Dorothy, and Other Italian Stories

"He is of medium height, neither slender nor stout; he is light, with rather peculiar eyes because they are so blue – a deep, dull blue, like old china; but they are not large, and he does not fully open them. He has a long, light mustache, no beard, and very closely cut hair."

"He must be good-looking."

"No; he is not, especially. He may be anywhere between thirty and forty; his hair in a cross-light shows a slight tinge of gray. He looks fatigued; he looks cynical. I should not be surprised if he were selfish. I do not like him."

"But if he should be the grandson of old Adam, I should have to invite him to dinner," said Miss Harrison, reflectively. "I could not do less, I think."

"I won't poison the soup. But Morgan is a common name, Aunt Ruth; this is the fourth Morgan I have met here this spring. There isn't one chance in a thousand that he belongs to the family you know." She was smiling as she spoke, but did not explain her smile; she was thinking that "Morgan" was also the name signed to that letter locked in her writing-desk – a letter whose expressions she now knew quite well, having obeyed Mrs. Lovell's injunction to "read it over" more than once. They were ardent expressions; it might be said, indeed, that they were very ardent.

But now and then that one chance in a thousand, so often summarily dismissed, asserts its existence and appears upon the scene. It turned out in the present case that the stranger was the grandson of the old Adam Morgan whom Miss Harrison remembered. Miss Stowe, in the meantime, had continued to meet him; but now she was to meet him in a new way – when he would be more upon her hands, as it were; for Miss Harrison invited him to dinner.

Miss Ruth Harrison was an invalid of nearly sixty years of age; she had been for ten years in Europe, but had only had her orphaned niece with her during the past eighteen months. She had a large fortune, and she gave Margaret every luxury; especially she liked to see her richly dressed. But it was quite well understood between them that the bulk of her wealth was to go to another relative in America who bore her family name. It was understood between them, but it was not understood outside. On the contrary, it was generally believed in Florence that Miss Stowe would inherit the whole. It is just possible that this belief may have had a remote influence in shaping the opinion which prevailed there – namely, that this young lady was "handsome" and "gracious," when, in truth, she was neither. But Mr. Morgan, the new-comer, exhibited so far, at least, no disposition to fall in with this fiction. In his estimation Miss Stowe was a conventionally agreeable, inwardly indifferent young lady of twenty-six, who carried herself well, but was too ironical as well as too dark. He came to dinner. And did not change his opinion.

A few days after the dinner Miss Harrison invited her new acquaintance to drive; she was able to go out for an hour or two in the afternoon, and she had a luxurious carriage and fine horses. Miss Stowe did not accompany them; she went off by herself to walk in the Boboli Garden.

Miss Harrison returned in good-humor. "I like him," she announced, as the maid removed her bonnet. "Yes, I think I may hope that the grandson of old Adam is not going to be a disappointment."

"The grandson of Adam – I suppose his name is Adam also – is a fortunate person, Aunt Ruth, to have gained your liking so soon; you do not often take likings to strangers."

"His name is not Adam," pursued Miss Harrison, "and that is a pity; there is character as well as association in Adam. He has a family name – Trafford. His mother was a Miss Trafford, of Virginia, it seems."

Miss Stowe was selecting flowers from a fragrant heap before her to fill the wide-mouthed vases which stood on the floor by her side; but now she stopped. "Trafford Morgan" was the name signed at the end of that letter! It must be he; it was not probable that there were two names of that special combination; it seemed a really remarkable chance. And evidently he had not gone to America, in spite of Mrs. Lovell's belief. She began to smile and almost to laugh, bending her head over a great soft purple heap of Florence lilies in order that her aunt might not observe it. But the large room was dusky, and Miss Harrison near-sighted; she observed nothing. The two ladies occupied an apartment in a house which, if it had not been so new, would have been called a "palace." Although modern, the measurements had been after the old Florentine pattern, and the result was that the occupants moved about in rooms which could have contained entire, each one, a small American house. But they liked the vastness. After a moment Miss Stowe went on arranging her blossoms, but inwardly she was enjoying much entertainment; she was going over in her own mind the expressions of that letter, which now took on quite a new character, coming no longer from some formless stranger, but from a gentleman with whom she had spoken, a person she had met and would meet again. "I never should have dreamed that he was capable of it," she said to herself. "He has seemed indifferent, blasé. But it places me in a nice position! Especially now that Aunt Ruth has taken a fancy to him. I must write to Beatrice immediately, and ask her to take back the stupid letter." She wrote during the same evening.

