Bracebridge Hall, or The Humorists

There was no replying to so complete a closing of the door of intimacy. The student found himself calmly but totally repulsed. Though curious and inquisitive, yet he was naturally modest, and on after-thoughts he blushed at his own intrusion. His mind soon became occupied by other objects. He passed several days wandering among the mouldering piles of Moorish architecture, those melancholy monuments of an elegant and voluptuous people. He paced the deserted halls of the Alhambra, the paradise of the Moorish kings. He visited the great court of the lions, famous for the perfidious massacre of the gallant Abencerrages. He gazed with admiration at its mosaic cupolas, gorgeously painted in gold and azure; its basins of marble, its alabaster vase, supported by lions, and storied with inscriptions.

His imagination kindled as he wandered among these scenes. They were calculated to awaken all the enthusiasm of a youthful mind. Most of the halls have anciently been beautified by fountains. The fine taste of the Arabs delighted in the sparkling purity and reviving freshness of water; and they erected, as it were, altars on every side, to that delicate element. Poetry mingles with architecture in the Alhambra. It breathes along the very walls. Wherever Antonio turned his eye, he beheld inscriptions in Arabic, wherein the perpetuity of Moorish power and splendour within these walls was confidently predicted.

Alas! how has the prophecy been falsified! Many of the basins, where the fountains had once thrown up their sparkling showers, were dry and dusty. Some of the palaces were turned into gloomy convents, and the barefoot monk paced through these courts, which had once glittered with the array, and echoed to the music, of Moorish chivalry.

In the course of his rambles, the student more than once encountered the old man of the library. He was always alone, and so full of thought as not to notice any one about him. He appeared to be intent upon studying those half-buried inscriptions, which, are found, here and there, among the Moorish ruins, and seem to murmur from the earth the tale of former greatness. The greater part of these have since been translated; but they were supposed by many at the time, to contain symbolical revelations, and golden maxims of the Arabian sages and astrologers. As Antonio saw the stranger apparently deciphering these inscriptions, he felt an eager longing to make his acquaintance, and to participate in his curious researches; but the repulse he had met with at the library deterred him from making any further advances.

He had directed his steps one evening to the sacred mount, which overlooks the beautiful valley watered by the Darro, the fertile plain of the Vega, and all that rich diversity of vale and mountain that surrounds Granada with an earthly paradise. It was twilight when he found himself at the place, where, at the present day, are situated the chapels, known by the name of the Sacred Furnaces. They are so called from grottoes, in which some of the primitive saints are said to have been burnt. At the time of Antonio's visit, the place was an object of much curiosity. In an excavation of these grottoes, several manuscripts had recently been discovered, engraved on plates of lead. They were written in the Arabian language, excepting one, which was in unknown characters. The Pope had issued a bull, forbidding any one, under pain of excommunication, to speak of these manuscripts. The prohibition had only excited the greater curiosity; and many reports were whispered about, that these manuscripts contained treasures of dark and forbidden knowledge.

As Antonio was examining the place from whence these mysterious manuscripts had been drawn, he again observed the old man of the library wandering among the ruins. His curiosity was now fully awakened; the time and place served to stimulate it. He resolved to watch this groper after secret and forgotten lore, and to trace him to his habitation. There was something like adventure in the thing, that charmed his romantic disposition. He followed the stranger, therefore, at a little distance; at first cautiously, but he soon observed him to be so wrapped in his own thoughts, as to take little heed of external objects.

They passed along the skirts of the mountain, and then by the shady banks of the Darro. They pursued their way, for some distance from Granada, along a lonely road that led among the hills. The gloom of evening was gathering, and it was quite dark when the stranger stopped at the portal of a solitary mansion.

It appeared to be a mere wing, or ruined fragment, of what had once been a pile of some consequence. The walls were of great thickness; the windows narrow, and generally secured by iron bars. The door was of planks, studded with iron spikes, and had been of great strength, though at present it was much decayed. At one end of the mansion was a ruinous tower, in the Moorish style of architecture. The edifice had probably been a country retreat, or castle of pleasure, during the occupation of Granada by the Moors, and rendered sufficiently strong to withstand any casual assault in those warlike times.

