This is not the place, had I the knowledge, to enter upon any discussion of the antiquity of these monuments or of Egyptian chronology. I believe I am not mistaken, however, in saying that the discoveries of Mariette Bey tend strongly to establish the credit of the long undervalued list of Egyptian sovereigns made by Manetho, and that many Oriental scholars agree with the director of this museum that the date of the first Egyptian dynasty is about five thousand years before the Christian era. But the almost startling thought presented by this collection is not in the antiquity of some of these objects, but in the long civilization anterior to their production, and which must have been necessary to the growth of the art here exhibited.
It could not have been a barbarous people who produced, for instance, these life-like images found at Maydoom, statues of a prince and princess who lived under the ancient king Snéfrou, the last sovereign of the third dynasty, and the predecessor of Cheops. At no epoch, says M. Mariette, did Egypt produce portraits more speaking, though they want the breadth of style of the statue in wood—of which more anon. But it is as much in an ethnographic as an art view that these statues are important. If the Egyptian race at that epoch was of the type offered by these portraits, it resembled in nothing the race which inhabited the north of Egypt not many years after Snéfrou. To comprehend the problem here presented we have only to compare the features of these statues with those of others in this collection belonging to the fourth and fifth dynasties.
The best work of art in the Museum is the statue of Chephron, the builder of the second pyramid. “The epoch of Chephron,” says M. Mariette, “corresponding to the third reign of the fourth dynasty of Manetho, our statue is not less than six thousand years old.” It is a life-size sitting figure, executed in red granite. We admire its tranquil majesty, we marvel at the close study of nature in the moulding of the breast and limbs, we confess the skill that could produce an effect so fine in such intractable material. It seems as if Egyptian art were about to burst its trammels. But it never did; it never exceeded this cleverness; on the contrary it constantly fell away from it.
The most interesting statue to us, and perhaps the oldest image in Egypt, and, if so, in the world, is the Wooden Man, which was found at Memphis. This image, one metre and ten centimetres high, stands erect, holding a staff. The figure is full of life, the pose expresses vigor, action, pride, the head, round in form, indicates intellect. The eyes are crystal, in a setting of bronze, giving a startling look of life to the regard. It is no doubt a portrait. “There is nothing more striking,” says its discoverer, “than this image, in a manner living, of a person who has been dead six thousand years.” He must have been a man of mark, and a citizen of a state well-civilized; this is not the portrait of a barbarian, nor was it carved by a rude artist. Few artists, I think, have lived since, who could impart more vitality to wood.
And if the date assigned to this statue is correct, sculpture in Egypt attained its maximum of development six thousand years ago. This conclusion will be resisted by many, and on different grounds. I heard a clergyman of the Church of England say to his comrade, as they were looking at this figure:—
“It’s all nonsense; six thousand years! It couldn’t be. That’s before the creation of man.”
“Well,” said the other, irreverently, “perhaps this was the model.”
This museum is for the historian, the archaeologist, not for the artist, except in his study of the history of art. What Egypt had to impart to the world of art was given thousands of years ago—intimations, suggestions, outlines that, in freer circumstances, expanded into works of immortal beauty. The highest beauty, that last touch of genius, that creative inspiration which is genius and not mere talent, Egyptian art never attained. It achieved wonders; they are all mediocre wonders; miracles of talent. The architecture profoundly impresses, almost crushes one; it never touches the highest in the soul, it never charms, it never satisfies.
The total impression upon myself of this ancient architecture and this plastic art is a melancholy one. And I think this is not altogether due to its monotony. The Egyptian art is said to be sui generis; it has a character that is instantly recognized; whenever and wherever we see a specimen of it, we say without fear of mistake, “that is Egyptian.” We are as sure of it as we are of a piece of Greek work of the best age, perhaps surer. Is Egyptian art, then, elevated to the dignity of a type, of itself? Is it so to be studied, as something which has flowered into a perfection of its kind? I know we are accustomed to look at it as if it were, and to set it apart; in short, I have heard it judged absolutely, as if it were a rule to itself. I cannot bring myself so to look at it. All art is one. We recognize peculiarities of an age or of a people; but there is only one absolute standard; to that touchstone all must come.
