Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875

Each dial-marked leaf and flower-bell
Wherewith in every lonesome dell
Time to himself his hours doth tell;
All tree-sounds, rustlings of pine-cones,
Wind-sighings, doves' melodious moans,
And night's unearthly undertones;
All placid lakes and waveless deeps,
All cool reposing mountain-steeps,
Vale-calms and tranquil lotos-sleeps;
Yea, all fair forms, and sounds, and lights,
And warmths, and mysteries, and mights,
Of Nature's utmost depths and heights,—
—These doth my timid tongue present,
Their mouthpiece and lead instrument
And servant, all love-eloquent.
I heard, when 'All for love' the violins cried:
Nature through me doth take their human side.
That soul is like a groom without a bride
That ne'er by Nature in great love hath sighed.
Much time is run, and man hath changed his ways,
Since Nature, in the antique fable-days,
Was hid from man's true love by proxy fays,
False fauns and rascal gods that stole her praise.
The nymphs, cold creatures of man's colder brain,
Chilled Nature's streams till man's warm heart was fain
Never to lave its love in them again.
Later, a sweet Voice Love thy neighbor said;
Then first the bounds of neighborhood outspread
Beyond all confines of old ethnic dread.
Vainly the Jew might wag his covenant head:
'All men are neighbors,' so the sweet Voice said.
So, when man's arms had measure as man's race,
The liberal compass of his warm embrace
Stretched bigger yet in the dark bounds of space;
With hands a-grope he felt smooth Nature's grace,
Drew her to breast and kissed her sweetheart face:
His heart found neighbors in great hills and trees
And streams and clouds and suns and birds and bees,
And throbbed with neighbor-loves in loving these.
But oh, the poor! the poor! the poor!
That stand by the inward-opening door
Trade's hand doth tighten ever more,
And sigh with a monstrous foul-air sigh
For the outside heaven of liberty,
Where Nature spreads her wild blue sky
For Art to make into melody!
Thou Trade! thou king of the modern days!
Change thy ways,
Change thy ways;
Let the sweaty laborers file
A little while,
A little while,
Where Art and Nature sing and smile.
Trade! is thy heart all dead, all dead?
And hast thou nothing but a head?
I'm all for heart," the flute-voice said,
And into sudden silence fled,
Like as a blush that while 'tis red
Dies to a still, still white instead.

Thereto a thrilling calm succeeds,
Till presently the silence breeds
A little breeze among the reeds
That seems to blow by sea-marsh weeds:
Then from the gentle stir and fret
Sings out the melting clarionet,
Like as a lady sings while yet
Her eyes with salty tears are wet.
"O Trade! O Trade!" the Lady said,
"I too will wish thee utterly dead
If all thy heart is in thy head.
For O my God! and O my God!
What shameful ways have women trod
At beckoning of Trade's golden rod!
Alas when sighs are traders' lies,
And heart's-ease eyes and violet eyes
Are merchandise!
O purchased lips that kiss with pain!
O cheeks coin-spotted with smirch and stain!
O trafficked hearts that break in twain!
—And yet what wonder at my sisters' crime?
So hath Trade withered up Love's sinewy prime,
Men love not women as in olden time.
Ah, not in these cold merchantable days
Deem men their life an opal gray, where plays
The one red sweet of gracious ladies' praise.
Now comes a suitor with sharp prying eye—
Says, Here, you Lady, if you'll sell, I'll buy:
Come, heart for heart—a trade? What! weeping? why?
Shame on such wooers' dapper mercery!
I would my lover kneeling at my feet
In humble manliness should cry, O sweet!
I know not if thy heart my heart will meet:
I ask not if thy love my love can greet:
Whatever thy worshipful soft tongue shall say,
I'll kiss thine answer, be it yea or nay:
I do but know I love thee, and I pray
To be thy knight until my dying day.
Woe him that cunning trades in hearts contrives!
Base love good women to base loving drives.