The Atlantic Monthly, Volume 02, No. 12, October, 1858

"Did he seem to care for the flowers? did he take any?" she asked.

"No,—he would not touch them. The keeper offered him whatever he would choose. He desired nothing. But he looked at all, he saw everything,—even the beds of vegetables," Sandy said.

"Did he seem pleased?" Elizabeth again asked.

"Pleased!" exclaimed Sandy. "That's for you and me,—not a man that's been shut up these five years. No,—he didn't look pleased. I don't know how he looked; don't ask me; 'tisn't pleasant to think of."

"I would have made him take the flowers, if I had been here," said Elizabeth, in a manner that seemed very positive, in comparison with Sandy's uncertain speech.

"May-be,—I dare say," Sandy acquiesced; but he evidently had his doubts even of her power in this business.

She must take no notice of the prisoner, she was given to understand one day, if she was to remain in the garden while he walked there. So she took no notice.

He came and went. Manuel, the keeper called him; and she was busy with her weeding, and neither saw nor heard. Ah, she did not!—did not see the figure that came moving like a spectre through the gates!—did not hear the slow dragging step of one who is weary almost to helplessness,—the listless step that has lost the spring of hope, the exultation of life, the expectation of spirit, the strength of manhood!—She did hear, did see the man. We feel the nearness of our friend who is a thousand miles away. Something beside the sunshine is upon us, and receives our answering smile. That sudden shadow is not of the passing cloud. That voice at midnight is not the disturbance of a dream.—He walked about the garden; he retired to his cell. It might have been an hour, or a minute, or a day. It does not take time to dream a life's events. How is the drowning man whirled round the circle of experiences which were so slow in their development!

Compassion without limit, courageous purpose impatient of inaction, troubled this young girl.

"You behaved like a lady," said Sandy,—"you never looked up. You needn't run now, I'm sure, when he thinks of taking a turn. All we've got to do is to mind our own business, Mr. Laval says. I guess we can. But I did want to let off those chains."

"What chains?" asked Elizabeth, as with a shudder she looked up at Sandy.

"His wrists, you know,—locked," he explained.

"Oh!" groaned the gentle soul, and she walked off, forgetful of the flowers, tools, Sandy, everything. But Sandy followed her; she heard him calling to her, and before the garden-gate she waited for him; he was following on a run.

"I can tell you what it's for," said he, for he had no idea of keeping the secret to himself, and he dared not trust it to any other friend.

"What is it?" she asked,—and she trembled when she asked, and while she waited for his answer.

"For lighting the Church. Would you think that? He did such damage, it wasn't safe for him to be at liberty. That's how it was. I think he must be a Lutheran;—you know they don't believe in the Holy Ghost! Of course,—poor fellow!—it's right he should be shut up for warring with the Church that came down through the holy Apostles, when you know all the rest only started up with Luther and Calvin. He ought to have knowed better."

"Who told you, Sandy?" asked Elizabeth, as if her next words might undertake to extenuate and justify.

"It came straight enough, I understand. But—remember—you don't know anything about it. His name is Manuel, though;—don't dare to mention it;—that's what Mr. Laval calls him. Are you going? I wouldn't have told you a word, but you took his trouble so to heart. You see, now, it's right he should be shut up. But let on that you know anything, all the worse for me,—I mean, him!"

"Yes," said Elizabeth, "you're safe, Sandy. Thank you for telling me."

Sandy walked off with a mind relieved, for he believed in Elizabeth, and had found the facts communicated too great a burden to bear alone.

She passed through the garden-gate most remote from the fort; it opened into a lonely road which ran inland from the coast, between the woods and the prison, and to the woods she went. The shadows were gloomy to-day, for she went among them lamenting the fate of the stranger;—the mystery surrounding him had increased, not lessened, with Sandy's explanation.