It seems to me then that the melancholy impression produced by Egyptian art is not alone from its monotony, its rigidity, its stiff formality, but it is because we recognize in it an arrested development. It is archaic. The peculiarity of it is that it always remained archaic. We have seen specimens of the earliest Etruscan figure-drawing, Gen. Cesnola found in Cyprus Phoenician work, and we have statues of an earlier period of Greek sculpture, all of which more or less resemble Egyptian art. The latter are the beginnings of a consummate development. Egypt stopped at the beginnings. And we have the sad spectacle of an archaic art, not growing, but elaborated into a fixed type and adhered to as if it were perfection. In some of the figures I have spoken of in this museum, you can find that art was about to emancipate itself. In all later works you see no such effort, no such tendency, no such hope. It had been abandoned. By and by impulse died out entirely. For thousands of years the Egyptians worked at perfecting the mediocre. Many attribute this remote and total repression to religious influence. Something of the same sort may be seen in the paintings of saints in the Greek chambers of the East to-day; the type of which is that of the Byzantine period. Are we to attribute a like arrest of development in China to the same cause?
It is a theory very plausibly sustained, that the art of a people is the flower of its civilization, the final expression of the conditions of its growth and its character. In reading Mr. Taine’s ingenious observations upon art in the Netherlands and art in Greece, we are ready to assent to the theory. It may be the general law of a free development in national life and in art. If it is, then it is not disturbed by the example of Egypt. Egyptian art is not the expression of the natural character, for its art was never developed. The Egyptians were a joyous race, given to mirth, to the dance, to entertainments, to the charms of society, a people rather gay than grave; they lived in the open air, in the most friendly climate in the world. The sculptures in the early tombs represent their life—an existence full of gaiety, grace, humor. This natural character is not expressed in the sombre temples, nor in their symbolic carvings, nor in these serious, rigid statues, whose calm faces look straight on as if into eternity. This art may express the religion of the priestly caste; when it had attained the power to portray the rigid expectation of immortality, the inscrutable repose of the Sphinx, it was arrested there, and never allowed in any respect to change its formality. And I cannot but believe that if it had been free, Egyptian art would have budded and bloomed into a grace of form in harmony with the character of the climate and the people.
It is true that the architecture of Egypt was freer than its sculptures, but the whole of it together is not worth one edifice like the Greek temple at Pæstum. And to end, by what may seem a sweeping statement, I have had more pleasure from a bit of Greek work—an intaglio, or a coin of the best period, or the sculptures on a broken entablature—than from anything that Egypt ever produced in art.
CHAPTER XXXV.—ON THE WAY HOME
FOR two days after the sand-storm, it gives us pleasure to write, the weather was cold, raw, thoroughly unpleasant, resembling dear New England quite enough to make one homesick. As late as the twenty-eighth of March, this was. The fact may be a comfort to those who dwell in a region where winter takes a fresh hold in March.
We broke up our establishment on the dahabeëh and moved to the hotel, abandoning I know not how many curiosities, antiquities and specimens, the possession of which had once seemed to us of the last importance. I shall spare you the scene at parting with our crew. It would have been very touching, but for the backsheesh. Some of them were faithful fellows to whom we were attached; some of them were graceless scamps. But they all received backsheesh. That is always the way. It was clearly understood that we should reward only the deserving, and we had again and again resolved not to give a piastre to certain ones of the crew. But, at the end, the obdurate howadji always softens; and the Egyptians know that he will. Egypt is full of good-for-nothings who have not only received presents but certificates of character from travelers whom they have disobliged for three months. There was, however, some discrimination in this case; backsheesh was distributed with some regard to good conduct; at the formal judgment on deck, Abd-el-Atti acted the part of Thoth in weighing out the portions, and my friend took the rôle of Osiris, receiving, vicariously for all of us, the kisses on his hand of the grateful crew. I shall not be misunderstood in saying that the faithful Soudan boy, Gohah, would have felt just as much grief in bidding us good-bye if he had not received a penny (the rest of the crew would have been inconsolable in like case); his service was always marked by an affectionate devotion without any thought of reward. He must have had a magnanimous soul to forgive us for the doses we gave him when he was ill during the voyage.
