Southern Stories

Sometimes the forest opens overhead, but nearly all the way we are covered by a roof of green, and at every turn appear new scenes of beauty and luxuriance. Occasionally the banks are moderately high, and we see long stretches of solid ground covered with verdure. There is one spot where two large trees stand, one on each bank, close to the water, and the distance between the two is so small that as our boat glides through this natural gateway there is scarcely a foot of room to spare on either side.

Although the river is such a little one that we are apt to think all the time we are sailing on it that we must soon come to the end of its navigation, we go on more than a hundred miles before we come to the place where we stop and turn back. The trip up the Ocklawaha requires all the hours of a day and a great part of a night; and this night trip is like a journey through fairyland. On the highest part of the boat is a great iron basket, into which, as soon as it becomes dark, are thrown quantities of pine-knots. These are lighted in order that the pilot may see how to steer. The blazing of the resinous fuel lights up the forest for long distances in every direction, and, as may easily be imagined, the effect is wonderfully beautiful. When the fire blazes high the scene is like an illuminated lacework of tree-trunks, vines, leaves, and twigs, the smallest tendril shining out bright and distinct; while through it all the river gleams like a band of glittering silver. Then, as the pine-knots gradually burn out, the illumination fades and fades away until we think the whole glorious scene is about to melt into nothing, when more sticks are thrown on, the light blazes up again, and we have before us a new scene with different combinations of illuminated foliage and water.

It often happens that during the night our little steamer crowds itself to one side of the river and stops. Then we may expect to see a splendid sight. Out of the dark depths of the forest comes a glowing, radiant apparition, small at first, but getting larger and larger until it moves down upon us like a tangle of moon and stars drifting through the trees.

This is nothing but another little steamboat coming down the river with its lighted windows and decks, and its blazing basket of pine-knots. There is just room enough for her to squeeze past us, and then her radiance gradually fades away in the darkness behind us.

We travel thus, night and day, until we reach Silver Springs, which is the end of our journey. This is a small lake so transparent that we can see down to the very bottom of it, and watch the turtles and fishes as they swim about. A silver coin or any small object thrown into the water may be distinctly seen lying on the white sand far beneath us. The land is high and dry about Silver Springs, and the passengers generally go on shore and stroll through the woods for an hour or two. Then we reëmbark and return to St. Augustine as we came.

It must not be supposed that St. Augustine contains nothing but buildings of the olden time. Although many parts of the town are the same as they were in the old Spanish days, and although we may even find the descendants of the Minorcans who were once its principal citizens, the city now contains many handsome modern dwellings and hotels, some of which are exceptionally large and grand. Hundreds of people from the North have come down to this city of orange-scented air, eternal verdure, and invigorating sea-breezes, and have built handsome houses; and during the winter there is a great deal of bustle and life in the narrow streets, in the Plaza, and on the sunny front of the town. Many of the shops are of a kind only to be found in semi-tropical towns by the sea, and have for sale bright-colored sea-beans, ornaments made of fish-scales of every variety of hue, corals, dried sea-ferns, and ever so many curiosities of the kind. We may even buy, if we choose, some little black alligators, alive and brisk and about a foot long. As to fruit, we can get here the best oranges in the world, which come from the Indian River in the southern part of Florida, and many sorts of tropical fruits that are seldom brought to Northern cities.

If St. Augustine were like most American cities, and had been built by us or by our immediate ancestors, and presented an air of newness and progress and business prosperity, its delightful climate and its natural beauties would make it a most charming place to visit. But if we add to these attractions the fact that here alone we can see a bit of the old world without leaving our young Republic, and that in two or three days from the newness and busy din of New York or Chicago we may sit upon the ramparts of a medieval fort, and study the history of those olden days when the history of Spain, England, and France was also the history of this portion of our own land,—we cannot fail to admit that this little town of coquina walls and evergreen foliage and traditions of old-world antiquity occupies a position which is unique in the United States.

CATCHING TERRAPIN

BY ALFRED KAPPES

In the shoal waters along the coast south of Cape Henlopen, terrapin are caught in various ways. Dredges dragged along in the wake of a sailing vessel pick them up. Nets stretched across some narrow arm of river or bay entangle the feet of any stray terrapin in their meshes; but these require the constant attendance of the fisherman to save the catch from drowning. In the winter, in the deeper water, the terrapin rise from their muddy quarters on mild sunny days and crawl along the bottom. They are then taken by tongs, their whereabouts being often betrayed by bubbles.

