Studies in The South and West, With Comments on Canada

The glimpses of street life are always entertaining, because unconscious, while full of character. It may be a Creole court-yard, the walls draped with vines, flowers blooming in bap-hazard disarray, and a group of pretty girls sewing and chatting, and stabbing the passer-by with a charmed glance. It may be a cotton team in the street, the mules, the rollicking driver, the creaking cart. It may be a single figure, or a group in the market or on the levee—a slender yellow girl sweeping up the grains of rice, a colored gleaner recalling Ruth; an ancient darky asleep, with mouth open, in his tipped-up two-wheeled cart, waiting for a job; the “solid South,” in the shape of an immense “aunty” under a red umbrella, standing and contemplating the river; the broad-faced women in gay bandannas behind their cake-stands; a group of levee hands about a rickety table, taking their noonday meal of pork and greens; the blind-man, capable of sitting more patiently than an American Congressman, with a dog trained to hold his basket for the pennies of the charitable; the black stalwart vender of tin and iron utensils, who totes in a basket, and piled on his head, and strung on his back, a weight of over two hundred and fifty pounds; and negro women who walk erect with baskets of clothes or enormous bundles balanced on their heads, smiling and “jawing,” unconscious of their burdens. These are the familiar figures of a street life as varied and picturesque as the artist can desire.

New Orleans amuses itself in the winter with very good theatres, and until recently has sustained an excellent French opera. It has all the year round plenty of cafes chantants, gilded saloons, and gambling-houses, and more than enough of the resorts upon which the police are supposed to keep one blind eye. “Back of town,” towards Lake Pontchartrain, there is much that is picturesque and blooming, especially in the spring of the year—the charming gardens of the Jockey Club, the City Park, the old duelling-ground with its superb oaks, and the Bayou St. John with its idling fishing-boats, and the colored houses and plantations along the banks—a piece of Holland wanting the Dutch windmills. On a breezy day one may go far for a prettier sight than the river-bank and esplanade at Carrollton, where the mighty coffee-colored flood swirls by, where the vast steamers struggle and cough against the stream, or swiftly go with it round the bend, leaving their trail of smoke, and the delicate line of foliage against the sky on the far opposite shore completes the outline of an exquisite landscape. Suburban resorts much patronized, and reached by frequent trains, are the old Spanish Fort and the West End of Lake Pontchartrain. The way lies through cypress swamp and palmetto thickets, brilliant at certain seasons with fleur-de-lis. At each of these resorts are restaurants, dancing-halls, promenade-galleries, all on a large scale; boat-houses, and semi-tropical gardens very prettily laid out in walks and labyrinths, and adorned with trees and flowers. Even in the heat of summer at night the lake is sure to offer a breeze, and with waltz music and moonlight and ices and tinkling glasses with straws in them and love’s young dream, even the ennuyé globe-trotter declares that it is not half bad.

The city, indeed, offers opportunity for charming excursions in all directions. Parties are constantly made up to visit the river plantations, to sail up and down the stream, or to take an outing across the lake, or to the many lovely places along the coast. In the winter, excursions are made to these places, and in summer the well-to-do take the sea-air in cottages, at such places as Mandeville across the lake, or at such resorts on the Mississippi as Pass Christian.

I crossed the lake one spring day to the pretty town of Mandeville, and then sailed up the Tehefuncta River to Covington. The winding Tchefuncta is in character like some of the narrow Florida streams, has the same luxuriant overhanging foliage, and as many shy lounging alligators to the mile, and is prettier by reason of occasional open glades and large moss-draped live-oaks and China-trees. From the steamer landing in the woods we drove three miles through a lovely open pine forest to the town. Covington is one of the oldest settlements in the State, is the centre of considerable historic interest, and the origin of several historic families. The land is elevated a good deal above the coast-level, and is consequently dry. The town has a few roomy oldtime houses, a mineral spring, some pleasing scenery along the river that winds through it, and not much else. But it is in the midst of pine woods, it is sheltered from all “northers,” it has the soft air, but not the dampness, of the Gulf, and is exceedingly salubrious in all the winter months, to say nothing of the summer. It has lately come into local repute as a health resort, although it lacks sufficient accommodations for the entertainment of many strangers. I was told by some New Orleans physicians that they regarded it as almost a specific for pulmonary diseases, and instances were given of persons in what was supposed to be advanced stages of lung and bronchial troubles who had been apparently cured by a few months’ residence there; and invalids are, I believe, greatly benefited by its healing, soft, and piny atmosphere.