The old man knocked at the portal. A light appeared at a small window just above it, and a female head looked out: it might have served as a model for one of Raphael's saints. The hair was beautifully braided, and gathered in a silken net; and the complexion, as well as could be judged from the light, was that soft, rich brunette, so becoming in southern beauty.

"It is I, my child," said the old man. The face instantly disappeared, and soon after a wicket-door in the large portal opened. Antonio, who had ventured near to the building, caught a transient sight of a delicate female form. A pair of fine black eyes darted a look of surprise at seeing a stranger hovering near, and the door was precipitately closed.

There was something in this sudden gleam of beauty that wonderfully struck the imagination of the student. It was like a brilliant, flashing from its dark casket. He sauntered about, regarding the gloomy pile with increasing interest. A few simple, wild notes, from among some rocks and trees at a little distance, attracted his attention. He found there a group of Gitanas, a vagabond gipsy race, which at that time abounded in Spain, and lived in hovels and caves of the hills about the neighbourhood of Granada. Some were busy about a fire, and others were listening to the uncouth music which one of their companions, seated on a ledge of the rock, was making with a split reed.

Antonio endeavoured to obtain some information of them, concerning the old building and its inhabitants. The one who appeared to be their spokesman was a gaunt fellow, with a subtle gait, a whispering voice, and a sinister roll of the eye. He shrugged his shoulders on the student's inquiries, and said that all was not right in that building. An old man inhabited it, whom nobody knew, and whose family appeared to be only a daughter and a female servant. He and his companions, he added, lived up among the neighbouring hills; and as they had been about at night, they had often seen strange lights, and heard strange sounds from the tower. Some of the country people, who worked in the vineyards among the hills, believed the old man to be one that dealt in the black art, and were not over-fond of passing near the tower at night; "but for our parts," said the Gitano, "we are not a people that trouble ourselves much with fears of that kind."

The student endeavoured to gain more precise information, but they had none to furnish him. They began to be solicitous for a compensation for what they had already imparted; and, recollecting the loneliness of the place, and the vagabond character of his companions, he was glad to give them a gratuity, and to hasten homewards.

He sat down to his studies, but his brain was too full of what he had seen and heard; his eye was upon the page, but his fancy still returned to the tower; and he was continually picturing the little window, with the beautiful head peeping out; or the door half open, and the nymph-like form within. He retired to bed, but the same object haunted his dreams. He was young and susceptible; and the excited state of his feelings, from wandering among the abodes of departed grace and gallantry, had predisposed him for a sudden impression from female beauty.

The next morning, he strolled again in the direction of the tower. It was still more forlorn, by the broad glare of day, than in the gloom of evening. The walls were crumbling, and weeds and moss were growing in every crevice. It had the look of a prison, rather than a dwelling-house. In one angle, however, he remarked a window which seemed an exception to the surrounding squalidness. There was a curtain drawn within it, and flowers standing on the window-stone. Whilst he was looking at it, the curtain was partially withdrawn, and a delicate white arm, of the most beautiful roundness, was put forth to water the flowers.

The student made a noise, to attract the attention of the fair florist. He succeeded. The curtain was further drawn, and he had a glance of the same lovely face he had seen the evening before; it was but a mere glance – the curtain again fell, and the casement closed. All this was calculated to excite the feelings of a romantic youth. Had he seen the unknown under other circumstances, it is probable that he would not have been struck with her beauty; but this appearance of being shut up and kept apart, gave her the value of a treasured gem. He passed and repassed before the house several times in the course of the day, but saw nothing more. He was there again in the evening. The whole aspect of the house was dreary. The narrow windows emitted no rays of cheerful light, to indicate that there was social life within. Antonio listened at the portal, but no sound of voices reached his ear. Just then he heard the clapping to of a distant door, and fearing to be detected in the unworthy act of eavesdropping, he precipitately drew off to the opposite side of the road, and stood in the shadow of a ruined archway.

