It was impossible for me to intrude upon Roland's thoughts, whatever their nature, with a detail of those circumstances which had roused in me a keen and anxious interest in things apart from his sorrow.
Yet, as "restless I roll'd around my weary bed," and revolved the renewal of Vivian's connexion with a man of character so equivocal as Peacock, the establishment of an able and unscrupulous tool of his own in the service of Trevanion, the care with which he had concealed from me his change of name, and his intimacy at the very house to which I had frankly offered to present him; the familiarity which his creature had contrived to effect with Miss Trevanion's maid, the words that had passed between them – plausibly accounted for, it is true, yet still suspicious – and, above all, my painful recollections of Vivian's reckless ambition, and unprincipled sentiments – nay, the effect that a few random words upon Fanny's fortune, and the luck of winning an heiress, had sufficed to produce upon his heated fancy and audacious temper: when all these thoughts came upon me, strong and vivid, in the darkness of night, I longed for some confidant, more experienced in the world than myself, to advise me as to the course I ought to pursue. Should I warn Lady Ellinor? But of what? – the character of a servant, or the designs of the fictitious Gower? Against the first I could say, if nothing very positive, still enough to make it prudent to dismiss him. But of Gower or Vivian, what could I say without, not indeed betraying his confidence – for that he had never given me – but without belying the professions of friendship that I myself had lavishly made to him? Perhaps, after all, he might have disclosed whatever were his real secrets to Trevanion; and, if not, I might indeed ruin his prospects by revealing the aliases he assumed. But wherefore reveal, and wherefore warn? Because of suspicions that I could not myself analyse – suspicions founded on circumstances most of which had already been seemingly explained away? Still, when morning came, I was irresolute what to do; and after watching Roland's countenance, and seeing on his brow so great a weight of care, that I had no option but to postpone the confidence I pined to place in his strong understanding and unerring sense of honour, I wandered out, hoping that in the fresh air I might re-collect my thoughts, and solve the problem that perplexed me. I had enough to do in sundry small orders for my voyage, and commissions for Bolding, to occupy me some hours. And, this business done, I found myself moving westward; mechanically, as it were, I had come to a kind of half-and-half resolution to call upon Lady Ellinor, and question her, carelessly and incidentally, both about Gower and the new servant admitted to the household.
Thus I found myself in Regent Street, when a carriage, borne by post-horses, whirled rapidly over the pavement – scattering to the right and left all humbler equipages – and hurried, as if on an errand of life and death, up the broad thoroughfare leading into Portland Place. But, rapidly as the wheels dashed by, I had seen distinctly the face of Fanny Trevanion in the carriage, and that face wore a strange expression, which seemed to me to speak of anxiety and grief; and, by her side – was not that the woman I had seen with Peacock? I did not see the face of the woman, but I thought I recognised the cloak, the bonnet, and peculiar turn of the head. If I could be mistaken there, I was not mistaken at least as to the servant on the seat behind. Looking back at a butcher's boy, who had just escaped being run over, and was revenging himself by all the imprecations the Diræ of London slang could suggest, the face of Mr Peacock was exposed in full to my gaze.
My first impulse, on recovering my surprise, was to spring after the carriage; in the haste of that impulse, I cried "Stop!" But the carriage was out of sight in a moment, and my word was lost in air. After pausing for a moment, full of presentiments of some evil – I knew not what – I then altered my course, and stopped not till I found myself, panting and out of breath, in St James's Square – at the door of Trevanion's house – in the hall. The porter had a newspaper in his hand as he admitted me.
"Where is Lady Ellinor? I must see her instantly."
"No worse news of master, I hope, sir?"
"Worse news of what? – of whom? – of Mr Trevanion?"
"Did you not know he was suddenly taken ill, sir; that a servant came express to say so last night. Lady Ellinor went off at ten o'clock to join him."
"At ten o'clock last night?"
"Yes, sir; the servant's account alarmed her ladyship so much."
"The new servant, who had been recommended by Mr Gower?"
"Yes, sir – Henry," answered the porter staring at me. "Please, sir, here is an account of master's attack in the paper. I suppose Henry took it to the office before he came here, which was very wrong in him; but I am afraid he's a very foolish fellow."
"Never mind that, Miss Trevanion – I saw her just now —she did not go with her mother; Where was she going, then?"