The method shown in the drawing is resorted to only in the spring and in water not over a foot or two in depth. Turtles will rise at any noise, and usually the fisherman only claps his hands, though each hunter has his own way of attracting the terrapin. One hunter whom I saw when I made the drawing uttered a queer guttural noise that seemed to rise from his boots.

Whatever the noise, all turtles within hearing—whether terrapin or "snapper"—will put their heads above water. Both are welcome and are quickly sold to the market-men. The snapper slowly appears and disappears, leaving scarcely a ripple; and the hunter cautiously approaching usually takes him by the tail. The terrapin, on the contrary, is quick, and will descend in an oblique direction, so that a hand-net is needed unless he happens to come up near by. If he is near enough the man jumps for him. The time for hunting is the still hour at either sunrise or sunset.

"LOCOED"

(A story of a Texan girl.)

BY EDWARD MARSHALL

John Fredding had laughingly taken his sister Martha as a partner in his Texas saddle store. She made a good partner although she was only thirteen years old. There were other women on the ranch (the saddle store was only an adjunct of the big cattle-ranch itself), but the grandmother was very old, and the servant-girl was Welsh and would not learn to speak more English than was required in the daily routine of housework.

Not far away was the town of Amarilla (pronounced Ah-ma-ree-ah). There were plenty of women and girls there, but Martha knew none of them well except the preacher's daughter, Scylla. Martha and Scylla were great friends. They saw each other as often as Martha could get time and permission to ride in to Amarilla. Scylla could seldom visit the ranch, for she was an invalid. When she had been a very little girl, a horse had kicked her. She was ill for many weeks, and after the doctor had told her parents that she would live, he had added that she might never have full use of her right side again. It was partially paralyzed.

But Martha was seldom lonely. For in the daytime there was always something to do around the ranch or store. She had her pet calf to attend to, for one thing. He was given to her by a cow-boy who bought a saddle from her brother one day, and who cried that evening when Martha played "Home, Sweet Home" for him on her guitar. The calf was in several respects remarkable. In the first place, he was almost black—an unusual thing among Texas cattle. In the second place, he was not quite black, for he had a white spot on his forehead shaped almost exactly like Martha's guitar. That was why they called him "Gitter." In the third place, Martha had taught him several tricks. He had learned to low three times when he was thirsty, and twice when he was hungry; he would stand on his hind legs and paw the air with his front legs for a moment when Martha cried, "Up, Gitter!" and he would lie down and roll over on the grass when she commanded "Down, Gitter!" She had a cat that would climb up on her shoulder whenever he got the chance, and a clever dog that liked the cat. She had two horses, also. One of them was an ordinary "cow-pony," but the other was a big black Spanish horse who seemed to love Martha as well as she loved him. When she was on his back he never varied his long, swinging, graceful gallop by jumping or shying, but if any one else rode him, he was apt to make them hold fast when he went around corners. His name was "Dan." Martha thought almost as much of the cow-pony, though, as she did of Dan, and called him "Texas," after the great State she lived in.

Her brother, too, did many things to make her happy. In the long winter evenings he often read to her for hours, or taught her new airs on the guitar, of which he was a master; and sometimes, when summer came, they took long rides off on the prairie together. These occurred when there was a band of cow-boys camped near by, and John generally combined business with pleasure by talking with them about cattle and saddles. But that did not detract at all from Martha's enjoyment of the rides. She always carried her guitar swung over her shoulder by a strap when she went out with her brother to see the cow-boys.

The little girl's life was a queer one, but then, she was a queer little girl and among queer people. For instance, there was "Mister Jim," who came up to the store every few weeks to lay in supplies. Mister Jim was one of the men who were hired to keep wild animals out of the Cañon. The Cañon was a favorite place for Amarilla's excursions and picnics, and was very beautiful; but it communicated with other cañons into which picnics could never penetrate, and in which there were wild beasts of many kinds. To prevent these unpleasant visitors from wandering where they were not wanted, men were stationed at various places to shoot them. Mister Jim was the one nearest to Martha's home, and he was Martha's stanch friend. He never went to the ranch without some gift for her—the soft pelt of an animal he had shot, the gay wings of a strange bird, or some crystal or stone he had found in his explorations of the Cañon. Martha returned his admiration. He lived in a cave, and that interested her—she thought she might like to try it herself some time. She considered his clothes very grand and impressive. In the Cañon he wore a leather suit; but when he visited the ranch he was always dressed in black velvet trimmed with gold braid, and wore a high, pointed hat wound with red ribbons like those of the seldom-appearing Mexican cow-boys, only much finer.

