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Lyrical Ballads with Other Poems, 1800, Volume 2
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Near this unprofitable dust.
But who is He with modest looks,
And clad in homely russet brown?
He murmurs near the running brooks
A music sweeter than their own.
He is retired as noontide dew,
Or fountain in a noonday grove;
And you must love him, ere to you
He will seem worthy of your love.
The outward shews of sky and earth.
Of hill and valley he has view'd;
And impulses of deeper birth
Have come to him in solitude.
In common things that round us lie
Some random truths he can impart
The harvest of a quiet eye
That broods and sleeps on his own heart.
But he is weak, both man and boy,
Hath been an idler in the land;
Contented if he might enjoy
The things which others understand.
– Come hither in thy hour of strength,
Come, weak as is a breaking wave!
Here stretch thy body at full length
Or build thy house upon this grave. —
A CHARACTER,
In the antithetical Manner
I marvel how Nature could ever find space
For the weight and the levity seen in his face:
There's thought and no thought, and there's paleness and bloom,
And bustle and sluggishness, pleasure and gloom.
There's weakness, and strength both redundant and vain;
Such strength, as if ever affliction and pain
Could pierce through a temper that's soft to disease,
Would be rational peace – a philosopher's ease.
There's indifference, alike when he fails and succeeds,
And attention full ten times as much as there needs,
Pride where there's no envy, there's so much of joy;
And mildness, and spirit both forward and coy.
There's freedom, and sometimes a diffident stare
Of shame scarcely seeming to know that she's there.
There's virtue, the title it surely may claim,
Yet wants, heaven knows what, to be worthy the name.
What a picture! 'tis drawn without nature or art,
– Yet the Man would at once run away with your heart,
And I for five centuries right gladly would be
Such an odd, such a kind happy creature as he.
A FRAGMENT
Between two sister moorland rills
There is a spot that seems to lie
Sacred to flowrets of the hills,
And sacred to the sky.
And in this smooth and open dell
There is a tempest-stricken tree;
A corner stone by lightning cut,
The last stone of a cottage hut;
And in this dell you see
A thing no storm can e'er destroy,
The shadow of a Danish Boy.
In clouds above, the lark is heard,
He sings his blithest and his beet;
But in this lonesome nook the bird
Did never build his nest.
No beast, no bird hath here his home;
The bees borne on the breezy air
Pass high above those fragrant bells
To other flowers, to other dells.
Nor ever linger there.
The Danish Boy walks here alone:
The lovely dell is all his own.
A spirit of noon day is he,
He seems a Form of flesh and blood;
A piping Shepherd he might be,
A Herd-boy of the wood.
A regal vest of fur he wears,
In colour like a raven's wing;
It fears nor rain, nor wind, nor dew,
But in the storm 'tis fresh and blue
As budding pines in Spring;
His helmet has a vernal grace,
But who is He with modest looks,
And clad in homely russet brown?
He murmurs near the running brooks
A music sweeter than their own.
He is retired as noontide dew,
Or fountain in a noonday grove;
And you must love him, ere to you
He will seem worthy of your love.
The outward shews of sky and earth.
Of hill and valley he has view'd;
And impulses of deeper birth
Have come to him in solitude.
In common things that round us lie
Some random truths he can impart
The harvest of a quiet eye
That broods and sleeps on his own heart.
But he is weak, both man and boy,
Hath been an idler in the land;
Contented if he might enjoy
The things which others understand.
– Come hither in thy hour of strength,
Come, weak as is a breaking wave!
Here stretch thy body at full length
Or build thy house upon this grave. —
A CHARACTER,
In the antithetical Manner
I marvel how Nature could ever find space
For the weight and the levity seen in his face:
There's thought and no thought, and there's paleness and bloom,
And bustle and sluggishness, pleasure and gloom.
There's weakness, and strength both redundant and vain;
Such strength, as if ever affliction and pain
Could pierce through a temper that's soft to disease,
Would be rational peace – a philosopher's ease.
There's indifference, alike when he fails and succeeds,
And attention full ten times as much as there needs,
Pride where there's no envy, there's so much of joy;
And mildness, and spirit both forward and coy.
There's freedom, and sometimes a diffident stare
Of shame scarcely seeming to know that she's there.
There's virtue, the title it surely may claim,
Yet wants, heaven knows what, to be worthy the name.
What a picture! 'tis drawn without nature or art,
– Yet the Man would at once run away with your heart,
And I for five centuries right gladly would be
Such an odd, such a kind happy creature as he.
A FRAGMENT
Between two sister moorland rills
There is a spot that seems to lie
Sacred to flowrets of the hills,
And sacred to the sky.
And in this smooth and open dell
There is a tempest-stricken tree;
A corner stone by lightning cut,
The last stone of a cottage hut;
And in this dell you see
A thing no storm can e'er destroy,
The shadow of a Danish Boy.
In clouds above, the lark is heard,
He sings his blithest and his beet;
But in this lonesome nook the bird
Did never build his nest.
No beast, no bird hath here his home;
The bees borne on the breezy air
Pass high above those fragrant bells
To other flowers, to other dells.
Nor ever linger there.
The Danish Boy walks here alone:
The lovely dell is all his own.
A spirit of noon day is he,
He seems a Form of flesh and blood;
A piping Shepherd he might be,
A Herd-boy of the wood.
A regal vest of fur he wears,
In colour like a raven's wing;
It fears nor rain, nor wind, nor dew,
But in the storm 'tis fresh and blue
As budding pines in Spring;
His helmet has a vernal grace,
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Последний отзыв
Удивительная книга. Как никогда актуальна сегодня. Язык и стиль автора настолько тонок, лёгок и изыскан, что легко поведёт читателя в мир героев, кото...
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