We are waiting in Cairo professedly for the weather to become settled and pleasant in Syria—which does not happen, one year with another, till after the first of April; but we are contented, for the novelties of the town are inexhaustible, and we are never weary of its animation and picturesque movement. I suppose I should be held in low estimation if I said nothing concerning the baths of Cairo. It is expected of every traveler that he will describe them, or one at least—one is usually sufficient. Indeed when I have read these descriptions, I have wondered how the writers lived to tell their story. When a person has been for hours roasted and stifled, and had all his bones broken, you could not reasonably expect him to write so powerfully of the bath as many travelers write who are so treated. I think these bath descriptions are among the marvels of Oriental literature; Mr. Longfellow says of the Roman Catholic system, that it is a religion of the deepest dungeons and the highest towers; the Oriental bath (in literature) is like this; the unwashed infidel is first plunged in a gulf of dark despair, and then he is elevated to a physical bliss that is ecstatic. The story is too long at each end.
I had experience of several different baths in Cairo, and I invariably found them less vigorous, that is milder in treatment, than the Turkish baths of New York or of Germany. With the Orientals the bath is a luxury, a thing to be enjoyed, and not an affair of extreme shocks and brutal surprises. In the bath itself there is never the excessive heat that I have experienced in such baths in New York, nor the sudden change of temperature in water, nor the vigorous manipulation. The Cairo bath, in my experience, is gentle, moderate, enjoyable. The heat of the rooms is never excessive, the air is very moist, and water flows abundantly over the marble floors; the attendants are apt to be too lazy to maltreat the bather, and perhaps err in gentleness. You are never roasted in a dry air and then plunged suddenly into cold water. I do not wonder that the Orientals are fond of their bath. The baths abound, for men and for women, and the natives pay a very small sum for the privilege of using them. Women make up parties, and spend a good part of the day in a bath; having an entertainment there sometimes, and a frolic. It is said that mothers sometimes choose wives for their sons from girls they see at the baths. Some of them are used by men in the forenoon and by women in the afternoon, and I have seen a great crowd of veiled women waiting at the door at noon. There must be over seventy-five of these public baths in Cairo.
As the harem had not yet gone over to the Gezeereh palace, we took the opportunity to visit it. This palace was built by the Khedive, on what was the island of Gezeereh, when a branch of the Nile was suffered to run to the west of its present area. The ground is now the seat of gardens, and of the most interesting botanical and horticultural experiments on the part of the Khedive, under charge of competent scientific men. A botanist or an arboriculturist would find material in the nurseries for long study. I was chiefly interested (since I half believe in the malevolence of some plants) in a sort of murderous East Indian cane, which grows about fifteen to twenty feet high, and so rapidly that (we were told) it attains its growth in a day or two. At any rate, it thrusts up its stalks so vigorously and rapidly that Indian tyrants have employed it to execute criminals. The victim is bound to the ground over a bed of this cane at night, and in the morning it has grown up through his body. We need such a vengeful vegetable as this in our country, to plant round the edges of our city gardens.
The grounds about the palace are prettily, but formally laid out in flower-gardens, with fountains and a kiosk in the style of the Alhambra. Near by is a hot-house, with one of the best collections of orchids in the world; and not far off is the zoological garden, containing a menagerie of African birds and beasts, very well arranged and said to be nearly complete.
The palace is a square building of iron and stucco, the light pillars and piazzas painted in Saracenic designs and Persian colors, but the whole rather dingy, and beginning to be shabby. Inside it is at once a showy and a comfortable palace, and much better than we expected to see in Egypt; the carpenter and mason work are, however, badly done, as if the Khedive had been swindled by sharp Europeans; it is full of rich and costly furniture. The rooms are large and effective, and we saw a good deal of splendor in hangings and curtains, especially in the apartments fitted up for the occupation of the Empress Eugénie. It is wonderful, by the way, with what interest people look at a bed in which an Empress has slept; and we may add awe, for it is usually a broad, high and awful place of repose. Scattered about the rooms are, in defiance of the Prophet’s religion, several paintings, all inferior, and a few busts (some of the Khedive) and other pieces of statuary. The place of honor is given to an American subject, although the group was executed by an Italian artist. It stands upon the first landing of the great staircase. An impish-looking young Jupiter is seated on top of a chimney, below which is the suggestion of a house-roof. Above his head is the point of a lightning-rod. The celestial electrician is discharging a bolt into the rod, which is supposed to pass harmless over the roof below. Upon the pedestal is a medallion, the head of Benjamin Franklin, and encircling it, the legend:—Eripuit coelo fulmen. 1790. The group looks better than you would imagine from the description.
