The Enemies of Women (Los enemigos de la mujer)

She had been at Villa Sirena twice since her first visit. A chance meeting in the street with the Prince, when she was walking along with her friend Clorinda, had served as a pretext for another visit to the refuge in their beautiful gardens of "the enemies of women." He found the "General" less hostile and dominating than he had imagined; but he could not understand Castro's passion for her. In spite of her beauty it seemed to him that he was talking to a man. They had been accompanied by Valeria, a young French girl, who had been a protégée of Alicia's, a traveling companion in the days of dazzling wealth, and who now accompanied her in poverty, out of gratitude and fidelity. Later the Duchess de Delille had returned alone a second time to consult him about various projects for her future, all of them lacking in common sense; and she had finally accepted a loan of a thousand francs. Luck was against her in gambling: she needed new "tools to work with." The capital that had irritated her so by never varying, never going much above thirty thousand, had finally heard her complaints, and dwindled with lightning rapidity, leaving merely a few remnants of its former self.

In spite of the Prince's loan the Duchess had complained.

"I'm always the one who is looking you up: you never deign to visit my house. How poor I really am!"

Remembering her humble protest, the Prince no longer hesitated. Turning his back on the Casino, he began to ascend the sloping streets in the direction of the frontier line separating Monte Carlo from Beausoleil; streets that displayed names recalling Spring: the Street of the Roses, of the Carnations, of the Violets, of the Orchids.

He entered a short avenue formed by a double row of garden fences. He caught a glimpse of the houses between the columns of palm trees, and the firm leaves of the large magnolias. As he went along he read the names of the small estates carved on little plaques of red marble, placed at the entrance to the grounds. "Villa Rosa", here it was. He pushed open the iron gate, which was ajar, without hearing the sound of a voice or the barking of a dog to greet his presence. He saw a small garden half deserted, overgrown with weeds at the foot of the untrimmed trees, and covering the space that had formerly been occupied by flower beds. The rest was more carefully tended, but it was a vegetable garden with rectangles of kitchen stuffs intensively cultivated.

Lubimoff approached without meeting anyone. It occurred to him that the gardener must have been the man with the dog, whom he had met as he turned into the street.

Then he mounted the four steps at the entrance. Here too the door was half ajar, and upon pushing it all the way open, he found himself in a hallway with stairs leading to the upper story.

There was no one in sight. He tried the doors of the adjoining rooms and found them locked. There was not a sound. It was as though the house were deserted. But the silence was suddenly broken by a voice floating down the stairway. It was a faint voice, singing a slow, sad English air. The song was accompanied by a sound of dull blows, as though hands were beating and shaping up some large unresisting object.

Michael thought he recognized Alicia's voice. He coughed several times without result; he was not heard. He was about to call to let her know that he was there, but refrained, through a sudden impulse to play a little joke on her. Why shouldn't he surprise her by going up-stairs the one part of the house where she was now living, he thought? His hesitation vanished. Up-stairs he would go!

From the first landing he saw several doors, but only one was open; and it was from that one that the sounds of the song and the thumping were coming. A woman bending over a bed, was holding out her arms and vigorously shaking up a pillow. Instinctively she felt that some one was standing behind her, and turning around she gave an exclamation of surprise on seeing Michael in the doorway. The latter was no less surprised to recognize the woman as Alicia; an Alicia dressed in an elegant but old négligée, with crumpled gloves on her hands, and a veil wrapped around her hair.

"You! It's you!" she exclaimed. "How you frightened me!"

Immediately she recovered her composure, and smiled at the Prince, as the latter tried to excuse himself. He had not met any one; the gate and the door had been open. She, in turn, now excused herself. It was Sunday; Valeria, her companion, had gone to Nice to take lunch with a family she knew; her maid and the gardener's wife were at mass; the old man had gone out a moment before to see some friends.

After these mutual explanations they both remained silent, looking at each other hesitatingly, not knowing what to say, but still smiling.

"You making your bed!" he remarked, just to say something.

