The Enemies of Women (Los enemigos de la mujer)

An exotic, penetrating odor made Lubimoff wince. He knew that perfume. And there was a look of severity in his eyes as he glanced sharply at the Duchess.

"Sit down," she said. "They are going to serve us."

As the Prince looked about, without seeing any sort of a chair, Alicia set him an example, dropping on a heap of cushions. Michael sat down in the same fashion, beside a tiny mother of pearl table no bigger than a tabouret. On it a lamp with a dark shade let fall a circle of soft light. Inwardly the Prince began to feel a boiling of suppressed anger as he thought of his evening wasted.

"You must have eaten this way often," she continued, "you have traveled more than I. The style of decoration must be familiar to you."

Yes; he knew the style, the original and authentic style, and for that very reason he did not care to see it again in imitation. Besides obliging him to eat on the floor, there in a house on the Avenue de Bois… What an affectation!

But in a short time his opinion began to change. A poseur she undoubtedly was, but affectation had already become a more or less natural trait in her, a sort of second nature. He guessed that even in its slightest details none of this had been prepared especially for him. Alicia lived and ate there when she was alone just as she was doing then. She was prey to a desire to be different from other people even when no one was noticing her.

The servant in charge of the meal was a copper-colored man with a long down-curling mustache. He was dressed in a black tuxedo, with a white cloth wrapped around his legs like a skirt. He had long hair, done up on his head like a woman's and held in place by a tortoiseshell comb. The Asiatic was placing the huge trays containing the food on the floor: Some of the dishes were of ancient hammered silver, others of many colored lacquer, or of semi-transparent materials made in imitation of emerald, topaz, and red sealing wax.

For Michael the meal looked like something a great chef might have prepared if he had suddenly gone mad and made up the dishes in the midst of his ravings. There was not a single item that suggested the harmonious course of an ordinary dinner. The palate acted on the imagination, awakening memories of distant travels, visions of far off lands. Exotic preserves alternated with hot dishes. Pastry flavored with penetrating perfumes was served along with sharp, biting, or intensely bitter sauces.

Alicia, half reclining on the cushions, looking at the dishes without appetite, extended her hand carelessly toward the most unusual delicacies, and those with the most pungent and racy savors. Clearly the perversion of her palate was profound. She herself saw to it that Michael's glass was always filled. It was a drink of her own invention, having a champagne base. It burned and rasped his mouth, paralyzing all other sensation with its stinging coolness. It penetrated his nostrils with a lingering scent of the rarest flowers and of Asiatic spices.

Speaking of the dead Princess, Alicia came to mention her own mother. They were now on terms of open hostility. Her eyes began to gleam with defiance as she was reminded of Doña Mercedes, confined in the Champs-Élysée residence with her court of clericals, and showing herself in public only for the organizing of pious works. She was trying to starve her only daughter to death!.. And as Michael smiled at this explosion of anger, she explained her grievances.

"She gives me hardly anything; a mere nothing: half a million francs. And I have to hand two hundred and fifty thousand a year over to my husband: a rather expensive lover, whom I avoid seeing. You are really rich, my dear, and don't understand such things… Since the fortune is all in her name, she tries to starve me out and keeps her money to squander it with the priests… Poor Señora! She can't find any admirers now except that Monsignor and other sponges like him… And I, her own daughter, have to implore her like a beggar for the crumbs she gives me, seasoned with sermons… Oh, if it hadn't been for your mother! She really was a great lady: I never lamented my poverty to her in vain; she gave me even more than I asked for. You know of course that I owe you some money. A little… I don't know how much. Didn't you really know that?.. I shall pay you back when I get my inheritance."

And with brutal frankness she expounded her full thought.

"When will that bigot leave me in peace?.. Old people ought to make way for the young. What fun do they get out of going on living?"

They had finished eating. She went on filling both their glasses with her special drink. At first Michael had found it repugnant, but in the end he was attracted to its refreshing fragrance which gently troubled the senses, like an intoxication with perfumes.