He now remarked a light from a window in the tower. It was fitful and changeable; commonly feeble and yellowish, as if from a lamp; with an occasional glare of some vivid metallic colour, followed by a dusky glow. A column of dense smoke would now and then rise in the air, and hang like a canopy over the tower. There was altogether such a loneliness and seeming mystery about the building and its inhabitants, that Antonio was half inclined to indulge the country people's notions, and to fancy it the den of some powerful sorcerer, and the fair damsel he had seen to be some spell-bound beauty.

After some time had elapsed, a light appeared in the window where he had seen the beautiful arm. The curtain was down, but it was so thin that he could perceive the shadow of some one passing and repassing between it and the light. He fancied that he could distinguish that the form was delicate; and, from the alacrity of its movements, it was evidently youthful. He had not a doubt but this was the bed-chamber of his beautiful unknown.

Presently he heard the sound of a guitar, and a female voice singing. He drew near cautiously, and listened. It was a plaintive Moorish ballad, and he recognized in it the lamentations of one of the Abencerrages on leaving the walls of lovely Granada. It was full of passion and tenderness. It spoke of the delights of early life; the hours of love it had enjoyed on the banks of the Darro, and among the blissful abodes of the Alhambra. It bewailed the fallen honours of the Abencerrages, and imprecated vengeance on their oppressors. Antonio was affected by the music. It singularly coincided with the place. It was like the voice of past times echoed in the present, and breathing among the monuments of its departed glory.

The voice ceased; after a time the light disappeared, and all was still. "She sleeps!" said Antonio, fondly. He lingered about the building, with the devotion with which a lover lingers about the bower of sleeping beauty. The rising moon threw its silver beams on the gray walls, and glittered on the casement. The late gloomy landscape gradually became flooded with its radiance. Finding, therefore, that he could no longer move about in obscurity, and fearful that his loiterings might be observed, he reluctantly retired.

The curiosity which had at first drawn the young man to the tower, was now seconded by feelings of a more romantic kind. His studies were almost entirely abandoned. He maintained a kind of blockade of the old mansion; he would take a book with him, and pass a great part of the day under the trees in its vicinity; keeping a vigilant eye upon it, and endeavouring to ascertain what were the walks of his mysterious charmer. He found, however, that she never went out except to mass, when she was accompanied by her father. He waited at the door of the church, and offered her the holy water, in the hope of touching her hand; a little office of gallantry common in Catholic countries. She, however, modestly declined without raising her eyes to see who made the offer, and always took it herself from the font. She was attentive in her devotion; her eyes were never taken from the altar or the priest; and, on returning home, her countenance was almost entirely concealed by her mantilla.

Antonio had now carried on the pursuit for several days, and was hourly getting more and more interested in the chase, but never a step nearer to the game. His lurkings about the house had probably been noticed, for he no longer saw the fair face at the window, nor the white arm put forth to water the flowers. His only consolation was to repair nightly to his post of observation, and listen to her warbling; and if by chance he could catch a sight of her shadow, passing and repassing before the window, he thought himself most fortunate.

As he was indulging in one of these evening vigils, which were complete revels of the imagination, the sound of approaching footsteps made him withdraw into the deep shadow of the ruined archway opposite to the tower. A cavalier approached, wrapped in a large Spanish cloak. He paused under the window of the tower, and after a little while began a serenade, accompanied by his guitar, in the usual style of Spanish gallantry. His voice was rich and manly; he touched the instrument with skill, and sang with amorous and impassioned eloquence. The plume of his hat was buckled by jewels that sparkled in the moon-beams; and as he played on the guitar, his cloak falling off from one shoulder, showed him to be richly dressed. It was evident that he was a person of rank.

The idea now flashed across Antonio's mind, that the affections of his unknown beauty might be engaged. She was young, and doubtless susceptible; and it was not in the nature of Spanish females to be deaf and insensible to music and admiration. The surmise brought with it a feeling of dreariness. There was a pleasant dream of several days suddenly dispelled. He had never before experienced any thing of the tender passion; and, as its morning dreams are always delightful, he would fain have continued in the delusion.

