The Progressionists, and Angela.

"You know, doctor, I have a natural antipathy to all swamps and morasses.

"That is right, Richard; preserve a healthy naturalness."

"We expected you this morning."

"And would go to the station to bring me. Why this ceremony? I am here, and I will enjoy for a few weeks the pure, bracing mountain air. Our arrangements will be as formerly-not so, my dear friend?"

"I am at your service."

"You have, of course, discovered some new points that afford fine views?"

"If not many, at least one-the weather cross," answered Frank. "A beautiful position. The hill stands out somewhat from the range. The whole plain lies before the ravished eyes. At the same time, there are things connected with that place that are not without their influence on me. They refer to a custom of the ultramontanists that clashes with modern ideas; I will have an opportunity of seeing whether your opinion coincides with mine."

"Very well; since we have already an object for our next walk-and this is according to our old plan-tomorrow after dinner at three o'clock," and saying this he glanced wistfully at the old folio. Frank, smiling, observed the delicate hint and retired.

CHAPTER III.

QUOD ERAT DEMONSTRANDUM

On the following day, Richard went to the weather-cross. He did not meet Angela. She must have been unusually early; for the flowers had evidently just been placed before the statue.

He returned, gloomy, to the house, and wrote in his diary:

    "May 14th.

"She did not meet me to-day, and probably will not meet me again. I should have left the book where it was; it might have awakened her gratitude; for I think she left it purposely, to give me an opportunity to make her acquaintance.

"How many young women would give more than a book to get acquainted with a wealthy party! The 'Angel' is very sensitive; but this sensibility pleases me, because it is true womanly delicacy.

"She will now avoid meeting me in this lonely road. But I will study her character in her father's house. I will see if she does not confirm my opinion of the women of our times. It was for this purpose alone that I accepted Siegwart's invitation. Angela must not play Isabella; no woman ever shall. Single, and free from woman's yoke, I will go through the world."

He put aside the diary, and began reading Vogt's Physiological Letters.

At three o'clock precisely, Richard with the punctual doctor left Frankenhöhe. They passed through the chestnut grove and through the vineyard toward Salingen. The doctor pushed on with long steps, his arms swinging back and forth. He was evidently pleased with the subject he had been reading. He had, on leaving the house, shaken Richard by the hand, and spoken a few friendly words, but not a syllable since. Richard knew his ways; and knew that it would take some time for him to thaw.

They were passing between Siegwart's house and Salingen, when they beheld Angela, at a distance, coming toward them. She carried a little basket on her arm, and on her head she wore a straw hat with broad fluttering ribbons. Richard fixed his eyes attentively on her. This time, also, she did not wear hoops, but a dress of modest colors. He admired her light, graceful movement and charming figure. The blustering doctor moderated his steps and went slower the nearer he came to Angela, and considered her with surprise. Frank greeted her, touching his hat. She did not thank him, as before, with a friendly greeting, but by a scarcely perceptible inclination of the head; nor did she smile as before, but on this account seemed to him more charming and ethereal than ever. She only glanced at him, and he thought he observed a slight blush on her cheeks.

These particulars were engrossing the young man's attention when he heard the doctor say,

"Evidently the Angel of Salingen."

"Who?" said Richard in surprise.

"The Angel of Salingen," returned Klingenberg. "You are surprised at this appellation; is it not well-merited?"

"My surprise increases, doctor; for exaggeration is not your fashion."

"But she deserves acknowledgment. Let me explain. The maiden is the daughter of the proprietor Siegwart, and her name is Angela. She is a model of every virtue. She is, in the female world, what an image of the Virgin, by one of the old masters, would be among the hooped gentry of the present. As you are aware, I have been often called to the cabins of the sick poor, and there the quiet, unostentatious labors of this maiden have become known to me. Angela prepares suitable food for the sick, and generally takes it to them herself. The basket on her arm does service in this way. There are many poor persons who would not recover unless they had proper, nourishing food. To these Angela is a great benefactor. For this reason, she has a great influence over the minds of the sick, and the state of the mind greatly facilitates or impedes their recovery.

"I have often entered just after she had departed, and the beneficial influence of her presence could be still seen in the countenances of the poor. Her presence diffused resignation, peace, contentment, and a peculiar cheerfulness in the meanest and most wretched hovels of poverty, where she enters without hesitation. This is certainly a rare quality in so young a creature. She rejoices the hearts of the children by giving them clothes, sometimes made by herself, or pictures and the like. Her whole object appears to be to reconcile and make all happy. I have just seen her for the first time; her beauty is remarkable, and might well adorn an angel. The common people wish only to Germanize 'Angela' when they call her 'Angel.' But she is indeed an angel of heaven to the poor and needy."

Frank said nothing. He moved on in silence toward the weather-cross.

"I have accidentally discovered a singular custom of your 'angel,' doctor. There is at the weather-cross a Madonna of stone. Angela has imposed upon herself the singular task of adorning this Madonna, daily, with fresh flowers."

"You are a profane fellow, Richard. You should not speak in such a derisive tone of actions which are the out-flowings of pious sentiment."