"Of course you use the pipe," said Alicia simply.

He shook his head and thought of the odor which struck him on entering. He knew what sort of a "pipe" it was, and gazed about the study. The smoking den must be in some hidden corner!

"A man like you!" she went on. "A sailor! And I fooled myself into thinking we'd smoke together!"

She even gave him to understand that the hope of being able to give him that forbidden pleasure was the principal reason for her invitation. She became resigned when she learned that the Prince, vigorous as he was, suffered nausea every time he attempted to experiment with that Asiatic vice. And while he lighted a havana, Alicia took from a silver case the cigarettes which she smoked in the presence of the "uninitiated": Oriental tobacco, but heavily dosed with opium. Suddenly Michael was convinced of something of which he had a presentiment the moment he entered the place, or even earlier, the moment their glances had met in the cemetery. He saw her half rising from the cushions, with a panther-like contraction of her muscles, as though she were ready to spring at him. It was the concentrated impulse of the beast, beautiful and sure of its power, unable to wait, and not knowing how to feign.

Alicia had forgotten the demi-tasse she held in her hand, as she sat there, looking at him fixedly. The tiny blue electric spark dancing in her eyes was something well known to Michael.

It was the offering glance of female silence, inviting violence, and mastery. He had encountered that glance often along his path of triumph as a conquering millionaire… He felt he must say something at once to break the silent charm of the beautiful witch, who, sure of her final victory, was smiling and blowing puffs of cigarette smoke toward him. So Michael alluded to her amorous fame, to the great number of lovers she was supposed to have had. That might widen the distance between them.

"Ah! You too?" said Alicia laughing, with masculine frankness. "I don't suppose your morals are the same as Mamma's! You are not going to read me a sermon on my behavior. Although, after all, Mamma doesn't blame me for what I do. What makes her angry is the fact that I am not afraid of what people say, and that sometimes I am attracted to unknown men of low birth. Poor Señora! If I were to have an affair with a king or a crown prince, perhaps she'd even let us see each other in her house, and have her Monsignor mount guard into the bargain."

She remained silent for a moment. That disturbing glance was still fixed on Michael.

"It is true; I have had a lot of men. And how about you? Do you think I don't know about your wanderings all over the planet in quest of types of women unknown to the novels and capable of giving new sensations?.. We have both done the same: only it wasn't necessary for me to travel around so much to learn just what you have learned… And you are not so absurd as to imagine, as certain men do, that our cases are not to be compared because we are of different sexes."

The Prince listened silently as she expounded her ideas. She was deeply in love with life, and in return she demanded all that life could give her… The minds of other women were occupied with questions of a material nature: desire for wealth, longings for luxury, domestic cares… As for her, she possessed everything; to-morrow held no worries for her; not even in regard to her beauty, sustained as it was by wonderful health, and seeming to increase in spite of age and her prodigal waste of energies.

In her life, made up of caprices, always completely satisfied, even to the point of satiety, only one thing interested her, from its infinite variety and from its many phases, which might seem to vulgar people a monotonous repetition of one another, but which in reality were distinct for a mind attuned, as hers was, to exquisite sensations. That thing was love.

"Oh please understand me, Michael; don't sit there laughing to yourself. You know me too well ever to imagine that I believe in love as the majority of women do. I know that a certain amount of illusion is necessary to color the material aspect of love; we all lie about it a little, and we enjoy the lie even though we know it as such; but way down deep, I laugh at love as the world understands it, just as I laugh at so many things which people venerate… I don't want lovers, I want admirers. I am not looking for love; I care more for adoration."

She was proud of her beauty. She spoke of Venus as though the goddess were a real person. She admired the Olympic serenity with which the Deity of Passion gave herself to gods and men, never surrendering her superiority even at the moment when she was submitting to the domination of the stronger sex. Alicia considered herself a super-beauty, belonging to a sphere outside the ordinary limits of vice and virtue. She thought herself a living work of art; and art is neither moral nor immoral; its mission is fulfilled when it is beautiful.

"Poets, painters, and musicians seek to abandon themselves to the greatest number of admirers. They do their utmost to enlarge their circle of public worshipers and with feminine coquetry they try to attract new suitors. I am like them. I do not need to create beauty, for as they say, I have it in myself. I am my own work, but I love glory; I need admiration; and for that reason I give myself generously, content with the happiness which I apportion, but keeping my public at my feet, without allowing myself to be dominated by those whom I seek."

Michael was sure that many artists must have left their imprint on that woman's life. It was evident in the words and imagery with which she endeavored to express her enthusiasm for her own body. Her pride in her beauty was boundless. What were the ambitions of men, compared to the satisfaction of being lovely and desired? Only the glory of warriors, of blood-stained conquerors, whose names are known even in the remotest wilds of the earth, equals the glory that a woman feels in the sense of universal power over men.

"To me," continued Alicia, "the truest and most beautiful thing ever written is 'the old men on the wall.'"

The Prince looked at her questioningly; so she went on to explain. She referred to the old Trojan men in the Iliad, who were protesting against the long siege of their city, against the blood sacrifice of thousands of heroes, against poverty and hardship, all due to the fault of a woman… But Helen, majestic in her beauty, passed before the old men, trailing her golden tunic; and they all lapsed into silent contemplation, rapt in wonder, as though divine Aphrodite had descended upon earth; and they murmured like a prayer: "It is indeed fitting that we should suffer thus for her. So lovely she is!"

"I like to see men suffer on my account. How glorious if I might be the cause of a great slaughter, like that ancient immortal woman!.. I have an exultant feeling of pride when I notice that envy and spite are whispering behind my back, starting all that gossip that makes my mother so furious. Only extraordinary people stir up torrents of abuse… And afterwards, in the drawing rooms, the very same austere gentlemen who have seconded all that their wives and daughters have to say against me, look at me with sly admiring glances, as I pass; and some of them blush in confusion and others turn pale. It is easy to guess that I have only to beckon and their silent admiration would… I too have my 'old men on the wall.'"

Michael suddenly realized that while she was talking she had been coming gradually closer, from cushion to cushion as she lay resting on her elbows. She was almost at his feet, with head held high, endeavoring to envelop him in a wave of magnetism from her fixed and dominating eyes. She seemed like a black and white snake, twisting forward little by little among the cushions as though they were rocks of various colors.

"The only man of whom I have ever thought the least bit, the only one I ever considered at all different from other men," she continued in a half whisper, "is you… Don't be alarmed: it isn't love. I am not going to invert rôles, and propose to you. Perhaps it is because, as children, we used to hate each other; because you never wanted me. That is such an unheard of thing in my life, that it alone is enough to interest me."

She put her hands on his knees, as though she were about to rise.

"When I saw you in the cemetery, after so many years, I remembered all that I had heard about you. Many women whom I know have been sweethearts of yours, and I said to myself: Why not I, too? Then I thought of all the men who have come into my life, and I added: Why not he?" …

And now Alicia's elbows were resting on his knees, and as the Prince was seated on but two pillows, their lips and eyes were almost on a level. As she talked he could feel her breath on his face. It was like the breeze in an Asiatic forest, whispering beneath the moon. The spices and flowers with which the wine was saturated seemed to float in that volatile caress.

Michael tried to avoid her advance, but one of Alicia's hands was already on his shoulder. He merely shook his head.

"Don't be afraid," she added, exaggerating the caressing quality of her sigh. "There are no embarrassing obligations with me. You may leave me when you wish; perhaps I shall be the one to leave you first. I have wanted you for the last few days. You must surely desire me as the others do… Let us live this moment, like people who know the secret of life and all it can give… Then if we tire of each other, good-by, with no hard feeling and no pining!"

