"I do not understand," said Eleanor. "Have you been keeping house he all by yourself? I thought not, from what Mrs. Balliol said."
"You may trust sister Balliol for being always correct. No, for the last few months, until lately, I have been building this house. Since it was finished I have lived in it, partly; but I have taken my principal meals at the other house."
"You have been building it?"
"Or else you would not be in it at this moment. There is no carpenter to be depended on in Fiji but yourself. You have got to go over the house presently and see how you like it. Are you ready for a banana? or an orange? I think you must try one of these cocoanuts."
"But you had people to help you?"
"Yes. At the rate of two boards a day."
"But, Mr. Rhys, if you cannot get carpenters, where can you get cooks? – or do the people have this by nature?"
"When you ask me properly, I will tell you," he said, with a little pucker in the corners of his mouth that made Eleanor take warning and draw off. She gave her attention to the cocoanut, which she found she must learn how to eat. Mr. Rhys played with an orange in the mean time, but she knew was really busy with nothing but her and her cocoanut. When she would be tempted by no more fruit, he went off and brought a little wooden bowl of water and a napkin, which he presented for her fingers, standing before her to hold it. Eleanor dipped in her fingers, and then looked up.
"You should not do this for me, Mr. Rhys!" she said half earnestly.
But he stooped down and took his own payment; and on the whole Eleanor did not feel that she had greatly the advantage of him. Indeed Mr. Rhys had payment of more sorts than one; for cheeks were rosy as the fingers were white which she was drying, as she had risen and stood before him. She looked on then with great edification, to see his fingers deliberately dipped in the same bowl and dried on the same napkin; for very well Eleanor knew they would have done it for no mortal beside her. And then she was carried off to look at the walls of her house.
CHAPTER XIX
IN THE HOUSE
"Thou hast found …
Thy cocoas and bananas, palms and yams,
And homestall thatched with leaves."
The walls of the house were, to an Englishwoman, a curiosity. They were made of reeds; three layers or thicknesses of them being placed different ways, and bound and laced together with sinnet; the strong braid made of the fibre of the cocoanut-husk. It was this braid, woven in and out, which produced the pretty mosaic effect Eleanor had observed upon the outside. Mr. Rhys took her to a doorway, where she could examine from within and from without this novel construction; and explained minutely how it was managed.
"This looks like a foreign land," said Eleanor. "You had described it, and I thought I had imagined it; but sight and feeling are quite a different matter."
"I did not describe it to you?"
"No – O no; you described it to aunt Caxton."
He drew her back a step or two and laid her hand upon the post of the door.
"What is this?" said Eleanor.
"That is a piece of the stem of the palm-fern."
"And these are its natural mouldings and markings! It is like elegant carved work! It is natural, is it not?" she said suddenly.
"Certainly. The natives do execute very marvellous carving in wood, with tools that would drive a workman at home to despair; but I have not learned the art. Come here – the pillars that hold up the roof of your house are of the same wood."
A double row of pillars through the whole length of the house gave it stability; they were stems of the same palm fern, and as they had been chosen and placed with a careful eye to size and position, the effect of them was not at all inelegant. The building itself was of generous length and width; and with a room cut off at each end, as the fashion was, the centre apartment was left of really noble proportions; broad, roomy, and lofty; with its palm columns springing up to its high roof of thatch. Standing beside one of them, Eleanor looked up and declared it a beautiful room.
"Do not look at the doors and windows," said Mr. Rhys. "I did not make those – they were sent out framed. I had only the pleasure of putting them in."
"And how did that agree with all your other work?"
"Well," he said decidedly. "That was my recreation."
"There is the prettiest mixture of wild and tame in this house," said Eleanor, speaking a little timidly; for she was conscious all the while how little Mr. Rhys was thinking of anything but herself. "Are these mats made here?"
"Pure Fijian!"
The one at which Eleanor was looking, her eyes having fallen to the floor, was both large and elegant. It was very substantially and neatly made, and had a border fancifully wrought all round it, a few inches in width. The pattern of the border was made with bits of worsted and little white feathers. This mat covered all the centre of the room; under it the whole floor was spread with other and coarser ones; and others of a still different manufacture lined the walls of the room.
"One need not want a prettier carpet," said Eleanor, keeping her eyes on the mat. Mr. Rhys put his arm round her and drew her off to one side of the room, where he made her pause before a large square space which was sunk a foot deep in the earth and bordered massively with a frame of logs of hard wood.
"What do you think of that?"
"Mr. Rhys, what is it?"
"You would not take it for a fireplace?" he said with a comical look.
"But is it a fireplace?"
"That is what it is intended for. The Fijians make their fireplaces in this manner."
"And you are a Fijian, I suppose."
"So are you."
"But Mr. Rhys, can a fireplace of this sort be useful in an English house?"
"No. But in a Fijian house it may – as I have proved. The natives would have a wooden frame here, at one side, to hold cooking vessels. You do not need that, for you have a kitchen."
"With a fireplace like this?"
"Yes," he said, with a smile that had some raillery in it, which
Eleanor would not provoke.
"Suppose you come and look at something that is not Fijian," he went on. "You must vary your attention."
He drew her before a little unostentatious piece of furniture, that looked certainly as if it was made out of a good bit of English oak. What it was, did not appear; it was very plain and rather massively made. Now Mr. Rhys produced keys, and opened first doors; then a drawer, which displayed all the characteristic contents and arrangements of a lady's work-box on an extended scale. Love's work; Eleanor could see her adopted mother in every carefully disposed supply of needles and silks and braids and glittering Sheffield ware, and the thousand and one appliances and provisions for one who was to be at a very large distance from Sheffield and every home source of needle furniture. Love recognized love's work, as Eleanor looked into the drawer.
"Now you are ready to say this is a small thread and needle shop," said
Mr. Rhys; "but you will be mistaken if you do. Look further."
And that she might, he unlocked a pair of smaller inner doors; the little piece of furniture developed itself immediately into a capital secretary. As thoroughgoing as the work-box, but still more comprehensive, here were more than mere materials and conveniences for writing; it was a depository for several small but very precious treasures of a scientific and other kinds; and even a few books lay nestling among them, and there was room for more.
"What is this!" Eleanor exclaimed when she had got her breath.
"This is – Mrs. Caxton! I do not know whether she expected you to turn sempstress immediately for the colony – or whether she intended you for another vocation, as I do."