Fighting against the Church was an unimagined crime. Of the great conflict in which he had taken part, to the ruin of his fortunes, she knew nothing. The disputes of Christendom, had they been explained, would have seemed almost incredible to her. For, whatever was known and discussed in the circle of the Governor of the island, Drummer Montier, and such as he, kept the peace with all mankind. The Church took care of itself, and appeared neither the oppressor nor the Saviour of the world. What they had fought about in the first years of the possession of Foray, Montier could hardly have told,—and yet he was no fool. He could have given, of course, a partisan version of the struggle; but as to its real cause, or true result, he knew as little as the other five hundred men belonging to the regiment.

While Elizabeth wandered through those gloomy woods, she saw no flowers, gathered no wild fruits,—though flowers and berries were perfect and abundant. Now and then she paused in her walk to look towards the prison, glimpses of whose strong walls were to be had through the trees. At length the sound of her father's horn came loud and clear from the cliffs beyond the wood. It fell upon her sombre meditation and slightly changed the current. She hurried forward to join him, and, as she went, a gracious purpose was shining in her face.

When she returned home, it was by the unfrequented prison-way, her father playing the liveliest tunes he knew. For the first time in their lives they sat down by the side of the lonely road where they had emerged from the wood; Elizabeth's memory served her to recall every air that was sweet to her, and she listened while her father played, endeavoring to understand the sound those notes would have to "Manuel."

Montier could think of no worthier employment than the practice of his music. Especially it pleased him that his daughter should ask so much as she was now asking: he could not discern all that was passing in her heart, nor see how many shadows moved before those sweet, serious eyes.

They went home at night-fall together; and the young girl's step was not more light, now that her heart was troubled by what she must not reveal, even to him.

The next morning Sandy was very busy with Elizabeth, tying up some flowers which had been tossed about, and broken, many of them, in the night gale, when the keeper came through the gate, leading this Manuel, who, grim as a spectral shadow, that had been fearful but for its exceeding pitifulness, stood now between her and all that she rejoiced in. "There!" exclaimed Sandy. Looking up, she saw them approaching straight along the path that led past the flowerbeds.

"Your flowers had a pretty rough time of it in the storm," said Jailer Laval, as he drew near. He addressed the drummer's daughter,—but his eyes were on Sandy, with the suspicious and stern inquiry common to men who have betrayed a secret. But Sandy was busy with his delving.

"Yes," answered Elizabeth, and she looked from the ground up to the faces of these men.

"Is that a rose-bush? That was roughly handled," said Laval, pointing with his stick to the twisted rose-stalk covered with buds, over whose blighted promise she had been lamenting.

"Yes," said Elizabeth again; but she hardly knew what she said, still less was she aware of the expression her face wore when she looked at the prisoner. Yes,—even as Sandy said, big wrists were chained together; he was more like a ghost than a man; his face was pale and hopeless, and woful beyond her understanding was the majesty of his mien.

At such a price he paid for fights against the Church! But in truth he had not the look of an evil, warring man. His gravity, indeed, was such as it seemed impossible to dispel. But only pity stirred the heart of Elizabeth Montier as she looked on him. Surely it was a face that never, in any excess of passion, could have looked malignance. Ah! and at such a price he purchased his sunshine, the fresh air, and a near vision of this flower-garden!—in chains!

When she looked at him, his gaze was on her,—not upon the roses. She smiled, for pity's sake; but the smile met no return. His countenance had not the habit of responding to such glances. Sombre as death was that face. Then Elizabeth turned hastily away; but as the keeper also moved on a step, she detained him with a hurried "Wait a minute," and went on plucking the finest flowers in bloom. Like an iron statue stood the prisoner while she plucked the roses,—it was but a minute's work,—then she tied the flowers together and laid them on his fettered hands; whether he would refuse them, whether the gift pained or pleased him, whether the keeper approved, she seemed afraid to know,—for, having given the flowers, she went away in haste.