When from time to time in after years the Prince recalled that scene, he always felt a certain dissatisfaction with himself. He was sure he had seemed brutal as well as ridiculous. In his travels he had approached women frequently in the most matter of fact way, often remembering them afterwards with some repugnance; yet here he was, rebelling with a feeling of offended modesty at the advances of the Duchess. No! With her, never! Rising within him he felt the same displeasure that had once made him raise his whip in his youth.

He found himself on his feet in the middle of the study, looking anxiously toward the door and muttering stupid excuses. "No, I must go: it is late. Some friends are waiting for me…" She had gained control of herself. She too was standing looking at him with astonishment and wrath.

"You are the only one who could do a thing like this," she said, in a cutting tone, as they parted. "I see it all clearly now. I hate you as you hate me. My whim was a stupid one. You have permitted yourself a liberty which no one in the world will ever be able to take again. If I were younger than I am I would thrash you again as I did in the Bois; but instead, just consider that I am repeating everything I said then."

They did not see each other again.

When the Prince had set in order everything concerning the inheritance from his mother, he thought of resuming his voyages, but on a more magnificent scale. It was no longer necessary for him to ask the Princess for money. He was one of the great millionaires of the world. Those who were in charge of the administration of his affairs – an office with numerous clerks, almost equalling the government bureau of a small state – made the announcement that the fifteen million francs which the Princess had received annually would soon be twenty, through the development of Russian railways, which allowed more intensive working of his mines.

The Colonel was commissioned to have the heavy medieval walls of Villa Sirena torn down, and the place replanned according to the Prince's tastes. The latter hated architectural resuscitations. He could not bear modern buildings patterned to flatter the pride of the rich proprietors, after the Alhambra, the palaces of Florence, or the solemn and orderly constructions of Versailles.

"The furniture ought to correspond to the period," said Michael, "and people ought to live in such houses as they lived in in the century which produced that particular style. People living in an ancient house ought to dress and eat as in former times… What an absurdity to reconstruct those historic shells, with the interior arranged to suit the needs of modern men who are forced to commit an anachronism at every step!"

He recalled the project of a millionaire friend of his, a member of the Institute, who had built a Roman house on the Riviera, Roman in all the exactness of its details. At the house-warming the guests were obliged to sleep on corded beds and to eat reclining on couches; and even more intimate conveniences were modeled on the principle of hygiene known to the ancient Cæsars. Within twenty-four hours they all pretended they had received urgent telegrams calling them to Paris, and the owner himself after a few months, left his house in charge of a keeper to show to tourists as a museum.

Michael was fond of modern architecture, whose cathedrals are machine shops and large railway stations. Applied to dwellings it pleased him for its lack of style: white walls, a few moldings, rounded corners, with no angles whatsoever, so that the dust might be pursued to its remotest hiding places, wide openings letting in the breeze and the sunlight, double walls between which hot or cold air, and water at various temperatures, could circulate.

"Up to the present time," the Prince asserted, "man has lived in magnificent jewel cases of art and filth. Modern architects have done more in the last thirty years to make life pleasant than the artist-builders, so much admired by history, did in three thousand. They have declared running water and the bath-room as indispensable, things which were unknown to kings themselves half a century ago. They have invented the furnace and the water closet. Don't talk to me about the magnificent palaces of Versailles, where there was not a single toilet, and where every morning the lackeys were obliged to empty two hundred vessels for the king and his courtiers. Often to be through quicker, they threw their contents out of the majestic windows, and sometimes it would fall on the sedan chair and the retinue of a Dauphine or an ambassador."

Toledo applied himself to supervising the construction of Villa Sirena in accordance with the desires of the Prince, making it a plain white building, and without any definite style of architecture. Lubimoff himself, at the proper time, would take charge of the artistic touches, placing famous pictures, statues, tapestries, or rugs, just where they would be most pleasing to the eye. The house was to be a harmony of simple, pure lines. The walls were to have heating and cooling systems for the different seasons, and running water was to be available in abundance everywhere. Each room was to have its electric lights and its electric fan.