But the "loco men" were Martha's favorites. There were three of them—Big Billy, Little Billy, and One-eyed Saylo. Why Saylo was called "one-eyed" was a mystery, for he had two of the very best eyes for spying the hated loco-weed ever known in that region. Loco-weed grows, when unmolested, to a height of sixteen or eighteen inches, and its queer leaves shine and sparkle in the sunlight like silver and crystals. Its effects on horses or cattle that happen to eat it are worse than deadly. One good, big meal of loco-weed will ruin an animal forever.

A locoed horse, once locoed, is locoed until he dies. Apparently he may recover wholly, but he is not a safe animal to ride, for at any moment he may stagger and fall, or go suddenly mad. A locoed horse is almost certain to show it when he becomes heated by rapid traveling or hard work. The great danger from locoed cattle is, that they will begin to tumble around in the midst of a herd and frighten their fellows into a stampede.

As it can work such ruin, in order to avoid the danger of having their animals locoed, the ranchmen, in those regions where the weed is plentiful, hire men to search for it, cut it down, and destroy it. Of these men who make their living in searching for the dreaded loco-weed and destroying it wherever found were Big Billy, Little Billy, and One-eyed Saylo.

One summer night John told Martha to get her guitar, while he saddled Texas and his own pony for a ride. In a few moments they were galloping over the prairie on their way to a cow-boy camp about three miles away. When they reached it, they found all the five men, but one, rolled up from top to toe in their tarpaulins, and asleep on the prairie. The one who was awake welcomed them in effusive cow-boy style, and then with a "Wake up, you-uns! Yar's John Fredding an' 'is little woman!" kicked each of his sleeping companions into consciousness with his foot. They were all glad to see John and Martha, for they knew them of old.

In the twinkling of an eye the smoldering fire was livened into a cheery blaze, the visitors' ponies were picketed, and the men were grouped around Martha and the fire. For a little while John talked business with them; but, before long, one of the men arose and, deferentially taking off his broad hat to Martha, asked her if she wouldn't give them a "chune." The music of her guitar was indescribably sweet, there in the little oasis of light in the prairie's desert of darkness, and for a time the men sat silently, with their hands clasped about their knees, enjoying it. Then she struck into a rollicking cow-boy song, and they joined in shouting it out. It is a favorite among the cow-boys of southern Texas, and begins thus:

I'd rather hear a rattler rattle,
I'd rather do a Greaser battle,
I'd rather buck stampeding cattle,
Than
Than to
Than to fight
Than to fight the bloody In-ji-ans.

I'd rather eat a pan of dope,
I'd rather ride without a rope,
I'd rather from this country lope,
Than
Than to
Than to fight
Than to fight the bloody In-ji-ans.

After that came "I'm Gwine Back to Dixie," and "'Way Down Upon the Suwanee River," and then John said it was time to start home again. Loud were the protests of the cow-boys, and when John and Martha went, the whole party went with them except one man, who was left to watch the cattle. They were "full of sing," as one of them put it, and it was a jolly ride back to the ranch. When it was finally reached, the cow-boys gave them a "send-off" that could have been heard a mile away. They shouted and yelled like the wild "In-ji-ans" they had sung about, and as they wheeled around to gallop back to camp, they fired all the charges in their revolvers into the air as a parting courtesy. Then there was a mad scamper of horses' hoofs, the yells grew fainter, and the cow-boys were gone.

When John went into the house he found two letters which had been brought up by some passing friend from Amarilla. One of them was from an old schoolmate of his, who had become a professor in a Northern college, asking for some loco-weed, to be added to the college botanical collection. The other was from Scylla's father, saying that if it would be convenient he would bring his little daughter out to the ranch in a few days for a long-promised visit to Martha. This second letter sent Martha to bed a very happy little girl.

Several days passed before Scylla arrived at the ranch; but when she did come there was great rejoicing. After she was comfortably ensconced in her wheeled chair on the porch, she held a mimic reception. John and Martha did the honors, and every human being within call was introduced to the little invalid. In the store there were a dozen leather-decked cow-boys, and Scylla felt quite like a queen as each one scrambled up to her, and with his broad sombrero in one hand took her tiny fingers in the other as he turned red and tried to say something polite. Nor did her impromptu court end with that. After the introductions were over, all the visitors sat down on the porch or the grass before it, while Martha exhibited her pets to her friend. Gitter, the calf, was put through all his tricks, the cat was placed in Scylla's poor little arms, where he purred contentedly, and the dog chased sticks thrown by whoever could find any to throw. After Gitter had been led away, Martha came up from the stables with her two horses—Texas and Dan. Big black Dan was inclined to frisk a bit and jump about at the unusual scene; but little Texas worked his way right into Scylla's heart by marching steadily and straight up to her, despite Martha's laughing pulls on the lariat looped about his neck. With ears pricked forward, he made friendly overtures to the new-comer on the spot. He poked his nose into her lap and rubbed it against her hands and ate sugar from her fingers.