I have no doubt, from what I hear and my limited observation, that all this coast about New Orleans would be a favorite winter resort if it had hotels as good as, for instance, that at Pass Christian. The region has many attractions for the idler and the invalid. It is, in the first place, interesting; it has a good deal of variety of scenery and of historical interest; there is excellent fishing and shooting; and if the visitor tires of the monotony of the country, he can by a short ride on cars or a steamer transfer himself for a day or a week to a large and most hospitable city, to society, the club, the opera, balls, parties, and every variety of life that his taste craves. The disadvantage of many Southern places to which our Northern regions force us is that they are uninteresting, stupid, and monotonous, if not malarious. It seems a long way from New York to New Orleans, but I do not doubt that the region around the city would become immediately a great winter resort if money and enterprise were enlisted to make it so.

New Orleans has never been called a “strait-laced” city; its Sunday is still of the Continental type; but it seems to me free from the socialistic agnosticism which flaunts itself more or less in Cincinnati, St. Louis, and Chicago; the tone of leading Presbyterian churches is distinctly Calvinistic, one perceives comparatively little of religious speculation and doubt, and so far as I could see there is harmony and entire social good feeling between the Catholic and Protestant communions. Protestant ladies assist at Catholic fairs, and the compliment is returned by the society ladies of the Catholic faith when a Protestant good cause is to be furthered by a bazaar or a “pink tea.” Denominational lines seem to have little to do with social affiliations. There may be friction in the management of the great public charities, but on the surface there is toleration and united good-will. The Catholic faith long had the prestige of wealth, family, and power, and the education of the daughters of Protestant houses in convent schools tended to allay prejudice. Notwithstanding the reputation New Orleans has for gayety and even frivolity—and no one can deny the fast and furious living of ante-bellum days—it possesses at bottom an old-fashioned religious simplicity. If any one thinks that “faith” has died out of modern life, let him visit the mortuary chapel of St. Roch. In a distant part of the town, beyond the street of the Elysian Fields, and on Washington avenue, in a district very sparsely built up, is the Campo Santo of the Catholic Church of the Holy Trinity. In this foreign-looking cemetery is the pretty little Gothic Chapel of St. Roch, having a background of common and swampy land. It is a brown stuccoed edifice, wholly open in front, and was a year or two ago covered with beautiful ivy. The small interior is paved in white marble, the windows are stained glass, the side-walls are composed of tiers of vaults, where are buried the members of certain societies, and the spaces in the wall and in the altar area are thickly covered with votive offerings, in wax and in naive painting—contributed by those who have been healed by the intercession of the saints. Over the altar is the shrine of St. Roch—a cavalier, staff in hand, with his clog by his side, the faithful animal which accompanied this eighth-century philanthropist in his visitations to the plague-stricken people of Munich. Within the altar rail are rows of lighted candles, tended and renewed by the attendant, placed there by penitents or by seekers after the favor of the saint. On the wooden benches, kneeling, are ladies, servants, colored women, in silent prayer. One approaches the lighted, picturesque shrine through the formal rows of tombs, and comes there into an atmosphere of peace and faith. It is believed that miracles are daily wrought here, and one notices in all the gardeners, keepers, and attendants of the place the accent and demeanor of simple faith. On the wall hangs this inscription:

“O great St. Roch, deliver us, we beseech thee, from the scourges of God. Through thy intercessions preserve our bodies from contagious diseases, and our souls from the contagion of sin. Obtain for us salubrious air; but, above all, purity of heart. Assist us to make good use of health, to bear suffering with patience, and after thy example to live in the practice of penitence and charity, that we may one day enjoy the happiness which thou hast merited by thy virtues.

