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Poems
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Or mountain where we see the hunters flock.
Gold fountain-cup, with handles Florentine,
Shows Acteons horned, though armed and booted fine,
Who fight with sword in hand against the hounds.
Roses and gladioles make up bright mounds
Of flowers, with juniper and aniseed;
While sage, all newly cut for this great need,
Covers the Persian carpet that is spread
Beneath the table, and so helps to shed
Around a perfume of the balmy spring.
Beyond is desolation withering.
One hears within the hollow dreary space
Across the grove, made fresh by summer's grace,
The wind that ever is with mystic might
A spirit ripple of the Infinite.
The glass restored to frames to creak is made
By blustering wind that comes from neighboring glade.
Strange in this dream-like place, so drear and lone,
The guest expected should be living one!
The seven lights from seven arms make glow
Almost with life the staring eyes that show
On the dim frescoes – and along the walls
Is here and there a stool, or the light falls
O'er some long chest, with likeness to a tomb.
Yet was displayed amid the mournful gloom
Some copper vessels, and some crockery ware.
The door – as if it must, yet scarcely dare —
Had opened widely to the night's fresh air.
No voice is heard, for man has fled the place;
But Terror crouches in the corners' space,
And waits the coming guest. This banquet hall
Of Titans is so high, that he who shall
With wandering eye look up from beam to beam
Of the confused wild roof will haply seem
To wonder that the stars he sees not there.
Giants the spiders are, that weave with care
Their hideous webs, which float the joists amid,
Joists whose dark ends in griffins' jaws are hid.
The light is lurid, and the air like death,
And dark and foul. Even Night holds its breath
Awhile. One might suppose the door had fear
To move its double leaves – their noise to hear.
VIII
WHAT MORE WAS TO BE SEEN
But the great hall of generations dead
Has something more sepulchral and more dread
Than lurid glare from seven-branched chandelier
Or table lone with stately daïs near —
Two rows of arches o'er a colonnade
With knights on horseback all in mail arrayed,
Each one disposed with pillar at his back
And to another vis-à-vis. Nor lack
The fittings all complete; in each right hand
A lance is seen; the armored horses stand
With chamfrons laced, and harness buckled sure;
The cuissarts' studs are by their clamps secure;
The dirks stand out upon the saddle-bow;
Even unto the horses' feet do flow
Caparisons, – the leather all well clasped,
The gorget and the spurs with bronze tongues hasped,
The shining long sword from the saddle hung,
The battle-axe across the back was flung.
Under the arm a trusty dagger rests,
Each spiked knee-piece its murderous power attests.
Feet press the stirrups – hands on bridle shown
Proclaim all ready, with the visors down,
And yet they stir not, nor is audible
A sound to make the sight less terrible.
Each monstrous horse a frontal horn doth bear,
If e'er the Prince of Darkness herdsman were,
These cattle black were his by surest right,
Like things but seen in horrid dreams of night.
The steeds are swathed in trappings manifold,
The armed knights are grave, and stern, and cold,
Terrific too; the clench'd fists seem to hold
Some frightful missive, which the phantom hands
Would show, if opened out at hell's commands.
The dusk exaggerates their giant size,
The shade is awed – the pillars coldly rise.
Oh, Night! why are these awful warriors here?
Horses and horsemen that make gazers fear
Are only empty armor. But erect
And haughty mien they all affect
And threatening air – though shades of iron still.
Are they strange larvae – these their statues ill?
No. They are dreams of horror clothed in brass,
Which from profoundest depths of evil pass
With futile aim to dare the Infinite!
Souls tremble at the silent spectre sight,
As if in this mysterious cavalcade
They saw the weird and mystic halt was made
Of them who at the coming dawn of day
Would fade, and from their vision pass away.
A stranger looking in, these masks to see,
Gold fountain-cup, with handles Florentine,
Shows Acteons horned, though armed and booted fine,
Who fight with sword in hand against the hounds.
Roses and gladioles make up bright mounds
Of flowers, with juniper and aniseed;
While sage, all newly cut for this great need,
Covers the Persian carpet that is spread
Beneath the table, and so helps to shed
Around a perfume of the balmy spring.
Beyond is desolation withering.
One hears within the hollow dreary space
Across the grove, made fresh by summer's grace,
The wind that ever is with mystic might
A spirit ripple of the Infinite.
The glass restored to frames to creak is made
By blustering wind that comes from neighboring glade.
Strange in this dream-like place, so drear and lone,
The guest expected should be living one!
The seven lights from seven arms make glow
Almost with life the staring eyes that show
On the dim frescoes – and along the walls
Is here and there a stool, or the light falls
O'er some long chest, with likeness to a tomb.
Yet was displayed amid the mournful gloom
Some copper vessels, and some crockery ware.
The door – as if it must, yet scarcely dare —
Had opened widely to the night's fresh air.
No voice is heard, for man has fled the place;
But Terror crouches in the corners' space,
And waits the coming guest. This banquet hall
Of Titans is so high, that he who shall
With wandering eye look up from beam to beam
Of the confused wild roof will haply seem
To wonder that the stars he sees not there.
Giants the spiders are, that weave with care
Their hideous webs, which float the joists amid,
Joists whose dark ends in griffins' jaws are hid.
The light is lurid, and the air like death,
And dark and foul. Even Night holds its breath
Awhile. One might suppose the door had fear
To move its double leaves – their noise to hear.
VIII
WHAT MORE WAS TO BE SEEN
But the great hall of generations dead
Has something more sepulchral and more dread
Than lurid glare from seven-branched chandelier
Or table lone with stately daïs near —
Two rows of arches o'er a colonnade
With knights on horseback all in mail arrayed,
Each one disposed with pillar at his back
And to another vis-à-vis. Nor lack
The fittings all complete; in each right hand
A lance is seen; the armored horses stand
With chamfrons laced, and harness buckled sure;
The cuissarts' studs are by their clamps secure;
The dirks stand out upon the saddle-bow;
Even unto the horses' feet do flow
Caparisons, – the leather all well clasped,
The gorget and the spurs with bronze tongues hasped,
The shining long sword from the saddle hung,
The battle-axe across the back was flung.
Under the arm a trusty dagger rests,
Each spiked knee-piece its murderous power attests.
Feet press the stirrups – hands on bridle shown
Proclaim all ready, with the visors down,
And yet they stir not, nor is audible
A sound to make the sight less terrible.
Each monstrous horse a frontal horn doth bear,
If e'er the Prince of Darkness herdsman were,
These cattle black were his by surest right,
Like things but seen in horrid dreams of night.
The steeds are swathed in trappings manifold,
The armed knights are grave, and stern, and cold,
Terrific too; the clench'd fists seem to hold
Some frightful missive, which the phantom hands
Would show, if opened out at hell's commands.
The dusk exaggerates their giant size,
The shade is awed – the pillars coldly rise.
Oh, Night! why are these awful warriors here?
Horses and horsemen that make gazers fear
Are only empty armor. But erect
And haughty mien they all affect
And threatening air – though shades of iron still.
Are they strange larvae – these their statues ill?
No. They are dreams of horror clothed in brass,
Which from profoundest depths of evil pass
With futile aim to dare the Infinite!
Souls tremble at the silent spectre sight,
As if in this mysterious cavalcade
They saw the weird and mystic halt was made
Of them who at the coming dawn of day
Would fade, and from their vision pass away.
A stranger looking in, these masks to see,
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Последний отзыв
Классная книга. Очень многое объясняет, что скрытое реально происходит в человеке