"Why, sir – but pray step into the parlour."
"No, no – speak."
"Why, sir, before Lady Ellinor set out, she was afraid that there might be something in the papers to alarm Miss Trevanion, and so she sent Henry down to Lady Castleton's, to beg her ladyship to make as light of it as she could; but it seems that Henry blabbed the worst to Mrs Mole, – "
"Who is Mrs Mole?"
"Miss Trevanion's maid, sir – a new maid; and Mrs Mole blabbed to my young lady, and so she took fright, and insisted on coming to town. And Lady Castleton, who is ill herself in bed, could not keep her, I suppose – especially as Henry said, though he ought to have known better, 'that she would be in time to arrive before my lady set off.' Poor Miss Trevanion was so disappointed when she found her mamma gone. And then she would order fresh horses, and would go on, though Mrs Bates (the housekeeper, you know, sir) was very angry with Mrs Mole, who encouraged Miss; and – "
"Good heavens! Why did not Mrs Bates go with her?"
"Why, sir, you know how old Mrs Bates is, and my young lady is always so kind that she would not hear of it, as she is going to travel night and day; and Mrs Mole said she had gone all over the world with her last lady, and that – "
"I see it all. Where is Mr Gower?"
"Mr Gower, sir!"
"Yes! Can't you answer?"
"Why, with Mr Trevanion, I believe, sir."
"In the north – what is the address?"
"Lord N – , C – Hall, near W – "
I heard no more.
The conviction of some villanous snare struck me as with the swiftness and force of lightning. Why, if Trevanion were really ill, had the false servant concealed it from me? Why suffered me to waste his time, instead of hastening to Lady Ellinor? How, if Mr Trevanion's sudden illness had brought the man to London – how had he known so long beforehand (as he himself told me, and his appointment with the waiting woman proved) the day he should arrive? Why now, if there were no design of which Miss Trevanion was the object – why so frustrate the provident foresight of her mother, and take advantage of the natural yearning of affection, the quick impulse of youth, to hurry off a girl whose very station forbade her to take such a journey without suitable protection – against what must be the wish, and what clearly were the instructions, of Lady Ellinor? Alone, – worse than alone! Fanny Trevanion was then in the hands of two servants, who were the instruments and confidants of an adventurer like Vivian; and that conference between those servants – those broken references to the morrow, coupled with the name Vivian had assumed – needed the unerring instincts of love more cause for terror – terror the darker, because the exact shape it should assume was obscure and indistinct?
I sprang from the house.
I hastened into the Haymarket, summoned a cabriolet, drove home as fast as I could (for I had no money about me for the journey I meditated;) sent the servant of the lodging to engage a chaise-and-four, rushed into the room, where Roland fortunately still was, and exclaimed – "Uncle, come with me! – take money, plenty of money! – Some villany I know, though I cannot explain it, has been practised on the Trevanions. We may defeat it yet. I will tell you all by the way – come, come!"
"Certainly. But villany! – and to people of such a station – pooh – collect yourself. Who is the villain?"
"Oh, the man I have loved as a friend – the man whom I myself helped to make known to Trevanion. – Vivian – Vivian!"
"Vivian! – ah, the youth I have heard you speak of. But how? – villany to whom – to Trevanion?"
"You torture me with your questions. Listen – this Vivian (I know him) – he has introduced into the house, as a servant, an agent capable of any trick and fraud; that servant has aided him to win over her maid – Fanny's – Miss Trevanion's. Miss Trevanion is an heiress, Vivian an adventurer. My head swims round, I cannot explain now. Ha! I will write a line to Lord Castleton – tell him my fears and suspicions – he will follow us, I know, or do what is best."
I drew ink and paper towards me, and wrote hastily. My uncle came round and looked over my shoulder.
Suddenly he exclaimed, seizing my arm, "Gower, Gower. What name is this? You said 'Vivian.'"
"Vivian or Gower – the same person."
My uncle hurried out of the room. It was natural that he should leave me to make our joint and brief preparations for departure.
I finished my letter, sealed it, and when, five minutes afterwards, the chaise came to the door, I gave it to the ostler who accompanied the horses, with injunctions to deliver it forthwith to Lord Castleton himself.
My uncle now descended, and walked from the threshold with a firm stride. "Comfort yourself," he said, as he entered the chaise, into which I had already thrown myself. "We may be mistaken yet."
