Tales for Young and Old

At length, however, their arrows were spent, and clutching their tomahawks, the friends, casting a glance of stern but undying affection on each other, prepared to die like men. On came the Pawnees, yelling the fearful war-whoop, and waving their hatchets on high. Already were a dozen of them within a few yards of the devoted trio, when their yell was echoed from the forest, and three of their foremost warriors lay low, slain by a flight of arrows from the top of the ravine. Back turned the Pawnees to their shelter, while the Osages, taking advantage of the confusion, snatched the usual trophy of victory from their fallen foes, and then, catching their steeds, mounted and fled. Guided by the trampling of horses, they rushed in pursuit of those to whose timely assistance they owed their lives. In vain, however, did they urge their steeds; their unknown assistants were not to be overtaken. For about an hour the three friends continued their ride, and then halted to bind up their wounds, and conceal themselves for the rest of the day.

The spot selected was admirably adapted for the purpose, being an open glade in the forest, surrounded on all sides by trees. Here they turned their horses loose once more, and lay down upon the grass, weary and faint. To find herbs, and with them to form a kind of poultice, fastened on with bark by means of ligatures of grass, was their first duty, and then the inner man was considered. None of them had tasted food since the previous night, and there was none in their possession. Nah-com-e-shee, being the warrior who was least severely wounded, and having picked up several Pawnee arrows, started into the forest in search of game. With the keen perception of an Indian, he selected that side which appeared a little inclined to descend, as it naturally excited his suspicion that a stream lay in that direction. This was the more probable, that a little purling spring that bubbled up in the green open glade tended thither. Nor was the warrior's sagacity at fault, for a smart walk brought him to the banks of a narrow and slowly-running river. Within, sight of this Nah-com-e-shee concealed himself, and prepared to wait even for hours the passage of a deer or elk. His patience was not, however, put to so severe a test, as, ere long, a rustling in the bushes opposite attracted his attention. Raising his eyes from their fixed position, he saw the antlers of a buck rearing themselves over a thicket of brush, and next moment a noble deer bounded to the bank to drink. An arrow pierced its heart from the Indian's unerring bow ere its lips had touched the water, and Nah-com-e-shee rushed eagerly towards the spot. Three mounted warriors were before him, and while he sought cover, captured and bore away the prize.

The Osage knew that it was useless to remain on the watch any longer, and, pursuit being madness, turned back and sought his companions, who were more indignant than ever at this new outrage. Repose was, however, absolutely necessary, and was now sought, all trusting to the keenness of their senses to awake ere they could be surprised. It was dark night ere they awoke, and then the three friends groaned with rage that was absolutely frightful. Each felt himself ornamented by a squaw's petticoat, thrown loosely over him. Burning with passion, they grasped one another's hands, and vowed terrible vengeance.

At this instant a dim light was seen through the trees, blazing up at a considerable distance in the forest. It was the fire of a camp, and the hearts of the Osage warriors were at last glad. They had been so often outwitted, that the utmost caution was used. Each divested himself of every unnecessary article of clothing, while their tomahawks were the only arms they preserved. Clutching these, they crept stealthily, and with a serpent's tread, into the forest. As they advanced, the glare of the fire grew brighter; and at length, when within a couple of hundred yards, they could plainly hear the green wood crackling in the full stillness of evening. A faint odour of broiled venison came pleasingly to their nostrils, and then three figures were plainly discerned round the fire.

Between the spot occupied by the Osages and the hostile camp lay a rough piece of ground, full of holes and natural ditches. Across this the three friends began to crawl, holding their breath, and clutching their deadly weapons, while their hearts beat with anxiety lest their victims should escape. Half the distance was passed over, and still more strongly was the cooking made evident to the hungry senses of the creeping Osages. Still the unconscious warriors moved not, but kept their backs turned to the approaching foe. They were evidently eating, and holding converse at intervals. At length, as the friends came still nearer, they appeared to finish their meal, and sunk gradually on the leafy ground to rest. The Osages breathed more freely, and advanced with less caution, until at length, when within half-a-dozen yards, they rose, gave the terrific war-whoop, and leaped madly upon the camp. It was vacant—their victims had escaped. The friends, amazed, were about to fly from their dangerous proximity to the light, when three distinct laughs were heard.

The Osages stood immovable, gazing at one another with a grim, half-angry, half-comic expression, and ere they could speak, three maidens disguised as warriors stood meekly one before each brave, a horse's tail in one hand, and the other trophies in the other. The friends tried their utmost to look angry; but the countenances of the girls were so meek, and yet so malicious, that the gravity of the braves was overcome, and they laughed heartily at the conclusion of their expected deadly struggle.

