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Let some poor maiden love them and believe them,
Then die for them – they smile. Aye! these young birds,
With gay and glittering wing and amorous song,
Can shed their love as lightly as their plumage.
The old, whose voice and colors age has dimmed,
Flatter no more, and, though less fair, are faithful.
When we love, we love true. Are our steps frail?
Our eyes dried up and withered? Are our brows
Wrinkled? There are no wrinkles in the heart.
Ah! when the graybeard loves, he should be spared;
The heart is young —that bleeds unto the last.
I love thee as a spouse, – and in a thousand
Other fashions, – as sire, – as we love
The morn, the flowers, the overhanging heavens.
Ah me! when day by day I gaze upon thee,
Thy graceful step, thy purely-polished brow,
Thine eyes' calm fire, – I feel my heart leap up,
And an eternal sunshine bathe my soul.
And think, too! Even the world admires,
When age, expiring, for a moment totters
Upon the marble margin of a tomb,
To see a wife – a pure and dove-like angel —
Watch over him, soothe him, and endure awhile
The useless old man, only fit to die;
A sacred task, and worthy of all honor,
This latest effort of a faithful heart;
Which, in his parting hour, consoles the dying,
And, without loving, wears the look of love.
Ah! thou wilt be to me this sheltering angel,
To cheer the old man's heart – to share with him
The burden of his evil years; – a daughter
In thy respect, a sister in thy pity.
DONNA SOL. My fate may be more to precede than follow.
My lord, it is no reason for long life
That we are young! Alas! I have seen too oft
The old clamped firm to life, the young torn thence;
And the lids close as sudden o'er their eyes
As gravestones sealing up the sepulchre.
G. MOIR.
THE ROLL OF THE DE SILVA RACE
("Celui-ci, des Silvas, c'est l'aîné.")
{HERNANI, Act III.}
In that reverend face
Behold the father of De Silva's race,
Silvius; in Rome he filled the consul's place
Three times (your patience for such honored names).
This second was Grand Master of St. James
And Calatrava; his strong limbs sustained
Armor which ours would sink beneath. He gained
Thirty pitched battles, and took, as legends tell,
Three hundred standards from the Infidel;
And from the Moorish King Motril, in war,
Won Antiquera, Suez, and Nijar;
And then died poor. Next to him Juan stands,
His son; his plighted hand was worth the hands
Of kings. Next Gaspar, of Mendoza's line —
Few noble stems but chose to join with mine:
Sandoval sometimes fears, and sometimes woos
Our smiles; Manriquez envies; Lara sues;
And Alancastre hates. Our rank we know:
Kings are but just above us, dukes below.
Vasquez, who kept for sixty years his vow —
Greater than he I pass. This reverend brow,
This was my sire's – the greatest, though the last:
The Moors his friend had taken and made fast —
Alvar Giron. What did my father then?
He cut in stone an image of Alvar,
Cunningly carved, and dragged it to the war;
He vowed a vow to yield no inch of ground
Until that image of itself turned round;
He reached Alvar – he saved him – and his line
Was old De Silva's, and his name was mine —
Ruy Gomez.
King CARLOS. Drag me from his lurking-place
The traitor!
{DON RUY leads the KING to the portrait behind which HERNANI is hiding.}
Sire, your highness does me grace.
This, the last portrait, bears my form and name,
And you would write this motto on the frame!
"This last, sprung from the noblest and the best,
Betrayed his plighted troth, and sold his guest!"
LORD F. LEVESON GOWER (1ST EARL OF ELLESMERE)
THE LOVERS' COLLOQUY
("Mon duc, rien qu'un moment.")
{HERNANI, Act V.}
One little moment to indulge the sight
Then die for them – they smile. Aye! these young birds,
With gay and glittering wing and amorous song,
Can shed their love as lightly as their plumage.
The old, whose voice and colors age has dimmed,
Flatter no more, and, though less fair, are faithful.
When we love, we love true. Are our steps frail?
Our eyes dried up and withered? Are our brows
Wrinkled? There are no wrinkles in the heart.
Ah! when the graybeard loves, he should be spared;
The heart is young —that bleeds unto the last.
I love thee as a spouse, – and in a thousand
Other fashions, – as sire, – as we love
The morn, the flowers, the overhanging heavens.
Ah me! when day by day I gaze upon thee,
Thy graceful step, thy purely-polished brow,
Thine eyes' calm fire, – I feel my heart leap up,
And an eternal sunshine bathe my soul.
And think, too! Even the world admires,
When age, expiring, for a moment totters
Upon the marble margin of a tomb,
To see a wife – a pure and dove-like angel —
Watch over him, soothe him, and endure awhile
The useless old man, only fit to die;
A sacred task, and worthy of all honor,
This latest effort of a faithful heart;
Which, in his parting hour, consoles the dying,
And, without loving, wears the look of love.
Ah! thou wilt be to me this sheltering angel,
To cheer the old man's heart – to share with him
The burden of his evil years; – a daughter
In thy respect, a sister in thy pity.
DONNA SOL. My fate may be more to precede than follow.
My lord, it is no reason for long life
That we are young! Alas! I have seen too oft
The old clamped firm to life, the young torn thence;
And the lids close as sudden o'er their eyes
As gravestones sealing up the sepulchre.
G. MOIR.
THE ROLL OF THE DE SILVA RACE
("Celui-ci, des Silvas, c'est l'aîné.")
{HERNANI, Act III.}
In that reverend face
Behold the father of De Silva's race,
Silvius; in Rome he filled the consul's place
Three times (your patience for such honored names).
This second was Grand Master of St. James
And Calatrava; his strong limbs sustained
Armor which ours would sink beneath. He gained
Thirty pitched battles, and took, as legends tell,
Three hundred standards from the Infidel;
And from the Moorish King Motril, in war,
Won Antiquera, Suez, and Nijar;
And then died poor. Next to him Juan stands,
His son; his plighted hand was worth the hands
Of kings. Next Gaspar, of Mendoza's line —
Few noble stems but chose to join with mine:
Sandoval sometimes fears, and sometimes woos
Our smiles; Manriquez envies; Lara sues;
And Alancastre hates. Our rank we know:
Kings are but just above us, dukes below.
Vasquez, who kept for sixty years his vow —
Greater than he I pass. This reverend brow,
This was my sire's – the greatest, though the last:
The Moors his friend had taken and made fast —
Alvar Giron. What did my father then?
He cut in stone an image of Alvar,
Cunningly carved, and dragged it to the war;
He vowed a vow to yield no inch of ground
Until that image of itself turned round;
He reached Alvar – he saved him – and his line
Was old De Silva's, and his name was mine —
Ruy Gomez.
King CARLOS. Drag me from his lurking-place
The traitor!
{DON RUY leads the KING to the portrait behind which HERNANI is hiding.}
Sire, your highness does me grace.
This, the last portrait, bears my form and name,
And you would write this motto on the frame!
"This last, sprung from the noblest and the best,
Betrayed his plighted troth, and sold his guest!"
LORD F. LEVESON GOWER (1ST EARL OF ELLESMERE)
THE LOVERS' COLLOQUY
("Mon duc, rien qu'un moment.")
{HERNANI, Act V.}
One little moment to indulge the sight
Другие электронные книги автора Виктор Мари Гюго
Другие аудиокниги автора Виктор Мари Гюго
Последний отзыв
Отличные тесты, использую р работе как тренер спортивной школы.