Ladies-In-Waiting

“Certainly not! At any rate—not in the morning!” said Tommy mischievously, withdrawing her hand and moving out of the danger zone.

“And you must remember that your talent is your own, to use as you like!” Appleton continued after a well-filled pause. “Your voice is a unique and precious gift. I’ll try not to be selfish with it, or jealous of it, though if it had half the effect on other men that it has upon me, the floor would be strewn with broken hearts every time you sing!”—and he hummed under his breath:

“I hardly know, my darling,
What mostly took my heart,
Unless perhaps your singing
Has done the greater part.”

“Oh, you dear absurdity!” said Tommy, twinkling and sparkling enchantingly.—“I wish the waiter wouldn’t come in every time I want to say something especially private!”

“‘Confound his politics, frustrate his knavish tricks,’ but we shall soon be out of his reach, spinning along to the palace.”

“Are we going there? Oh! I shall be afraid to tell the bishop and Mrs. Kennion!”

“You needn’t be. I told Mrs. Kennion this afternoon that I loved you to distraction. If the bishop is back from Bath, she’ll have passed on the information by now.”

“I was just going to say, when the waiter came so near, that it isn’t the public I love, it’s the singing! Just to sing and sing, that’s what I long to do!”

“And what you shall do, so help me! You know you wanted me to find a new name for you? Wasn’t I clever to think of Appleton?”

“Very! And you’re kindly freeing me of half of my ‘bizarre Americanism,’ as my Torquay correspondent called it. How shall we deal with Thomasina?”

“We’ll call her Tommy. A darling, kissable little name, Tommy!—No, I’m not going to do anything!”

“You don’t think it’s cowardly of me to marry you?”

“Cowardly?”

“Yes, when I haven’t actually proved that I can earn my living; at least, I haven’t done it long enough, or well enough, yet.”

“I think it’s brave of you to marry me.”

“Brave?”

“To turn your back on a possible career.”

“It’s not the ‘careering’ that I love; though it will seem very strange when Tommy Tucker doesn’t have to sing for her supper!—Shall we go? The waiter is coming in again. I believe he thinks we are going to run off with the spoons!”

“So we are! At least, when we go, the spoons will go! I know it’s a poor joke, but I am too happy to be brilliant. Call the head waiter, please,”—this to Walter, who despaired of ever getting rid of his guests, and was agreeably disappointed that a gentleman who had not ordered wine should ask for Gustave.

Appleton took the “Engaged” placard off the table and used it nonchalantly as a fan in crossing the room. Then as he drew near the men he slipped two gold pieces into Tommy’s hand.

“May I carry away this placard, waiter?” he asked, as if it were quite a sane request. “I’ve taken a fancy to it as a souvenir of a most delightful and memorable dinner.”

“Assuredly, assuredly!” murmured Gustave. He knew that there was romance in the air, although he did not perceive the exact point of Appleton’s request.

“The young lady will reward you for your courtesy. No; I’ll help with her jacket, thank you.”

Tommy, overcome with laughter and confusion and blushes, pressed the gold pieces into the hands of the astonished waiters, who bowed almost to the floor.

“You are always giving me sovereigns, dear Fergus,” she whispered with a laugh and something like a sob, as they drove along in the delicious nearness provided by the hansom.

“Never mind,” said Fergus. “You will be giving me one when you marry me!”

THE TURNING-POINT

Not far from the village of Bonny Eagle, on the west bank of the Saco, stood two little low-roofed farmhouses; the only two that had survived among others of the same kind that once dotted the green brink of the river.

Long years before, in 1795 or thereabouts, there had been a cluster of log houses on this very spot, known then as the Dalton Right Settlement, and these in turn had been succeeded at a later date by the more comfortable frame-roof farmhouses of the period.

In the old days, before the sound of the axe for the first time disturbed the stillness of the forest, the otter swam in the shadowy coves near the shore and the beaver built his huts near by. The red deer came down to dip his antlers and cool his flanks in the still shallows. The speckled grouse sat on her nest in the low pine boughs, while her mate perched on the mossy logs by the riverside unmolested.

The Sokokis built their bark wigwams here and there on the bank, paddling their birch canoes over the river’s smooth surface, or threading the foamy torrents farther down its course.

Here was the wonderful spring that fed, and still feeds, Aunt Judy’s Brook, the most turbulent little stream in the county. Many a moccasin track has been made in the soft earth around the never-failing fountain, and many the wooden bucket lowered into its crystal depths by the Dalton Righters when in their turn they possessed the land.

The day of the Indian was over now, and the day of the farmer who succeeded him was over, too. The crash of the loom and the whir of the spinning-wheel were heard no longer, but Amanda Dalton, spinster,—descendant of the original Tristram Dalton, to whom the claim belonged,—sat on alone in her house, and not far away sat Caleb Kimball, sole living heir of the original Caleb, himself a Dalton Righter, and contemporary of Tristram Dalton.

Neither of these personages took any interest in pedigree or genealogy. They knew that their ancestors had lived and died on the same acres now possessed by them, but the acres had dwindled sadly, and the ancestors had seemingly left little for which to be grateful. Indeed, in Caleb’s case they had been a distinct disadvantage, since the local sense of humor, proverbially strong in York County, had always preserved a set of Kimball stories among its most cherished possessions. Some of them might have been forgotten in the century and a half that had elapsed, if the Caleb of our story had not been the inheritor of certain family traits famous in their day and generation.