“St. Roch, pray for us.

“St. Roch, pray for us.

“St. Roch, pray for us.”

There is testimony that many people, even Protestants, and men, have had wounds cured and been healed of diseases by prayer in this chapel. To this distant shrine come ladies from all parts of the city to make the “novena”—the prayer of nine days, with the offer of the burning taper—and here daily resort hundreds to intercede for themselves or their friends. It is believed by the damsels of this district that if they offer prayer daily in this chapel they will have a husband within the year, and one may see kneeling here every evening these trustful devotees to the welfare of the human race. I asked the colored woman who sold medals and leaflets and renewed the candles if she personally knew any persons who had been miraculously cured by prayer, or novena, in St. Roch. “Plenty, sir, plenty.” And she related many instances, which were confirmed by votive offerings on the walls. “Why,” said she, “there was a friend of mine who wanted a place, and could hear of none, who made a novena here, and right away got a place, a good place, and” (conscious that she was making an astonishing statement about a New Orleans servant) “she kept it a whole year!”

“But one must come in the right spirit,” I said.

“Ah, indeed. It needs to believe. You can’t fool God!”

One might make various studies of New Orleans: its commercial life; its methods, more or less antiquated, of doing business, and the leisure for talk that enters into it; its admirable charities and its mediaeval prisons; its romantic French and Spanish history, still lingering in the old houses, and traits of family and street life; the city politics, which nobody can explain, and no other city need covet; its sanitary condition, which needs an intelligent despot with plenty of money and an ingenuity that can make water run uphill; its colored population—about a fourth of the city—with its distinct social grades, its superstition, nonchalant good-humor, turn for idling and basking in the sun, slowly awaking to a sense of thrift, chastity, truth-speaking, with many excellent order-loving, patriotic men and women, but a mass that needs moral training quite as much as the spelling-book before it can contribute to the vigor and prosperity of the city; its schools and recent libraries, and the developing literary and art taste which will sustain book-shops and picture-galleries; its cuisine, peculiar in its mingling of French and African skill, and determined largely by a market unexcelled in the quality of fish, game, and fruit—the fig alone would go far to reconcile one to four or five months of hot nights; the climatic influence in assimilating races meeting there from every region of the earth.

But whatever way we regard New Orleans., it is in its aspect, social tone, and character sui generis; its civilization differs widely from that of any other, and it remains one of the most interesting places in the republic. Of course, social life in these days is much the same in all great cities in its observances, but that of New Orleans is markedly cordial, ingenuous, warmhearted. I do not imagine that it could tolerate, as Boston does, absolute freedom of local opinion on all subjects, and undoubtedly it is sensitive to criticism; but I believe that it is literally true, as one of its citizens said, that it is still more sensitive to kindness.

The metropolis of the South-west has geographical reasons for a great future. Louisiana is rich in alluvial soil, the capability of which has not yet been tested, except in some localities, by skilful agriculture. But the prosperity of the city depends much upon local conditions. Science and energy can solve the problem of drainage, can convert all the territory between the city and Lake Pontchartrain into a veritable garden, surpassing in fertility the flat environs of the city of Mexico. And the steady development of common-school education, together with technical and industrial schools, will create a skill which will make New Orleans the industrial and manufacturing centre of that region.

IV.—A VOUDOO DANCE

There was nothing mysterious about it. The ceremony took place in broad day, at noon in the upper chambers of a small frame house in a street just beyond Congo Square and the old Parish prison in New Orleans. It was an incantation rather than a dance—a curious mingling of African Voudoo rites with modern “spiritualism” and faith-cure.

