Patty's Motor Car

She had no wish to disobey her father’s commands, even in spirit, and wanted to write an impersonal letter, such as he would approve.

But, for some reason, she couldn’t accomplish it. Philip Van Reypen was himself so straightforward, and so quick to see through any subterfuge, that all the notes she wrote seemed to her artificial and insincere. She tore them up one after another, and at last, seizing her pen again, she wrote rapidly:

“Dear Mr. Van Reypen:

“It’s no use. I’ve written a dozen notes and torn them up, trying to imply, or hint politely, what I prefer to say right out. It seems my parents think you come here too often, and, I daresay, you think so, too. So, at their command, you’re not to come again till next Monday. Come at four o’clock, and don’t ask to stay to dinner. I enclose some puzzles that I hope you can solve. I can’t.

    “Sincerely yours,
    “Patricia Fairfield.”

“There!” said Patty, to herself, as she read it over, “I think that would do credit to a ‘Young Lady’s Model Letter Writer.’ It tells the truth without subterfuge, and it certainly does not invite the correspondence father is so afraid of. Now, I’m not going to touch these old puzzles again, to-day, or I’ll have brain failure. I think I’ll go and practise some new songs. Music hath charms to sooth a puzzled breast.”

So Patty warbled away for an hour or so, in her clear, sweet voice, and Nan came down to the music room to listen.

“Oh, Patty,” she said, “if you’d put half the time and pains on your music that you do on those foolish puzzles, you’d be a great singer!”

“Think so, Nannikins? I doubt it.”

“Yes, you would. You have a lovely voice, but it needs more training and lots of practice.”

“Well, it won’t get it. Life’s too short; and, too, nobody cares for parlour tricks of a musical nature. I sing well enough to entertain the Fairfield family, and that’s all I care for.”

“Patty, have you no ambition?”

“Yes; but my ambitions are sensible. If I practised four hours a day, I’d still have only a small parlour voice, – not a concert voice. And there’d be four hours a day wasted. And days are so short, anyway. I’m going to Christine’s this afternoon; do you want the motor?”

“Why, yes; I did expect to make some calls.”

“Oh, well, you can drop me on the way. But, won’t it be fun, Nan, when I get my own little runabout? I’ll be quite independent of Miller and the big car.”

“You can’t use it alone in the city.”

“Oh, yes, I could! Just to fly over to Christine’s in the afternoon, or something like that. Father would kick at first, but he’d soon get used to it.”

“You do wind that poor man around your finger, Patty.”

“Good thing, too. If I didn’t, he’d wind me around his finger. So, as it is, I have the best of it. But I’m not at all sure I’ll catch that runabout, after all. The first of April draweth near, and many of those silly problems refuse to let themselves be solved.”

“I hope you will get it, after you’ve worked so hard.”

“I hope so, too. But hopes don’t solve anagrams and enigmas.”

“Oh, well, if you don’t get it, there’s always room for you in the big car. What time do you want to go to Christine’s?”

“About four. She won’t be home till then. Does that suit your plans?”

“Perfectly, my child.”

So, at four o’clock, Nan left Patty at Christine’s new home.

It was not a typical boarding-house, but an apartment occupied by two elderly people, who had a room to spare, which seemed just right for the young art student.

Even in the short time she had been there, Christine had done much to make the plain room more attractive. And Patty had helped, for many of the comforts that had been added had been her gifts. A growing palm, and a smaller bowl of ferns looked thrifty and well-kept; and a large jar of exquisite pink roses gave the place a gala air.

“What lovely roses!” exclaimed Patty, sniffing daintily at one of them.

“Yes, aren’t they?” said Christine. “Mr. Hepworth sent them. He sends them every week. Isn’t he kind?”

“Yes, but no kinder than he ought to be. Everybody ought to be good to you, Christine.”

“Why?”

“Oh, because you’re so sweet and good, yourself. And you work so hard, and you never complain, – and you’re so pretty.”

Patty added the last clause, because her former words brought a pink glow to Christine’s cheeks, and a shining light to her dark eyes, and she looked indeed beautiful.

“I do work hard; but, Patty, I’m winning out! I’ve already had some illustrations accepted by a good magazine; and I’ve orders for two magazine covers.”

“Fine! Why, Christine, you’ve arrived!”

“Not quite that; but I’m steadily going ahead. I say that quite without conceit. It’s simply that I’m learning how to use the talent I have.”

“You dear!” cried Patty. “As if any one could imagine you conceited! And, of course, you’re going ahead, – fast!”

“And, Patty, Mrs. Van Reypen is so good to me. I don’t understand it. Why, she fairly showers me with kindnesses.”

“I understand it. Mrs. Van Reypen is very eccentric. If she dislikes people, she can’t be caustic enough to them or about them. But, if she takes a fancy to any one, then she just adores her. And I’m so glad she’s taken a fancy to you, – for she surely has.”

“Yes, she has. But sometimes it embarrasses me, for she invites me to see her so often, or to go to entertainments with her, and I have to refuse, for I mustn’t neglect my work.”

“Oh, she understands that. You stand by your work, and I know her well enough to know she’ll respect and admire you all the more for it.”

CHAPTER IV

THE HUNDREDTH QUESTION

It was the very last day of March. The next day Patty must send in her answers to the hundred puzzles, and she still had four of them unsolved. She had worked on these all day, and her brain was weary. Kenneth came in late in the afternoon, but he couldn’t help, as he had no knack for puzzles.

“I don’t like them, Patty,” he declared. “You see acrostics have cross words to them, and cross words always irritate me. I like kind words.”

“All right, Ken,” said Patty, laughing; “I’ll invent a new kind of acrostic that has only kind words in it, some day. But can’t you help me with this one? A train of six cars is to be pulled up a steep incline. The engine provided can pull only three cars. Another engine of equal power is brought and put behind the train, to push it up the hill. The two engines, working together, get the train uphill. Supposing the cars coupled with chains, are the chains taut, or hanging loosely? I’ve puzzled over that for hours. You see, half the weight of the train is pulled and half is pushed, so how do those stupid chains know whether they’re to hang loose, or pull taut?”

“H’m,” said Kenneth, “there must be an answer to that. Where’s your Van Reypen satellite? Can’t he do it?”

“You needn’t speak of Mr. Van Reypen in that tone,” said Patty, annoyed; “he’s helped me a lot more than you have!”

“There, there, Patsy, don’t be an acrostic! Don’t give cross words to your poor old chum, who lives but for to please you.”

Patty laughed at Kenneth’s mock tragic tones, but she went on: