Donahoe's Magazine, Volume 15, No. 1, January 1886

The reader may remember the monitor of the school in which Mat was a pupil when the eviction of the widow Cunningham took place. The monitor was now the teacher of the National School, and Mat and he had begun to have many colloquies.

Michael Reed was regarded as a very sardonic and disagreeable person by most of the people of Ballybay. His hatchet face seemed appropriate to a man who never seemed to agree with the opinion of anybody else, who sneered, it was thought, all round, who laughed when other people wept, and who derided the moments of exultant hope. He had always been among those who hated and distrusted Crowe, and Mat, who was intolerant himself, rather avoided him, while he still had faith in the traitor. But the wreck of all his illusions sent him repentant to Reed, and they had many conversations, in which Mat found himself listening willingly and after a while even greedily, to ideas that a short time before he would have been himself the first to denounce as folly and madness.

The idea of Reed was that the only way to work out the freedom of Ireland was by force of arms. Mat at first was inclined to laugh at the idea; but an impressionable and vehement nature such as his was ill calculated to cope for a lengthened time with a nature precise, cold, and stubborn like that of Reed. Strength of will and tenacity of opinion make their way against better judgment, especially if there can be no doubt of the sincerity of the man of such a temper, and the rigid eye, the proud air, and the whole attitude of Reed spoke, and spoke truly, of a life of absolute purity, and of a fanaticism of Spartan endurance.

There was one consequence of the acceptance of the ideas of Reed, and from this, with all his devotion and rage and sorrow for the pitiable condition of his country, Mat still shrank. A revolutionary could not marry or be engaged to marry; for what man had the right to tie to his dark and uncertain fate the life of a woman—perhaps of children?

The defeat of Crowe would once more restore faith to the people in constitutional resources, and would save them from the cynicism and apathy which might require a revolutionary movement to rouse them once more to hope and action. And thus in fighting against Crowe, Mat now felt as if he were fighting not merely for his country, but for his own dear life.

Then if Crowe were defeated, Mat could return to his work in London, and resume his efforts in carrying out the sacred purpose of raising his father and mother from poverty; for of marriage he could not think unless he were in a position to help his father and mother more than he had done hitherto. If he ever dared to think of marriage otherwise, there came before him the gaunt image of his mother pointing to her faded and ragged workbox with its awful pawn-tickets and bank bills.

It was while he was in the midst of this fierce and agonizing struggle that Mat was called hurriedly one day to the house of Mary, by the news that Mrs. Flaherty had been taken very ill, and was supposed to be dying.

Mat came to the house, endeared to him by so many memories and hopes, trembling, and with a cold feeling about his heart. Why was it that he started back with a pang when he saw Cosgrave in the house before him? Why at that moment did there rush again over his whole soul that awful image which swept over him before? Why in imagination did he stand at night on a wild heath, shivering and alone?

"What brought Cosgrave here?" he asked of Mary sharply.

"Oh!" said Mary, "he came to tell us that he had been made a J. P."

"So he has attained his pitiful ambition," said Mat sharply. "It's through sneaks like him that scoundrels like Crowe are able to betray the country."

"Oh, never mind the low creature," said Mary, with a look of infinite contempt, that Mat was surprised to find very soothing.

He went up stairs. A look at the face of Mrs. Flaherty showed him at once that the alarm was not a false one—she was evidently dying.

There was the old look of patient affection in her tender face, and there was another look, too, which Mat could not misunderstand. It was a look of wistful appeal, half-uttered question, of a fond but tremulous hope.

And it added to the misery of that dark hour that Mat could say nothing, and that he had to let that true and deeply-loved soul pass out of life with its greatest fear unsatisfied, and its brightest hope unassured. For Mat could not utter a decisive word.

Between him and the speech there stood two shadows, potent, dark, and resistless—his mother pointing to her workbox, and Reed pointing to a revolver.

Mary stood beside the bed tearless.

"Doesn't Mary bear up well?" said Mat in surprise to her blubbering father.

"Mary doesn't cry," said her father; "she frets," and in these words Mat thought the whole character of the girl was summed up.

Mrs. Flaherty died on Thursday; the polling was on the following day. Mat was still under the impression of the dark and painful scene when the new excitement came. He hoped against hope to the last, went about the town like one insane, and spoke in his passion of country even to O'Flynn, the pawn-broker, and of honor to Mat Fleming, and then waited at the closing hour to hear the result. The result was:—

Mat turned pale, and almost fell, his head swam, his heart seemed for a moment to have stopped. He would not yet acknowledge it in so many words; but the sentence still kept ringing in his ears, "Thy doom is sealed, thy doom is sealed."

CHAPTER XVIII.

THE STORY OF BETTY CUNNINGHAM

The disaster which swept over all Ireland through the final success of the treachery of Crowe raged soon after in Ballybay. The town had been reduced by successive misfortunes to a condition so abject that one calamity was sufficient to completely submerge the greater portion of its inhabitants. Mr. Anthony Cosgrave, J. P., signalized the event by driving out the few tenants who still remained on the properties he had bought. He turned all his land into pasture, for this was the prosperous era of the graziers, and cattle were rapidly transformed into gold. Other landlords pursued similar courses, and within a couple of years, ten thousand people had been swept from the neighborhood around.

The calamity reached down to the very lowest stratum, and touched depths so profound as the fortunes of the widow Cunningham and her daughter Betty.

It had now become habitual for the widow and her daughter to remain for a couple of days with barely any food. One night they were sitting opposite each other on the bare floor of the railway arch in which they had for several years found refuge, staring at each other with the blank, wild gaze of hunger. There was a terrible pang at the heart of the mother on this night of nights. Throughout all her long years of struggle two great thoughts still remained burning in her soul, and in spite of poverty and hunger that soul still remained afire. One was vengeance on Cosgrave for the long train of woes through which she herself had passed, and the other was the protection of her child.

With that profound reverence for female honor which is still one of the best characteristics of the Irish poor, she had seen the growth of her beautiful daughter with a love mixed with terror, and guarded her child as the tigress watches by her lair. Her own life had long since ceased to be dear to her. She walked for hours through the streets, she pleaded for custom, she smiled under insult, she bore rain and hail and snow, in hope of the fulfilment of this great passionate purpose—to keep her daughter pure.

The misery of the last six months had been aggravated by the dread, growing in intensity with every hour, that all this endurance would be in vain, that behind the wolf of hunger there stalked the more cruel wolf of lust, and that her daughter was doomed. On this subject not a word passed between the two women, for the delicacy of feeling which marks even the humblest grade of Irish life sealed their lips; but the dread was always there in the mother's heart, pursuing her as a nightmare through the long watches of the darkness, and haunting her every moment as wearily she carried her basket through the streets in the day.

"Buy a few apples, yer honor, for God's sake," she often said to a passer-by, in a tone that might have struck one as menacing, or at least as entirely disproportionate to the urgency of the appeal; but in every such prayer for pence the mother felt that she was crying for her child, and her child's soul, and her accents came from the very anguish of her mother's heart.

On this night—it was about a month after the election of Crowe—the two sat together, buried in their own sad thoughts. They were suddenly aroused by the floor becoming inundated, and at once knew what to expect. The Shannon periodically rose above its banks outside Ballybay, and then its waters overspread the "Big Meadows," and the railway arch underneath which the widow and her daughter had taken refuge was, as will be remembered, close to these Meadows.

They rose and rushed from the spot. They were now absolutely homeless, without even a place on which to lay their heads. They went further on to another railway arch, and at last slept. When the mother awoke in the morning she was alone.

At this period a Ballybay landlord, afterwards destined to figure largely in the social life of Ireland, had just come of age. Thomas McNaghten was perhaps the handsomest Irishman of his day; tall, broad-shouldered, muscular. He had a physique as splendid as that of the race of peasants from whom his father sprang; while from the gentler race of his mother he derived features of exquisite delicacy and the complexion of a lily-like pink and white. He afterwards ran a career of mad dissipation that made his name a by-word even among the reckless and debauched class to which he belonged, and died a paralytic before he was forty. But at the period of our story, he was still in the full strength and the first flush of manhood. He had cast his eyes on Betty Cunningham, and had held out to her bribes that seemed to unfold to the girl visions of untold wealth. The innate purity of the maiden had hitherto been proof against the direct influences of poverty and wretchedness and the advances of her tempter. But at last the combined intensities of hunger and despair became his allies.

Three weeks after her desertion of her mother Betty Cunningham was drunk in one of the public-houses, which were frequented by the soldiers quartered in Ballybay. The fatal progress of the Irish girl who has fallen is more rapid than in any other country. Society, always cruel to its hapless victims and its outcasts, in Ireland is fanatically and barbarously savage. Betty was driven out from every house! People shuddered as she passed. She lay under hedges, her bed was often in the snow. To Ballybay she was as much an object of loathing and of horror as though she were some wild beast that men might lawfully destroy.