"But what have I to do with her attachments?" thought he; "I have no claim on her heart, nor even on her acquaintance. How do I know that she is worthy of affection? Or if she is, must not so gallant a lover as this, with his jewels, his rank, and his detestable music, have completely captivated her? What idle humour is this that I have fallen into? I must again to my books. Study, study, will soon chase away all these idle fancies!"

The more he thought, however, the more he became entangled in the spell which his lively imagination had woven round him; and now that a rival had appeared, in addition to the other obstacles that environed this enchanted beauty, she appeared ten times more lovely and desirable. It was some slight consolation to him to perceive that the gallantry of the unknown met with no apparent return from the tower. The light at the window was extinguished. The curtain remained undrawn, and none of the customary signals were given to intimate that the serenade was accepted.

The cavalier lingered for some time about the place, and sang several other tender airs with a taste and feeling that made Antonio's heart ache; at length he slowly retired. The student remained with folded arms, leaning against the ruined arch, endeavouring to summon up resolution enough to depart; but there was a romantic fascination that still enchained him to the place. "It is the last time," said he, willing to compromise between his feelings and his judgment, "it is the last time; then let me enjoy the dream a few moments longer."

As his eye ranged about the old building to take a farewell look, he observed the strange light in the tower, which he had noticed on a former occasion. It kept beaming up, and declining, as before. A pillar of smoke rose in the air, and hung in sable volumes. It was evident the old man was busied in some of those operations that had gained him the reputation of a sorcerer throughout the neighbourhood.

Suddenly an intense and brilliant glare shone through the casement, followed by a loud report, and then a fierce and ruddy glow. A figure appeared at the window, uttering cries of agony or alarm, but immediately disappeared, and a body of smoke and flame whirled out of the narrow aperture. Antonio rushed to the portal, and knocked at it with vehemence. He was only answered by loud shrieks, and found that the females were already in helpless consternation. With an exertion of desperate strength he forced the wicket from its hinges, and rushed into the house.

He found himself in a small vaulted hall, and, by the light of the moon which entered at the door, he saw a staircase to the left. He hurried up it to a narrow corridor, through which was rolling a volume of smoke. He found here the two females in a frantic state of alarm; one of them clasped her hands, and implored him to save her father.

The corridor terminated in a spiral flight of steps, leading up to the tower. He sprang up it to a small door, through the chinks of which came a glow of light, and smoke was spuming out. He burst it open, and found himself in an antique vaulted chamber, furnished with a furnace and various chemical apparatus. A shattered retort lay on the stone floor; a quantity of combustibles, nearly consumed, with various half-burnt books and papers, were sending up an expiring flame, and filling the chamber with stifling smoke. Just within the threshold lay the reputed conjurer. He was bleeding, his clothes were scorched, and he appeared lifeless. Antonio caught him up, and bore him down the stairs to a chamber, in which there was a light, and laid him on a bed. The female domestic was despatched for such appliances as the house afforded; but the daughter threw herself frantically beside her parent, and could not be reasoned out of her alarm. Her dress was all in disorder; her dishevelled hair hung in rich confusion about her neck and bosom, and never was there beheld a lovelier picture of terror and affliction.

The skilful assiduities of the scholar soon produced signs of returning animation in his patient. The old man's wounds, though severe, were not dangerous. They had evidently been produced by the bursting of the retort; in his bewilderment he had been enveloped in the stifling metallic vapours, which had overpowered his feeble frame, and had not Antonio arrived to his assistance, it is possible he might never have recovered.

By slow degrees' he came to his senses. He looked about with a bewildered air at the chamber, the agitated group around, and the student who was leaning over him.

"Where am I?" said he wildly.

At the sound of his voice, his daughter uttered a faint exclamation of delight. "My poor Inez!" said he, embracing her; then, putting his hand to his head, and taking it away stained with blood, he seemed suddenly to recollect himself, and to be overcome with emotion.

"Ah!" cried he, "all is over with me! all gone! all vanished! gone in a moment! the labour of a lifetime lost!"