Beyond the garden is the harem-building, which was undergoing a thorough renovation and refurnishing, in the most gaudy French style—such being the wish of the ladies who occupy it. They are eager to discard the beautiful Moorish designs which once covered the walls and to substitute French decoration. The dormitory portions consist of passages with rooms on each side, very much like a young ladies’ boarding-school; the rooms are large enough to accommodate three or four occupants. While we were leisurely strolling through the house, we noticed a great flurry and scurry in the building, and the attendants came to us in a panic, and made desperate efforts to hurry us out of the building by a side-entrance, giving signs of woe and destruction to themselves if we did not flee. The Khedive had arrived, on horseback, and unexpectedly, to inspect his domestic hearths.
We rode, one sparkling morning, after a night of heavy rain, to Heliopolis; there was no mud, however, the rain having served to beat the sand firm. Heliopolis is the On of the Bible, and in the time of Herodotus, its inhabitants were esteemed the most learned in history of all the Egyptians. The father-in-law of Joseph was a priest there, and there Moses and Plato both learned wisdom. The road is excellent and planted most of the distance with acacia trees; there are extensive gardens on either hand, plantations of trees, broad fields under cultivation, and all the way the air was full of the odor of flowers, blossoms of lemon and orange. In luxuriance and riant vegetation, it seemed an Oriental paradise. And the whole of this beautiful land of verdure, covered now with plantations so valuable, was a sand-desert as late as 1869. The water of the Nile alone has changed the desert into a garden.
On the way we passed the race-course belonging to the Khedive, an observatory, and the old palace of Abbas Pasha, now in process of demolition, the foundations being bad, like his own. It is said that the favorite wife of this hated tyrant, who was a Bedawee girl of rank, always preferred to live on the desert, and in a tent rather than a palace. Here at any rate, on the sand, lived Abbas Pasha, in hourly fear of assassination by his enemies. It was not difficult to conjure up the cowering figure, hiding in the recesses of this lonely palace, listening for the sound of horses’ hoofs coming on the city road, and ready to mount a swift dromedary, which was kept saddled night and day in the stable, and flee into the desert lor Bedaween protection.
At Mataréëh, we turned into a garden to visit the famous Sycamore tree, under which the Virgin sat to rest, in the time of the flight of the Holy Family. It is a large, scrubby-looking tree, probably two hundred years old. I wonder that it does not give up the ghost, for every inch of its bark, even to the small limbs, is cut with names. The Copt, who owns it, to prevent its destruction, has put a fence about it; and that also is covered all over. I looked in vain for the name of “Joseph”; but could find it neither on the fence nor on the tree.
At Heliopolis one can work up any number of reflections; but all he can see is the obelisk, which is sunken somewhat in the ground. It is more correct, however, to say that the ground about it, and the whole site of the former town and Temple of the Sun, have risen many feet since the beginning of the Christian Era. This is the oldest obelisk in Egypt, and bears the cartouche of Amenemhe I., the successor of Osirtasen I.—about three thousand b. c., according to Mariette; Wilkinson and Mariette are only one thousand years apart, on this date of this monument. The wasps or bees have filled up the lettering on one side, and given it the appearance of being plastered with mud. There was no place for us to sit down and meditate, and having stood, surrounded by a swarm of the latest children of the sun, and looked at the remains as long as etiquette required, without a single historical tremor, we mounted and rode joyfully city-ward between the lemon hedges.
In this Spring-time, late in the afternoon, the fashionable drive out the Shoobra road, under the arches of sycamore trees, is more thronged than in winter even. Handsome carriages appear and now and then a pair of blooded Arab horses. There are two lines of vehicles extending for a mile or so, the one going out and the other returning, and the round of the promenade continues long enough for everybody to see everybody. Conspicuous always are the neat two-horse cabriolets, lined with gay silks and belonging to the royal harem; outriders are in advance, and eunuchs behind, and within each are two fair and painted Circassians, shining in their thin white veils, looking from the windows, eager to see the world, and not averse to be seen by it. The veil has become with them, as it is in Constantinople, a mere pretext and a heightener of beauty. We saw by chance one day some of these birds of paradise abroad in the Shoobra Garden—and live to speak of it.
The Shoobra palace and its harem, hidden by a high wall, were built by Mohammed Ali; he also laid out the celebrated garden; and the establishment was in his day no doubt the handsomest in the East. The garden is still rich in rare trees, fruit-trees native and exotic, shrubs, and flowers, but fallen into a too-common Oriental decay. Instead of keeping up this fine place the Khedive builds a new one. These Oriental despots erect costly and showy palaces, in a manner that invites decay, and their successors build new ones, as people get new suits of clothes instead of wearing the garments of their fathers.