The next day she was attacked by a severe illness – severe, although short. No one could tell what was the matter with her; even the physician was at fault. She did not eat or sleep, she seemed hardly to know what they said when they spoke to her. Her aunt was alarmed. But at the end of the week, as suddenly as she had fallen ill, she came back to life again, rose, ordered the maid to braid her hair, and appeared at Miss Harrison's lonely little dinner-table quite herself, save that she was tremulous and pale. But by the next day even these signs were no longer very apparent. It was decided that she had had an attack of "nervous prostration;" "although why in the world you should have been seized by it just now, and here, I am at a loss, Margaret, to imagine," said her aunt.

On the day of her reappearance at the dinner-table there came a letter from Beatrice which bore the postmark of a village on one of the Channel islands. Mrs. Lovell had changed her plans, and gone yachting for a month or two with a party of friends, a yacht probably being considered to possess attributes of seclusion more total than even the most soundless village on the Brittany shore. Of course she had not received Margaret's letter, nor could she receive one – their route being uncertain, but nevertheless to the southward – until her return. Communication between them for the present was therefore at an end.

On the afternoon after Margaret's reappearance Madame Ferri was making a visit of congratulation upon the recovery of "our dear girl." It was a cool day, a heavy rain had fallen, and fresh snow gleamed on the summits of the Apennines; our dear girl, very unresponsive and silent, was dressed in black velvet, whose rich, plain folds brought out her slenderness, and made more apparent than usual the graceful shape of her head and hair. But the unrelieved black made her look extremely pale, and it was her recent illness, probably, which made her look also tired and languid. Madame Ferri, who kept constantly in practice her talent for being charming (she was always spoken of as "charming"), looked at her for a time while conversing; then she rose, took all the crimson roses from a vase, and, going to her, placed one in her hair, meditatively; another in a button-hole of the closely fitting high corsage; and, after a moment's reflection, all the others in a bunch in a velvet loop which was on the side of the skirt not quite half-way down, rapidly denuding herself of pins for the purpose as she proceeded. "There!" she said, stepping back a few paces to survey her handiwork, with her head critically on one side, "now you are a picture. Look, dear Miss Harrison, pray look."

Miss Harrison put up her glass and approved. And then, while this climax still lasted, Madame Ferri took her departure; she liked to depart in a climax.

She had hardly gone when another card was brought in: "Mr. Trafford Morgan." He, too, had come to pay his respects to Miss Harrison upon the change for the better in her niece; he had not expected to see the latter person, he had merely heard that there was "an improvement." After he had been there twenty minutes he said to himself that there was, and in more ways than one. She not only looked much better than usual (this may have been owing to the roses), but there was a new gentleness about her; and she listened with a perceptible increase of attention to what he said. Not that he cared much for this; he had not admired Miss Stowe; but any man (this he remarked to himself) likes to be listened to when he is talking better than the contrary; and as the minutes passed he became conscious that Miss Stowe was not only listening, but bestowing upon him also what seemed an almost serious attention. She did not say much – Miss Harrison said more; but she listened to and looked at him. She had not looked at him previously; people can turn their eyes upon one without really looking, and Miss Stowe had excelled in this accomplishment.

During the next week he met her at a dinner-party; she went to these entertainments with a friend of her aunt's, a lady who was delighted to act as chaperon for the heiress. The spring season was now at its height in Florence, and the members of the same circle perforce constantly met each other; on each separate occasion during the two weeks that followed Trafford Morgan was conscious that Miss Stowe was honoring him, although in a studiously guarded and quiet way, with much of a very observant attention. This, in the end, excited in him some curiosity. He had as good an opinion of himself as most men have; but he did not think it probable that the heiress had suddenly fallen in love with him without rhyme or reason, as it were, the "rhyme" being that he was neither an Apollo, an Endymion, nor a military man; the "reason," that he had never in the least attempted to make himself agreeable to her. Of course, if he had attempted – But he had not. She was not in need of entertainment; she had enough of that, of all sorts, including apparently the sort given by suitors. She showed no sign of having troublesomely impulsive feelings; on the contrary, she seemed cold. "She is playing some game," he thought; "she has some end in view. But if she wishes to make use of me she must show her hand more. I may assist her, and I may not; but, at any rate, I must understand what it is – I will not be led." He made up his mind that her aim was to excite remark in their circle; there was probably some one in that circle who was to be stimulated by a little wholesome jealousy. It was an ancient and commonplace method, and he had not thought her commonplace. But human nature at heart is but a commonplace affair, after all, and the methods and motives of the world have not altered much, in spite of the gray lapse of ages.