The explanation of Voudooism (or Vaudouism) would require a chapter by itself. It is sufficient to say for the purpose of this paper that the barbaric rites of Voudooism originated with the Congo and Guinea negroes, were brought to San Domingo, and thence to Louisiana. In Hayti the sect is in full vigor, and its midnight orgies have reverted more and more to the barbaric original in the last twenty-five years. The wild dance and incantations are accompanied by sacrifice of animals and occasionally of infants, and with cannibalism, and scenes of most indecent license. In its origin it is serpent worship. The Voudoo signifies a being all-powerful on the earth, who is, or is represented by, a harmless species of serpent (couleuvre), and in this belief the sect perform rites in which the serpent is propitiated. In common parlance, the chief actor is called the Voudoo—if a man, the Voudoo King; if a woman, the Voudoo Queen. Some years ago Congo Square was the scene of the weird midnight rites of this sect, as unrestrained and barbarous as ever took place in the Congo country. All these semi-public performances have been suppressed, and all private assemblies for this worship are illegal, and broken up by the police when discovered. It is said in New Orleans that Voudooism is a thing of the past. But the superstition remains, and I believe that very few of the colored people in New Orleans are free from it—that is, free from it as a superstition. Those who repudiate it, have nothing to do with it, and regard it as only evil, still ascribe power to the Voudoo, to some ugly old woman or man, who is popularly believed to have occult power (as the Italians believe in the “evil-eye”), can cast a charm and put the victims under a spell, or by incantations relieve them from it. The power of the Voudoo is still feared by many who are too intelligent to believe in it intellectually. That persons are still Voudooed, probably few doubt; and that people are injured by charms secretly placed in their beds, or are bewitched in various ways, is common belief—more common than the Saxon notion that it is ill-luck to see the new moon over the left shoulder.

Although very few white people in New Orleans have ever seen the performance I shall try to describe, and it is said that the police would break it up if they knew of it, it takes place every Wednesday at noon at the house where I saw it; and there are three or four other places in the city where the rites are celebrated sometimes at night. Our admission was procured through a friend who had, I suppose, vouched for our good intentions.

We were received in the living-rooms of the house on the ground-floor by the “doctor,” a good-looking mulatto of middle age, clad in a white shirt with gold studs, linen pantaloons, and list slippers. He had the simple-minded shrewd look of a “healing medium.” The interior was neat, though in some confusion; among the rude attempts at art on the walls was the worst chromo print of General Grant that was probably ever made. There were several negroes about the door, many in the rooms and in the backyard, and all had an air of expectation and mild excitement. After we had satisfied the scruples of the doctor, and signed our names in his register, we were invited to ascend by a narrow, crooked stair-way in the rear. This led to a small landing where a dozen people might stand, and from this a door opened into a chamber perhaps fifteen feet by ten, where the rites were to take place; beyond this was a small bedroom. Around the sides of these rooms were benches and chairs, and the close quarters were already well filled.

The assembly was perfectly orderly, but a motley one, and the women largely outnumbered the men. There were coal-black negroes, porters, and stevedores, fat cooks, slender chamber-maids, all shades of complexion, yellow girls and comely quadroons, most of them in common servant attire, but some neatly dressed. And among them were, to my surprise, several white people.

On one side of the middle room where we sat was constructed a sort of buffet or bureau, used as an altar. On it stood an image of the Virgin Mary in painted plaster, about two feet high, flanked by lighted candles and a couple of cruets, with some other small objects. On a shelf below were two other candles, and on this shelf and the floor in front were various offerings to be used in the rites—plates of apples, grapes, bananas, oranges; dishes of sugar, of sugarplums; a dish of powdered orris root, packages of candles, bottles of brandy and of water. Two other lighted candles stood on the floor, and in front an earthen bowl. The clear space in front for the dancer was not more than four or five feet square.