His daughter attempted to soothe him, but he became slightly delirious, and raved incoherently about malignant demons, and about the habitation of the green lion being destroyed. His wounds being dressed, and such other remedies administered as his situation required, he sunk into a state of quiet. Antonio now turned his attention to the daughter, whose sufferings had been little inferior to those of her father. Having with great difficulty succeeded in tranquillizing her fears, he endeavoured to prevail upon her to retire, and seek the repose so necessary to her frame, proffering to remain by her father until morning. "I am a stranger," said he, "it is true, and my offer may appear intrusive; but I see you are lonely and helpless, and I cannot help venturing over the limits of mere ceremony. Should you feel any scruple or doubt, however, say but a word, and I will instantly retire."

There was a frankness, a kindness, and a modesty, mingled in Antonio's deportment, that inspired instant confidence; and his simple scholar's garb was a recommendation in the house of poverty. The females consented to resign the sufferer to his care, as they would be the better able to attend to him on the morrow. On retiring, the old domestic was profuse in her benedictions; the daughter only looked her thanks; but as they shone through the tears that filled her fine black eyes, the student thought them a thousand times the most eloquent.

Here, then, he was, by a singular turn of chance, completely housed within this mysterious mansion. When left to himself, and the bustle of the scene was over, his heart throbbed as he looked round the chamber in which he was sitting. It was the daughter's room, the promised land toward which he had cast so many a longing gaze. The furniture was old, and had probably belonged to the building in its prosperous days; but every thing was arranged with propriety. The flowers that he had seen her attend stood in the window; a guitar leaned against a table, on which stood a crucifix, and before it lay a missal and a rosary. There reigned an air of purity and serenity about this little nestling-place of innocence; it was the emblem of a chaste and quiet mind. Some few articles of female dress lay on the chairs; and there was the very bed on which she had slept – the pillow on which her soft cheek had reclined! The poor scholar was treading enchanted ground; for what fairy land has more of magic in it, than the bedchamber of innocence and beauty?

From various expressions of the old man in his ravings, and from what he had noticed on a subsequent visit to the tower, to see that the fire was extinguished, Antonio had gathered that his patient was an alchymist. The philosopher's stone was an object eagerly sought after by visionaries in those days; but in consequence of the superstitious prejudices of the times, and the frequent persecutions of its votaries, they were apt to pursue their experiments in secret; in lonely houses, in caverns and ruins, or in the privacy of cloistered cells.

In the course of the night, the old man had several fits of restlessness and delirium; he would call out upon Theophrastus, and Geber, and Albertus Magnus, and other sages of his art; and anon would murmur about fermentation and projection, until, toward daylight, he once more sunk into a salutary sleep. When the morning sun darted his rays into the casement, the fair Inez, attended by the female domestic, came blushing into the chamber. The student now took his leave, having himself need of repose, but obtaining ready permission to return and inquire after the sufferer.

When he called again, he found the alchymist languid and in pain, but apparently suffering more in mind than in body. His delirium had left him, and he had been informed of the particulars of his deliverance, and of the subsequent attentions of the scholar. He could do little more than look his thanks, but Antonio did not require them; his own heart repaid him for all that he had done, and he almost rejoiced in the disaster that had gained him an entrance into this mysterious habitation. The alchymist was so helpless as to need much assistance; Antonio remained with him, therefore, the greater part of the day. He repeated his visit the next day, and the next. Every day his company seemed more pleasing to the invalid; and every day he felt his interest in the latter increasing. Perhaps the presence of the daughter might have been at the bottom of this solicitude.

He had frequent and long conversations with the alchymist. He found him, as men of his pursuits were apt to be, a mixture of enthusiasm and simplicity; of curious and extensive reading on points of little utility, with great inattention to the everyday occurrences of life, and profound ignorance of the world. He was deeply versed in singular and obscure branches of knowledge, and much given to visionary speculations. Antonio, whose mind was of a romantic cast, had himself given some attention to the occult sciences, and he entered upon these themes with an ardour that delighted the philosopher. Their conversations frequently turned upon astrology, divination, and the great secret. The old man would forget his aches and wounds, rise up like a spectre in his bed, and kindle into eloquence on his favourite topics. When gently admonished of his situation, it would but prompt him to another sally of thought.

