest part of the park is the church; a great black figure, kneeling on one knee, used to bear up the sun-dial in the centre of the sweep—his leg had given way from the weight of years and the huge globe he supported, and the poor old fellow lay on his back, kicking up the stump of his leg in a most audacious manner, in the very face of the sun. "The great globe itself had dissolved, and left not a wreck behind." They talk of Marius among the ruins of Carthage, and Coliseums unroofed, and temples of Theseus with crumbling pillars—all these are desolate enough; but then, their condition is picturesque: and I doubt whether Marius in the capitol, and the Coliseum newly finished, and the Temple at the time of its consecration, were half such interesting objects as in the days of their decline and fall. But to me the true representative of desolation was the long tufts of grass that grew in old Frank Edwards's stable-yard, the weeds that choked up the hall door, and the broken panes of the great dining-room windows—the spacious yard, the hospitable door, the jocund dining-room. And now young Frank was just coming to his legal age, and we were all forming our guesses and conjectures as to what the youth's proceedings would be when he came into possession. I made sure, if the property was really involved to the extent reported, that he would sell some of the lands he had in other counties; a farm or two he had in Sussex; a tolerable estate in the north; and a foolish marine villa somewhere in Devonshire, and pay off all incumbrances, and settle himself for life at Bandvale Hall. He would still have a very fine fortune; and it had been the family seat since the reign of Charles the Second. All the mothers and aunts in the county thought it was a seat like a Spanish saddle, and would carry double; and it certainly was amazing to see the preparations that were made to get the proper foot in the stirrup. It seemed agreed that for a young gentleman of twenty-three, seventeen was the only admissible age; and to reach that desirable date, as great cruelty was practised on the baptismal register books as on ancient travellers by the bed of Procrustes-girls of twenty-four were shortened by seven years, and little children of fourteen elongated by three. In some families there were three or four daughters all of the same age, yet not the least like twins; brothers and fathers were kept in marching order, ready to be dispatched to make poor Frank's acquaintance the moment he took possession. I also, though unendowed with any possession so valuable as either daughter, or sister, or niece, kept myself prepared to welcome my old friend's son, whenever he arrived.

The day of majority came at last—the third of June. The tenants of the Bandvale farms had a dinner at the Rose and Crown, and one of the managing attorneys proposed the young landlord's health in a speech full of amazing eloquence, but with a countenance that would have been more appropriate to a funeral oration than a toast; and it was, in fact, the funeral oration over his stewardship, as he gave notice that it was Mr Edwards's intention to take the management into his own hands—a piece of information that gave great satisfaction to every one except the firm of Goody and Fripp. But in spite of this announcement, young Frank never made his appearance—the walks continued overgrown with grass—the wounded Atlas looked proudly to heaven from his deathbed of fame-and the young ladies remained on the tiptoe of expectation.

"What can be the matter with the boy?" thought I; "has he no regard for his father's neighbours, and his own birthplace?"

"What can be the matter with the boy?" thought Miss Sibylla Smith, and all the maidens young, old, and middle aged. "Has he fallen in love with his tutor's daughter, or got engaged to his guardian's niece?" for our young people had studied life so zealously in three-volume novels, that they never doubted for a moment that Frank Edwards's tutor (if he had a tutor) had a daughter, or that his guardian (and they knew he had a guardian) had a niece. But in spite of all our thoughts Bandvale Hall continued empty.

"I'll take another look at the old place," I said, one day in August as I was passing the lodge, and rode at a quiet contemplative walk down the avenue. I hung my rein over one of the rails of the porch steps, and passed round into the garden. Not a flower to be seen; but the place of them famously supplied with potatoes and other useful articles—and the same evidence of absenteeism in the shape of tottering walls, and grass grown walks, and dusty fountains in all directions. What a shame!—if I knew the boy's address, I would write to him to come home at once; but that Leicestershire guardian has kept him quite separated from those who ought to have been his friends, and had the bringing up of him from his youth. If we are to have him all the rest of his life, he could not have come among us too early; and in the firm intention of carrying this resolution into effect, I determined to look out for some workman about the place, to ask where Mr Edwards was to be found. The man that has the care of the garden can't be far off;—and accordingly I went in search of him. But either the vegetables were illustrations, like Southey's butlers, of self-culture, or the gardener had gone to dinner; and in the expectation of finding him in the kitchen, I clambered into the house by an open window, and walked quietly along the passage. I thought I heard voices in the garden library, a delightful room on the ground-floor, where I had passed many an evening with old Frank; and, supposing the gardener had taken possession of it, I opened the door. Close to the window two persons were sitting, so deeply engaged in conversation that they did not remark my entrance, and I took the opportunity of observing them at leisure. They were both young men—both tall and good-looking; one remarkably dark, with great umbrageous whiskers and mustaches; the other a chestnut-haired, fresh-complexioned youth, so like poor old Frank in the set on of his head and breadth of his shoulders, that I knew in a moment it could be no one but his son. They seemed both very much excited about something; but from the whispered tone of their conversation, it was difficult to make out what it was. The dark man, who was six or seven years older than his companion, had apparently been saying something that shocked the other, for he clenched his hand, and threw his eyes despairingly to the ceiling; and no wonder, for the words I heard, as I advanced from the screen at the door, were enough to raise a shudder in any person's breast. He said—

"I had him murdered in the shooting-box."

"But why?" enquired Frank Edwards, looking less startled than could be expected.