The girls then explained that, for reasons of their own, disapproving of the celibacy of the three friends, they had resolved to excite their admiration and interest, that they had followed them immediately after their departure, had crept on them in the night, and divested them of their crests, &c., and played them every other trick which has been recorded in this legend. The warriors listened, and when they narrated how they had saved their lives in the ravine, seemed each struck with the same sudden conviction; namely, that the lives thus preserved belonged to the preservers, and at once made public their opinion. The damsels laughed gaily, and promised to entertain the notion, but recalled their lovers to a remembrance of their hungry state. Merrily and blithely supped the three maidens and the three friends that night beneath the greenwood tree; and when in after-years they met at eventide, all happy husbands and wives, with dusky boys and girls crowding round them, that it was the brightest moment of their existence, was the oft-repeated saying of the THREE FRIENDS.

THE ARTIST'S DAUGHTER: A TALE

BY MISS ANNA MARIA SARGEANT

Act well thy part—there the true honour lies.—POPE

'I wish, papa, you would teach me to be a painter,' was the exclamation of a fair-haired child, over whose brow eleven summers had scarcely passed, as she sat earnestly watching a stern middle-aged man, who was giving the last touches to the head of a Madonna.

'Pshaw,' pettishly returned the artist; 'go play with your doll, and don't talk about things you can't understand.'

'But I should like to learn, papa,' the child resumed: 'I think it would be so pretty to paint, and, besides, it would get us some more money, and then we could have a large house and servants, such as we used to have, and that would make you happy again, would it not, papa?'

'You are a good girl, Amy, to wish to see me happy,' the father rejoined, somewhat softened by the artless affection of his little daughter; 'but women are never painters—that is, they are never great painters.' The child made no further comment, but still retained her seat, until her father's task was accomplished.

The chamber in which this brief dialogue took place was a meanly-furnished apartment in a small house situated in the suburbs of Manchester. The appearance of the artist was that of a disappointed man, who contends doggedly with adversity rather than stems the torrent with fortitude. Habitual discontent was stamped on his countenance, but ever and anon a glance of fierceness shot from his full dark eyes, as the thought of the position to which his talents ought to have raised him would flit across his brain. A greater contrast could scarcely be conceived than existed between the father and child: the latter added to the charms of that early period of life a face and form of exquisite beauty. Her dazzling complexion, rich auburn hair, and graceful attitudes, accorded ill with the rusty black frock which was the mourning habiliment for her maternal parent, and the expression of her features was that of natural joyousness, tempered, but not wholly suppressed, by thoughtfulness beyond her years.

Leonard Beaufort had once been, as was implied by his daughter, in a different station to that he how occupied. He was by birth and education a gentleman; but partly owing to his own mismanagement and extravagance, and partly from misfortunes altogether unavoidable (though he chose to attribute his reverses wholly to the latter cause), he found himself suddenly plunged from competence into utter destitution. He had hitherto practised painting as an amateur, but now he was forced to embrace it as the only means afforded him of supporting his family, which at that time consisted of a wife and two children. He was not without some share of talent; but unhappily for those who depended on his exertions, he was too indolent to make much progress in an art which requires the exercise of perseverance, no less than the possession of genius; and after struggling for more than three years with the bitterest poverty, his wife and youngest child fell victims to their change of circumstances. Little Amy was thus left motherless, and would have been friendless, but for the care of a neighbour, who, pitying her forlorn condition, watched over her with almost maternal regard. Mrs Lyddiard was the widow of a merchant's clerk, who had no other provision than that which was afforded her by her own labours in a little school; but from these humble means she was enabled, by prudent management, to give her only child Herbert—a boy about three years the senior of Amy—a tolerable education, which would fit him to undertake a similar situation to that which his father had filled.

Towards this amiable woman and her son, the warm affections which had been pent up in the young heart of our little heroine, since the death of her mother and infant brother, now gushed forth in copious streams; for, though she loved her father with a tenderness scarcely to be expected, and certainly unmerited by one who manifested such indifference in return, she dared not express her feelings in words or caresses. Beaufort would usually devote a few of the morning hours to his profession, and then, growing weary, throw aside his pencil in disgust, and either wander about the neighbourhood in moody silence, or spend the rest of the day in the society of a few dissolute persons of education, with whom he had become acquainted since his residence in Manchester. The indolence of the parent had, however, the effect of awakening the latent energies of the daughter's mind; and young as she was at the time we introduce her to our readers, her thoughts were engaged upon a scheme which, if successful, would, she deemed, reinstate them in competence. This was for her to become possessed of a knowledge of her father's art (secretly, since he had given a check to her plan), and she believed she could accomplish it by watching his progress, and practising during his long absences from home. As Mrs Lyddiard warmly approved of the proposition, it was immediately put into execution; and Herbert, who was also made a confidant, volunteered to purchase her colours and brushes; for she dared not make use of her father's, for fear of discovery.

The performances of the young artist for the first twelve months, as might be expected, did not rise above mediocrity; but by increased perseverance and a determination to excel, she rapidly improved. The disposal of a few of her pictures furnished her with the means to procure materials for others; but she still studiously concealed her knowledge from her father, intending to do so till her skill approximated in some degree to his.