In the midst of the garden is a singular summer-palace, built upon terraces and hidden by trees; but the great attraction is the immense Kiosk, the most characteristic Oriental building I have seen, and a very good specimen of the costly and yet cheap magnificence of the Orient. It is a large square pavilion, the center of which is a little lake, but large enough for boats, and it has an orchestral platform in the middle; the verandah about this is supported on marble pillars and has a highly-decorated ceiling; carvings in marble abound; and in the corners are apartments decorated in the height of barbaric splendor.
The pipes are still in place which conveyed gas to every corner and outline of this bizarre edifice. I should like to have seen it illuminated on a summer night when the air was heavy with the garden perfumes. I should like to have seen it then thronged with the dark-eyed girls of the North, in their fleecy splendors of drapery, sailing like water-nymphs in these fairy boats, flashing their diamonds in the mirror of this pool, dancing down the marble floor to the music of soft drums and flutes that beat from the orchestral platform hidden by the water-lilies. Such a vision is not permitted to an infidel. But on such a night old Mohammed Ali might have been excused if he thought he was already in El Genneh, in the company of the girls of Paradise, “whose eyes will be very large and entirely black, and whose stature will be proportioned to that of the men, which will be the height of a tall palm-tree,” or about sixty feet and that he was entertained in “a tent erected for him of pearls, jacinths, and emeralds, of a very large extent.”
While we were lounging in this place of melancholy gaiety, which in the sunlight bears something the aspect of a tawdry watering-place when the season is over, several harem carriages drove to the entrance: but the eunuchs seeing that unbelievers were in the kiosk would not permit the ladies to descend, and the cortege went on and disappeared in the shrubbery. The attendants invited us to leave. While we were still near the kiosk the carriages came round again, and the ladies began to alight. The attendants in the garden were now quite beside themselves, and endeavored to keep our eyes from beholding, and to hustle us down a side-path.
It was in vain that we said to them that we were not afraid, that we were accustomed to see ladies walk in gardens, and that it couldn’t possibly harm us. They persisted in misunderstanding us, and piteously begged us to turn away and flee. The ladies were already out of the carriages, veils withdrawn, and beginning to enjoy rural life in the garden. They seemed to have no more fear than we. The horses of the out-riders were led down our path; superb animals, and we stopped to admire them. The harem ladies, rather over-dressed for a promenade, were in full attire of soft silks, blue and pink, in delicate shades, and really made a pretty appearance amid the green. It seemed impossible that it could be wrong to look at them. The attendants couldn’t deny that the horses were beautiful, but they regarded our admiration of them as inopportune. They seemed to fear we might look under, or over, or around the horses, towards that forbidden sight by the kiosk. It was useless for us to enquire the age and the breed of the horses. Our efforts to gain information only added to the agony of the gardeners. They wrung their hands, they tried to face us about, they ran hither and thither, and it was not till we were out of sight of the odalisques that they recovered any calmness and began to cull flowers for us, and to produce some Yusef Effendis, as a sign of amity and willingness to accept a few piastres.
The last day of March has come. It is time to depart. Even the harem will soon be going out of town. We have remained in the city long enough to imbibe its atmosphere; not long enough to wear out its strangeness, nor to become familiar with all objects of interest. And we pack our trunks with reluctance, in the belief that we are leaving the most thoroughly Oriental and interesting city in all the East.
CHAPTER XXXVI.—BY THE RED SEA
A GENTLEMAN started from Cairo a few days before us, with the avowed purpose of following in the track of the Children of Israel and viewing the exact point where they crossed the Red Sea. I have no doubt that he was successful. So many routes have been laid out for the Children across the Isthmus, that one can scarcely fail to fall into one of them. Our purpose was merely to see Suez and the famous Sea, and the great canal of M. Lesseps; not doubting, however, that when we looked over the ground we should decide where the Exodus must have taken place.
The old direct railway to Suez is abandoned; the present route is by Zagazeeg and Ismailia—a tedious journey, requiring a day. The ride is wearisome, for the country is flat and presents nothing new to one familiar with Egyptian landscapes. The first part of the journey is, however, enlivened by the company of the canal of Fresh Water, and by the bright verdure of the plain which the canal produces. And this luxuriant vegetation continues until you come to the still unreclaimed desert of the Land of Goshen. Now that water can be supplied it only needs people to make this Land as fat as it was in the days of the Israelites.