"Mistaken! You do not know this young man. He has every quality that could entangle a girl like Fanny, and not, I fear, one sentiment of honour that would stand in the way of his ambition. I judge him now as by a revelation – too late – oh Heavens, if it be too late!"
A groan broke from Roland's lips. I heard in it a proof of his sympathy with my emotion, and grasped his hand; it was as cold as the hand of the dead.
THE ROMANCE OF RUSSIAN HISTORY.[4 - Histoire des Conspirations et des Executions Politiques, comprenant l'Histoire des Sociétés Secrètes depuis les temps les plus reculés jusqu'à nos jours. Par A. Blanc. 4 Vols. Volume the Third: Russia.]
Professor Shaw, in the preface to his translation of Lajetchnikoff's striking and interesting romance, The Heretic, notices the shyness of English novelists in approaching Russian ground. "How happens it," he says, "that Russia, with her reminiscences of two centuries and a half of Tartar dominion – of her long and bloody struggles with the Ottoman and the Pole, whose territories stretch almost from the arctic ice to the equator, and whose semi-oriental diadem bears inscribed upon it such names as Peter and Catherine – should have been passed over as incapable of supplying rich materials for fiction and romance?" The question is hard to answer, and appears doubly so after reading the third volume of Monsieur A. Blanc's recent work on political conspiracies and executions, – a volume sufficient of itself to set those romance-writing who never wrote romance before. It is a trite remark, that romances, having history for their groundwork, derive their attraction and interest far more from the skill and genius of their authors than from the importance of the period selected, and from the historical prominence of the characters introduced. It is unnecessary to name writers in whose hands a Bayard or a du Guesclin, a Cromwell or a Charles of Sweden, would appear tame and commonplace. Our readers need not to be reminded of others of a different stamp, – and of one, great amongst all, the rays of whose genius have formed a halo of grandeur, glory, or fascination around persons to whom history accords scarcely a word. But such genius is not of every-day growth; and to historical romance-writers of the calibre of most of those with whom the British public is now fain to cry content, the mere devising of a plot, uniting tolerable historical fidelity with some claim to originality, is an undertaking in which they are by no means uniformly successful. To such we recommend, as useful auxiliaries, M. Blanc's octavos, and especially the one that suggests the present article. English and Scottish histories, if not used up, have at least been very handsomely worked, and have fairly earned a little tranquillity upon their shelves: the wars of the Stuarts, in particular, have contributed more than their quota to the literary fund. The same may be said of the history of France, so fertile in striking events, and so largely made use of by purveyors to the circulating libraries. Italy and Spain, and even Poland, have not escaped; whilst the East has been disported over in every direction by the accomplished Morier, and a swarm of imitators and inferiors. But what Englishman has tried his hand at a Russian historical romance? We strive in vain to call to mind an original novel in our language founded on incidents of Russian history – although the history of scarcely any nation in the world includes, in the same space of time, a greater number of strange and extraordinary events.
M. Blanc's book, notwithstanding a certain air of pretension in the style of its getting up, in the very mediocre illustrations, and in the tone of the introductory pages, is substantially an unassuming performance. It is a compilation, and contains little that is not to be found printed elsewhere. At the same time, perhaps in no other work are the same events and details thrown together in so compact and entertaining a form. The author troubles us with few comments of his own, and his reserve in this respect enhances the merit of his book, for when he departs from it his views are somewhat strained and ultra-French. But his narrative is spiritedly put together; and although it will be found, upon comparison, that he has, for the most part, faithfully adhered to high historical authorities, to the exclusion of mere traditionary matter and of imaginative embellishment, yet the dramatic interest of the subject is itself so vivid, that the book reads like a romance.
