The Diamond Pin

"Oh, Polly, they won't have detectives, will they?"

"Sure they will, Miss Iris; they'll have to."

"Now, I'm through with the telephone," said Campbell, reappearing. "Shall I get New York for you, Miss?"

"No," said Iris, rising, "I'll get the call myself."

CHAPTER III

THE EVIDENCE OF THE CHECKBOOK

Winston Bannard's apartments in New York were comfortable though not luxurious. The Caxton Annex catered to young bachelors who were not millionaires but who liked to live pleasantly, and Bannard had been contentedly ensconced there ever since he had left his aunt's home.

He had always been glad he had made the move, for the city life was far more to his liking than the village ways of Berrien, and if his law practice could not be called enormous, it was growing and he had developed some real ability.

Of late he had fallen in with a crowd of men much richer than himself, and association with them had led to extravagance in the matter of cards for high stakes, motors of high cost, and high living generally.

The high cost of living is undeniable, and Bannard not infrequently found himself in financial difficulties of more or less depth and importance.

As he entered his rooms Sunday evening about seven, he found a telegram and a telephone notice from the hotel office. The latter merely informed him that Berrien, Connecticut, had called him at four o'clock. The telegram read:

"For Heaven's sake come up here at once. Aunt Ursula is dead."

It was signed Iris, and Bannard read it, standing by the window to catch the gleams of fading daylight. Then he sank into a chair, and read it over again, though he now knew it by rote.

He was not at all stunned. His alert mind traveled quickly from one thought to another, and for ten minutes his tense, strained position, his set jaw and his occasionally winking eyes betokened successive cogitations on matters of vital importance.

Then he jumped up, looked at his watch, consulted a time-table, and, not waiting for an elevator, ran down the stairs through that atmosphere of Sunday afternoon quiet, which is perhaps nowhere more noticeable than in a city hotel.

A taxicab, a barely caught train, and before nine o'clock Winston Bannard was at the Berrien railroad station.

Campbell was there to meet him, and as they drove to the house Bannard sat beside the chauffeur that he might learn details of the tragedy.

"But I don't understand, Campbell," Bannard said, "how could she be murdered, alone in her room, with the door locked? Did she – didn't she – kill herself?"

But the chauffeur was close-mouthed. "I don't know, Mr. Bannard," he returned, "it's all mighty queer, and the detective told me not to gossip or chatter about it at all."

"But, my stars! man, it isn't gossip to tell me all there is to tell."

"But there's nothing to tell. The bare facts you know – I've told you those; as to the rest, the police or Miss Iris must tell you."

"You're right," agreed Bannard. "I'm glad you are not inclined to guess or surmise. There must be some explanation, of course. How about the windows?"

"Well, you know those windows, Mr. Bannard. They're as securely barred as the ones in the bank, and more so. Ever since Mrs. Pell took that room for her treasure room, about eight or ten years ago, they've been protected by steel lattice work and that's untouched. That settles the windows, and there's only the one door, and that Purdy and I broke open. Now, that's all I know about it."

Bannard relapsed into silence, and Campbell didn't speak again until they reached the house.

"Oh, I'm so glad you've come!" was the first greeting to the young man as he entered the hall at Pellbrook. It was spoken by Mrs. Bowen, who had been with Iris ever since she was summoned by telephone, that afternoon. "It's all so dreadful, – the doctors are examining the body now – and the coroner is here – and two detectives – and Iris is so queer – " the poor little lady quite broke down, in her relief at having some one to share her responsibility.

"Isn't Mr. Bowen here?" Bannard said, as he followed her into the living-room.

"No, he had to attend service, he'll come after church. Here is Iris."

The girl did not rise at Bannard's approach, but sat, looking up at him, her face full of inquiry.

"Where have you been?" she demanded; "why didn't you come sooner? I telegraphed at four o'clock – I telephoned first, but they said – they said you were out."

"I was; I only came in at seven, and then I found your messages, and I caught the first train possible."

"It doesn't matter," said Iris, wearily. "There's nothing you can do – nothing anybody can do. Oh, Win, it's horrible!"

"Of course it is, Iris. But I'm so in the dark. Tell me all about it."

"Oh, I can't. I can't seem to talk about it. Mrs. Bowen will tell you."

The little lady told all she knew, and then, one of the detectives appeared to question Bannard. He explained his presence and told who he was and then asked to go into his aunt's sitting room.

"Not just now," said the man, whose name was Hughes, "the doctors are busy in there, with the coroner."

"Why so late," asked Bannard; "what have they been doing all the afternoon?"

"Doctor Littell came at once," explained Mrs. Bowen, "he's her own doctor, you know. But that coroner, Doctor Timken, never got here till this evening. Why, here's Mr. Chapin!"

Charles Chapin, who was Mrs. Pell's lawyer, entered, and also Mr. Bowen, so there was quite a group in waiting when the doctors came out of the closed room.

"It's the strangest case imaginable," said Coroner Timken, his face white and terrified. "There's not the least possibility of suicide – and yet there's no explanation for a murder."

"Why do you say that?" asked Chapin, who had heard little of the details.

"The body is terribly injured. There are livid bruises on her chest, shoulders and upper arms. There are marks on her wrists, as if she had been bound by ropes, and similar marks on her ankles."

"Incredible!" cried Mr. Chapin. "Bound?"

"The marks can mean nothing else. They are as if cords had been tightly drawn, and on one ankle the stocking is slightly stained with blood."

"What?" exclaimed Mrs. Bowen.

"Yes, and the flesh beneath the stain is abraded round the ankle, and the skin broken. The other ankle shows slight marks of the cord, but it did not cut into the flesh on that side. Her wrists, too, show red marks and indentations, as of cords. It is inexplicable."

"But the bruises?" pursued Mr. Chapin, "and the awful wound on her face?"

"There is no doubt that she was attacked for the purpose of robbery. Moreover, the thief was looking for something in particular. It is clear that he stole money or valuables, but the state of the desk and safe prove a desperate hunt for some paper or article of special value. Also the pocket, cut and torn from the skirt, proves a determination to secure the treasure. As we reconstruct the crime, the intruder intimidated Mrs. Pell by threats and by physical violence; tied her while search was made through her room; and then, in a rage of disappointment, flung the old lady to the floor, where she hit her head on a sharp-pointed brass knob of the fender. This penetrated her temple and caused her death. These things are facts; also the state of the room, the overturned table and chairs, the broken lamp, the ransacked desk and safe – all these are facts; but what theory can account for the disappearance of the murderer from the locked room?"

There was no answer until Detective Hughes said, "I've always been told that the more mysterious and insoluble a crime seems to be, the easier it is to solve it."

"You have, eh?" returned the coroner; "then get busy on this one. It's beyond me. Why, that woman's wrist is sprained, if not broken, she has some internal injuries and she was suffering from shock and fright. The attack was diabolical! It may be that the murder was unpremeditated, but the mauling and bruising of the old lady was the work of a strong man and a hardened wretch."

"Why didn't she scream sooner?" asked Hughes, who was listening intently. He had been detailed on other duties while his confrères investigated the scene of the crime.