You'll find the grave has got a door,
And somethin' for you t'other side.
We could linger much longer over our simple, brave old poet, were we sure of the ability of the reader approximately to distinguish his features through the veil of translation. In turning the leaves of the smoky book, with its coarse paper and rude type,—which suggests to us, by-the-by, the fact that Hebel was accustomed to hang a book, which he wished especially to enjoy, in the chimney, for a few days,—we are tempted by "The Market-Women in Town," by "The Mother on Christmas-Eve," "The Morning-Star," and the charming fairy-story of "Riedliger's Daughter," but must be content to close our specimens, for the present, with a song of love,—"Hans und Verene,"—under the equivalent title of
JACK AND MAGGIE
There's only one I'm after,
And she's the one, I vow!
If she was here, and standin' by,
She is a gal so neat and spry,
So neat and spry,
I'd be in glory now!
It's so,—I'm hankerin' for her,
And want to have her, too.
Her temper's always gay, and bright,
Her face like posies red and white,
Both red and white,
And eyes like posies blue.
And when I see her comin',
My face gits red at once;
My heart feels chokin'-like, and weak,
And drops o' sweat run down my cheek,
Yes, down my cheek,—
Confound me for a dunce!
She spoke so kind, last Tuesday,
When at the well we met:
"Jack, give a lift! What ails you? Say!
I see that somethin' 's wrong to-day:
What's wrong to-day?"
No, that I can't forget!
I know I'd ought to tell her,
And wish I'd told her then;
And if I wasn't poor and low,
And sayin' it didn't choke me so,
(It chokes me so,)
I'd find a chance again.
Well, up and off I'm goin':
She's in the field below:
I'll try and let her know my mind;
And if her answer isn't kind,
If 't isn't kind,
I'll jine the ranks, and go!
I'm but a poor young fellow,
Yes, poor enough, no doubt:
But ha'n't, thank God, done nothin' wrong,
And be a man as stout and strong,
As stout and strong,
As any roundabout.
What's rustlin' in the bushes?
I see a movin' stalk:
The leaves is openin': there's a dress!
O Lord, forbid it! but I guess—
I guess—I guess
Somebody's heard me talk!
"Ha! here I am! you've got me!
So keep me, if you can!
I've guessed it ever since last Fall,
And Tuesday morn I saw it all,
I saw it all!
Speak out, then, like a man!
"Though rich you a'n't in money,
Nor rich in goods to sell,
An honest heart is more than gold,
And hands you've got for field and fold,
For house and fold,
And—Jack—I love you well!"
"O Maggie, say it over!
O Maggie, is it so?
I couldn't longer bear the doubt:
'Twas hell,—but now you've drawed me out,
You've drawed me out!
And will I? Won't I, though!"
The later years of Hebel's life quietly passed away in the circle of his friends at Carlsruhe. After the peculiar mood which called forth the Alemannic poems had passed away, he seems to have felt no further temptation to pursue his literary success. His labors, thenceforth, were chiefly confined to the preparation of a Biblical History, for schools, and the editing of the "Rhenish House-Friend," an illustrated calendar for the people, to which he gave a character somewhat similar to that of Franklin's "Poor Richard." His short, pithy narratives, each with its inevitable, though unobtrusive moral, are models of style. The calendar became so popular, under his management, that forty thousand copies were annually printed. He finally discontinued his connection with it, in 1819, in consequence of an interference with his articles on the part of the censor.
In society Hebel was a universal favorite. Possessing, in his personal appearance, no less than in his intellect, a marked individuality, he carried a fresh, vital, inspiring element into every company which he visited. His cheerfulness was inexhaustible, his wit keen and lambent without being acrid, his speech clear, fluent, and genial, and his fund of anecdote commensurate with his remarkable narrative power. He was exceedingly frank, joyous, and unconstrained in his demeanor; fond of the pipe and the beer-glass; and as one of his maxims was, "Not to close any door through which Fortune might enter," he not only occasionally bought a lottery-ticket, but was sometimes to be seen, during the season, at the roulette-tables of Baden-Baden. One of his friends declares, however, that he never obtruded "the clergyman" at inappropriate times!
In person he was of medium height, with a body of massive Teutonic build, a large, broad head, inclined a little towards one shoulder, the eyes small, brown, and mischievously sparkling, the hair short, crisp, and brown, the nose aquiline, and the mouth compressed, with the commencement of a smile stamped in the corners. He was careless in his gait, and negligent in his dress. Warm-hearted and tender, and especially attracted towards women and children, the cause of his celibacy always remained a mystery to his friends.
The manner of his death, finally, illustrated the genuine humanity of his nature. In September, 1826, although an invalid at the time, he made a journey to Mannheim for the sake of procuring a mitigation of the sentence of a condemned poacher, whose case appealed strongly to his sympathy. His exertions on behalf of the poor man so aggravated his disease that he was soon beyond medical aid. Only his corpse, crowned with laurel, returned to Carlsruhe. Nine years afterwards a monument was erected to his memory in the park attached to the Ducal palace. Nor have the inhabitants of the Black Forest failed in worthy commemoration of their poet's name. A prominent peak among the mountains which inclose the valley of his favorite "Meadow" has been solemnly christened "Hebel's Mount"; and a flower of the Forest—the Anthericum of Linnaeus—now figures in German botanies as the Hebelia Alemannica.
THE FORESTER
Then bless thy secret growth, nor catch
At noise, but thrive unseen and dumb,
Keep clean, bear fruit, earn life, and watch
Till the white-winged reapers come.—Henry Vaughan
I had never thought of knowing a man so thoroughly of the country as this friend of mine, and so purely a son of Nature. Perhaps he has the profoundest passion for it of any one living; and had the human sentiment been as tender from the first, and as pervading, we might have had pastorals of which Virgil and Theocritus would have envied him the authorship, had they chanced to be his contemporaries. As it is, he has come nearer the antique spirit than any of our native poets, and touched the fields and groves and streams of his native town with a classic interest that shall not fade. Some of his verses are suffused with an elegiac tenderness, as if the woods and fields bewailed the absence of their forester, and murmured their griefs meanwhile to one another,—responsive like idyls. Living in close companionship with Nature, his Muse breathes the spirit and voice of poetry; his excellence lying herein: for when the heart is once divorced from the senses and all sympathy with common things, then poetry has fled, and the love that sings.