The Atlantic Monthly, Volume 02, No. 13, November, 1858

"Oh, if you would only tell me about it! I don't want to know for anybody else,—only for you. Did you leave many behind, that—that loved you, Mr. Manuel?"

"Yes," said the prisoner,—but he said no more.

This answer was sufficient; with it Elizabeth walked away from the table where he sat, and took her stand by the window. By-and-by she said, speaking low, but with firm accent,—

"I am sorry I asked you anything about it; but I will never speak of it again. I heard it was for religion; but I know you could not hurt the Truth. They said you fought against the Church. Then I believe the Church was wrong. I am not afraid to say it. I want you to understand. Of course I cannot do anything for you; only I was so in hopes that I could! You must not be angry with me, Sir, for hoping that."

The integrity of nature that spoke in these words came to the hearer's heart with wondrous power and freshness. He looked at Elizabeth; she was gazing full on him, and lofty was the bearing of the girl; she had set her own fears and all danger and suspicion at defiance in these words. Partly he saw and understood, and he answered,—

"I am not angry. You surprised me. I know you are not curious on your own account. But you can do nothing for me. I did fight against the Church, but not any Church that you know. I fought against an intolerant organization, boundless superstition, shameful idolatry, because it was making a slave and a criminal of the world.—You can do nothing for me."

"Nothing?"

"No, dear child, nothing."

"Is it because you think I am a child that you say so?" asked Elizabeth. "I am not a child. I knew you must be innocent. I will do anything for you that any one can do. Try me."

The prisoner looked again at the pleader. Truly, she was not a child.

It is not in childhood to be nerved by such courage and such longing as were in her speech, as that speech was endorsed by her bearing.

His thought toward her seemed to change in this look.

"Can you write, Elizabeth?" asked he.

"I can write," she answered, proudly, standing forward like a young brave eager for orders. "I can write. My father taught me."

"You might write"—

"A letter?" she asked, breathless.

"Yes." He paused and considered, then continued,—"You might write to—you might write to my friend, and tell her about the garden, and how I am now allowed to walk in it,—and about your father and your mother,—about yourself, too; anything that will make this place seem pleasant to her. You know the pleasant side of Foray, —give her that."

"Yes. Is she your mother?"

"No."

"Your sister, Sir?"

"No, Elizabeth. She and I were to have been married."

"Oh, Sir,—and you in Foray,—in a prison,—so far away!"

"Wide apart as death could put us. And shall I let you write to her?

Yes! we will triumph over this death and this grave!"

"By me!—yes,—I will tell her,—it shall surely be by me," said Elizabeth, in a low voice.

"Then tell her;—you will be able, I know, to think of a great deal that is comforting. I should not remember it, I'm afraid, if I could write the letter. Tell her what fine music I have. You can say something, too, about the garden, as I said. You can speak of the view from this window. See! it is very fine. You can tell her—yes, you can tell her now, that I am well, Elizabeth."

"Oh, Sir, can I tell her you are well?"

"Yes,—yes,—say so. Besides, it is true. But you must add that I have no hope now of our meeting in this world. She can bear it, for she is strong, like you. She, too, is a soldier's daughter. If you will say those things, I will tell you her name. That shall be our secret." In this speech his tone was altogether that of one who takes the place of a comforter.

"Yes," said Elizabeth, calm and attentive. It was quite impossible that she should so mistake as to allow the knowledge that was quickening her perception into pain to appear.

"You must tell her about yourself," said he, again.

"What shall I say? There is nothing about myself to tell, Mr. Manuel."

"Is there not? That would be strange. Tell her what music you like best to hear your father play. She will understand you by that. Tell her anything,—she will not call it a trifle. What if she answers you in the same mood? Should we call it foolish, if she told us her thoughts, and the events that take place daily in her quiet life? You can tell her what songs you love to sing. And if she does not know them, she will learn them, Elizabeth. Tell her how much it comforts me to hear you sing. Tell her, that, if she has prayed some light might shine on me from Heaven, her prayer is answered. For it is true. You serve me like an angel, and I see it all. Tell her she must love you for my sake,—though there is no need to tell her.—Do you see?"

