Mother Carey's Chickens

"Ask to see her sketches when you are talking with her about her work some day," suggested Mother Carey. (Stab seven.) "As a matter of fact she probably gets her talent from you."

"From me!" Printed letters fail to register the amazement in Professor Lord's tone.

"Why not, when you consider her specialty?"

"What specialty?"

Really, a slender sword was of no use with this man; a bludgeon was the only instrument, yet it might wound, and she only wanted to prick. Had the creature never seen Olive sketching, nor noted her choice of subjects?

"She paints animals; paints nothing else, if she can help it; though she does fairly well with other things. Is it impossible that your study of zoology—your thought, your absorption for years and years, in the classification, the structure, the habits of animals—may have been stamped on your child's mind? She has an ardor equal to your own, only showing itself in a different manner. You may have passed on, in some mysterious way, your knowledge to Olive. She may have unconsciously blended it with some instinct for expression of her own, and it comes out in pictures. Look at this, Professor Lord. Olive gave it to me to-day."

They stood together at the gate leading out into the road, and Mrs.

Carey unwrapped the painting and poised it against the top of the gate.

Olive's father looked at it for a moment and then said, "I am no judge of these things, technically or otherwise, but it certainly seems very creditable work for a girl of Olive's age."

"Oh, it is surely more than that! My girl Nancy stands there in the flesh, though her face is hidden. Look at the wind blowing, look at the delightful, the enchanting calf; above all look at the title! Who in the world but a little genius could have composed that sketch, breathing youth in every inch of it,—and called it 'Young April'! Oh! Professor Lord, I am very bold, because your wife is not living, and it is women who oftenest see these budding tendencies in children; forgive me, but do cherish and develop this talent of Olive's."

The eyes the color of the blue velvet bonnet were turned full upon Henry Lord, Ph.D. They swam in tears and the color came and went in her cheek; she was forty, but it was a lovely cheek still.

"I will think it over," he replied with some embarrassment as he wrapped the picture again and handed it to her. "Meantime I am certainly very much obliged to you. You seem to have an uncommon knowledge of young people. May I ask if you are, or have been, a teacher?" "Oh, no!" Mrs. Carey remarked with a smile, "I am just a mother,—that's all! Good night."

XXVII

THE CAREY HOUSEWARMING

The housewarming was at its height, and everybody agreed once in every ten minutes that it was probably the most beautiful party that had ever happened in the history of the world.

Water flowed freely through Cousin Ann's expensive pipes, that had been buried so deep in their trenches that the winter frosts could not affect them. Natty Harmon tried the kitchen pump secretly several times during the evening, for the water had to run up hill all the way from the well to the kitchen sink, and he believed this to be a continual miracle that might "give out" at any moment. The stove in the cellar, always alluded to by Gilbert as the "young furnace," had not yet been used, save by way of experiment, but it was believed to be a perfect success. To-night there was no need of extra heat, and there were great ceremonies to be observed in lighting the fires on the hearthstones. They began with the one in the family sitting room; Colonel Wheeler, Ralph Thurston, Mr. and Mrs. Bill Harmon with Natty and Rufus, Mr. and Mrs. Popham with Digby and Lallie Joy, all standing in admiring groups and thrilling with delight at the order of events. Mother Carey sat by the fireplace; little Peter, fairly radiant with excitement, leaning against her knee and waiting for his own great moment, now close at hand.

"When ye come into a house, salute it; and if the house be worthy, let your peace come upon it.

"To all those who may dwell therein from generation to generation may it be a house of God, a gate of heaven.

"For every house is builded by some man, but he that built all things is God, seeing that he giveth to every one of us life and breath and all good things."

Mother Carey spoke these words so simply and naturally, as she looked towards her neighbors one after another, with her hand resting on Peter's curly head, that they hardly knew whether to keep quiet or say Amen.

"Was that the Bible, Osh?" whispered Bill Harmon.

"Don't know; 'most everything she says sounds like the Bible or Shakespeare to me."

In the hush that followed Mother Carey's salutation Gilbert approached with a basket over his arm, and quickly and neatly laid a little fire behind the brass andirons on the hearth. Then Nancy handed Peter a loosely bound sheaf, saying: "To light this fire I give you a torch. In it are herbs of the field for health of the body, a fern leaf for grace, a sprig of elm for peace, one of oak for strength, with evergreen to show that we live forever in the deeds we have done. To these we have added rosemary for remembrance and pansies for thoughts."

