The Enemies of Women (Los enemigos de la mujer)

And fearing a new lashing after that supreme insult, she fled at a mad pace without stopping until she reached the Arch of Triumph.

After this incident Doña Mercedes lost all hope of her daughter's becoming a Lubimoff.

"A Russian Princess!" she said scornfully. "Why, everyone is a Prince in Russia!.. A mere English baron is better, or a French or Spanish count."

Michael was in a mood no more conciliatory when the Colonel lectured him.

"I don't want to hear anything more about that wench!" said he.

And the Princess, in one of her petulant moments averred that she considered this word the proper one. These relatives of Sir Edwin had always seemed to her very ordinary people. Likewise it seemed to her very natural that her son should think of going back to Russia to fill his station as a Prince. The life of caste and privilege there was more suitable to his rank than the democratic ways of Paris, where certain American Indians, because they had millions, could imagine they were the equals of the Lubimoffs.

Prince Michael remained in Russia until he was twenty-three. His military studies were passed brilliantly, according to Toledo, and the boy succeeded in distinguishing himself among the most famous cavalry officers of the Guard. He took prizes in exhibitions of horsemanship. With his revolver he could pot coins held up at fifty paces by his comrades. He wielded the sabre with a skill that his Cossack ancestor and General Saldaña would have admired. Every morning in the courtyard of his Petersburg palace he found awaiting him a life-sized dummy made of the firm sticky clay used by sculptors. He would stay for half an hour in front of it, going through his exercises. It was not enough to be able to strike one's enemy. The important thing was to strike well, with the greatest possible depth and force. And the head and limbs of the dummy went flying, severed by the steel blade. The study of military science was all well enough for those in the infantry or the artillery – sons of clerks and merchants!

At first the Colonel was astonished at the magnificence and extravagance of Russian life. Finally he came to take it all quite naturally, as though he had been accustomed to something similar from his earliest boyhood. "My son, remember the name you bear," the Princess used to write to the Prince. "Do not disgrace it. Spend according to what you are." And the son, without asking her for anything, followed her advice faithfully by coming to a direct understanding with the Russian administrators. Don Marcos figured that the Lieutenant in the Guard was spending something over three millions a year. His racing stables were the most celebrated in the capital. Many famous beauties of the court and the theaters were on good terms with Prince Michael Fedor. His supper parties in the Lubimoff palace or in the fashionable restaurants were sought after by all the young men of the aristocracy. To be invited to one of them was an extraordinary honor, something like being a member of an academy of supermen. It often happened that toward morning on nights of such parties celebrated women finished by dancing naked on the tables, so that the host "might not be displeased."

Sometimes these celebrations ended in drunken brawls, where wine mingled with blood. The Colonel had seen one of these suppers result in a duel between two of the guests. It took place in the palace garden, just before dawn. One of the men was killed. His best friends carried the corpse to the quay of the Neva, and placed a revolver in his hand to make it look like a case of suicide.

No: Don Marcos did not care much for those nocturnal feasts. He considered them dangerous. On one occasion, a youthful Grand Duke, absolutely drunk, amused himself by daubing the Colonel's whiskers with caviar, until, tired of such brazen familiarity, the Spaniard in turn put his hand in the dish and smeared the other man's august face with green. The duke hesitated for a moment whether or not to kill him, but finally embraced him, covering him with kisses and shouting aloud, "This is my father."

Toledo preferred his own honorable and quiet friendships with General Saldaña's former companions in arms; solemn personages who talked to him about world politics and future wars. Besides, the Prince's generosity permitted the Colonel secret pleasures, less noisy, and agreeably unostentatious.

One night, returning to the Lubimoff palace after two o'clock, he saw there was a supper party in the great dining hall used on gala occasions. Some fifty guests had assembled, and in the course of the night many more had arrived. It seemed that the news had spread throughout all the pleasure resorts of the capital, attracting all the youthful libertines.

Opposite the Prince was seated a Cossack officer, short, lithe as a panther, dark skinned, with Asiatic eyes. His wrinkled uniform showed signs of recent traveling. Michael Fedor showed him the greatest attention, as though he were the only guest. Toledo, being acquainted with all the friends of the house, was unable to place this uncouth Cossack, who looked as though he had come from some remote garrison in Siberia. Some one offered to relieve his uncertainty. He was startled on learning that it was the brother of a court lady who just at that moment was being much talked about on account of her extreme familiarity with Michael Fedor. The two men looked at each other with keen interest, exchanging silent toasts in huge glasses of champagne. At the other end of the hall arose the ceaseless wail of gypsy violins. Several dark skinned girls with striped aprons of many colors were dancing about the tables. But in spite of that, Don Marcos, glancing about, felt instinctively a note of gloom.

"Leon, the sabres!"