The Russian history, even to our own day, is a sanguinary and cruel chronicle. Its brevity is its best excuse. The youth of the country extenuates the crimes of its children. For if the strides of Russia have been vast and rapid in the paths of civilisation, we must bear in mind that it is but very recently the progress began. "At the commencement of the eighteenth century," says M. Blanc, "it had certainly been very difficult to foresee that fifty years later a magnificent and polite court would be established on the Gulf of Finland; that soldiers raised on the banks of the Volga and the Don would rank with the best disciplined troops; and that an empire, of itself larger than all the rest of Europe, would have passed from a state of barbarism to one of civilisation as advanced as that of the most favoured European states." This is overshooting the mark, and is an exaggeration even a hundred years after the date assigned. If the civilisation of St Petersburg has for some time vied with that of London or Paris, Russia, as a country, has even now much to do before she can be placed on a footing with England or France in refinement and intellectual cultivation. It is difficult to institute a comparison in a case where the nature of the countries, the characters of the nations, and the circumstances of their rise, are, and have been, so dissimilar. The investigation might easily entail a disquisition of a length that would leave very little room for an examination of the book in hand. And all that we seek in the present instance to establish will be readily conceded – namely, that in the throes of a country accomplishing with unprecedented rapidity the passage, usually so gradual, from barbarism to civilisation, some palliation is to be found for the faults and vices of her nobles and rulers, and for the blood-stains disfiguring her annals.
The early history of Russia, from the foundation of the empire by Rurik to the reign of Ivan IV. – that is to say from the middle of the ninth to the middle of the sixteenth century – is a chaos of traditions and uncertainties, which M. Blanc has deemed unfavourable to the project of his book, and which he accordingly passes over in an introductory chapter. His business, as may be gathered from his title-page, is with the internal convulsions of the country; and these are difficult to trace, until Ivan Vassilivitch threw off the Tartar yoke, and his grandson Ivan IV., surnamed the Tyrant, or the Terrible, began, with an iron hand, it is true, to labour at the regeneration of his country. A bloodthirsty despot, Russia yet owes him much. The people, demoralised by Tartar rule, needed rigid laws and severe treatment. Ivan promulgated a code far superior to any previously in use. He invited to Russia foreign mechanics, artists, and men of science; established the first printing-press seen in the country; and laid the foundation of Russian trade, by a treaty of commerce with our own Elizabeth. By the conquest of Kazan, of the kingdom of Astracan, and of districts adjacent to the Caucasus, he extended the limits of the Russian empire. But his wise enactments and warlike successes were sullied by atrocious acts of cruelty. In Novogorod, which had offended him by its desires for increased liberty, he raged for six weeks like an incensed tiger. Sixty thousand human beings, according to some historians, fell victims on that occasion. Similar scenes of butchery were enacted in Tver, Moscow, and other cities. His cruel disposition was evident at a very early age. He was but thirteen years old when he assembled his boyarins to inform them that he needed not their guidance, and would no longer submit to their encroachments on his royal prerogative. "I ought to punish you all," he said, "for all of you have been guilty of offences against my person; but I will be indulgent, and the weight of my anger shall fall only on Andrew Schusky, who is the worst amongst you." Schusky, the head of a family which had seized the reins of government during the Czar's minority, endeavoured to justify himself. Ivan would not hear him. "Seize and bind him," cried the boy-despot, "and throw him to my dogs. They have a right to the repast." A pack of ferocious hounds, which Ivan took pleasure in rearing, were brought under the window, and irritated by every possible means. When they were sufficiently exasperated, Andrew Schusky was thrown amongst them. His cries increased their fury, and his body was torn to shreds and devoured.
Ivan dead, his son Feodor, who should have been surnamed the Feeble, as his father was the Terrible, ascended the Russian throne. He was the last of Rurik's descendants who occupied it. Even during his reign he recognised as regent of the empire his brother-in-law, the insolent and ambitious Boris Godunof. Possessed of the real power, this man coveted the external pomp of royalty. The crown was his aim, and to its possession after the death of Feodor, who, as weak of body as of mind, was not likely to be long-lived, only one obstacle existed. This was a younger son of Ivan IV., a child of a few years old, named Dmitri or Demetrius. The existence of this infant was a slight bar to one so unscrupulous as Godunof, a bar which a poniard soon removed. Feodor died, and his brother-in-law accepted, with much show of reluctance, the throne he had so long desired to fill. For the first time for many years he breathed freely; his end was attained; he thought not of the many crimes that had led to it, of the spilt blood of his child-victim, or of that of two hundred of the inhabitants of Ouglitch, judicially murdered by his orders