Peter crouched on the hearth and lighted the fire in three places, then handed the torch to Kathleen as he crept again into his mother's lap, awed into complete silence by the influence of his own mystic rite. Kathleen waved the torch to and fro as she recited some beautiful lines written for some such purpose as that which called them together to-night.

"Burn, fire, burn!
Flicker, flicker, flame!
Whose hand above this blaze is lifted
Shall be with touch of magic gifted,
To warm the hearts of chilly mortals
Who stand without these open portals.
The touch shall draw them to this fire,
Nigher, nigher,
By desire.
Whoso shall stand on this hearth-stone,
Flame-fanned,
Shall never, never stand alone.
Whose home is dark and drear and old,
Whose hearth is cold,
This is his own.
Flicker, flicker, flicker, flame!
Burn, fire, burn!"[2 - Florence Converse.]

Next came Olive's turn to help in the ceremonies. Ralph Thurston had found a line of Latin for them in his beloved Horace: Tibi splendet focus (For you the hearth-fire shines). Olive had painted the motto on a long narrow panel of canvas, and, giving it to Mr. Popham, stood by the fireside while he deftly fitted it into the place prepared for it. The family had feared that he would tell a good story when he found himself the centre of attraction, but he was as dumb as Peter, and for the same reason.

"Olive has another lovely gift for the Yellow House," said Mother Carey, rising, "and to carry out the next part of the programme we shall have to go in procession upstairs to my bedroom."

"Guess there wan't many idees to give round to other folks after the Lord made her!" exclaimed Bill Harmon to his wife as they went through the lighted hall.

Gilbert, at the head of the procession, held Mother Hamilton's picture, which had been taken from the old brick oven where "my son Tom" had hidden it. Mother Carey's bedroom, with its bouquets of field flowers on the wall paper, was gaily lighted and ready to receive the gift. Nancy stood on a chair and hung the portrait over the fireplace, saying, "We place this picture here in memory of Agatha, mother of Lemuel Hamilton, owner of the Yellow House. Underneath it we lay a posy of pressed daisies, buttercups, and Queen Anne's lace, the wild flowers she loved best."

Now Olive took away a green garland covering the words "Mater Cara," that she had painted in brown letters just over the bricks of the fireplace. The letters were in old English text, and a riot of buttercups and grasses twined their way amongst them.

"Mater Cara stands for 'mother dear,'" said Nancy, "and thus this room will be full of memories of two dear mothers, an absent and a present one."

Then Kathleen and Gilbert and Julia, Mother Carey and Peter bowed their heads and said in chorus: "O Thou who dwellest in so many homes, possess thyself of this. Thou who settest the solitary in families, bless the life that is sheltered here. Grant that trust and peace and comfort may abide within, and that love and light and usefulness may go out from this house forever. Amen."

There was a moment's silence and then all the party descended the stairs to the dining room.

"Ain't they the greatest?" murmured Lallie Joy, turning to her father, but he had disappeared from the group.

The dining room was a blaze of glory, and great merriment ensued as they took their places at the table. Mother Carey poured coffee, Nancy chocolate, and the others helped serve the sandwiches and cake, doughnuts and tarts.

"Where is Mr. Popham?" asked Nancy at the foot of the table. "We cannot be happy without Mr. Popham."

At that moment the gentleman entered, bearing a huge object concealed by a piece of green felt. Approaching the dining table, he carefully placed the article in the centre and removed the cloth.

It was the Dirty Boy, carefully mended!

The guests naturally had no associations with the Carey Curse, and the Careys themselves were dumb with amazement and despair.

"I've seen this thing layin' in the barn chamber in a thousand pieces all summer!" explained Mr. Popham radiantly. "It wan't none o' my business if the family throwed it away thinkin' it wan't no more good. Thinks I to myself, I never seen anything Osh Popham couldn't mend if he took time enough and glue enough; so I carried this little feller home in a bushel basket one night last month, an' I've spent eleven evenin's puttin' him together! I don't claim he's good 's new, 'cause he ain't; but he's consid'able better'n he was when I found him layin' in the barn chamber!"

"Thank you, Mr. Popham!" said Mrs. Carey, her eyes twinkling as she looked at the laughing children. "It was kind of you to spend so much time in our behalf."

"Well, I says to myself there's nothin' too good for 'em, an' when it comes Thanksgivin' I'll give 'em one thing more to be thankful for!"