The Voyage Out

"There's certain to be a revolution, I'm told," Helen urged.

The effect of these subterfuges was a little dashed by Ridley, who, after regarding Pepper for some moments, sighed aloud, "Poor fellow!" and inwardly speculated upon the unkindness of women.

He stayed, however, in apparent contentment for six days, playing with a microscope and a notebook in one of the many sparsely furnished sitting-rooms, but on the evening of the seventh day, as they sat at dinner, he appeared more restless than usual. The dinner-table was set between two long windows which were left uncurtained by Helen's orders. Darkness fell as sharply as a knife in this climate, and the town then sprang out in circles and lines of bright dots beneath them. Buildings which never showed by day showed by night, and the sea flowed right over the land judging by the moving lights of the steamers. The sight fulfilled the same purpose as an orchestra in a London restaurant, and silence had its setting. William Pepper observed it for some time; he put on his spectacles to contemplate the scene.

"I've identified the big block to the left," he observed, and pointed with his fork at a square formed by several rows of lights.

"One should infer that they can cook vegetables," he added.

"An hotel?" said Helen.

"Once a monastery," said Mr. Pepper.

Nothing more was said then, but, the day after, Mr. Pepper returned from a midday walk, and stood silently before Helen who was reading in the verandah.

"I've taken a room over there," he said.

"You're not going?" she exclaimed.

"On the whole – yes," he remarked. "No private cook can cook vegetables."

Knowing his dislike of questions, which she to some extent shared, Helen asked no more. Still, an uneasy suspicion lurked in her mind that William was hiding a wound. She flushed to think that her words, or her husband's, or Rachel's had penetrated and stung. She was half-moved to cry, "Stop, William; explain!" and would have returned to the subject at luncheon if William had not shown himself inscrutable and chill, lifting fragments of salad on the point of his fork, with the gesture of a man pronging seaweed, detecting gravel, suspecting germs.

"If you all die of typhoid I won't be responsible!" he snapped.

"If you die of dulness, neither will I," Helen echoed in her heart.

She reflected that she had never yet asked him whether he had been in love. They had got further and further from that subject instead of drawing nearer to it, and she could not help feeling it a relief when William Pepper, with all his knowledge, his microscope, his note-books, his genuine kindliness and good sense, but a certain dryness of soul, took his departure. Also she could not help feeling it sad that friendships should end thus, although in this case to have the room empty was something of a comfort, and she tried to console herself with the reflection that one never knows how far other people feel the things they might be supposed to feel.

Chapter VIII

The next few months passed away, as many years can pass away, without definite events, and yet, if suddenly disturbed, it would be seen that such months or years had a character unlike others. The three months which had passed had brought them to the beginning of March. The climate had kept its promise, and the change of season from winter to spring had made very little difference, so that Helen, who was sitting in the drawing-room with a pen in her hand, could keep the windows open though a great fire of logs burnt on one side of her. Below, the sea was still blue and the roofs still brown and white, though the day was fading rapidly. It was dusk in the room, which, large and empty at all times, now appeared larger and emptier than usual. Her own figure, as she sat writing with a pad on her knee, shared the general effect of size and lack of detail, for the flames which ran along the branches, suddenly devouring little green tufts, burnt intermittently and sent irregular illuminations across her face and the plaster walls. There were no pictures on the walls but here and there boughs laden with heavy-petalled flowers spread widely against them. Of the books fallen on the bare floor and heaped upon the large table, it was only possible in this light to trace the outline.

Mrs. Ambrose was writing a very long letter. Beginning "Dear Bernard," it went on to describe what had been happening in the Villa San Gervasio during the past three months, as, for instance, that they had had the British Consul to dinner, and had been taken over a Spanish man-of-war, and had seen a great many processions and religious festivals, which were so beautiful that Mrs. Ambrose couldn't conceive why, if people must have a religion, they didn't all become Roman Catholics. They had made several expeditions though none of any length. It was worth coming if only for the sake of the flowering trees which grew wild quite near the house, and the amazing colours of sea and earth. The earth, instead of being brown, was red, purple, green. "You won't believe me," she added, "there is no colour like it in England." She adopted, indeed, a condescending tone towards that poor island, which was now advancing chilly crocuses and nipped violets in nooks, in copses, in cosy corners, tended by rosy old gardeners in mufflers, who were always touching their hats and bobbing obsequiously. She went on to deride the islanders themselves. Rumours of London all in a ferment over a General Election had reached them even out here. "It seems incredible," she went on, "that people should care whether Asquith is in or Austen Chamberlin out, and while you scream yourselves hoarse about politics you let the only people who are trying for something good starve or simply laugh at them. When have you ever encouraged a living artist? Or bought his best work? Why are you all so ugly and so servile? Here the servants are human beings. They talk to one as if they were equals. As far as I can tell there are no aristocrats."

