An Abridgment of the Architecture of Vitruvius

Frise is that part which is between the Architrave and the Cornice.

G

GNomonick is the Art of making Sun-dials; it’s derived from the Greek γνὼμων, which signifies that which shews a thing, as the Cock or Pin of the Dyal shews what a clock it is.

Gorge, or the Gule or Neck, is the narrowest part of the Dorick Capital, which is between the Astragal, above the Shaft of the Pillar and the Annulets.

Gutte, or Drops, are little parts, which to the number of six are put below every Triglyph in the Architrave of the Dorick Order.

H

HYdraulick, from the Greek ὕδωρ; which signifies Water, is an Engine that plays by the help of Water, especially where there are Pipes and Flutes.

Hypethre, from ὑπὸσυὸ, and αιθὴρ æther; signifies a Building whose inside is exposed to the Rain and open Air. The Ancients called so all Temples that had no Roof.

Hyperthyron, for ὑπερ super, and θύρα Janua, a Gate or Door: It signifies that which is above the Gate; it’s a large Table, which is upon the Dorick Gates in the manner of a Frise.

I

IChnographie, from ἴκνος vestigium, and γράφα Scribo, or Insculpo; which properly signifies the Figure that the Plane of the Foot impresses upon the Earth. By it in Architecture is understood that which is commonly called the Plan of the Edifice.

L

LAcuner, or Platfond, is the Flooring or Planching above the Portico’s.

Laconicum was a dry Stove to sweat in: It was so called, because it was much used by the Lacedemonians.

Larmier or Drip, vide Corona.

M

MEtope, from μετι and ὁπὴ, foramen, intervallum. Signifies the Front; it’s the Name of the empty spaces in Freeze of the Dorick Order, between the Triglyphs.

Modillion signifies in Italian a little Model, a little Measure: It’s that part which is so often repeated in the Corinthian and Compound Cornice, which supports the Projecture of the Larmier or Drip. This part is called the little Model in respect of the great Model, which is the Diameter of the Pillar; for as the Proportion of an Edifice depends on the Diameter of the Pillar, so the greatness of the Modellians, their number, and their space or distances, must have a just Proportion or true Relation to the whole Fabrick.

Module or Model is a measure that is made use of to regulate all the Proportion of the Fabrick: In the Dorick Order it’s half the Diameter of the Pillar; in other Orders the Module is the whole Diameter.

Monoptere, from μόνος solus, and πτὲρον ala; is that which has but one Wing or Isle; it was a sort of a round Temple, whose Roof was supported by Pillars only.

Mutuli, from μὺτιλος, which signifies defect, as being made thinner, and more abated above than below. It’s a sort of a Modellion in the Cornice of the Dorick Order.

N

NOyan is the middle part of the Flooring of the Ancients. They made it with Ciment, which they put betwixt a Lay or Bed of Pibbles, cimented with Mortar made of Lime and Sand.

O

ORchestra, from ὁρχὲομαι salto; signified the place where they danced; it was the lowest place in the Theatre, which was between the scene, viz. the place where the Players acted, and the Seats where the Spectators sate. It was in this place where the Greek Comedians were wont to dance.

Order, those Fabricks are said to be of different Orders, when the Proportion which is between the thickness of the Pillars and their height, with all other things which are required to this Proportion, are different.

Ornaments, Vitruvius so calls the Architrave, Frise, and Cornice.

Oval, vide Echinus.

P

PArascenium, from παρὰ and σκενὴ tentonum, is the back part of the Theatre or Scene.

Periptere, from περὶ circum, and πτὲρον ala, which has a Wing round about. This was a sort of a Temple, which had Pillars on all the four Parts, which was different from the Prostyle, which had only Pillars before, or In the Front, and from the Amphiprostyle, which had only Pillars before and behind, and none on the sides.

Peristyle, from περὶ circum, and στὺλος columna; signifies that which has Pillars round about: It differs from the Periptere in this, that the Pillars of the Peristyle are within, as it were round about a Court, and those of the Periptere are without, as in the Temples of the Ancients.

Pedestal, is that part which supports the Pillar.

Pied-droit is a square Pillar, which is in part within the Wall.

Pillaster is the same, with this Difference; that the Pillaster has a Base and a Capital, as a Pillar hath, which the Pied-droit has not.

Platt-band is a square Member, which terminates the Architrave of the Dorick Order, and passes immediately under the Triglyphs.

Plinthus signifies a Brick or square Tile. It’s in Architecture taken for that square Member which makes the Foundation of the Base of the Pillar.

Posticum is the back Gate of a Fabrick.

Portico is a long place covered with a Floor or Flatfond, supported by Pillars.

Proscenium, from πρὸ and σκενινὴ tentorium; it signifies the forepart of the Scene; it was an Edifice as high as the last Portico of the Theatre, whose Face or Front was adorned with many Ranges of Pillars.

Prostyle from πρὸ and στὺλος, signifies that which has Pillars before only. This was one sort of the Temples of the Ancients.

Pseudodiptere, ψευδής mendax, δὶς bis, and πτὲρον ala; signifies a false Diptere. This was a kind of a Temple among the Ancients, which had Porticoes round about, which were every one as large as the double Portico of the Diptere.

Pseudoperiptere, from ψευδὴς mendax, and περὶ, and πτερὸν ala, was a sort of a Temple, where the Side-Pillars were part in the Wall of the inner side of the Temple, which was enlarged sufficiently to enclose within the space which was allowed the Porticoes of the Periptere.

Pulpit was the place upon which the Comedians acted, which we now call the Stage.

Picnostyle, from πὺκνος dentus, and στὺλος columna; signifies a Building where the Pillars were very close one to another; so that the Intercolumniation had but a Diameter and a half of the Pillar.

R

RUdus was a sort of gross Mortar, which was made use of for smoothing, and equally filling and levelling the Superfices of the Walls, before the fine Plaister was laid on: It was likewise made use of for the second Bed or Lay of the Flooring.

S

SCene signifies a Tabernacle, Tent, or Pavillion, from the Greek σκενὴ. It was in the Theatre of the Ancients a great Face or Front of Building, adjoyned with Pillars and Statues, which had three great Openings, in which were Pictures in Perspective, which represented the Lodgings where the Tragedians and Comedians dwelt.

Sabliere is a piece of Wood as long as a Beam, but not so thick.