Some twenty miles from Cairo we pass near the so-called Mound of the Jew, believed to be the ruins of the city of Orion and the temple built by the high priest Onias in the reign of Ptolemy Philometer and Cleopatra, as described by Josephus. The temple was after the style of that at Jerusalem. This Jewish settlement was made upon old Egyptian ruins; in 1870 the remains of a splendid temple of the time of Rameses II. were laid open. The special interest to Biblical scholars of this Jewish colony here, which multiplied itself and spread over considerable territory, is that its establishment fulfilled a prophesy of Isaiah (xix, 19, etc.); and Onias urged this prophesy, in his letter to the Ptolemy, asking permission to purge the remains of the heathen temple in the name of Heliopolis and to erect there a temple to Almighty God. Ptolemy and Cleopatra replied that they wondered Onias should desire to build a temple in a place so unclean and so full of sacred animals, but since Isaiah foretold it, he had leave to do so. We saw nothing of this ancient and once flourishing seat of Jewish enterprise, save some sharp mounds in the distance.
Nor did we see more of the more famous city of Bubastis, where was the temple to Pasht, the cat or lioness-headed deity (whom Herodotus called Diana), the avenger of crimes. According to Herodotus, all the cats of Egypt were embalmed and buried in Bubastis. This city was the residence of the Pharaoh Sheshonk I. (the Shishak of the Bible) who sacked Jerusalem, and it was at that time the capital of Egypt. It was from here, on the Bubastic (or Pelusiac) branch of the Nile, that the ancient canal was dug to connect with the Heroôpolite Gulf (now the Bitter Lakes), the northernmost arm of the Red Sea at that date; and the city was then, by that fresh-water canal, on the water-way between the Red Sea and the Mediterranean. But before the Christian era the Red Sea had retired to about its present limit (the Bitter Lakes being cut off from it), and the Bubastic branch of the Nile was nearly dried up. Bubastis and all this region are now fed by the canal which leaves the Nile at Cairo and runs to Ismailia, and thence to Suez. It is a startling thought that all this portion of the Delta, east, and south, and the Isthmus depend for life upon the keeper of the gate of the canal at Cairo. If we were to leave the train here and stumble about in the mounds of Bubastis, we should find only fragments of walls, blocks of granite, and a few sculptures.
At the Zagazeeg station, where there is a junction with the Alexandria and Cairo main line, we wait some time, and find very pleasant the garden and the picturesque refreshment-house in which our minds are suddenly diverted from ancient Egypt by a large display of East Indian and Japanese curiosities on sale.
From this we follow, substantially, the route of the canal, running by villages and fertile districts, and again on the desert’s edge. We come upon no traces of the Israelites until we reach Masamah, which is supposed to be the site of Rameses, one of the treasure-cities mentioned in the Bible, and the probable starting-point of the Jews in their flight. This is about the center of the Land of Goshen, and Rameses may have been the chief city of the district.
If I knew exactly the route the Israelites took, I should not dare to disclose it; for this has become, I do not know why, a tender subject. But it seems to me that if the Jews were assembled here from the Delta for a start, a very natural way of exit would have been down the Wadee to the head of the Heroopolite Gulf, the route of the present and the ancient canal. And if it should be ascertained beyond a doubt that Sethi I. built as well as planned such a canal, the argument of probability would be greatly strengthened that Moses led his vast host along the canal. Any dragoman to-day, desiring to cross the Isthmus and be beyond pursuit as soon as possible, supposing the condition of the country now as it was at the time of the Exodus, would strike for the shortest line. And it is reasonable to suppose that Moses would lead his charge to a point where the crossing of the sea, or one of its arms, was more feasible than it is anywhere below Suez; unless we are to start with the supposition that Moses expected a miracle, and led the Jews to a spot where, apparently, escape for them was hopeless if the Egyptian pursued. It is believed that at the time of the Exodus there was a communication between the Red Sea and the Bitter Lakes—formerly called Heroopolite Gulf—which it was the effort of many rulers to keep open by a canal. Very anciently, it is evident, the Red Sea extended to and included these lakes; and it is not improbable that, in the time of Moses, the water was, by certain winds, forced up to the north into these lakes: and again, that, crossings could easily be made, the wind being favorable, at several points between what is now Suez and the head of the Bitter Lakes. Many scholars make Cha-loof, about twelve miles above Suez the point of passage.
