Agnes's heart sank within her; and the monk, sitting down on the wall of the garden, clasped his hands over one knee and gazed fixedly before him.
The sight of her uncle,—generally so cheerful, so elastic, so full of bright thoughts and beautiful words,—so utterly cast down, was both a mystery and a terror to Agnes.
"Oh, my uncle," she said, "it is hard that I must not know, and that I can do nothing, when I feel ready to die for this cause! What is one little life? Ah, if I had a thousand to give, I could melt them all into it, like little drops of rain in the sea! Be not utterly cast down, good uncle! Does not our dear Lord and Saviour reign in the heavens yet?"
"Sweet little nightingale!" said the monk, stretching his hand towards her. "Well did my master say that he gained strength to his soul always by talking with Christ's little children!"
"And all the dear saints and angels, they are not dead or idle either," said Agnes, her face kindling; "they are busy all around us. I know not what this trouble is you speak of; but let us think what legions of bright angels and holy men and women are caring for us."
"Well said, well said, dear child! There is, thank God, a Church Triumphant,—a crowned queen, a glorious bride; and the poor, struggling Church Militant shall rise to join her! What matter, then, though our way lie through dungeon and chains, through fire and sword, if we may attain to that glory at last?"
"Uncle, are there such dreadful things really before you?"
"There may be, child. I say of my master, as did the holy Apostles: 'Let us also go, that we may die with him.' I feel a heavy presage. But I must not trouble you, child. Early in the morning I will be up and away. I go with this youth, whose pathway lies a certain distance along mine, and whose company I seek for his good as well as my pleasure."
"You go with him?" said Agnes, with a start of surprise.
"Yes; his refuge in the mountains lies between here and Rome, and he hath kindly offered to bring me on my way faster than I can go on foot; and I would fain see our beautiful Florence as soon as may be. O Florence, Florence, Lily of Italy! wilt thou let thy prophet perish?"
"But, uncle, if he die for the faith, he will be a blessed martyr. That crown is worth dying for," said Agnes.
"You say well, little one,—you say well! 'Ex oribus parvulorum.' But one shrinks from that in the person of a friend which one could cheerfully welcome for one's self. Oh, the blessed cross! never is it welcome to the flesh, and yet how joyfully the spirit may walk under it!"
"Dear uncle, I have made a solemn vow before our Holy Mother this night," said Agnes, "to go on a pilgrimage to Rome, and at every shrine and holy place to pray that these great afflictions which beset all of you may have a happy issue."
"My sweet heart, what have you done? Have you considered the unsettled roads, the wild, unruly men that are abroad, the robbers with which the mountains are filled?"
"These are all Christ's children and my brothers," said Agnes; "for them was the most holy blood shed, as well as for me. They cannot harm one who prays for them."
"But, dear heart of mine, these ungodly brawlers think little of prayer; and this beautiful, innocent little face will but move the vilest and most brutal thoughts and deeds."
"Saint Agnes still lives, dear uncle,—and He who kept her in worse trial. I shall walk through them all pure as snow,—I am assured I shall. The star which led the wise men and stood over the young child and his mother will lead me, too."
"But your grandmother?"
"The Lord will incline her heart to go with me. Dear uncle, it does not beseem a child to reflect on its elders, yet I cannot but see that grandmamma loves this world and me too well for her soul's good. This journey will be for her eternal repose."
"Well, well, dear one, I cannot now advise. Take advice of your confessor, and the blessed Lord and his holy Mother be with you! But come now, I would soothe myself to sleep; for I have need of good rest to-night. Let us sing together our dear master's hymn of the Cross."
And the monk and the maiden sang together:—
"Iesù, sommo conforto,
Tu sei tutto il mio amore
E 'l mio beato porto,
E santo Redentore.
O gran bontà,
Dolce pietà,
Felice quel che teco unito sta!
"Deh, quante volte offeso
T' ha l' alma e 'l cor meschino,
E tu sei in croce steso
Per salvar me, tapino!
"Iesù, fuss' io confitto
Sopra quel duro ligno,
Dove ti vedo afflitto,
Iesù, Signor benigno!