Perhaps it was the mention of aristocrats that reminded her of Richard Dalloway and Rachel, for she ran on with the same penful to describe her niece.

"It's an odd fate that has put me in charge of a girl," she wrote, "considering that I have never got on well with women, or had much to do with them. However, I must retract some of the things that I have said against them. If they were properly educated I don't see why they shouldn't be much the same as men – as satisfactory I mean; though, of course, very different. The question is, how should one educate them. The present method seems to me abominable. This girl, though twenty-four, had never heard that men desired women, and, until I explained it, did not know how children were born. Her ignorance upon other matters as important" (here Mrs. Ambrose's letter may not be quoted).. "was complete. It seems to me not merely foolish but criminal to bring people up like that. Let alone the suffering to them, it explains why women are what they are – the wonder is they're no worse. I have taken it upon myself to enlighten her, and now, though still a good deal prejudiced and liable to exaggerate, she is more or less a reasonable human being. Keeping them ignorant, of course, defeats its own object, and when they begin to understand they take it all much too seriously. My brother-in-law really deserved a catastrophe – which he won't get. I now pray for a young man to come to my help; some one, I mean, who would talk to her openly, and prove how absurd most of her ideas about life are. Unluckily such men seem almost as rare as the women. The English colony certainly doesn't provide one; artists, merchants, cultivated people – they are stupid, conventional, and flirtatious.." She ceased, and with her pen in her hand sat looking into the fire, making the logs into caves and mountains, for it had grown too dark to go on writing. Moreover, the house began to stir as the hour of dinner approached; she could hear the plates being chinked in the dining-room next door, and Chailey instructing the Spanish girl where to put things down in vigorous English. The bell rang; she rose, met Ridley and Rachel outside, and they all went in to dinner.

Three months had made but little difference in the appearance either of Ridley or Rachel; yet a keen observer might have thought that the girl was more definite and self-confident in her manner than before. Her skin was brown, her eyes certainly brighter, and she attended to what was said as though she might be going to contradict it. The meal began with the comfortable silence of people who are quite at their ease together. Then Ridley, leaning on his elbow and looking out of the window, observed that it was a lovely night.

"Yes," said Helen. She added, "The season's begun," looking at the lights beneath them. She asked Maria in Spanish whether the hotel was not filling up with visitors. Maria informed her with pride that there would come a time when it was positively difficult to buy eggs – the shopkeepers would not mind what prices they asked; they would get them, at any rate, from the English.

"That's an English steamer in the bay," said Rachel, looking at a triangle of lights below. "She came in early this morning."

"Then we may hope for some letters and send ours back," said Helen.

For some reason the mention of letters always made Ridley groan, and the rest of the meal passed in a brisk argument between husband and wife as to whether he was or was not wholly ignored by the entire civilised world.

"Considering the last batch," said Helen, "you deserve beating. You were asked to lecture, you were offered a degree, and some silly woman praised not only your books but your beauty – she said he was what Shelley would have been if Shelley had lived to fifty-five and grown a beard. Really, Ridley, I think you're the vainest man I know," she ended, rising from the table, "which I may tell you is saying a good deal."

Finding her letter lying before the fire she added a few lines to it, and then announced that she was going to take the letters now – Ridley must bring his – and Rachel?

"I hope you've written to your Aunts? It's high time."

The women put on cloaks and hats, and after inviting Ridley to come with them, which he emphatically refused to do, exclaiming that Rachel he expected to be a fool, but Helen surely knew better, they turned to go. He stood over the fire gazing into the depths of the looking-glass, and compressing his face into the likeness of a commander surveying a field of battle, or a martyr watching the flames lick his toes, rather than that of a secluded Professor.