Some time was consumed in preparations, or in waiting for the worshippers to assemble. From conversation with those near me, I found that the doctor had a reputation for healing the diseased by virtue of his incantations, of removing “spells,” of finding lost articles, of ministering to the troubles of lovers, and, in short, of doing very much what clairvoyants and healing mediums claim to do in what are called civilized communities. But failing to get a very intelligent account of the expected performance from the negro woman next me, I moved to the side of the altar and took a chair next a girl of perhaps twenty years old, whose complexion and features gave evidence that she was white. Still, finding her in that company, and there as a participant in the Voudoo rites, I concluded that I must be mistaken, and that she must have colored blood in her veins. Assuming the privilege of an inquirer, I asked her questions about the coming performance, and in doing so carried the impression that she was kin to the colored race. But I was soon convinced, from her manner and her replies, that she was pure white. She was a pretty, modest girl, very reticent, well-bred, polite, and civil. None of the colored people seemed to know who she was, but she said she had been there before. She told me, in course of the conversation, the name of the street where she lived (in the American part of the town), the private school at which she had been educated (one of the best in the city), and that she and her parents were Episcopalians. Whatever her trouble was, mental or physical, she was evidently infatuated with the notion that this Voudoo doctor could conjure it away, and said that she thought he had already been of service to her. She did not communicate her difficulties to him or speak to him, but she evidently had faith that he could discern what every one present needed, and minister to them. When I asked her if, with her education, she did not think that more good would come to her by confiding in known friends or in regular practitioners, she wearily said that she did not know. After the performance began, her intense interest in it, and the light in her eyes, were evidence of the deep hold the superstition had upon her nature. In coming to this place she had gone a step beyond the young ladies of her class who make a novena at St. Roch.

While we still waited, the doctor and two other colored men called me into the next chamber, and wanted to be assured that it was my own name I had written on the register, and that I had no unfriendly intentions in being present. Their doubts at rest, all was ready.

The doctor squatted on one side of the altar, and his wife, a stout woman of darker hue, on the other.

“Commençons,” said the woman, in a low voice. All the colored people spoke French, and French only, to each other and in the ceremony.

The doctor nodded, bent over, and gave three sharp raps on the floor with a bit of wood. (This is the usual opening of Voudoo rites.) All the others rapped three times on the floor with their knuckles. Anyone coming in to join the circle afterwards, stooped and rapped three times. After a moment’s silence, all kneeled and repeated together in French the Apostles’ Creed, and still on their knees, they said two prayers to the Virgin Mary.

The colored woman at the side of the altar began a chant in a low, melodious voice. It was the weird and strange “Dansé Calinda.” A tall negress, with a bright, good-natured face, entered the circle with the air of a chief performer, knelt, rapped the floor, laid an offering of candles before the altar, with a small bottle of brandy, seated herself beside the singer, and took up in a strong, sweet voice the bizarre rhythm of the song. Nearly all those who came in had laid some little offering before the altar. The chant grew, the single line was enunciated in stronger pulsations, and other voices joined in the wild refrain,

“Dansé Calinda, boudoum, boudoum
Dansé Calinda, boudoum, boudoum!”

bodies swayed, the hands kept time in soft patpatting, and the feet in muffled accentuation. The Voudoo arose, removed his slippers, seized a bottle of brandy, dashed some of the liquid on the floor on each side of the brown bowl as a libation, threw back his head and took a long pull at the bottle, and then began in the open space a slow measured dance, a rhythmical shuffle, with more movement of the hips than of the feet, backward and forward, round and round, but accelerating his movement as the time of the song quickened and the excitement rose in the room. The singing became wilder and more impassioned, a strange minor strain, full of savage pathos and longing, that made it almost impossible for the spectator not to join in the swing of its influence, while the dancer wrought himself up into the wild passion of a Cairene dervish. Without a moment ceasing his rhythmical steps and his extravagant gesticulation, he poured liquid into the basin, and dashing in brandy, ignited the fluid with a match. The liquid flamed up before the altar. He seized then a bunch of candles, plunged them into the bowl, held them up all flaming with the burning brandy, and, keeping his step to the maddening “Calinda,” distributed them lighted to the devotees. In the same way he snatched up dishes of apples, grapes, bananas, oranges, deluged them with burning brandy, and tossed them about the room to the eager and excited crowd. His hands were aflame, his clothes seemed to be on fire; he held the burning dishes close to his breast, apparently inhaling the flame, closing his eyes and swaying his head backward and forward in an ecstasy, the hips advancing and receding, the feet still shuffling to the barbaric measure.