The girl herself had no compensation for all this dread outlawry. The Traviatas of other lands are painted for us in gilded saloons, with costly wines in golden goblets, and noble lovers sighing for their smiles. But Betty, outcast, hungry, and houseless, had not one second's enjoyment of life. The faith in which she had been trained still held its grip upon her, and neither vice nor drink nor human cruelty could relax its grasp. She was a sinner against Heaven's most sacred law; and after brief life came death, and after death eternal torment. Pursued by this ever-present spectre she drank and drank, and awoke more wretched than ever, and then she drank again.

She would sometimes seek refuge from her burning shame and from her tortured soul in fierce revolt. She rolled in mad delirium through the streets, yelled the blasphemies in the shuddering ears of Ballybay, fought the police who came to arrest her, developed, in short, into a raging demon. Her face became bloated, her expression horrible to witness. One day, as she passed through the streets in one of these frenzies, she met Mat Blake. She shivered in every limb, and a pang, as from the thrust of a dagger, passed through her heart. But she attempted all the more to steel her nerves, and to harden her face. She raised her eyes and glared, but the eyes fell, and she slunk away.

And thus it was that Mat saw, for the first time since his return to Ballybay, the gentle, timid, lovely girl who had once willingly stood between him and death.

A few minutes afterwards, Betty's mother appeared. Her features bore the traces of the deepest grief that had yet assailed her. All pride had gone from that once imperious face; she was a stooped, shame-faced, old woman. As Mat looked at her there rushed before his memory the many momentous hours of his life with which that face was bound up, his days of childhood in her prosperous home, his association with her daughter, and the glad hours during the first election of Crowe, when life was still full of glorious hope, and she had dashed the glad vision with the first breath of suspicion and anticipated evil.

They looked at each other silently for a moment, and then she shook her head, and with a look of infinite grief in her eyes, said to him—

"Ah, Master Mat, it was the hunger did it; it was the hunger did it."

By a trick of memory Mat recollected that these were the words he had heard on that day, long ago, when Betty had rescued Mary and himself from the enraged bull.

One thing Mat had noticed as Betty Cunningham had passed; it was that amid the wreck of her beauty one feature still remained as strangely witching as ever. The soft eyes had not lost their delicacy of hue, nor had the evil passions of her soul deprived them of their gentle look. Those who mentioned her, and she was not an uncommon topic among the men of the town, still spoke of Betty's beautiful eyes.

At last there came a temporary change in her fate. A branch of the Mary Magdalene Asylum was established in Ballybay for the rescue of fallen women, and she was one of the first to enter. But her temper, spoiled by excesses and disappointment, fretted under the restraint. She quarrelled with the nuns, and one night she fled. Then the revival in all its fierce vigilance of the old spectre of eternal punishment made her more infuriate than ever. She drank more deeply, cursed more fiercely, was oftener in the police-cell, and Ballybay loathed her more than ever.

One morning—it was a Christmas morning—Mat was walking with his father in the "Big Meadows." Snow had fallen heavily the night before; and as they passed a bush, they saw the impress of a woman's form; it was evident that an unhappy being had there spent her Christmas Eve.

"My God!" said Mat, "a woman has slept there."

Mat's father was the kindest and most humane being in all the world, but "Serve the wretch right!" was his comment.

Her story wound up in a tragic climax. One night she made more violent resistance than ever to the attempts of the police to arrest her, and when she was at last captured, she was torn and bleeding. They put her into a cell by herself; she could be heard pacing up and down with the infuriate step of a caged tiger. The policeman on duty afterwards told how he had heard her muttering to herself, and that he thought he caught the words, "These eyes! These eyes! They have undone me! They have undone me!" Soon afterwards he heard a wild, unearthly shriek that froze his blood. He rushed into the cell, and there, horrible, bleeding.... But I dare not describe the sight.

Betty Cunningham was taken once more into the Mary Magdalene Asylum. Her voice was trained, and after some years she sang in the choir. A strong hush always came over the chapel when her voice was heard. People still told in whispers the terrible story of the blind lay sister; and Mat, sitting in the chapel years afterwards, was carried over the whole history of her career and his own and that of Ballybay generally as he listened to her rich contralto singing second to the rest. He had always thought that there was something wondrously pathetic, at least in sacred music, in the voice that sings seconds, and the impression was confirmed as he listened to the blind girl's accompaniment to the other voices; low when they were loud, sad when they were triumphant, following painfully their quicker steps with that ever plaintive protest and soft wail—fit image of life, where our highest joys are dogged by sorrow's quick and inevitable step.

Conclusion next month

Charity's mantle is often made of gauze.

Alone