We only touch the outskirts of Ismailia in going on to Suez. Below, we pass the extensive plantation and garden of the Khedive, in which he has over fifty thousand young trees in a nursery. This spot would be absolute desert but for the Nile-water let in upon it. All day our astonishment has increased at the irrigation projects of the Viceroy, and his herculean efforts to reclaim a vast land of desert; the enlarging of the Sweet-Water Canal, and the gigantic experiments in arboriculture and agriculture.
We noticed that the Egyptian laborers at work with the wheelbarrows (instead of the baskets formerly used by them) on the enlargement of the canal, were under French contractors, for the most part. The men are paid from a franc to a franc and a quarter per day; but they told us that it was very difficult to get laborers, so many men being drafted for the army.
At dark we come in sight of the Bitter Lakes, through which the canal is dredged; we can see vessels of various sorts and steamers moving across them in one line; and we see nothing more until we reach Suez. The train stops “at nowhere,” in the sand, outside the town. It is the only train of the day, but there are neither carriages nor donkeys in waiting. There is an air about the station of not caring whether anyone comes or not. We walk a mile to the hotel, which stands close to the sea, with nothing but a person’s good sense to prevent his walking off the platform into the water. In the night the water looked like the sand, and it was only by accident that we did not step off into it; however, it turned out to be only a couple of feet deep.
The hotel, which I suppose is rather Indian than Egyptian, is built round a pleasant court; corridors and latticed doors are suggestive of hot nights; the servants and waiters are all Hindoos; we have come suddenly in contact with another type of Oriental life.
Coming down from Ismailia, a friend who was with us had no ticket. It was a case beyond the conductor’s experience; he utterly refused backsheesh and he insisted on having a ticket. At last he accepted ten francs and went away. Looking in the official guide we found that the fare was nine francs and a quarter. The conductor, thinking he had opened a guileless source of supply, soon returned and demanded two francs more. My friend countermined him by asking the return of the seventy-five centimes overpaid. An amusing pantomime ensued. At length the conductor lowered his demand to one franc, and, not getting that, he begged for backsheesh. I was sorry to have my high ideal of a railway-conductor, formed in America, lowered in this manner.
We are impatient above all things for a sight of the Red Sea. But in the brilliant starlight, all that appears is smooth water and a soft picture of vessels at anchor or aground looming up in the night. Suez, seen by early daylight, is a scattered city of some ten thousand inhabitants, too modern and too cheap in its buildings to be interesting. There is only a little section of it, where we find native bazaars, twisting streets, overhanging balconies, and latticed windows. It lies on a sand peninsula, and the sand-drifts close all about it, ready to lick it up, if the canal of fresh water should fail.
The only elevation near is a large mound, which may be the site of the fort of ancient Clysma, or Gholzim as it was afterwards called—the city believed to be the predecessor of Suez. Upon this mound an American has built, and presented to the Khedive, a sort of châlet of wood—the whole transported from America ready-made, one of those white, painfully unpicturesque things with two little gables at the end, for which our country is justly distinguished. Cheap. But then it is of wood, and wood is one of the dearest things in Egypt. I only hope the fashion of it may not spread in this land of grace.
It was a delightful morning, the wind west and fresh. From this hillock we commanded one of the most interesting prospects in the world. We looked over the whole desert-flat on which lies the little town, and which is pierced by an arm of the Gulf that narrows into the Suez canal; we looked upon two miles of curved causeway which runs down to the docks and the anchoring place of the steam-vessels—there cluster the dry-docks, the dredges, the canal-offices, and just beyond the shipping lay; in the distance we saw the Red Sea, like a long lake, deep-green or deep-blue, according to the light, and very sparkling; to the right was the reddish limestone range called Gebel Attâka—a continuation of the Mokattam; on the left there was a great sweep of desert, and far off—one hundred and twenty miles as the crow flies—the broken Sinai range of mountains, in which we tried to believe we could distinguish the sacred peak itself.
I asked an intelligent railway official, a Moslem, who acted as guide that morning, “What is the local opinion as to the place where the Children of Israel crossed over?”
“The French,” he replied, “are trying to make it out that it was at Chaloof, about twenty miles above here, where there is little water. But we think it was at a point twenty miles below here; we must put it there, or there wouldn’t be any miracle. You see that point, away to the right? That’s the spot. There is a wady comes down the side.”