Helen laid hold of his beard.

"Am I a fool?" she said.

"Let me go, Helen."

"Am I a fool?" she repeated.

"Vile woman!" he exclaimed, and kissed her.

"We'll leave you to your vanities," she called back as they went out of the door.

It was a beautiful evening, still light enough to see a long way down the road, though the stars were coming out. The pillar-box was let into a high yellow wall where the lane met the road, and having dropped the letters into it, Helen was for turning back.

"No, no," said Rachel, taking her by the wrist. "We're going to see life. You promised."

"Seeing life" was the phrase they used for their habit of strolling through the town after dark. The social life of Santa Marina was carried on almost entirely by lamp-light, which the warmth of the nights and the scents culled from flowers made pleasant enough. The young women, with their hair magnificently swept in coils, a red flower behind the ear, sat on the doorsteps, or issued out on to balconies, while the young men ranged up and down beneath, shouting up a greeting from time to time and stopping here and there to enter into amorous talk. At the open windows merchants could be seen making up the day's account, and older women lifting jars from shelf to shelf. The streets were full of people, men for the most part, who interchanged their views of the world as they walked, or gathered round the wine-tables at the street corner, where an old cripple was twanging his guitar strings, while a poor girl cried her passionate song in the gutter. The two Englishwomen excited some friendly curiosity, but no one molested them.

Helen sauntered on, observing the different people in their shabby clothes, who seemed so careless and so natural, with satisfaction.

"Just think of the Mall to-night!" she exclaimed at length. "It's the fifteenth of March. Perhaps there's a Court." She thought of the crowd waiting in the cold spring air to see the grand carriages go by. "It's very cold, if it's not raining," she said. "First there are men selling picture postcards; then there are wretched little shop-girls with round bandboxes; then there are bank clerks in tail coats; and then – any number of dressmakers. People from South Kensington drive up in a hired fly; officials have a pair of bays; earls, on the other hand, are allowed one footman to stand up behind; dukes have two, royal dukes – so I was told – have three; the king, I suppose, can have as many as he likes. And the people believe in it!"

Out here it seemed as though the people of England must be shaped in the body like the kings and queens, knights and pawns of the chessboard, so strange were their differences, so marked and so implicitly believed in.

They had to part in order to circumvent a crowd.

"They believe in God," said Rachel as they regained each other. She meant that the people in the crowd believed in Him; for she remembered the crosses with bleeding plaster figures that stood where foot-paths joined, and the inexplicable mystery of a service in a Roman Catholic church.

"We shall never understand!" she sighed.

They had walked some way and it was now night, but they could see a large iron gate a little way farther down the road on their left.

"Do you mean to go right up to the hotel?" Helen asked.

Rachel gave the gate a push; it swung open, and, seeing no one about and judging that nothing was private in this country, they walked straight on. An avenue of trees ran along the road, which was completely straight. The trees suddenly came to an end; the road turned a corner, and they found themselves confronted by a large square building. They had come out upon the broad terrace which ran round the hotel and were only a few feet distant from the windows. A row of long windows opened almost to the ground. They were all of them uncurtained, and all brilliantly lighted, so that they could see everything inside. Each window revealed a different section of the life of the hotel. They drew into one of the broad columns of shadow which separated the windows and gazed in. They found themselves just outside the dining-room. It was being swept; a waiter was eating a bunch of grapes with his leg across the corner of a table. Next door was the kitchen, where they were washing up; white cooks were dipping their arms into cauldrons, while the waiters made their meal voraciously off broken meats, sopping up the gravy with bits of crumb. Moving on, they became lost in a plantation of bushes, and then suddenly found themselves outside the drawing-room, where the ladies and gentlemen, having dined well, lay back in deep arm-chairs, occasionally speaking or turning over the pages of magazines. A thin woman was flourishing up and down the piano.

"What is a dahabeeyah, Charles?" the distinct voice of a widow, seated in an arm-chair by the window, asked her son.

It was the end of the piece, and his answer was lost in the general clearing of throats and tapping of knees.

"They're all old in this room," Rachel whispered.