"O croce, fammi loco,
E le mie membra prendi,
Che del tuo dolce foco
Il cor e l' alma accendi!
"Infiamma il mio cor tanto
Dell' amor tuo divino,
Ch' io arda tutto quanto,
Che paia un serafino!
"La croce e 'l Crocifisso
Sia nel mio cor scolpito,
Ed io sia sempre affisso
In gloria ov' egli è ito!"[4 - Jesus, best comfort of my soul,Be thou my only love,My sacred saviour from my sins,My door to heaven above!O lofty goodness, love divine,Blest is the soul made one with thine!Alas, how oft this sordid heartHath wounded thy pure eye!Yet for this heart upon the crossThou gav'st thyself to die!Ah, would I were extended there,Upon that cold, hard tree,Where I have seen thee, gracious Lord,Breathe out thy life for me!Cross of my Lord, give room! give room!To thee my flesh be given!Cleansed in thy fires of love and pain,My soul rise pure to heaven!Burn in my heart, celestial flame,With memories of him,Till, from earth's dross refined, I riseTo join the seraphim!Ah, vanish each unworthy traceOf earthly care or pride,Leave only, graven on my heart,The Cross, the Crucified!]
As the monk sang, his soul seemed to fuse itself into the sentiment with that natural grace peculiar to his nation. He walked up and down the little garden, apparently forgetful of Agnes or of any earthly presence, and in the last verses stretched his hands towards heaven with streaming tears and a fervor of utterance indescribable.
The soft and passionate tenderness of the Italian words must exhale in an English translation, but enough may remain to show that the hymns with which Savonarola at this time sowed the mind of Italy often mingled the Moravian quaintness and energy with the Wesleyan purity and tenderness. One of the great means of popular reform which he proposed was the supplanting of the obscene and licentious songs, which at that time so generally defiled the minds of the young, by religious words and melodies. The children and young people brought up under his influence were sedulously stored with treasures of sacred melody, as the safest companions of leisure hours, and the surest guard against temptation.
"Come now, my little one," said the monk, after they had ceased singing, as he laid his hand on Agnes's head. "I am strong now; I know where I stand. And you, my little one, you are one of my master's 'Children of the Cross.' You must sing the hymns of our dear master, that I have taught you, when I am far away. A hymn is a singing angel, and goes walking through the earth, scattering the devils before it. Therefore he who creates hymns imitates the most excellent and lovely works of our Lord God, who made the angels. These hymns watch our chamber-door, they sit upon our pillow, they sing to us when we awake; and therefore our master was resolved to sow the minds of his young people with them, as our lovely Italy is sown with the seeds of all colored flowers. How lovely has it often been to me, as I sat at my work in Florence, to hear the little children go by, chanting of Jesus and Mary,—and young men singing to young maidens, not vain flatteries of their beauty, but the praises of the One only Beautiful, whose smile sows heaven with stars like flowers! Ah, in my day I have seen blessed times in Florence! Truly was she worthy to be called the Lily City!—for all her care seemed to be to make white her garments to receive her Lord and Bridegroom. Yes, though she had sinned like the Magdalen, yet she loved much, like her. She washed His feet with her tears, and wiped them with the hair of her head. Oh, my beautiful Florence, be true to thy vows, be true to thy Lord and Governor, Jesus Christ, and all shall be well!"
"Amen, dear uncle!" said Agnes. "I will not fail to pray day and night, that thus it may be. And now, if you must travel so far, you must go to rest. Grandmamma has gone long ago. I saw her steal by as we were singing."
"And is there any message from my little Agnes to this young man?" asked the monk.
"Yes. Say to him that Agnes prays daily that he may be a worthy son and soldier of the Lord Jesus."
"Amen, sweet heart! Jesu and His sweet Mother bless thee!"
* * * * *
A NEW COUNTERBLAST
"He that taketh tobacco saith he cannot leave it, it doth bewitch him."—KING JAMES'S COUNTERBLAST TO TOBACCO.