Every moment his own excitement and that of the audience increased. The floor was covered with the débris of the sacrifice—broken candy, crushed sugarplums, scattered grapes—and all more or less in flame. The wild dancer was dancing in fire! In the height of his frenzy he grasped a large plate filled with lump-sugar. That was set on fire. He held the burning mass to his breast, he swung it round, and finally, with his hand extended under the bottom of the plate (the plate only adhering to his hand by the rapidity of his circular motion), he spun around like a dancing dervish, his eyes shut, the perspiration pouring in streams from his face, in a frenzy. The flaming sugar scattered about the floor, and the devotees scrambled for it. In intervals of the dance, though the singing went on, the various offerings which had been conjured were passed around—bits of sugar and fruit and orris powder. That which fell to my share I gave to the young girl next me, whose eyes were blazing with excitement, though she had remained perfectly tranquil, and joined neither by voice or hands or feet in the excitement. She put the conjured sugar and fruit in her pocket, and seemed grateful to me for relinquishing it to her.

Before this point had been reached the chant had been changed for the wild canga, more rapid in movement than the chanson africaine:

“Eh! eli! Bomba, hen! hen!
Canga bafio té
Canga moune dé lé
Canga do ki la
Canga li.”

At intervals during the performance, when the charm had begun to work, the believers came forward into the open space, and knelt for “treatment.” The singing, the dance, the wild incantation, went on uninterruptedly; but amid all his antics the dancer had an eye to business. The first group that knelt were four stalwart men, three of them white laborers. All of them, I presume, had some disease which they had faith the incantation would drive away. Each held a lighted candle in each hand. The doctor successively extinguished each candle by putting it in his mouth, and performed a number of antics of a saltatory sort. During his dancing and whirling he frequently filled his mouth with liquid, and discharged it in spray, exactly as a Chinese laundryman sprinkles his clothes, into the faces and on the heads of any man or woman within reach. Those so treated considered themselves specially favored. Having extinguished the candles of the suppliants, he scooped the liquid from the bowl, flaming or not as it might be, and with his hands vigorously scrubbed their faces and heads, as if he were shampooing them. While the victim was still sputtering and choking he seized him by the right hand, lifted him up, spun him round half a dozen times, and then sent him whirling.

This was substantially the treatment that all received who knelt in the circle, though sometimes it was more violent. Some of them were slapped smartly upon the back and the breast, and much knocked about. Occasionally a woman was whirled till she was dizzy, and perhaps swung about in his arms as if she had been a bundle of clothes. They all took it meekly and gratefully. One little girl of twelve, who had rickets, was banged about till it seemed as if every bone in her body would be broken. But the doctor had discrimination, even in his wildest moods. Some of the women were gently whirled, and the conjurer forbore either to spray them from his mouth or to shampoo them.

Nearly all those present knelt, and were whirled and shaken, and those who did not take this “cure” I suppose got the benefit of the incantation by carrying away some of the consecrated offerings. Occasionally a woman in the whirl would whisper something-in the doctor’s ear, and receive from him doubtless the counsel she needed. But generally the doctor made no inquiries of his patients, and they said nothing to him.

While the wild chanting, the rhythmic movement of hands and feet, the barbarous dance, and the fiery incantations were at their height, it was difficult to believe that we were in a civilized city of an enlightened republic. Nothing indecent occurred in word or gesture, but it was so wild and bizarre that one might easily imagine he was in Africa or in hell.

As I said, nearly all the participants were colored people; but in the height of the frenzy one white woman knelt and was sprayed and whirled with the others. She was a respectable married woman from the other side of Canal Street. I waited with some anxiety to see what my modest little neighbor would do. She had told me that she should look on and take no part. I hoped that the senseless antics, the mummery, the rough treatment, would disgust her. Towards the close of the séance, when the spells were all woven and the flames had subsided, the tall, good-natured negress motioned to me that it was my turn to advance into the circle and kneel. I excused myself. But the young girl was unable to resist longer. She went forward and knelt, with a candle in her hand. The conjurer was either touched by her youth and race, or he had spent his force. He gently lifted her by one hand, and gave her one turn around, and she came back to her seat.