in revenge of the death of Demetrius' assassins, whom the people had risen upon and slain; the tears of Ivan's widow, now childless and confined in a convent, and of her whole family, condemned to a horrible captivity, troubled not his repose or his dreams of future prosperity. But whilst he exulted in security and splendour, his joy was suddenly troubled by a strange retribution. Demetrius was dead; of that there could be no doubt; his emissary's dagger had done the work too surely – but the name of the rightful heir survived to make the usurper tremble. It is curious to observe in how many details Godunof's own crimes contributed to his punishment. His manœuvres to suppress the facts of Demetrius' death, by stopping couriers and falsifying despatches, so as to make it appear that the young prince had killed himself with a knife in a fit of epilepsy, had thrown a sort of mystery and ambiguity over the whole transaction, favourable to the designs and pretensions of impostors. One of the many dark deeds by which he had paved his way to the supreme power was the removal of the metropolitan of the Russian church, who was deposed and shut up in a convent, where it was pretty generally believed he met a violent death. In lieu of this dignitary, previously the sole chief of the Russian church, Godunof created a patriarchate, and Jeremiah of Constantinople went to Moscow to install the first patriarch, whose name was Job. This prelate, whilst visiting the convent of Tchudof, was struck by the intelligence of a young monk named Gregory Otrepief or Atrepief, who could read, then a rare accomplishment, and who showed great readiness of wit. The patriarch took this youth into his service as secretary, and often carried him with him when he went to visit the Czar. Dazzled by the brilliancy of the court, and perceiving the ignorance and incapacity of many high personages, Otrepief conceived the audacious design of elevating himself above those to whom he felt himself already far superior in ability. He was acquainted with the details of the death of young Demetrius; and from some old servants of the Czarina Mary he obtained particulars of the character, qualities, and tastes of the deceased prince, all of which he carefully noted down, as well as the names and titles of the officers and attendants who had been attached to his person. Having prepared and studied his part, he asked leave to return to his convent. This was granted. His fellow-monks wondered to see him thus abandon the advantageous prospects held out to him by the favour of the patriarch.
"What should I become by remaining at court?" replied Otrepief, with a laugh: "a bishop at most, and I mean to be Czar of Moscow."
At first this passed as a joke; but Otrepief, either through bravado, or because it formed part of his scheme, repeated it so often, that it at last came to the ears of the Czar himself, who said the monk must be mad. At the same time, as he knew by experience that the usurpation of the throne was not an impossible thing, he ordered, as an excessive precaution, that the boaster should be sent to a remote convent. Otrepief set out, but on the road he seduced his escort, consisting of two monks. By large promises he prevailed with them to accompany him to Lithuania, where many enemies of Godunof had taken refuge. According to the custom of the times, the travellers passed the nights in roadside monasteries, and in every cell that he occupied Otrepief wrote upon the walls – "I am Demetrius, son of Ivan IV. Although believed to be dead, I escaped from my assassins. When I am upon my father's throne I will recompense the generous men who now show me hospitality." Soon the report spread far and wide that the Czarowitz Demetrius lived, and had arrived in Lithuania. Otrepief assumed a layman's dress, left his monkish adherents – one of whom agreed to bear the name his leader now renounced – and presented himself as the son of Ivan IV. to the Zaporian Cossacks, amongst whom he soon acquired the military habits and knowledge which he deemed essential to the success of his daring schemes. After a campaign or two, which, judging from the character of his new associates, were probably mere brigand-like expeditions in quest of pillage, Otrepief resumed the cowl, and entered the service of a powerful noble named Vichnevetski, whom he knew to have been greatly attached to Ivan IV. Pretending to be dangerously ill, he asked for a confessor. After receiving absolution: "I am about to die," he said to the priest; "and I entreat you, holy father, to have me buried with the honours due to the son of the Czar." The priest, a Jesuit, (the Jesuits were then all-powerful in Poland) asked the meaning of these strange words, which Otrepief declined telling, but said they would be explained after his death by a letter beneath his pillow. This letter the astonished Jesuit took an opportunity to purloin, and at the same time he perceived on the sick man's breast a gold cross studded with diamonds – a present received by Otrepief when secretary to the patriarch. In all haste the Jesuit went to Vichnevetski; they opened the letter, and gathered from its contents that he who had presented himself to them as a poor monk was no other than Demetrius, son of Ivan IV. Vichnevetski had in his service two Russians who had been soldiers of Ivan. Led to the sick man's bedside, these declared that they perfectly recognised in him the Czarowitz Demetrius; first, by his features – although they had not seen him since his childhood – and afterwards by two warts upon his face, and by an inequality in the length of his arms.