The Atlantic Monthly, Volume 09, No. 52, February, 1862

"I will retire to the southern side," said the monk, "and await the end of your conference": and with that he crossed the platform on which they were standing, and, going down a flight of white marble steps, was soon lost to view amid the wilderness of frost-like carved work.

He had scarcely vanished, before footsteps were heard ascending the marble staircase on the other side, and the sound of a voice humming a popular air of the court.

The stranger was a young man of about five-and-twenty, habited with all that richness and brilliancy of coloring which the fashion of the day permitted to a young exquisite. His mantle of purple velvet falling jauntily off from one shoulder disclosed a doublet of amber satin richly embroidered with gold and seed-pearl. The long white plume which drooped from his cap was held in its place by a large diamond which sparkled like a star in the evening twilight. His finely moulded hands were loaded with rings, and ruffles of the richest Venetian lace encircled his wrists. He had worn over all a dark cloak with a peaked hood, the usual evening disguise in Italy; but as he gained the top-stair of the platform, he threw it carelessly down and gayly offered his hand.

"Good even to you, cousin mine! So you see I am as true to my appointment as if your name were Leonora or Camilla instead of Agostino. How goes it with you? I wanted to talk with you below, but I saw we must have a place without listeners. Our friends the saints are too high in heavenly things to make mischief by eavesdropping."

"Thank you, Cousin Carlos, for your promptness. And now to the point. Did your father, my uncle, get the letter I wrote him about a month since?"

"He did; and he bade me treat with you about it. It's an abominable snarl this they have got you into. My father says, your best way is to come straight to him in France, and abide till things take a better turn: he is high in favor with the King and can find you a very pretty place at court, and he takes it upon him in time to reconcile the Pope. Between you and me, the old Pope has no special spite in the world against you: he merely wants your lands for his son, and as long as you prowl round and lay claim to them, why, you must stay excommunicated; but just clear the coast and leave them peaceably and he will put you back into the True Church, and my father will charge himself with your success. Popes don't last forever, or there may come another falling out with the King of France, and either way there will be a chance of your being one day put back into your rights; meanwhile, a young fellow might do worse than have a good place in our court."

During this long monologue, which the young speaker uttered with all the flippant self-sufficiency of worldly people with whom the world is going well, the face of the young nobleman who listened presented a picture of many strong contending emotions.

"You speak," he said, "as if man had nothing to do in this world but seek his own ease and pleasure. What lies nearest my heart is not that I am plundered of my estates, and my house uprooted, but it is that my beautiful Rome, the city of my fathers, is a prisoner under the heel of the tyrant. It is that the glorious religion of Christ, the holy faith in which my mother died, the faith made venerable by all these saints around us, is made the tool and instrument of such vileness and cruelty that one is tempted to doubt whether it were not better to have been born of heathen in the good old times of the Roman Republic,—God forgive me for saying so! Does the Most Christian King of France know that the man who pretends to rule in the name of Christ is not a believer in the Christian religion,—that he does not believe even in a God,—that he obtained the holy seat by simony,—that he uses all its power to enrich a brood of children whose lives are so indecent that it is a shame to modest lips even to say what they do?"

"Why, of course," said the other, "the King of France is pretty well informed about all these things. You know old King Charles, when he marched through Italy, had more than half a mind, they say, to pull the old Pope out of his place; and he might have done it easily. My father was in his train at that time, and he says the Pope was frightened enough. Somehow they made it all up among them, and settled about their territories, which is the main thing, after all; and now our new King, I fancy, does not like to meddle with him: between you and me, he has his eye in another direction here. This gay city would suit him admirably, and he fancies he can govern it as well as it is governed now. My father does not visit here with his eyes shut, I can tell you. But as to the Pope–Well, you see such things are delicate to handle. After all, my dear Agostino, we are not priests,—our business is with this world; and, no matter how they came by them, these fellows have the keys of the kingdom of heaven, and one cannot afford to quarrel with them,—we must have the ordinances, you know, or what becomes of our souls? Do you suppose, now, that I should live as gay and easy a life as I do, if I thought there were any doubt of my salvation? It's a mercy to us sinners that the ordinances are not vitiated by the sins of the priests; it would go hard with us, if they were: as it is, if they will live scandalous lives, it is their affair, not ours."

"And is it nothing," replied the other, "to a true man who has taken the holy vows of knighthood on him, whether his Lord's religion be defamed and dishonored and made a scandal and a scoffing? Did not all Europe go out to save Christ's holy sepulchre from being dishonored by the feet of the Infidel? and shall we let infidels have the very house of the Lord, and reign supreme in His holy dwelling-place? There has risen a holy prophet in Italy, the greatest since the time of Saint Francis, and his preaching hath stirred all hearts to live more conformably with our holy faith; and now for his pure life and good works he is under excommunication of the Pope, and they have seized and imprisoned him, and threaten his life."