It was not long after this first act of friendly courtesy, which had many a repetition,—for the keeper was at bottom a humane man, and not disposed to persecute his charge, while he was equally far from any carelessness in guarding or leniency of treatment that would have excited suspicion as to his purpose, in the minds of the authorities of the island,—not long after this day, when the fine sympathy betrayed for him by Elizabeth fell on Manuel's heart like dew, that the wife of the jailer died.

Her death was sudden and unlooked-for, though neither Nature nor the woman could have been blamed for the shock poor Laval experienced. Death had fairly surrounded her, disarming her at every point, so that when he called her there was no resistance.

Jailer Laval took the bereavement in a remorseful mood. The first thing to be done now was the very last he would have owned to purposing during her life-time. Release from that prison had been the woman's prayer, year in and year out, these ten years, and Death was the bearer of the answer to that prayer,—not her husband.

But now, from the day of her sudden decease, the prison had become to him dreary beyond endurance. The mantle of her discontent fell on him, and, having no other confidant beside honest, stupid Sandy, he talked to him like a man who seriously thought of abandoning his labor, and retiring to that land across the sea for which his wife had pined during ten homesick years.

Sandy, who might have regarded himself in the light of an "humble instrument," had he been capable of a particle of vanity or presumption, told Elizabeth Montier, with whom he had held many a conference concerning prison matters, since Manuel first began to walk along the southern garden-walk, where the flower-beds lay against the prison-wall. What was her answer? It came instantly, without premeditation or precaution,—

"Then we must take his place, Sandy."

"We, Miss?" said Sandy, with even greater consternation than surprise.

"Yes," she replied, too much absorbed by what she was thinking, to mind him and his blunders,—"papa must take the prison."

"Oh!"—and Sandy blushed through his tan at his absurd mistake. Then he laughed, for he saw that she had not noticed it. Then he looked grave, and wondering, and doubtful. The idea of Adolphus Montier's pretty wife and pretty daughter changing their pretty home for life in the dark prison startled him. He seemed to think it no less wrong than strange. But he did not express that feeling out and out; he was hindered, as he glanced sideways at the young girl who gazed so solemnly, so loftily, before her. At what she was looking he could not divine. He saw nothing.

"I wouldn't be overly quick about that," said he, cautiously.

"No danger!" was the prompt reply.

"For I tell you, of all the places I ever see, that prison makes me feel the queerest. I believe it's one reason I let the flower-garden go so long," owned Sandy. He did not speak these words without an effort; and never had Elizabeth seen him so solemn. She also was grave,—but not after his manner of gravity.

"You see what I did with the poor flower-beds, Sandy," said she. "Wait now till you see what happens to the prison."

But it is one thing to purpose, and another to execute. Far easier for Elizabeth to declare than to conduct an heroic design. One thing prevented rest day and night,—the knowledge that Laval's intended resignation must be followed by a new application and appointment. With such a degree of sympathy had the condition of the captive inspired her, that the idea of the bare possibility of cruelty or neglect or brutality assuming the jailer's authority seemed to lay upon her all the responsibility of his future. She must act, for she dared not hesitate.

One evening Adolphus took his horn, and, attended by wife and child, went out to walk. He meant to send a strain from the highest of the accessible coast-rocks. But Elizabeth changed his plan. The time was good for what she had to say. Instead of expending his enthusiasm on a flourish of notes, he was called upon to manifest it in a noble resolution.

When Elizabeth invited her father to a prospect sylvan rather than marine, to the shady path on the border of the wood between it and the prison, Montier, easily drawn from any plan that concerned his own inclination merely, let his daughter lead, and she was responsible for all that followed in the history of that little family. So love defers to love, with divine courtesy, through all celestial movements.

After playing a few airs, Montier's anticipated evening ended, and another set in. The sympathies of a condition, the opposite to that of which he had been so happily conscious, pressed too closely against him. The musician could not, for the life of him, have played with becoming spirit through any one of all the strains of victory he knew.