"Every one has his hobby. What will not people do through ambition? I know ladies who torture a piano for half the night, in order to catch the tone of the prima-donna at the opera. I know women who undergo all possible privations to be able to wear as fine clothes, as costly furs, as others with whom they are in rivalry. This exhaustive night-singing, these deprivations, are submitted to through foolish vanity. Perhaps Angela is not less ambitious and vain than others of her sex. As she cannot dazzle these country folk with furs or toilette, she dazzles their religious sentiment by ostentatious piety."

"Radically false!" said the doctor. "Charity and virtue are recognized and honored not only in the country, but also in the cities. Why do not your coquettes strive for this approval? Because they want Angela's nobility of soul. And again, why should Angela wish to gain the admiration of the peasants? She is the daughter of the wealthiest man in the neighborhood. If such was her object, she could gratify her ambition in a very different way."

"Then Angela is a riddle to me," returned Richard. "I cannot conceive the motives of her actions."

"Which are so natural! The maiden follows the impulses of her own noble nature, and these impulses are developed and directed by Christian culture, and convent education. Angela was a long time with the nuns, and only returned home two years ago. Here you have the very natural solution of the riddle."

"Are you acquainted with the Siegwart family?"

"No; what I know of Angela I learned from the people of Salingen."

They arrived at the platform. Klingenberg stood silent for some time admiring the landscape. The view did not seem to interest Richard. His eyes rested on Angela's home, whose white walls, surrounded by vineyards and corn-fields, glistened in the sun.

"It is worth while to come up here oftener," said Klingenberg.

"Angela's work," said Richard as he drew near the statue. The doctor paused a moment and examined the flowers.

"Do you observe Angela's fine taste in the arrangement of the colors?" said he. "And the forget-me-nots! What a deep religious meaning they have."

They returned by another way to Frankenhöhe.

"Angela's pious work," began Richard after a long pause, "reminds me of a religious custom against which modern civilization has thus far warred in vain. I mean the veneration of saints. You, as a Protestant, will smile at this custom, and I, as a Catholic, must deplore the tenacity with which my church clings to this obsolete remnant of heathen idolatry."

"Ah! this is the subject you alluded to yesterday," said the doctor. "I must, in fact, smile, my dear Richard! But I by no means smile at 'the tenacity with which your church clings to the obsolete remnants of heathen idolatry.' I smile at your queer idea of the veneration of the saints. I, as a reasonable man, esteem this veneration, and recognize its admirable and beneficial influence on human society."

This declaration increased Frank's surprise to the highest degree. He knew the clear mind of the doctor, and could not understand how it happened that he wished to defend a custom so antagonistic to modern thought.

"You find fault," continued Klingenberg, "with the custom of erecting statues to these holy men in the churches, the forest, the fields, the houses, and in the market?"

"Yes, I do object to that."

"If you had objected to the lazy Schiller at Mayence, or the robber's poet Schiller, as he raves at the theatre in Mannheim, or to the conqueror and destroyer of Germany, Gustavus Adolphus, whose statue is erected as an insult in a German city, then you would be right."

"Schiller-worship has its justification," retorted Frank. "They erect public monuments to the genial spirit of that man, to remind us of his services to poetry, his aspirations, and his German patriotism."

"It is praiseworthy to erect monuments to the poet. But do not talk of Schiller's patriotism, for he had none. But let that pass; it is not to the point. The question is, whether you consider it praiseworthy to erect monuments to deserving and exalted genius?"

"Without the least hesitation, I say yes. But I see what you are driving at, doctor. I know the remorseless logic of your inferences. But you will not catch me in your vise this time. You wish to infer that the saints far surpassed Schiller in nobility and greatness of soul, and that honoring them, therefore, is more reasonable, and more justifiable, than honoring Schiller. I dispute the greatness of the so-called saints. They were men full of narrowness and rigorism. They despised the world and their friends. They carried this contempt to a wonderful extent-to a renunciation of all the enjoyments of life, to voluntary poverty and unconditional obedience. But all these are fruits that have grown on a stunted, morbid tree, and are in opposition to progress, to industry, and to the enlightened civilization of modern times. The dark ages might well honor such men, but our times cannot. Schiller, on the contrary, that genial man, taught us to love the pleasures of life. By his fine genius and his odes to pleasure, he frightened away all the spectres of these enthusiastic views of life. He preached a sound taste and a free, unconstrained enjoyment of the things of this beautiful earth. And for this reason precisely, because he inaugurated this new doctrine, does he deserve monuments in his honor."

"How does it happen then, my friend," said the doctor, in a cutting tone that was sometimes peculiar to him, "that you do not take advantage of the modern doctrine of unconstrained enjoyment? Why have you preserved fresh your youthful vigor, and not dissipated it at the market of sensual pleasures? Why is your mode of life so often a reproach to your dissolute friends? Why do you avoid the resorts of refined pleasures? Why are the coquettish, vitiated, hollow inclinations of a great part of the female sex so distasteful to you? Answer me!"