"Oh, I wish I could ride him!" said Scylla.

"He never was so cordial before, not even with me," said Martha.

Then she suddenly thought of something, and after intrusting her horses to one of the cow-boys, went and talked it over in whispers with her brother, Scylla's father, and the doctor, who had been discussing politics together on one end of the porch. After this mysterious conversation had lasted a little while, Martha danced back to Scylla, so happy that she "just had to hop."

"Oh, Scylla!" she exclaimed, "you can ride him. Your papa says so and the doctor says so and Brother says so. John is going to fix up one of my saddles for you with an extra strap to keep you from falling, and Texas likes you so much he will be gentle and careful as he can be, I know. And the doctor says he thinks it will do you good, if John and I keep close by you all the time, so there won't be any danger."

The following days at the ranch were very pleasant ones for Martha and her visitor. In the morning after the work was done—Martha always did some of the light house duties—they would watch with never-flagging interest the great herds of cattle as they were driven on their way for shipment from Amarilla, and gossip as girls do. Sometimes the cattle passed quite near to the house, but oftener they were half a mile or more away on the prairie—sometimes so far that the great herds seemed to be mere black blots moving over the dun brown of the Texas grass.

Every afternoon the two girls went riding, escorted either by John or one of the men employed about the ranch. John had fixed one of Martha's saddles so that poor little Scylla could not fall, and Texas seemed to bear his tiny burden with more than ordinary care. At first they rode very slowly, and for only a few moments at a time; but Scylla gained strength daily, and by the end of the second week had improved so much that she could ride for an hour without great fatigue, and Texas was occasionally allowed to start his gentle gallop.

It was as they were returning from one of these rides that Scylla's sharp eyes spied the figure of a horseman rushing out to them from the ranch. He waved his hat and yelled, firing his revolver between whoops and generally conducted himself like a madman. Martha recognized him at once.

"It's One-eyed Saylo," she said. "He always acts like that—he thinks it wouldn't be showing proper respect to a lady unless he wasted half a dozen cartridges and showed off his horsemanship."

Saylo acknowledged his introduction to Scylla with great ceremony, and then told John that he had come to bring the loco-weed for the college professor. By dint of much searching and hard riding he had gathered a gunny-sack full of it.

Then, as they rode slowly toward the ranch, he told John how the cattle in the whole region seemed to be getting "panicky." All the cow-boys he had met had had the same story to tell. It was only by the most careful handling that they were able to keep their herds from stampeding.

By this time the little cavalcade had reached the ranch. After Scylla had been lifted from the saddle and carried to her seat on the porch, Martha, full of the irrepressible good spirits of a healthy girl, had a long frolic with her big black horse. She took his saddle off, and let him enjoy the luxury of a long roll on the grass, and then she made him do all his tricks. First he shook hands with great dignity—"just to show that this was friendly fun," Martha said. Then she replaced the saddle, clambered to its easy seat, and put him through his paces. He walked, slow and stately, with much self-consciousness, as a real Spanish horse should; he trotted, he loped, he paced, and went single-foot, greatly to the admiration of the three spectators. Martha kept her seat with perfect ease and grace.

Two posts near the house Martha had turned into the uprights of a jumping-hurdle with bars which could be placed at various heights. Over these bars that afternoon, Dan, with Martha sticking to his back like a burr, jumped many times, surpassing, to the delight of both girls, his previous best record.

John, in the meantime, was busy in the shop, where One-eyed Saylo had followed him to gossip with the workmen about the all-absorbing topic of saddles and bridles. Martha had finished her fun, led Dan away and picketed him, and was sitting by Scylla's side talking about that happy day when health and strength should have come back to the preacher's little daughter, when the men came out again. The gunny-sack of loco-weed was lying at the side of the porch, and both girls watched John and Saylo with interest as they shook out and examined its contents.

"So they all want some of this stuff to look at an' study, up No'th, do they?" said Saylo, and added: "I reckon we-all wouldn't be so over-flowin' with grief ef they'd take all th' loco thar is in th' State o' Texas."