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Which of old thy delicate feet have crossed.
Author of "Critical Essays."
SWEET MEMORY OF LOVE
("Toutes les passions s'éloignent avec l'âge.")
{XXXIV. ii., October, 183-.}
As life wanes on, the passions slow depart,
One with his grinning mask, one with his steel;
Like to a strolling troupe of Thespian art,
Whose pace decreases, winding past the hill.
But naught can Love's all charming power efface,
That light, our misty tracks suspended o'er,
In joy thou'rt ours, more dear thy tearful grace,
The young may curse thee, but the old adore.
But when the weight of years bow down the head,
And man feels all his energies decline,
His projects gone, himself tomb'd with the dead,
Where virtues lie, nor more illusions shine,
When all our lofty thoughts dispersed and o'er,
We count within our hearts so near congealed,
Each grief that's past, each dream, exhausted ore!
As counting dead upon the battle-field.
As one who walks by the lamp's flickering blaze,
Far from the hum of men, the joys of earth —
Our mind arrives at last by tortuous ways,
At that drear gulf where but despair has birth.
E'en there, amid the darkness of that night,
When all seems closing round in empty air,
Is seen through thickening gloom one trembling light!
'Tis Love's sweet memory that lingers there!
Author of "Critical Essays."
THE MARBLE FAUN
("Il semblait grelotter.")
{XXXVI., December, 1837.}
He seemed to shiver, for the wind was keen.
'Twas a poor statue underneath a mass
Of leafless branches, with a blackened back
And a green foot – an isolated Faun
In old deserted park, who, bending forward,
Half-merged himself in the entangled boughs,
Half in his marble settings. He was there,
Pensive, and bound to earth; and, as all things
Devoid of movement, he was there – forgotten.
Trees were around him, whipped by icy blasts —
Gigantic chestnuts, without leaf or bird,
And, like himself, grown old in that same place.
Through the dark network of their undergrowth,
Pallid his aspect; and the earth was brown.
Starless and moonless, a rough winter's night
Was letting down her lappets o'er the mist.
This – nothing more: old Faun, dull sky, dark wood.
Poor, helpless marble, how I've pitied it!
Less often man – the harder of the two.
So, then, without a word that might offend
His ear deformed – for well the marble hears
The voice of thought – I said to him: "You hail
From the gay amorous age. O Faun, what saw you
When you were happy? Were you of the Court?
"Speak to me, comely Faun, as you would speak
To tree, or zephyr, or untrodden grass.
Have you, O Greek, O mocker of old days,
Have you not sometimes with that oblique eye
Winked at the Farnese Hercules? – Alone,
Have you, O Faun, considerately turned
From side to side when counsel-seekers came,
And now advised as shepherd, now as satyr? —
Have you sometimes, upon this very bench,
Seen, at mid-day, Vincent de Paul instilling
Grace into Gondi? – Have you ever thrown
That searching glance on Louis with Fontange,
On Anne with Buckingham; and did they not
Start, with flushed cheeks, to hear your laugh ring forth
From corner of the wood? – Was your advice
As to the thyrsis or the ivy asked,
When, in grand ballet of fantastic form,
God Phoebus, or God Pan, and all his court,
Turned the fair head of the proud Montespan,
Calling her Amaryllis? – La Fontaine,
Flying the courtiers' ears of stone, came he,
Tears on his eyelids, to reveal to you
The sorrows of his nymphs of Vaux? – What said
Boileau to you – to you – O lettered Faun,
Who once with Virgil, in the Eclogue, held
That charming dialogue? – Say, have you seen
Young beauties sporting on the sward? – Have you
Author of "Critical Essays."
SWEET MEMORY OF LOVE
("Toutes les passions s'éloignent avec l'âge.")
{XXXIV. ii., October, 183-.}
As life wanes on, the passions slow depart,
One with his grinning mask, one with his steel;
Like to a strolling troupe of Thespian art,
Whose pace decreases, winding past the hill.
But naught can Love's all charming power efface,
That light, our misty tracks suspended o'er,
In joy thou'rt ours, more dear thy tearful grace,
The young may curse thee, but the old adore.
But when the weight of years bow down the head,
And man feels all his energies decline,
His projects gone, himself tomb'd with the dead,
Where virtues lie, nor more illusions shine,
When all our lofty thoughts dispersed and o'er,
We count within our hearts so near congealed,
Each grief that's past, each dream, exhausted ore!
As counting dead upon the battle-field.
As one who walks by the lamp's flickering blaze,
Far from the hum of men, the joys of earth —
Our mind arrives at last by tortuous ways,
At that drear gulf where but despair has birth.
E'en there, amid the darkness of that night,
When all seems closing round in empty air,
Is seen through thickening gloom one trembling light!
'Tis Love's sweet memory that lingers there!
Author of "Critical Essays."
THE MARBLE FAUN
("Il semblait grelotter.")
{XXXVI., December, 1837.}
He seemed to shiver, for the wind was keen.
'Twas a poor statue underneath a mass
Of leafless branches, with a blackened back
And a green foot – an isolated Faun
In old deserted park, who, bending forward,
Half-merged himself in the entangled boughs,
Half in his marble settings. He was there,
Pensive, and bound to earth; and, as all things
Devoid of movement, he was there – forgotten.
Trees were around him, whipped by icy blasts —
Gigantic chestnuts, without leaf or bird,
And, like himself, grown old in that same place.
Through the dark network of their undergrowth,
Pallid his aspect; and the earth was brown.
Starless and moonless, a rough winter's night
Was letting down her lappets o'er the mist.
This – nothing more: old Faun, dull sky, dark wood.
Poor, helpless marble, how I've pitied it!
Less often man – the harder of the two.
So, then, without a word that might offend
His ear deformed – for well the marble hears
The voice of thought – I said to him: "You hail
From the gay amorous age. O Faun, what saw you
When you were happy? Were you of the Court?
"Speak to me, comely Faun, as you would speak
To tree, or zephyr, or untrodden grass.
Have you, O Greek, O mocker of old days,
Have you not sometimes with that oblique eye
Winked at the Farnese Hercules? – Alone,
Have you, O Faun, considerately turned
From side to side when counsel-seekers came,
And now advised as shepherd, now as satyr? —
Have you sometimes, upon this very bench,
Seen, at mid-day, Vincent de Paul instilling
Grace into Gondi? – Have you ever thrown
That searching glance on Louis with Fontange,
On Anne with Buckingham; and did they not
Start, with flushed cheeks, to hear your laugh ring forth
From corner of the wood? – Was your advice
As to the thyrsis or the ivy asked,
When, in grand ballet of fantastic form,
God Phoebus, or God Pan, and all his court,
Turned the fair head of the proud Montespan,
Calling her Amaryllis? – La Fontaine,
Flying the courtiers' ears of stone, came he,
Tears on his eyelids, to reveal to you
The sorrows of his nymphs of Vaux? – What said
Boileau to you – to you – O lettered Faun,
Who once with Virgil, in the Eclogue, held
That charming dialogue? – Say, have you seen
Young beauties sporting on the sward? – Have you
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Последний отзыв
Классная книга. Очень многое объясняет, что скрытое реально происходит в человеке