"Why? Because Isabella could not be happy while he lived."

"Recollect I had no hand in it," said Frank. "I wouldn't have agreed to it on any account, and told you so before you did it."

Great heavens! what a secret to be thrust upon me! and what an introduction to the son of my poor friend—the accomplice of a murderer—who had evidently been consulted about the crime, and though he certainly had protested against it, had allowed it to be carried into effect! I was hesitating whether I should not retire at once, when Frank turned round and saw me. He rose, and received the apologies I muttered for my intrusion with the most astonishing self-command. I determined to conceal my knowledge of their conversation from them; and really, looking at the clear open countenance of the boy, it was difficult to believe that he knew any thing of so shocking a kind. I was introduced to the other, Mr Percy Marvale, and saw so much Italian, or perhaps gipsy, blood in his dark skin, and such a fierce expression in his coal-black eyes, that I was not so much surprised at his being implicated in the fearful deed. He looked just like one of the fellows on the stage who cut throats in a heroic fashion on the slightest provocation. But both were so free in their manner, and talked so pleasantly, that if it had not been for what I had overheard, I should have taken them for two very agreeable young men. And, in spite of it all, I could hardly avoid asking them both to leave the deserted house, and take up their quarters with me. I forced myself, however, to abstain from giving them the invitation; and after a half hour of friendly conversation, I got up to go away. They accompanied me a portion of the way; and when I looked at young Frank, and listened to the tones of his voice, twenty years seemed to roll off my shoulders. I took his hand. "You must dine with me to-morrow," I said; "and—and—your friend Mr Marvale," I added with some little difficulty. They both accepted without a moment's hesitation. "Hang it, there must be some mistake after all!" I thought, as I put my foot in the stirrup; "but I'll go and ask a few of the neighbours to meet them. Old Smith of Howkey is a magistrate, with an amazing nose for a crime. We'll see what he makes of it."

CHAPTER II

Now old Smith was the son of a great London millionaire—an alderman, or even a lord mayor, for any thing I know—who had bought Howkey, and built an enormous house, to which his son had taken the moment the old gentleman died; had cut the shop, got on the commission, and now rejoiced in a fat, jolly, good-tempered wife, and a multiplicity of sons and daughters. Such a fellow for points of law was never heard of out of Westminster Hall, nor in it either. He read Acts of Parliament as other people read novels—for his amusement; and every body thought he knew more about them than a lord chancellor. There was great rejoicing at Howkey, from the drawing-room up to the very nursery, when I told of Frank Edwards's arrival. All manner of enquiries were made, in various tones of interest, from the romantic Miss Sibylla down to the youngest of the girls, as to his appearance, manner, height, and complexion. I answered them all to the extreme satisfaction of the enquirers, but took care to make no allusion to his companion; though, at the same time, I confess I could not persuade myself that what I had overheard had the dreadful meaning I at first attached to it. He must have meant something else; for I had not become acquainted with the new style of flash language, where so many allusions are made to people's mothers and their mangles, without any real reference either to one or other. Getting a man murdered in a shooting-box might mean something equivalent to "There you go, with your eye out!" which has no meaning at all. But although I had persuaded myself of this, I made no mention at Howkey of the ferocious-looking Percy Marvale, but merely asked my friend Old Smith to come over, and help me to welcome the new neighbour. Sibylla, who had all along been of opinion that Mr Frank Edwards was engaged to his tutor's daughter, and took no interest in him accordingly, was all of a sudden seized with an uncommon affection for my wife. She felt for the awkwardness of her position so much in being the only lady among so many gentlemen, that she insisted on going over with her father, merely to bear her company; and, from the sympathizing countenance of her fair sister Monimia, I expected every moment a similar offer from her. The Williamses, and old Harry Lambert and his son, were the only others I could catch on so short a notice; but we all determined to make up in friendliness for the paucity in numbers, and give young Frank a hearty welcome to his native county.

We were all assembled in the drawing-room—that is to say, all but the party from Bandvale—and Mr Smith was laying down the law, or rather explaining it after his usual manner, when Sibylla, who had stood at the window, all of a sudden gave a slight scream, and flushed up to the eyes like a peony rose.

"Why, what's the matter, Sib?" said Old Smith; "has a bee stung you."

"No, no!" she said; "but I saw likeness—a something"—

"What was it you saw?" enquired my wife—"a ghost?"

Sibylla lifted up her eyes to the ceiling, and said nothing; for at that moment the door opened, and Frank Edwards and Mr Percy Marvale were announced.

"No, not a ghost," whispered Sibylla to my wife, "but an apparition I as little expected to see—I knew Mr Marvale in town."

The introduction was soon over; and Mr Marvale, on being presented to Miss Sibylla, exhibited as much surprise as that young lady had done at the window. I watched him as closely as if I had been one of the detective police; but, saving an enormous amount of puppyism and affectation, I could trace nothing very unusual in his appearance. Frank, on the other hand, was a fine open-mannered fellow, that one took to at once; and it was a mystery to me how he could be so intimate with a person so different from himself. Pity such a good-dispositioned youth should fall into the hands of such an atrocious character!

"You've met Mr Marvale before?" I said to Sibylla, as I took her into the dining-room.

"Oh, yes—at my cousin Jane's, in Russell Square—a wonderful man—a perfect genius!"

"I hope to Heaven he's no worse," said I, "though that's bad enough."