Notre-Dame De Paris

Around a great fire which burned on a large, circular flagstone, the flames of which had heated red-hot the legs of a tripod, which was empty for the moment, some wormeaten tables were placed, here and there, haphazard, no lackey of a geometrical turn having deigned to adjust their parallelism, or to see to it that they did not make too unusual angles. Upon these tables gleamed several dripping pots of wine and beer, and round these pots were grouped many bacchic visages, purple with the fire and the wine. There was a man with a huge belly and a jovial face, noisily kissing a woman of the town, thickset and brawny. There was a sort of sham soldier, a “naquois,” as the slang expression runs, who was whistling as he undid the bandages from his fictitious wound, and removing the numbness from his sound and vigorous knee, which had been swathed since morning in a thousand ligatures. On the other hand, there was a wretched fellow, preparing with celandine and beef’s blood, his “leg of God,” for the next day. Two tables further on, a palmer, with his pilgrim’s costume complete, was practising the lament of the Holy Queen, not forgetting the drone and the nasal drawl. Further on, a young scamp was taking a lesson in epilepsy from an old pretender, who was instructing him in the art of foaming at the mouth, by chewing a morsel of soap. Beside him, a man with the dropsy was getting rid of his swelling, and making four or five female thieves, who were disputing at the same table, over a child who had been stolen that evening, hold their noses. All circumstances which, two centuries later, “seemed so ridiculous to the court,” as Sauval says, “that they served as a pastime to the king, and as an introduction to the royal ballet of Night, divided into four parts and danced on the theatre of the Petit-Bourbon.” “Never,” adds an eye witness of 1653, “have the sudden metamorphoses of the Court of Miracles been more happily presented. Benserade prepared us for it by some very gallant verses.”

Loud laughter everywhere, and obscene songs. Each one held his own course, carping and swearing, without listening to his neighbor. Pots clinked, and quarrels sprang up at the shock of the pots, and the broken pots made rents in the rags.

A big dog, seated on his tail, gazed at the fire. Some children were mingled in this orgy. The stolen child wept and cried. Another, a big boy four years of age, seated with legs dangling, upon a bench that was too high for him, before a table that reached to his chin, and uttering not a word. A third, gravely spreading out upon the table with his finger, the melted tallow which dripped from a candle. Last of all, a little fellow crouching in the mud, almost lost in a cauldron, which he was scraping with a tile, and from which he was evoking a sound that would have made Stradivarius swoon.

Near the fire was a hogshead, and on the hogshead a beggar. This was the king on his throne.

The three who had Gringoire in their clutches led him in front of this hogshead, and the entire bacchanal rout fell silent for a moment, with the exception of the cauldron inhabited by the child.

Gringoire dared neither breathe nor raise his eyes.

“Hombre, quita tu sombrero!” said one of the three knaves, in whose grasp he was, and, before he had comprehended the meaning, the other had snatched his hat – a wretched headgear, it is true, but still good on a sunny day or when there was but little rain. Gringoire sighed.

Meanwhile the king addressed him, from the summit of his cask, —

“Who is this rogue?”

Gringoire shuddered. That voice, although accentuated by menace, recalled to him another voice, which, that very morning, had dealt the deathblow to his mystery, by drawling, nasally, in the midst of the audience, “Charity, please!” He raised his head. It was indeed Clopin Trouillefou.

Clopin Trouillefou, arrayed in his royal insignia, wore neither one rag more nor one rag less. The sore upon his arm had already disappeared. He held in his hand one of those whips made of thongs of white leather, which police sergeants then used to repress the crowd, and which were called boullayes. On his head he wore a sort of headgear, bound round and closed at the top. But it was difficult to make out whether it was a child’s cap or a king’s crown, the two things bore so strong a resemblance to each other.

Meanwhile Gringoire, without knowing why, had regained some hope, on recognizing in the King of the Cour des Miracles his accursed mendicant of the Grand Hall.

“Master,” stammered he; “monseigneur – sire – how ought I to address you?” he said at length, having reached the culminating point of his crescendo, and knowing neither how to mount higher, nor to descend again.

“Monseigneur, his majesty, or comrade, call me what you please. But make haste. What have you to say in your own defence?”

“In your own defence?” thought Gringoire, “that displeases me.” He resumed, stuttering, “I am he, who this morning – ”

“By the devil’s claws!” interrupted Clopin, “your name, knave, and nothing more. Listen. You are in the presence of three powerful sovereigns: myself, Clopin Trouillefou, King of Thunes, successor to the Grand Coësre, supreme suzerain of the Realm of Argot; Mathias Hunyadi Spicali, Duke of Egypt and of Bohemia, the old yellow fellow whom you see yonder, with a dish clout round his head; Guillaume Rousseau, Emperor of Galilee, that fat fellow who is not listening to us but caressing a wench. We are your judges. You have entered the Kingdom of Argot, without being an argotier; you have violated the privileges of our city. You must be punished unless you are a capon, a franc-mitou or a rifodé; that is to say, in the slang of honest folks, – a thief, a beggar, or a vagabond. Are you anything of that sort? Justify yourself; announce your titles.”