"I see."

"Tell her I remember"—There he faltered; he could say no more.

"Yes," said Elizabeth, "I will,—I will tell her everything, Mr. Manuel,—everything that it would comfort her to hear."

She had written letters now and then. Great pride Montier and Pauline took in their daughter's skilful use of pen and ink, and pencil,—for Elizabeth could sketch as well as write. There was nothing new or strange, therefore, in her addressing this conversation to a spirit. But, also, there was nothing easy in this task, though she had the mighty theme of faithful love to dwell upon, and love's wondrous inspiration to enlighten her labor.

The description to be given of island scenery was such as she had given more than once, in writing to her distant, unknown relatives. She need vary only slightly from what she had written before, when she gave report of her own daily life. She was always eloquent when talking about the flowers or her father's music.

But this she had undertaken was not a repetition of what she had done before. With painful anxiety she scrutinized her words, her thoughts, her feelings. The work was a labor of love; the loving best know what anguish their labor sometimes costs them. The pain of this letter was not fairly understood by her who endured it,—it could not be shared.

Why was she so cautious? why in her caution lurked so much of fear? Perhaps she might have answered, if questioned by one she trusted, that further intrusion of herself than should serve as a veil for the really important information she had to convey would be cruel intrusion. But there was a very different reason; it had to do with the sudden revelation made to herself when her father wept at the prisoner's hard fate,—a revelation that terrified her, and influenced every succeeding movement; it had to do with the illumination that came when Manuel told her the sad secret of his heart,—with that moment when she stood up stronger in love than in fear, stronger in devotion than in pride, strong for self-sacrifice, like one who bears a charmed life pierced to the heart, and never so capable as then.

More than once did Elizabeth rewrite that letter. More than once in the progress to its completion did she break away from the strange task, that had evidence of strangeness or of labor, to seek in the garden, or with her needle, or in the society of father or mother, deliverance from the trouble that disturbed her. In the toils of many an argument with her heart and conscience was she caught; but even through her doubting of the work she had engaged to perform, she persevered in its continuance, till the letter was ready for address.

It was surely right to aid, and comfort by such aid, one so unfortunate as this prisoner; yet her parents must not be implicated by such transaction. Therefore they must be kept in ignorance, that, if blame fell anywhere, it might not fall on them. So she satisfied her conscience;—love will not calculate coldly. But it was less easy to satisfy her heart.

She had lived but sixteen years; she looked to her youth as to a protector, while it rebuked her. She leaned upon it, while daily she took to herself the part of womanhood, its duties and its dignity. He had called her a child; she called herself a child. She was careful to let this estimate of herself appear in that letter; and in what she undertook she was entirely successful; Madeline Desperiers would be sure to read it as the letter of a child.

When all was done Elizabeth repeated to Manuel the substance of this letter. He praised it. Jealous scrutiny would find it difficult to lay its finger on a passage, and condemn the writer for evading the law concerning the prisoner. When she signed and sealed the letter, addressed it, and carried it away with her to mail, he was satisfied; his praise was sweet to the girl who had earned it.

No sooner was this work off her hands than another engaged her. With a purpose prompted may-be by her angel, certainly by no human word, and unshared by any human intelligence, Elizabeth began to make a sketch of the island as seen from Manuel's prison-window. She made the sketch from memory, correcting it by observation when occasion called her to the prisoner's room.

At length she brought the sheet of paper, on which this sketch was drawn, to Manuel, and laid it before him. She did this without any accompanying word of explanation. In the foreground was the garden, stretching up the slope of the hill towards the top, where the fort-wall began; beyond, fort, barracks, settlement,—and still beyond, the sea. The island of Foray, as thus represented, appeared like many other views on paper, very pleasing and attractive. Nature is not responsible for sin and suffering, that she should veil her glory wherever these may choose to pitch their tent.

The prisoner took the drawing from the table where she had laid it, and scanned it closely.

"You have left out my house," said he.

"There was no room for it," she answered.

"True!" He understood her. "Do you know whom this is for, Mr. Manuel?

"Whom is it for, Elizabeth?"