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The Mirror of Literature, Amusement, and Instruction. Volume 12, No. 337, October 25, 1828

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2018
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And mansions of purpureal mould; the Host
Of heaven assembled to adore with harp
And hymn, the First and Last, the Living God;
They knelt,—a universal choir, and glow'd
More beauteous while they breathed the chant divine,
And Hallelujah! Hallelujah! peal'd,
And thrill'd the concave with harmonious joy.

VISION OF HELL.

Apart, upon a throne of living fire
The Fiend was seated; in his eye there shone
The look that dared Omnipotence; the light
Of sateless vengeance, and sublime despair.—
He sat amid a burning world, and saw
Tormented myriads, whose blaspheming shrieks
Were mingled with the howl of hidden floods,
And Acherontine groans; of all the host,
The only dauntless he. As o'er the wild
He glanced, the pride of agony endured
Awoke, and writhed through all his giant frame,
That redden'd, and dilated, like a sun!
Till moved by some remember'd bliss, or joy
Of paradisal hours, or to supply
The cravings of infernal wrath,—he bade
The roar of Hell be hush'd,—and silence was!
He called the cursed,—and they flash'd from cave
And wild—from dungeon and from den they came,
And stood an unimaginable mass
Of spirits, agonized with burning pangs:
In silence stood they, while the Demon gazed
On all, and communed with departed Time,
From whence his vengeance such a harvest reap'd.

BEAUTIFUL INFLUENCES.

Who hath not felt the magic of a voice,—
Its spirit haunt him in romantic hours?
Who hath not heard from Melody's own lips
Sounds that become a music to his mind?—
Music is heaven! and in the festive dome,
When throbs the lyre, as if instinct with life,
And some sweet mouth is full of song,—how soon
A rapture flows from eye to eye, from heart
To heart—while floating from the past, the forms
We love are recreated, and the smile
That lights the cheek is mirror'd on the heart!
So beautiful the influence of sound,
There is a sweetness in the homely chime
Of village bells: I love to hear them roll
Upon the breeze; like voices from the dead,
They seem to hail us from a viewless world.

PERSECUTION OF THE JEWS

We know it to be a fact, that a Jew, an artist of reputation, who had conceived a great confidence in a Christian engaged in the promotion of the conversion of the Israelites, revealed to him, that both he and his brother had been Christians from their childhood from having been bred up amongst Christians, but were too indignant at the treatment which they and their brethren met with at Christian hands, to profess Christianity; and he earnestly pleaded, as essential to their being induced to receive the gospel, that those who participate in the attempt should approach them with a language of decided affection for Israel.—Q. Rev.

ABSENTEES

Soon become detached from all habitual employments and duties; the salutary feeling of home is lost; early friendships are dissevered, and life becomes a vague and restless state, freed, it may seem, from many ties, but yet more destitute of the better and purer pleasures of existence.

ITINERANT OPERAS

The first performance of the opera seria at Rome, in 1606, consisted of scenes in recitative and airs, exhibited in a cart during the carnival.

THE GAMUT

Guido D'Arezzo, a monk of the 13th century, in the solitude of his convent, made the grand discovery of counterpoint, or the science of harmony, as distinguished from melody; he also invented the present system of notation, and gave those names to the sounds of the diatonic scale still in use:—ut, re, mi, fa, sol, la, si; these being the first syllables of the first six lines of a hymn to St. John the Baptist, written in monkish Latin; and they seem to have been adopted without any special reason, from the caprice of the musician.—Foreign Rev.

It is said that the first church was erected at Glastonbury; and this tradition may seem to deserve credit, because it was not contradicted in those ages when other churches would have found it profitable to advance a similar pretension. The building is described as a rude structure of wicker-work, like the dwellings of the people in those days, and differing from them only in its dimensions, which were threescore feet in length, and twenty-six in breadth. An abbey was afterwards erected there, one of the finest of those edifices, and one of the most remarkable for the many interesting circumstances connected with it. The destruction of this beautiful and venerable fabric is one of the crimes by which our reformation was sullied.—Southey.