"Oh, you mean Savonarola," said the other. "Yes, we have heard of him,—a most imprudent, impracticable fellow, who will not take advice nor be guided. My father, I believe, thought well of him once, and deemed that in the distracted state of Italy he might prove serviceable in forwarding some of his plans: but he is wholly wrapt up in his own notions; he heeds no will but his own."

"Have you heard anything," said Agostino, "of a letter which he wrote to the King of France lately, stirring him up to call a General Council of the Christian Church to consider what is to be done about the scandals at Rome?"

"Then he has written one, has he?" replied the young man; "then the story that I have heard whispered about here must be true. A man who certainly is in a condition to know told me day before yesterday that the Duke had arrested a courier with some such letter, and sent it on to the Pope: it is likely, for the Duke hates Savonarola. If that be true, it will go hard with him yet; for the Pope has a long arm for an enemy."

"And so," said Agostino, with an expression of deep concern, "that letter, from which the good man hoped so much, and which was so powerful, will only go to increase his danger!"

"The more fool he!—he might have known that it was of no use. Who was going to take his part against the Pope?"

"The city of Florence has stood by him until lately," said Agostino,—"and would again, with a little help."

"Oh, no! never think it, my dear Agostino! Depend upon it, it will end as such things always do, and the man is only a madman that undertakes it. Hark ye, cousin, what have you to do with this man? Why do you attach yourself to the side that is sure to lose? I cannot conceive what you would be at. This is no way to mend your fortunes. Come to-night to my father's palace: the Duke has appointed us princely lodgings, and treats us with great hospitality, and my father has plans for your advantage. Between us, there is a fair young ward of his, of large estates and noble blood, whom he designs for you. So you see, if you turn your attention in this channel, there may come a reinforcement of the family property, which will enable you to hold out until the Pope dies, or some prince or other gets into a quarrel with him, which is always happening, and then a move may be made for you. My father, I'll promise you, is shrewd enough, and always keeps his eye open to see where there is a joint in the harness, and have a trusty dagger-blade all whetted to stick under. Of course, he means to see you righted; he has the family interest at heart, and feels as indignant as you could at the rascality which has been perpetrated; but I am quite sure he will tell you that the way is not to come out openly against the Pope and join this fanatical party."

Agostino stood silent, with the melancholy air of a man who has much to say, and is deeply moved by considerations which he perceives it would be utterly idle and useless to attempt to explain. If the easy theology of his friend were indeed true,—if the treasures of the heavenly kingdom, glory, honor, and immortality, could indeed be placed in unholy hands to be bought and sold and traded in,—if holiness of heart and life, and all those nobler modes of living and being which were witnessed in the histories of the thousand saints around him, were indeed but a secondary thing in the strife for worldly place and territory,—what, then, remained for the man of ideas, of aspirations? In such a state of society, his track must be like that of the dove in sacred history who found no rest for the sole of her foot.

Agostino folded his arms and sighed deeply, and then made answer mechanically, as one whose thoughts are afar off.

"Present my duty," he said, "to my uncle, your father, and say to him that I will wait on him to-night."

"Even so," said the young man, picking up his cloak and folding it about him. "And now, you know, I must go. Don't be discouraged; keep up a good heart; you shall see what it is to have powerful friends to stand by you; all will be right yet. Come, will you go with me now?"

"Thank you," said Agostino, "I think I would be alone a little while. My head is confused, and I would fain think over matters a little quietly."

"Well, au revoir, then. I must leave you to the company of the saints.

But be sure and come early."

So saying, he threw his cloak over his shoulder and sauntered carelessly down the marble steps, humming again the gay air with which he had ascended.

Left alone, Agostino once more cast a glance on the strangely solemn and impressive scene around him. He was standing on a platform of the central tower which overlooked the whole building. The round, full moon had now risen in the horizon, displacing by her solemn brightness the glow of twilight; and her beams were reflected by the delicate frost-work of the myriad pinnacles which rose in a bewildering maze at his feet. It might seem to be some strange enchanted garden of fairy-land, where a luxuriant and freakish growth of Nature had been suddenly arrested and frozen into eternal stillness. Around in the shadows at the foot of the Cathedral the lights of the great gay city twinkled and danced and veered and fluttered like fire-flies in the damp, dewy shadows of some moist meadow in summer. The sound of clattering hoofs and rumbling wheels, of tinkling guitars and gay roundelays, rose out of that obscure distance, seeming far off and plaintive like the dream of a life that is past. The great church seemed a vast world; the long aisles of statued pinnacles with their pure floorings of white marble appeared as if they might be the corridors of heaven; and it seemed as if the crowned and sceptred saints in their white marriage-garments might come down and walk there, without ever a spot of earth on their unsullied whiteness.

In a few moments Father Antonio had glided back to the side of the young man, whom he found so lost in reverie that not till he laid his hand upon his arm did he awaken from his meditations.

"Ah!" he said, with a start, "my father, is it you?"