"Alas, my son!" he would say, "is not this very decrepitude and suffering another proof of the importance of those secrets with which we are surrounded? Why are we trammelled by disease, withered by old age, and our spirits quenched, as it were, within, us, but because we have lost those secrets of life and youth which were known to our parents before their fall? To regain these, have philosophers been ever since aspiring; but just as they are on the point of securing the precious secrets for ever, the brief period of life is at an end; they die, and with them all their wisdom and experience. 'Nothing,' as De Nuysment observes, 'nothing is wanting for man's perfection but a longer life, less crossed with sorrows and maladies, to the attaining of the full and perfect knowledge of things.'"

At length Antonio so far gained on the heart of his patient, as to draw from him the outlines of his story.

Felix de Vasques, the alchymist, was a native of Castile, and of an ancient and honourable line. Early in life he had married a beautiful female, a descendant from one of the Moorish families. The marriage displeased his father, who considered the pure Spanish blood contaminated by this foreign mixture. It is true, the lady traced her descent from one of the Abencerrages, the most gallant of Moorish cavaliers, who had embraced the Christian faith on being exiled from the walls of Granada.

The injured pride of the father, however, was not to be appeased. He never saw his son afterwards, and on dying left him but a scanty portion of his estate; bequeathing the residue, in the piety and bitterness of his heart, to the erection of convents, and the performance of masses for souls in purgatory. Don Felix resided for a long time in the neighbourhood of Valladolid, in a state of embarrassment and obscurity. He devoted himself to intense study, having, while at the university of Salamanca, imbibed a taste for the secret sciences. He was enthusiastic and speculative; he went on from one branch of knowledge to another, until he became zealous in the search after the grand Arcanum.

He had at first engaged in the pursuit with the hopes of raising himself from his present obscurity, and resuming the rank and dignity to which his birth entitled him; but, as usual, it ended in absorbing every thought, and becoming the business of his existence. He was at length aroused from this mental abstraction, by the calamities of his household. A malignant fever swept off his wife and all his children, excepting an infant daughter. These losses for a time overwhelmed and stupefied him. His home had in a manner died away from around him, and he felt lonely and forlorn. When his spirit revived within him, he determined to abandon the scene of his humiliation and disaster; to bear away the child that was still left him beyond the scene of contagion, and never to return to Castile until he should be enabled to reclaim the honours of his line.

He had ever since been wandering and unsettled in his abode; – sometimes the resident of populous cities, at other times of absolute solitudes. He had searched libraries, meditated on inscriptions, visited adepts of different countries, and sought to gather and concentrate the rays which had been thrown by various minds upon the secrets of alchymy. He had at one time travelled quite to Padua to search for the manuscripts of Pietro d'Abano, and to inspect an urn which had been dug up near Este, supposed to have been buried by Maximus Olybius, and to have contained the grand elixir.[7 - This urn was found in 1533. It contained a lesser one, in which was a burning lamp betwixt two small vials, the one of gold, the other of silver, both of them full of a very clear liquor. On the largest was an inscription, stating that Maximus Olybius shut up in this small vessel elements which he had prepared with great toil. There were many disquisitions among the learned on the subject. It was the most received opinion, that this Maximus Olybius was an inhabitant of Padua, that he had discovered the great secret, and that these vessels contained liquor, one to transmute metals to gold, and other to silver. The peasants who found the urns, imagining this precious liquor to be common water, spilt every drop, so that the art of transmuting metals remains as much a secret as ever.]

While at Padua, he had met with an adept versed in Arabian lore, who talked of the invaluable manuscripts that must remain in the Spanish libraries, preserved from the spoils of the Moorish academies and universities; of the probability of meeting with precious unpublished writings of Geber, and Alfarabius, and Avicenna, the great physicians of the Arabian schools, who, it was well known, had treated much of alchymy; but, above all, he spoke of the Arabian tablets of lead, which had recently been dug up in the neighbourhood of Granada, and which, it was confidently believed among adepts, contained the lost secrets of the art.