Caleb the first had been the “cuss” of his fellow farmers, because in coming from Scarboro to join the Dalton Righters he had brought whiteweed with the bundle of hay for his cattle when he was clearing the land. The soil of this particular region must have been especially greedy for, and adapted to, this obnoxious grass-killer, for it flourished as in no other part of the county; flourishes yet, indeed—though, if one can forget that its presence means poor feed for cattle where might be a crop of juicy hay, the blossoming fields of the old Dalton Settlement look, in early June, the loveliest, most ethereal, in New England. There, a million million feathery daisies sway and dance in the breeze, lifting their snowy wheels to the blue June sky. There they grow and thrive, the slender green stalks tossing their pearly disks among sister groves of buttercups till the eye is fairly dazzled with the symphony of white and gold. The back-aching farmers of the original Dalton Settlement had indeed tried to root out the lovely pests, but little did our Caleb care! If he had ever trod his ancestral acres either for pleasure or profit he might in time have “stomped out” the whiteweed, so the neighbors said, for he had the family foot, the size of an anvil; but he much preferred a sedentary life, and the whiteweed went on seeding itself from year to year.

Caleb was tall, loose-jointed, and black as a thunder-cloud—the swarthy skin, like the big foot, having been bequeathed to him by the original Caleb, whose long-legged, shaggy-haired sons had been known as “Caleb’s colts.” Tall and black, all of them, the “colts,” so black that the village wits said the Kimball children must have eaten smut and soot and drunk cinder tea during the years their parents were clearing the land. Tall and black also were all the Kimball daughters, so tall it was their boast to be able to look out over the tops of the window curtains; and proud enough of their height to cry with rage when any rival Amazon came into the neighborhood.

Whatever else they were or were not, however, the Kimballs had always been industrious and frugal. It had remained for the last scion of the old stock to furnish a byword for slackness. In a village where stories of outlandish, ungodly, or supernatural laziness were sacredly preserved from year to year, Caleb Kimball’s indolence easily took the palm. His hay commonly went to seed in the field. His cow yielded her morning’s milk about noon, and her evening “mess” was taken from her (when she was lucky) by the light of a lantern. He was a bachelor of forty-five, dwelt alone, had no visitors and made his living, such as it was, off the farm, with the help of a rack-o’-bones horse. He had fifty acres of timber-land, and when his easy-going methods of farming found him without money he simply sold a few trees.

The house and barn were gradually falling into ruins; the farm implements stood in the yard all winter, and the sleigh all summer. The gate flapped on its hinges, the fences were broken down, and the stone walls were full of gaps. His pipe, and a snarling rough-haired dog, were his only companions. Hour after hour he sat on the side steps looking across the sloping meadows that separated his place from Amanda Dalton’s; hour after hour he puffed his pipe and gazed on the distant hills and the sparkling river; gazed and gazed—whether he saw anything or thought anything, remembered anything, or even dreamed anything, nobody could guess, not even Amanda Dalton, who was good at guessing, having very few other mental recreations to keep her mother-wit alive.

Caleb Kimball, as seen on his doorstep from Amanda Dalton’s sink window, was but a speck, to be sure, but he was her nearest neighbor; if a person whose threshold you never cross, and who never crosses yours, can be called a neighbor. There were seldom or never meetings or greetings between the two, yet each unconsciously was very much alive to the existence of the other. In days or evenings of solitude one can make neighbors of very curious things.

The smoke of Amanda’s morning fire cried “Shame” to Caleb’s when it issued languidly from his kitchen chimney an hour later. Amanda’s smoke was like herself, and betokened the brisk fire she would be likely to build; Caleb’s showed wet wood, poor draught, a fallen brick in the chimney.

Later on in the morning Caleb’s dog would sometimes saunter down the road and have a brief conversation with Amanda’s cat. They were neither friends nor enemies, but merely enlivened a deadly, dull existence with a few casual remarks on current topics.

Once Caleb had possessed a flock of hens, but in the course of a few years they had dwindled to one lonely rooster, who stalked gloomily through the wilderness of misplaced objects in the Kimball yard, and wondered why he had been born.

Amanda pitied him, and flung him a surreptitious handful of corn from her apron pocket when she met him walking dejectedly in the road halfway between the two houses. So encouraged he extended his rambles, and one afternoon Amanda, looking out of her window, saw him stop at her gate and hold a tête-à-tête with one of her Plymouth Rock hens. The interview was brief but effective. In a twinkling he had told her of his miserable life and his abject need of sympathy.

“There are times,” he said, “when, I give you my word, I would rather be stewed for dinner than lead my present existence! It is weak for me to trouble you with my difficulties, but you have always understood me from the first.”

“Say no more,” she replied. “I am a woman and pity is akin to love. The fowls of Amanda Dalton’s flock do not need me as you do. Eleven eggs a day are laid here regularly, and I will go where my egg will be a daily source of pleasure and profit.”

“The coop is draughty and the corn scarce,” confessed the rooster, doing his best to be noble.

“I am of the sex created especially to supply companionship,” returned the hen, “therefore I will accompany you, regardless of personal inconvenience.”

Amanda saw the departure of the eloping couple and pursued them not.