"Yes, my son. What of your conference? Have you learned anything?"

"Father, I have learned far more than I wished to know."

"What is it, my son? Speak it at once."

"Well, then, I fear that the letter of our holy father to the King of France has been intercepted here in Milan, and sent to the Pope."

"What makes you think so?" said the monk, with an eagerness that showed how much he felt the intelligence.

"My cousin tells me that a person of consideration in the Duke's household, who is supposed to be in a position to know, told him that it was so."

Agostino felt the light grasp which the monk had laid upon his arm gradually closing with a convulsive pressure, and that he was trembling with intense feeling.

"Even so, Father, for so it seemed good in thy sight!" he said, after a few moments of silence.

"It is discouraging," said Agostino, "to see how little these princes care for the true interests of religion and the service of God,—how little real fealty there is to our Lord Jesus."

"Yes," said the monk, "all seek their own, and not the things that are Christ's. It is well written, 'Put not your trust in princes.'"

"And what prospect, what hope do you see for him?" said Agostino. "Will Florence stand firm?"

"I could have thought so once," said the monk,—"in those days when I have seen counsellors and nobles and women of the highest degree all humbly craving to hear the word of God from his lips, and seeming to seek nothing so much as to purify their houses, their hands, and their hearts, that they might be worthy citizens of that commonwealth which has chosen the Lord Jesus for its gonfalonier. I have seen the very children thronging to kiss the hem of his robe, as he walked through the streets; but, oh, my friend, did not Jerusalem bring palms and spread its garments in the way of Christ only four days before he was crucified?"

The monk's voice here faltered. He turned away and seemed to wrestle with a tempest of suppressed sobbing. A moment more, he looked heavenward and pointed up with a smile.

"Son," he said, "you ask what hope there is. I answer, There is hope of such crowns as these wear who came out of great tribulation and now reign with Christ in glory."

OUR ARTISTS IN ITALY

LANDSCAPE ART

A representation of Nature, in order to be a true landscape, must be organic. It must not present itself as an aggregation, but as a growth. It must manifest obedience to laws which are peculiarly its own, and through the operation of which it has developed from the moment of inception to that of maturity. And, moreover, that inception must have been near a human heart, that development must have been nourished by vitality derived from human life, and that maturity must be that of the divine unity to which tend all the mysterious operations of organizing energies.

We hold this to be the first essential condition of Landscape Art, the condition without which no rendering of Nature can be Art. Other points of excellence may be unattained. Let this be evident, that the production is an offspring of humanity, and it shall be perceived also that it partakes of whatever immortality the human heart inherits. Herein is concealed the whole secret of the value of pre-Raphaelite Art, and not, as we have been assured, in the faithfulness of its followers to the exact representation of the individual details of Nature. Each wrought from the love of Nature, consciously giving what truth he possessed, unconsciously giving of his own interior life. Each picture was the child of the painter. Yet, however much the ancient artist may have failed in rendering the specific truths of the external world, we can never attribute his failure to any disregard for the true. His picture never gives the impression of falsehood; and in the most erroneous record of the external there is ever the promise of more truth, and this promise is not that of the man, but of the principle governing the character of his picture.

We think that all works of Art may be divided into two distinct classes: those which are the result of a man's whole nature, involving the affectional, religious, and intellectual, and those which are the productions of the intellect, and from the will. The first class comprises those results of Art which are vital,—which come to us through processes of growth, and impress us with a sense of organization. The second includes those works which are constructed,—which present an accumulation of objects mechanically combined, parts skilfully joined through scientific means.

Earnestness and the definite purpose which is its sign, love which drew the soul into sweetest communion with our mother Nature, giving to him who thus came revelations of the harmonies possible between her and her children, and devotion to his art mightier than ever inspired the Hindoo devotee in self-sacrifice, characterized those who have given all that pure Art which has been alluded to as the true: and such were the majority of those artists who preceded Raphael.

True, all of those who were devoted to Landscape Art, or who made it a part of their practice to introduce this element into their pictures, often failed in attaining truth; but, by some strange power with which they have invested their landscapes, an impulse is given to the perception, and the essential truth, feebly hinted at, perhaps, is recognized. But as the record comes down through the years, each new picture approximates more nearly to the character of the scene attempted, with, occasionally, (as in the works of Masaccio,) touches of truth absolutely perfect, until at last appeared that man altogether at one with Nature, who reproduced Nature in all its glory, pomp, freedom, and life, as might an archangel. Titian brought to perfection the first great class of Landscape Art, and, of course, in doing so, perfected that department which was the only one as yet developed, and which remains a distinct branch, subject to its own peculiar laws. We refer to the rendering of natural scenery, beginning in the merely and completely subordinate accessory, and ending, with Titian, in the perfectly dignified and noble companionship of the visible universe with man.

We speak of this Art perfected far back, because we feel assured that landscape, as accessory to the historical, has an ideal altogether distinct from that of pure landscape.