Eight years thus glided away, and the beautiful and artless child had now become an elegant and lovely young woman. Her nineteenth birthday was approaching, and she determined to prepare a specimen of her abilities to be displayed on that occasion. She selected Lear and Cordelia for her subject, thinking it would tacitly express the affection which had instigated her desire to acquire a knowledge of her father's profession. She completed her task, and the Lyddiards were lavish in their praises of the performance. Herbert declared it to be quite equal to any her father had done, and his approbation, it must be acknowledged, was highly valued by the fair artist. On the evening before the eagerly-anticipated day, Beaufort came home at an unusually early hour, and what was of rare occurrence, in excellent spirits.

'I've sold that piece from Shakespeare I finished last week to a gentleman who is, going abroad,' he said, addressing his daughter with unwonted confidence and kindness; for it was not often that he deigned to make her acquainted with anything connected with his profession.

'What, the Prospero and Miranda I admired so much, papa?' Amy asked.

'Yes; and he wants another to pair it done within a fortnight, so I must rise early and labour hard, for the days are short; but I was better remunerated than commonly, which makes it worth my while to put myself to a little inconvenience.'

'You will like to have your coffee at six to-morrow morning, then?'

Amy observed.

'Yes, child, not a moment later.'

The coffee was prepared to the minute, and, contrary to the expectation of the daughter, her father was up to partake of it; for it was not an uncommon case for him to talk of executing a painting in a hurry, and then be more than usually dilatory in its performance. In this instance, however, he seemed in earnest, for, after having hastily swallowed his breakfast, he sat down to sketch out the piece. Amy silently withdrew from the room, not daring at present to broach the subject which was uppermost in her thoughts, and employed herself with her domestic duties till the time when she deemed he would require her assistance in mixing his colours, which was her usual task.

'It won't do; the design is bad,' the artist petulantly exclaimed as his daughter re-entered the apartment, and he dashed his pencil to the ground.

'What won't do, dear papa?' Amy gently inquired.

'I've spent the whole night deciding on a subject, and now that I have sketched it, see that it's not suitable,' he pettishly made answer.

'What is it, papa?'

'Coriolanus and his mother.'

'Well, in my opinion, that would be very appropriate. As the other was a father and daughter, here is a mother and son; but if you don't like it, what think you of Lear and Cordelia?' Amy's voice faltered, and she dared not raise her eyes from the sketch which she affected to be examining.

'I'm not in a mood for painting to-day: I'll try tomorrow.'

'But your time, you said, was short,' Amy ventured to interpose.

'Well, if I can't get it done, he must go without it,' was his irritable reply. 'I'm not going to be tied down to the easel, whether disposed or not, for such a paltry sum.'

'I thought you told me that this gentleman would remunerate you handsomely?'

'Handsomely!' the artist scornfully repeated; 'it is better than I am usually paid, but not a fiftieth part of what I ought to receive. See how some men, not possessed of half my talent, succeed! but they have the patronage of the great to aid them.'

'And perhaps brighter days may yet dawn on you, dear father!' pleaded the daughter.

'Never!' and Beaufort rose in haste to attire himself for departure.

'Papa,' cried Amy, gently catching his arm, 'will you just stay for a few minutes; I have something to say to you;' and a deep flush of crimson suffused her cheek as she spoke. Beaufort turned hesitatingly. 'It is my birthday,' she pursued—' I am this day nineteen.'

'That is no subject for rejoicing, girl,' he doggedly observed.

'I have been looking forward to this period with intense anxiety, meaning then to make you acquainted with a subject which has long engrossed my thoughts,' she timidly said.

'No foolish love affair, I hope?' Beaufort almost fiercely demanded, looking sternly in his daughter's agitated and flushed countenance as he uttered the words. 'Perhaps,' he sarcastically continued, without giving her time to reply—'perhaps you deem yourself marriageable at the matron-like' age of nineteen, and have selected some country boor for my son-in-law?'

This speech was directed at Herbert Lyddiard, and Amy felt it; but her thoughts were at this moment occupied by another subject of absorbing interest. 'No,' she returned with modest dignity; 'I have at present no desire to alter my condition, but I have for years been intent upon bettering yours. I may be presumptuous in supposing it possible that any effort of mine could do so; but I was resolved to make the trial, and this shall speak for me.' As she concluded, she drew from a closet the picture she had so anxiously prepared, and displayed it to her parent's astonished gaze. Beaufort could not speak, but stood for some minutes immovable, with his eyes fixed on the piece, as if doubting the reality of what he beheld.

'Amy,' he exclaimed, 'is it possible that this is your performance?'

'It is, father.'

'And you have had no teacher?'

'Yes, you have been, my teacher. For eight long years I have been your pupil—a silent but a most attentive pupil. I owe all my knowledge to you.'

'It is admirable,' he murmured, 'and the very thing I want; as like my execution as if I myself had done it.'

'Do you say so, my father?' Amy exultingly exclaimed. 'Do you say so? That is praise beyond what I had ever dared to hope for;' and, for the first time in her life, she threw herself into her parent's embrace.