America is especially responsible to the whole world for tobacco, since the two are twin-sisters, born to the globe in a day. The sailors first sent on shore by Columbus came back with news of a new continent and a new condiment. There was solid land, and there was a novel perfume, which rolled in clouds from the lips of the natives. The fame of the two great discoveries instantly began to overspread the world; but the smoke travelled fastest, as is its nature. There are many races which have not yet heard of America: there are very few which have not yet tasted of tobacco. A plant which was originally the amusement of a few savage tribes has become in a few centuries the fancied necessary of life to the most enlightened nations of the earth, and it is probable that there is nothing cultivated by man which is now so universally employed.
And the plant owes this width of celebrity to a combination of natural qualities so remarkable as to yield great diversities of good and evil fame. It was first heralded as a medical panacea, "the most sovereign and precious weed that ever the earth tendered to the use of man," and was seldom mentioned, in the sixteenth century, without some reverential epithet. It was a plant divine, a canonized vegetable. Each nation had its own pious name to bestow upon it. The French called it herbe sainte, herbe sacrée, herbe propre à tous maux, panacée antarctique,—the Italians, herba santa croce,—the Germans, heilig wundkraut. Botanists soberly classified it as herba panacea and herba sancta, and Gerard in his "Herbal" fixed its name finally as sana sancta Indorum, by which title it commonly appears in the professional recipes of the time. Spenser, in his "Faërie Queene," bids the lovely Belphoebe gather it as "divine tobacco," and Lilly the Euphuist calls it "our holy herb Nicotian," ranking it between violets and honey. It was cultivated in France for medicinal purposes solely, for half a century before any one there used it for pleasure, and till within the last hundred years it was familiarly prescribed, all over Europe, for asthma, gout, catarrh, consumption, headache; and, in short, was credited with curing more diseases than even the eighty-seven which Dr. Shew now charges it with producing.
So vast were the results of all this sanitary enthusiasm, that the use of tobacco in Europe probably reached its climax in a century or two, and has since rather diminished than increased, in proportion to the population. It probably appeared in England in 1586, being first used in the Indian fashion, by handing one pipe from man to man throughout the company; the medium of communication being a silver tube for the higher classes, and a straw and walnut-shell for the baser sort. Paul Hentzner, who travelled in England in 1598, and Monsieur Misson, who wrote precisely a century later, note almost in the same words "a perpetual use of tobacco"; and the latter suspects that this is what makes "the generality of Englishmen so taciturn, so thoughtful, and so melancholy." In Queen Elizabeth's time, the ladies of the court "would not scruple to blow a pipe together very socially." In 1614 it was asserted that tobacco was sold openly in more than seven thousand places in London, some of these being already attended by that patient Indian who still stands seductive at tobacconists' doors. It was also estimated that the annual receipts of these establishments amounted to more than three hundred thousand pounds. Elegant ladies had their pictures painted, at least one in 1650 did, with pipe and box in hand. Rochefort, a rather apocryphal French traveller in 1672, reported it to be the general custom in English homes to set pipes on the table in the evening for the females as well as males of the family, and to provide children's luncheon-baskets with a well-filled pipe, to be smoked at school, under the directing eye of the master. In 1703, Lawrence Spooner wrote that "the sin of the kingdom in the intemperate use of tobacco swelleth and increaseth so daily that I can compare it to nothing but the waters of Noah, that swelled fifteen cubits above the highest mountains." The deluge reached its height in England—so thinks the amusing and indefatigable Mr. Fairholt, author of "Tobacco and its Associations"—in the reign of Queen Anne. Steele, in the "Spectator," (1711,) describes the snuff-box as a rival to the fan among ladies; and Goldsmith pictures the belles at Bath as entering the water in full bathing costume, each provided with a small floating basket, to hold a snuff-box, a kerchief, and a nosegay. And finally, in 1797, Dr. Clarke complains of the handing about of the snuff-box in churches during worship, "to the great scandal of religious people,"—adding, that kneeling in prayer was prevented by the large quantity of saliva ejected in all directions. In view of such formidable statements as these, it is hardly possible to believe that the present generation surpasses or even equals the past in the consumption of tobacco.