"So you see. This is rather different from my bedroom in Paris. It is hardly the 'study' that I took you to either. Times have changed!"

Michael gravely nodded assent. Yes, times had changed.

"At any rate," she continued, "you must confess that there is a certain novelty in seeing the Duchess de Delille, madcap Alicia, making her bed."

The Prince nodded again. Indeed it was a novelty: something one could not see every day.

Alicia persisted in her explanations. It had not been at all hard for her to do housework. She cleaned her room herself, in order to save her elderly maid the extra bother. She did not want Valeria to help her. They were each keeping their own rooms in order, now that help was scarce. Besides, she herself sometimes went into the kitchen, and she would have liked to help the gardener cultivate the little garden, just for her own pleasure.

"We are living in war times; things are getting dearer every day, and as for me, I'm poor. We ought to return to the simple primitive life. But I don't dare work in the garden, on account of the neighbors. They watch you all the time from their windows. There is a Brazilian gentleman, even, who seems to have fallen in love with me."

She herself was proud of her industriousness. Who would ever have guessed such qualities some years before in the mistress of the luxurious residence on the Avenue du Bois, who was in the habit of getting up at three o'clock in the afternoon?

"I owe it all to mamma. She had me educated in a girls' school in England, when it was the fashion to substitute domestic work for the physical exercise of sports. I think it's called 'Corinthianism.' And I feel better than ever. In the old days I had to get up several mornings a week with Valeria and Clorinda and go to a tennis club and play until I was exhausted. Now, after taking care of my room and helping with the others I don't need any exercise. I'm doing poor man's gymnastics."

There was a long silence. Michael looked at the room; a woman's bedroom, still in disarray, with clothes lying on the arm chairs, giving out the perfume of a fastidious femininity. Through a narrow door he saw a corner of the adjoining bath room, where a wet spot had been left on the mosaic floor, from the morning bath. An odor of eau de cologne and tooth paste hung in the air. From several toilet jars, in disorder, vague scents of more precious essences were escaping. Mingling with the toilet articles and objects of intimate apparel, he could distinguish cards such as are given out to the patrons of the Casino, to mark their plays; some with red or blue marks in the columns, others pricked with a hat pin, for lack of a pencil. He observed larger cards, with a roulette wheel indicating the numbers and colors; and also many books of the sort sold by the stationers and at newspaper stands; illuminating treatises on "How to win without fail in all kinds of play." On the mantelpiece, half hidden by various fashion magazines, was a small roulette wheel, a real one, used undoubtedly in studying out and trying various theories. On the lamp stand beside the bed the latest copy of the Monte Carlo Review was lying open, with statistics of all the winning numbers during the past week at the various tables; interesting reading, with mysterious annotations which had kept Alicia up perhaps till dawn.

In the meantime she was dexterously causing to disappear everything which she considered prejudicial to her appearance since the surprise. When Michael looked at her again the old gloves had vanished from her hands and the veil was hidden somewhere. Her hair, now left free, was black and lustrous, a trifle coarse, perhaps, but it rose luxuriantly in large ringlets in disarray.

They prolonged the silence with an embarrassed smile, as though neither of them could find a way of relieving the situation.

"Go on with your work," Michael said, somewhat timidly. "Now I'm here, I don't want to be in the way."

As though seeing a challenge to her embarrassment in these words, and anxious at the same time to show her skillfulness, she bent over the bed to continue her work. Michael regained his high spirits at this display of confidence. It wasn't chivalrous to allow her to work alone: he must help her.

"You! You!" exclaimed Alicia, laughing, as though such a proposition seemed to her unthinkable.

The Prince pretended to feel hurt. Yes: he! Wasn't he a sailor, and hadn't his adventurous life compelled him to know how to do a little of everything? More than once in his explorations in the wilds, he had had to make a bed as best he could, wrapped in blankets beside the embers of a fire.

He had gone over to the other side of the bed, and was imitating all the movements of the Duchess with comic exaggeration. He petted the pillows after her, with such violence as to make the bed resound. While she lifted it slightly toward her to shake it better, he lifted it completely with his strong hands.