The Prince, after looking at his watch, had arisen and given this order to his body servant, who was standing behind him. All the guests rushed for the doors forming a jam, like a crowd, pushing and shoving, at the entrance to a theater. There was no reason now to conceal their real feelings. They were eager for the promised spectacle. The Colonel finally found some one who could talk intelligibly.

"He came last night, to ask the Prince to marry his sister. A thirty-eight day trip… The Prince refuses… It isn't often you'll see a match like this… He's the best swordsman in Siberia."

The garden was covered with snow. It was night, and the uncertain moon illumined it with slanting rays, lengthening immeasurably the shadows of the trees. More than a hundred men formed in two black masses on the borders of the walk. The Colonel noticed the arrival of several servants. One was bringing swords; the rest were carrying large trays with bottles and glasses.

Michael Fedor bowed to his enemy, his eyes shining with kindliness and drink.

"Would you like another glass of something?"

The Cossack thanked him with a gesture, and immediately Toledo saw him remove his long coat, the breast of which was adorned with cartridge pouches. Then he took off his shirt, and finally remained in nothing save his trousers and high boots. Then he stooped, and seizing two handfuls of snow, began to rub his wiry body and muscular arms.

The Prince, like many of the spectators, shivered slightly with surprise and cold; but nevertheless that the condition of the combat might be equal, Lubimoff felt it imperative that he should follow the example of his hardy adversary. While he was removing the upper part of his uniform several torches were lighted and began to blaze like red stars in the semi-darkness of the moonlit garden.

Don Marcos could see the two men face to face. They were bare from the waist up. Their breasts shone from the moisture of the recent massage. In their hands quivered sabres as sharp as razors.

"Ready!"

Some one was directing the fight.

"Why this is barbarous!" thought the Spaniard. "These men are savages."

He did not dare say it aloud because he was a soldier, and more than that, a Colonel; but during the rest of his life he never could forget that scene.

They crossed swords, parried, attacked, the Prince with firm poise, the other with catlike agility. Toledo could see that their bodies were blood red, but at the moment he thought it an effect of the torchlight. As they drew near him, circling about in their deadly play, he realized that they were actually red with blood. Their bodies seemed covered with a purple vestment that was torn to shreds and the shreds quivered at the ends as the blood dripped off. Standing out against that warm moist garment rose their white arms. The Prince was getting the worst of it. Toledo suddenly saw a deep gash appear in his brow; a moment later he thought he saw one of his ears hang half severed from the skull. But that wild cat from the steppes always sprang free from every sabre thrust. No one dared intervene; it was a duel without quarter, without rest, with no condition save the death of one or the other combatant. At times they came together, forming a single body bristling with white flashes in the shadow of the trees; a moment later they appeared apart, seeking each other in the fiery circle of the torches.

Suddenly Toledo heard a wild cry of pain, the howl of a poor animal caught unawares. The Prince was the only one still standing. A straight thrust had slashed his adversary's jugular. Lubimoff stood there a moment motionless. Then his superhuman strength, which had sustained him until then, left him. With the loss of blood, all the weariness of the struggle came over him like a shot. He too tottered and fell, but into the arms of friends. There was not a single doctor among the spectators. No one had thought of that. They considered the presence of one unnecessary in an encounter that could end only in death.

All the curiosity seekers left the garden, following the unconscious Prince. A few servants stayed behind, gathered about the body of the Cossack. He was lying face downward. With respectful awe they watched as his legs quivered for the last time, as the blood slowly emptied itself from the neck, and spread out across the snow, in a black stain that was beginning to take on a bluish tinge in the livid light of dawn.

At the court, which had already shown frequent alarm over the Prince's notorious adventures, this event caused a great stir. Lubimoff's duels, his love affairs, his scandalous entertainments, annoyed the young Emperor, who had taken it upon himself to improve the morals of his associates.

In aristocratic gatherings, the freakish whims of the almost forgotten Nadina Lubimoff were brought to memory and discussed again. The young Cossack was related to people of influence, and his death contributed to the complete disgrace of his sister.

Michael Fedor had not yet entirely recovered from his wounds, when he received the order to leave Russia. The Czar was banishing him, and for an indefinite period. He might live in Paris with his mother.

"That's all right; so long as they respect his income," was the Colonel's only comment.

Arriving in Paris, the Prince was convinced of his mother's insanity. That was something he had suspected for some time, from her letters. Sir Edwin had died, rather suddenly, three years before, in England, following defeat in an election. The palace in the Monçeau quarter had suffered an interior transformation that represented a cost of several millions. The Princess was devoting all her time to it. The Arabic, Persian, Greek, or Chinese drawing rooms, the construction and decoration of which had made the fortune of two architects and several dealers in doubtful antiques, had just disappeared; while furnishings acquired years before as extremely rare pieces had been scattered to the four winds as though they were mere rubbish of no value. The palace remained the same as before on the outside; but the interior, beginning with the stairway, was rebuilt in imitation of a medieval castle. Not a single window remained without its stained glass, not a room but was shrouded in the vague half light of a cellar. All the conventional Gothic known to modern contractors was employed by order of the Princess in the restoration of the house. Three stories and one entire wing had been torn down to form the nave of a cathedral.

Michael saw advancing toward him a tall austere woman, with long transparent fingers, and large, staring, uncanny eyes. She was dressed in black, with loose sleeves that almost touched the ground, and with a white bonnet fitting close to the head beneath her mourning veils. In spite of the fact that she had a rosary at her wrist and talked with the air of a martyr, her son imagined that he was looking at an opera singer.

The expulsion of the Prince from Russia had caused her neither surprise nor sorrow.

"Those Romanoffs have always disliked us. They cannot forget that your illustrious ancestor, so they say, used to beat Catherine when he caught her with anyone else."

Her thoughts rose above all such worldly considerations. She had never, as a matter of fact, taken any stock in religion; but now she declared herself a Catholic. She had made no public declaration of conversion, to be sure, but she felt she must adopt the belief. Her new and final personality demanded it.

"Your father approves of my new stand. Often in the night I have talked with my hero. He is glad to see me in the path of truth."

No sooner had Michael Fedor and the Colonel arrived, than they noticed the strange visitors who were frequenting the palace. The long haired terrorists had been succeeded by numerous fortune tellers, soothsayers, clairvoyants, and solemn professors of occult sciences. A plain old lamp-stand, which looked as though it might have walked upstairs by itself from the concierge's quarters, was jumping about and rapping, at all hours, in the bedroom of the Princess.

One day she decided to tell her son the great secret of her life. At last she knew who she was; the spirits had revealed to her the knowledge of her true personality. In one of her many previous existences she had been the most unfortunate and beautiful, the most "romantic", of queens. The soul of the Russian princess, Nadina Lubimoff, centuries ago had dwelt in the body of Mary Stuart.

"That is why I always had a special liking for the story of the unhappy queen. And now I know why, when I saw Sir Edwin in London, I fell in love with him on the spot, in the most irresistible fashion. His ancestors were Scottish."

Such reasons were to her as unanswerable as all the others which had guided her actions. And to pay homage to the queenly soul which was, according to all her mystic attendants, reincarnated in her, she was going to live like the beheaded sovereign of Scotland, copying the Queen's clothes as she had seen them in pictures, converting her palace into a mediæval castle, and eating from antique plates nothing but Renaissance delicacies, the recipes for which she had employed a history professor to discover in ancient chronicles.

Carriages now rarely entered the Court of Honor of the palace. The grand stairway was growing mossy between its steps. Not so the delivery entrance. There, each day, the professionals of "the beyond" appeared, poorly dressed and suspicious looking men and women, who were exploiting the Princess, generous as a queen – and was she not one? – under the guise of aiding her in the manipulation of the lamp table, and conjuring up historic phantoms which, to prove their presence, moved the carpets, made the pictures fall from the walls, changed the positions of the chairs, and committed other childish deviltries.

Doña Mercedes avoided visiting the Princess. Her simple faith caused her to be frightened at queens that last for centuries, and at those halls with old furniture that seemed to palpitate with mysterious life. She preferred the quiet wholesome conversation of the priests whom she was supporting for herself. The Aragonese vicar had allowed himself to be snatched away in triumph by another devout millionaire. He had grown tired, no doubt, of the excessive ease and idleness afforded him by his penitent, and was bored with astronomical observations on the roof of the dwelling in the Champs-Élysées.

At present she was offering her hospitality to a Monsignor, a Bishop in partibus, who directed the widow's money into various pious charities of his own invention.

Alicia had married a French Duke, twenty years her senior, and after a few months of marriage was causing herself to be very much talked about. Doña Mercedes, offended, was punishing her by seeing her very seldom, in hopes that such coldness would cause the Duchess de Delille to follow the example of her mother. In the meantime, the latter was concentrating all her family affection on the Monsignor, a saint, and a man of the world, who in the evening, to avoid a discordant note, took off his cassock and sat down at table in a tuxedo, while a flock of mechanical birds sang and flapped their wings in the large gilded cage in the Creole's dining room.

Michael Fedor saw Alicia twice in the Lubimoff palace. She did not feel there the uneasiness her mother experienced, and even declared the manias of the Princess very original and interesting. Afternoons when she was bored, and paid the Princess a visit, she too seemed to believe in the lamp table and in the "Queen's" protégés with the mystic gestures.

She too consulted them to find out whether she would be happy, and especially whether she would be greatly loved, although she never told who it was that was supposed to love her. On other occasions she asked the oracle, with a note of jealous anxiety in her voice, what a certain unknown person was doing at that particular time. The name of the person was kept secret, but some months he would be dark and at other times he would be blond. She and the lamp table understood each other perfectly.

"I always said that girl was cleverer than her mother," the Princess affirmed.