“Alas!” said Gringoire, “I have not that honor. I am the author – ”

“That is sufficient,” resumed Trouillefou, without permitting him to finish. “You are going to be hanged. ‘Tis a very simple matter, gentlemen and honest bourgeois! as you treat our people in your abode, so we treat you in ours! The law which you apply to vagabonds, vagabonds apply to you. ‘Tis your fault if it is harsh. One really must behold the grimace of an honest man above the hempen collar now and then; that renders the thing honorable. Come, friend, divide your rags gayly among these damsels. I am going to have you hanged to amuse the vagabonds, and you are to give them your purse to drink your health. If you have any mummery to go through with, there’s a very good God the Father in that mortar yonder, in stone, which we stole from Saint-Pierre aux Boeufs. You have four minutes in which to fling your soul at his head.”

The harangue was formidable.

“Well said, upon my soul! Clopin Trouillefou preaches like the Holy Father the Pope!” exclaimed the Emperor of Galilee, smashing his pot in order to prop up his table.

“Messeigneurs, emperors, and kings,” said Gringoire coolly (for I know not how, firmness had returned to him, and he spoke with resolution), “don’t think of such a thing; my name is Pierre Gringoire. I am the poet whose morality was presented this morning in the grand hall of the Courts.”

“Ah! so it was you, master!” said Clopin. “I was there, xête Dieu! Well! comrade, is that any reason, because you bored us to death this morning, that you should not be hung this evening?”

“I shall find difficulty in getting out of it,” said Gringoire to himself. Nevertheless, he made one more effort: “I don’t see why poets are not classed with vagabonds,” said he. “Vagabond, Aesopus certainly was; Homerus was a beggar; Mercurius was a thief – ”

Clopin interrupted him: “I believe that you are trying to blarney us with your jargon. Zounds! let yourself be hung, and don’t kick up such a row over it!”

“Pardon me, monseigneur, the King of Thunes,” replied Gringoire, disputing the ground foot by foot. “It is worth trouble – One moment! – Listen to me – You are not going to condemn me without having heard me” —

His unlucky voice was, in fact, drowned in the uproar which rose around him. The little boy scraped away at his cauldron with more spirit than ever; and, to crown all, an old woman had just placed on the tripod a frying-pan of grease, which hissed away on the fire with a noise similar to the cry of a troop of children in pursuit of a masker.

In the meantime, Clopin Trouillefou appeared to hold a momentary conference with the Duke of Egypt, and the Emperor of Galilee, who was completely drunk. Then he shouted shrilly: “Silence!” and, as the cauldron and the frying-pan did not heed him, and continued their duet, he jumped down from his hogshead, gave a kick to the boiler, which rolled ten paces away bearing the child with it, a kick to the frying-pan, which upset in the fire with all its grease, and gravely remounted his throne, without troubling himself about the stifled tears of the child, or the grumbling of the old woman, whose supper was wasting away in a fine white flame.

Trouillefou made a sign, and the duke, the emperor, and the passed masters of pickpockets, and the isolated robbers, came and ranged themselves around him in a horseshoe, of which Gringoire, still roughly held by the body, formed the centre. It was a semicircle of rags, tatters, tinsel, pitchforks, axes, legs staggering with intoxication, huge, bare arms, faces sordid, dull, and stupid. In the midst of this Round Table of beggary, Clopin Trouillefou, – as the doge of this senate, as the king of this peerage, as the pope of this conclave, – dominated; first by virtue of the height of his hogshead, and next by virtue of an indescribable, haughty, fierce, and formidable air, which caused his eyes to flash, and corrected in his savage profile the bestial type of the race of vagabonds. One would have pronounced him a boar amid a herd of swine.

“Listen,” said he to Gringoire, fondling his misshapen chin with his horny hand; “I don’t see why you should not be hung. It is true that it appears to be repugnant to you; and it is very natural, for you bourgeois are not accustomed to it. You form for yourselves a great idea of the thing. After all, we don’t wish you any harm. Here is a means of extricating yourself from your predicament for the moment. Will you become one of us?”

The reader can judge of the effect which this proposition produced upon Gringoire, who beheld life slipping away from him, and who was beginning to lose his hold upon it. He clutched at it again with energy.

“Certainly I will, and right heartily,” said he.

“Do you consent,” resumed Clopin, “to enroll yourself among the people of the knife?”

“Of the knife, precisely,” responded Gringoire.

“You recognize yourself as a member of the free bourgeoisie?”[12 - A high-toned sharper.] added the King of Thunes.

“Of the free bourgeoisie.”

“Subject of the Kingdom of Argot?”

“Of the Kingdom of Argot[13 - Thieves.].”

“A vagabond?”

“A vagabond.”

“In your soul?”

“In my soul.”

“I must call your attention to the fact,” continued the king, “that you will be hung all the same.”

“The devil!” said the poet.

“Only,” continued Clopin imperturbably, “you will be hung later on, with more ceremony, at the expense of the good city of Paris, on a handsome stone gibbet, and by honest men. That is a consolation.”

“Just so,” responded Gringoire.

“There are other advantages. In your quality of a high-toned sharper, you will not have to pay the taxes on mud, or the poor, or lanterns, to which the bourgeois of Paris are subject.”

“So be it,” said the poet. “I agree. I am a vagabond, a thief, a sharper, a man of the knife, anything you please; and I am all that already, monsieur, King of Thunes, for I am a philosopher; et omnia in philosophia, omnes in philosopho continentur, – all things are contained in philosophy, all men in the philosopher, as you know.”

The King of Thunes scowled.

“What do you take me for, my friend? What Hungarian Jew patter are you jabbering at us? I don’t know Hebrew. One isn’t a Jew because one is a bandit. I don’t even steal any longer. I’m above that; I kill. Cut-throat, yes; cutpurse, no.”

Gringoire tried to slip in some excuse between these curt words, which wrath rendered more and more jerky.