"You don't know how! You don't know how!" Alicia exclaimed with childish glee.

Then, seeing his fingers seize the linen with a powerful grip, she added:

"Good heavens, let go of that: You'll tear the pillow, and just now, in these hard times!"

They both laughed, finding this work very amusing.

"Take hold!" she said in authoritative tones, and flung in his face a sheet that she was holding at the opposite side.

Michael found himself wrapped in a cloud of filmy linen fragrant with feminine perfumes. It was for an instant only, but to him it seemed like something extraordinary, of limitless duration, extending beyond the bounds of time and space. He had a presentiment that this insignificant event was going to be a turning point in his life. He felt his former self suddenly awaken with fresh vigor. Perhaps it was the stimulation due to continence. He thought of Castro's ironic smile, and of himself, living like a hermit there in Villa Sirena, and preaching hostility to women! There was a buzzing in his ears; his eyes, momentarily blinded, seemed to be gazing on a vast expanse of rosy sky, the pale, luscious rose color of a woman's flesh. There was something intoxicating in the sudden breath that caused his brain to reel, communicating the sensation to his whole organism, as violently as though struck with a lash. When the sheet had fallen back on the bed, Michael was deathly pale, with a look of intenseness gleaming in his eyes. She thought he was angry at the jest, and she laughed mischievously, leaning on the pillow with her hands. As she shook with laughter, the lace of her low-necked négligée trembled seductively on her breast and shoulders.

Suddenly the Prince found himself on the other side of the bed close to Alicia. Finally they both sat down on the edge of the bed, turning their backs on the forgotten sheet. He took one of her hands without realizing what he was doing. Then he bent so close to her face that one of her Medusa-like tresses brushed against his temple. He felt no desire to talk, but seeing her eyes, so close to his, he broke the pleasant silence.

"You have been weeping!"

The woman protested with a strained smile and grew pale as she stammered her excuses. No; perhaps it was the dust shaken up by the cleaning, or the effort of working. But he went on studying her eyes which were indeed slightly reddened.

"You were crying when I came in," he continued, with insistent and troubled curiosity.

Now Alicia's protest took the form of a harsh, shrill laugh, that was decidedly forced and unnatural. And by one of those modulations of which only great actors know the secret, the burst of her laughter died gradually into a sigh, then a groan, until, letting go the Prince's hand, she covered her eyes, and hung her head, while a fit of sobbing shook her whole body.

She was crying. It was enough that Michael should have discovered her recent weeping to cause the tears to rise in her eyes again, renewing her former anguish. She gave in to her grief with a sort of cruel delight, finding it preferable to the torture of feigning, which his unexpected visit had imposed.

The Prince remained silent for a few moments.

"Is it for that young fellow of yours?" he plucked up courage to ask, with a shaking voice as though he too were undergoing an unexplainable emotion.

She replied with a slight movement of her head, without taking her hands from her eyes. It was unnecessary for Michael to see them. He had guessed the truth on discovering the traces of tears. It could be only for him that she was weeping: the lack of news; the worry of thinking that he was a prisoner, far off, suffering all sorts of privations; and that perhaps she would never see him again.

"How you love him!"

The Prince was surprised himself at the tone of voice in which he said these words. There was a note of despair, envy, and sadness at the thought of the passing years, bequeathing to the coming generation the haughty privileges of youth.

The guests at Villa Sirena would also have been astonished to hear him talk in this fashion. Alicia's surprise caused her to forget all precaution as a pretty woman, and lift her head, as she took away her hands. Her face was red, her eyes tremulous and overflowing. A tear hung from a lock of hair. She realized that she must be looking terrible, but what did she care?

"Yes, I love him; I love him more than anything in the world. It is on his account that I go on living. If it weren't for him I would kill myself. But he isn't what you think. No, he isn't."

With her face so reddened with weeping, it was impossible to detect a blush; but her gestures, the expression of her face and the tone of her voice, rebelled with shame and indignation against the suspicion of the Prince.