GHOST STORY, BY M.G. LEWIS

A gentleman journeying towards the house of a friend, who lived on the skirts of an extensive forest, in the east of Germany, lost his way. He wandered for some time among the trees, when he saw a light at a distance. On approaching it he was surprised to observe that it proceeded from the interior of a ruined monastery. Before he knocked at the gate he thought it proper to look through the window. He saw a number of cats assembled round a small grave, four of whom were at that moment letting down a coffin with a crown upon it. The gentleman startled at this unusual sight, and, imagining that he had arrived at the retreats of fiends or witches, mounted his horse and rode away with the utmost precipitation. He arrived at his friend's house at a late hour, who sat up waiting for him. On his arrival his friend questioned him as to the cause of the traces of agitation visible in his face. He began to recount his adventures after much hesitation, knowing that it was scarcely possible that his friend should give faith to his relation. No sooner had he mentioned the coffin with the crown upon it, than his friend's cat, who seemed to have been lying asleep before the fire, leaped up, crying out, "Then I am king of the cats;" and then scrambled up the chimney, and was never seen more.

RIDICULOUS MISTAKE

A quantity of Worcestershire china being sent to the Nawaab at Lucknow, in India, from England, he was as impatient to open it as a child would be with a new plaything; and immediately gave orders for invitations to be sent to the whole settlement for a breakfast, à la fourchette, next morning. Tables were accordingly spread for upwards of a hundred persons, including his ministers and officers of state. Nothing could be more splendid than the general appearance of this entertainment; but the dismay may be more easily imagined than described, on discovering that the servants had mistaken certain utensils for milk-bowls, and had actually placed about twenty of them, filled with that beverage, along the centre of the table. The consequence was, the English part of the company declined taking any; upon which the Nawaab innocently remarked, "I thought that the English were fond of milk." Some of them had much difficulty to keep their countenances.

SPIRIT OF THE PUBLIC JOURNALS

ENGLISH COUNTRY LIFE

The country seats of England form, indeed, one of the most remarkable features, not only in English landscape, but yet more in what may be termed the genius and economy of English manners. Their great number throughout the country, the varied grandeur and beauty of their parks and gardens, the extent, magnificence, and various architecture of the houses, the luxurious comfort and completeness of their internal arrangements, and their relation generally to the character of the peasantry surrounding them, justify fully the expression we have used. No where has this mode of life attained so high a degree of perfection and refinement. We will allude to two circumstances, amongst many others, in illustration. The first of these is, the very great number of valuable libraries belonging to our family seats. It has been sometimes remarked as singular, that England should possess so few great public libraries, while a poorer country, like Germany, can boast of its numerous and vast collections at Vienna, Prague, Munich, Stutgard, Goettingen, Wolfenbuttel, &c. The fact is partly explained by the many political divisions and capitals, and by the number of universities in Germany. But a further explanation may be found in the innumerable private libraries dispersed throughout England—many of them equal to public ones in extent and value, and most of them well furnished in classics, and in English and French literature.

The other peculiarity we would name about our English country-houses is, that they do not insulate their residents from the society and business of active life; which insulation is probably a cause, why so many proprietors in other countries pass their whole time in the metropolis or larger towns. The facility and speed of communication in England link together all places, however remote, and all interests, political and social, of the community. The country gentleman, sitting at his breakfast table a hundred miles from London, receives the newspapers printed there the night before; his books come to him still damp from the press; and the debates in parliament travel to every country-house in England within fifty or sixty hours of the time when they have taken place. The like facility exists as to provincial interests of every kind. The nobleman or country gentleman is a public functionary within his district, and no man residing on his estates is, or need feel himself, unimportant to the community. Quarterly Rev.

FLOWERS

When summer's delightful season arrives, rarely in this country too warm to be enjoyed throughout the day in the open air, there is nothing more grateful than a profusion of choice flowers around and within our dwellings. The humblest apartments ornamented with these beautiful productions of nature have, in my view, a more delightful effect than the proudest saloons with gilded ceilings and hangings of Genoa velvet. The richness of the latter, indeed, would be heightened, and their elegance increased, by the judicious introduction of flowers and foliage into them. The odour of flowers, the cool appearance of the dark green leaves of some species, and the beautiful tints and varied forms of others, are singularly grateful to the sight, and refreshing at the same time. Vases of Etruscan mould, containing plants of the commonest kind, offer those lines of beauty which the eye delights in following; and variform leaves hanging festooned over them, and shading them if they be of a light colour, with a soft grateful hue, add much to their pleasing effect. These decorations are simple and cheap.