The singing ceased, The doctor’s wife passed round the hat for contributions, and the ceremony, which had lasted nearly an hour and a half, was over. The doctor retired exhausted with the violent exertions. As for the patients, I trust they were well cured of rheumatism, of fever, or whatever ill they had, and that the young ladies have either got husbands to their minds or have escaped faithless lovers. In the breaking up I had no opportunity to speak further to the interesting young white neophyte; but as I saw her resuming her hat and cloak in the adjoining room there was a strange excitement in her face, and in her eyes a light of triumph and faith. We came out by the back way, and through an alley made our escape into the sunny street and the air of the nineteenth century.

V.—THE ACADIAN LAND

If one crosses the river from New Orleans to Algiers, and takes Morgan’s Louisiana and Texas Railway (now a part of the Southern Pacific line), he will go west, with a dip at first southerly, and will pass through a region little attractive except to water-fowl, snakes, and alligators, by an occasional rice plantation, an abandoned indigo field, an interminable stretch of cypress swamps, thickets of Spanish-bayonets, black waters, rank and rampant vegetation, vines, and water-plants; by-and-by firmer arable land, and cane plantations, many of them forsaken and become thickets of undergrowth, owing to frequent inundations and the low price of sugar.

At a distance of eighty miles Morgan City is reached, and the broad Atchafalaya Bayou is crossed. Hence is steamboat communication with New Orleans and Vera Cruz. The Atchafalaya Bayou has its origin near the mouth of the Red River, and diverting from the Mississippi most of that great stream, it makes its tortuous way to the Gulf, frequently expanding into the proportions of a lake, and giving this region a great deal more water than it needs. The Bayou Teche, which is, in fact, a lazy river, wanders down from the rolling country of Washington and Opelousas, with a great deal of uncertainty of purpose, but mainly south-easterly, and parallel with the Atchafalaya, and joins the latter at Morgan City. Steamers of good size navigate it as far as New Iberia, some forty to fifty miles, and the railway follows it to the latter place, within sight of its fringe of live-oaks and cotton-woods. The region south and west of the Bayou Teche, a vast plain cut by innumerable small bayous and streams, which have mostly a connection with the bay of Côte Blanche and Vermilion Bay, is the home of the Nova Scotia Acadians.

The Acadians in 1755 made a good exchange, little as they thought so at the time, of bleak Nova Scotia for these sunny, genial, and fertile lands. They came into a land and a climate suited to their idiosyncrasies, and which have enabled them to preserve their primitive traits. In a comparative isolation from the disturbing currents of modern life, they have preserved the habits and customs of the eighteenth century. The immigrants spread themselves abroad among those bayous, made their homes wide apart, and the traveller will nowhere find—at least I did not—large and compact communities of them, unalloyed with the American and other elements. Indeed, I imagine that they are losing, in the general settlement of the country, their conspicuousness. They still give the tone, however, to considerable districts, as in the village and neighborhood of Abbeville. Some places, like the old town of St. Martinsville, on the Teche, once the social capital of the region, and entitled, for its wealth and gayety, the Petit Paris, had a large element of French who were not Acadians.

The Teche from Morgan City to New Iberia is a deep, slow, and winding stream, flowing through a flat region of sugar plantations. It is very picturesque by reason of its tortuousness and the great spreading live-oak trees, moss-draped, that hang over it. A voyage on it is one of the most romantic entertainments offered to the traveller. The scenery is peaceful, and exceedingly pretty. There are few conspicuous plantations with mansions and sugar-stacks of any pretensions, but the panorama from the deck of the steamer is always pleasing. There is an air of leisure and “afternoon” about the expedition, which is heightened by the idle case of the inhabitants lounging at the rude wharves and landing-places, and the patience of the colored fishers, boys in scant raiment and women in sun-bonnets, seated on the banks. Typical of this universal contentment is the ancient colored man stretched on a plank close to the steamer’s boiler, oblivious of the heat, apparently asleep, with his spacious mouth wide open, but softly singing.

“Are you asleep, uncle?”

“No, not adzackly asleep, boss. I jes wake up, and thinkin’ how good de Lord is, I couldn’t help singin’.”