Lord Bacon, whose magnificence of mind exempts him from every objection as a model for the rest of mankind, (in all but the unfortunate error to which, perhaps, his sordid pursuit in life led him, to the degradation of his nobler intellect), was enthusiastically attached to flowers, and kept a succession of them about him in his study and at his table. Now the union of books and flowers is more particularly agreeable. Nothing, in my view, is half so delightful as a library set off with these beautiful productions of the earth during summer, or indeed, any other season of the year. A library or study, opening on green turf, and having the view of a distant rugged country, with a peep at the ocean between hills, a small fertile space forming the nearest ground, and an easy chair and books, is just as much of local enjoyment as a thinking man can desire—I reck not if under a thatched or slated roof, to me it is the same thing. A favourite author on my table, in the midst of my bouquets, and I speedily forget how the rest of the world wags. I fancy I am enjoying nature and art together, a consummation of luxury that never palls upon the appetite—a dessert of uncloying sweets.

Madame Roland seems to have felt very strongly the union of mental pleasure with that afforded to the senses by flowers. She somewhere says, "La vûe d'une fleur carresse mon imagination et flatte mes sens à un point inexprimable; elle réveille avec volupté le sentiment de mon existence. Sous le tranquil abri du toit paternel, j'étois heureuse des enfance avec des fleurs et des livres; dans l'étroite enciente d'une prison, au milieu des fers imposés par la tyrannie la plus revoltante, j'oublie l'injustice des hommes, leurs sottises, et mes maux, avec des livres et des fleurs." These pleasures, however, are too simple to be universally felt.

There is something delightful in the use which the eastern poets, particularly the Persian, make of flowers in their poetry. Their allusions are not casual, and in the way of metaphor and simile only; they seem really to hold them in high admiration. I am not aware that the flowers of Persia, except the rose, are more beautiful or more various than those of other countries. Perhaps England, including her gardens, green-houses, and fields, having introduced a vast variety from every climate, may exhibit a list unrivalled, as a whole, in odour and beauty. Yet flowers are not with us held in such high estimation as among the Orientals, if we are to judge from their poets.

Bowers of roses and flowers are perpetually alluded to in the writings of eastern poets. The Turks, and indeed the Orientals in general, have few images of voluptuousness without the richest flowers contributing towards them. The noblest palaces, where gilding, damask, and fine carpeting abound, would be essentially wanting in luxury without flowers. It cannot be from their odour alone that they are thus identified with pleasure; it is from their union of exquisite hues, fragrance, and beautiful forms, that they raise a sentiment of voluptuousness, in the mind; for whatever unites these qualities can scarcely do otherwise.

Whoever virtuously despises the opinion that simple and cheap pleasures, not only good, but in the very best taste, are of no value because they want a meretricious rarity, will fill their apartments with a succession of our better garden flowers. It has been said that flowers placed in bedrooms are not wholesome. This cannot be meant of such as are in a state of vegetation. Plucked and put into water, they quickly decay, and doubtless, give out a putrescent air; when alive and growing, there need not be any danger apprehended from them, provided fresh air is frequently introduced. For spacious rooms, the better kinds, during warm weather, are those which have a large leaf and bossy flower. Large leaves have a very agreeable effect on the senses; their rich green is grateful to the sight; of this kind, the Hydrangaea is remarkably well adapted for apartments, but it requires plenty of water. Those who have a greenhouse connected with their dwellings, have the convenience, by management, of changing their plants as the flowers decay; those who have not, and yet have space to afford them light and occasionally air, may rear most of those kinds under their own roof, which may be applied for ornament in summer. Vases of plaster, modelled from the antique, may be stained any colour most agreeable to the fancy, and fitted with tin cases to contain the earthen pots of flowers, to prevent the damp from acting on them, will look exceedingly well.
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