Morgan was an idle man; at present he was remaining in Italy for a purpose, and had nothing to do there. The next time he met Miss Stowe he followed out his theory and took the lead; he began to pay her attention which might, if pursued, have aroused observation. To his surprise she drew back, and so completely that he was left stranded. He tried this three times on three different occasions, and each time met the same rebuff. It became evident, therefore, that Miss Stowe did not wish for the kind of attention which he had supposed was her point; but as, whenever she could do it unobserved, she continued to turn upon him the same quiet scrutiny, he began to ask himself whether she wished for any other. An opportunity occurred which made him think that she did.

It was in the Boboli Garden, where he had gone to walk off a fit of weariness; here he came upon Miss Stowe. There seemed to be no one in the garden save themselves – at least, no one whom they knew; only a few stray tourists wandering about, with Baedeker, Horner, and Hare. The world of fashion was at the Cascine that day, where races were going on. Morgan did not feel like talking; he exchanged the usual phrases with Miss Stowe, and then prepared to pass on. But she said, gently, "Are you going now? If not, why not stroll awhile with me?"

After this, as he mentally observed, of course he was forced to stroll awhile. But, on the whole, he found himself entertained, because his companion gave him an attention which was almost devout. Its seriousness, indeed, compelled him to be serious likewise, and made him feel as though he were in an atmosphere combining the characteristics of a church and a school; he was partly priest, partly pedagogue, and the sensation was amusing. She asked him what he liked best in Florence; and she called it, gravely, "enchanting Florence."

"Giotto and Botticelli," he answered.

"I wish you would be in earnest; I am in earnest."

"With all the earnestness in the world, Miss Stowe, I could only repeat the same reply."

"What is it you find to like in them? Will you tell me?"

"It would take an age – a full half-hour; you would be quite tired out. Women are so much quicker in their mental processes than we are that you would apprehend what I was going to say before I could get it out; you would ascend all the heights, scour all the plains, and arrive at the goal before I came even in sight, where you would sit waiting, patiently or impatiently, as I, slowly and with mortified perception, approached."

"Yes, we are quick; but we are superficial. I wish you would tell me."

He glanced at her; she was looking at him with an expression in her eyes which was extremely earnest. "I cannot deliver a discourse while walking," he said. "I require a seat."

"Let us go to the amphitheatre; I often sit there for a while on the stone benches under the old statues. I like to see them standing around the circle; they are so serenely indifferent to the modern pencil-scrawlings on their robes, so calmly certain that their time will come again."

"What you say is entirely charming. Still, I hardly think I can talk to the statues. I must have something more – more secluded." He was aware that he was verging upon a slight impertinence; but he wished to see whether she would accede – what she would do. He made no effort to find the seclusion of which he spoke; he left that to her.

She hesitated a moment; then, "We might go to a seat there is under a tree at the top of the slope," she said. "It is a pleasant place."

He assented; and they went up the path by the side of the tall, stately hedges, and past the fountain and the great statue of Abbondanza. The stone bench was not one of those sought for; it was not in front, but on the western side. It commanded a view of the city below, with the Duomo and Giotto's lovely bell-tower; of the fruit-trees, all in flower on the outskirts; of the treetops of the Cascine, now like a cloud of golden smoke with their tender brown leaflets, tasselled blossoms, and winged seeds; of the young grain, springing greenly down the valley; and the soft, velvety mountains rising all around. "How beautiful it is!" she said, leaning back, closing her parasol and folding her hands.

"Beautiful – yes; but barren of human interest save to those who are going to sell the fruit, or who depend upon the growth of the grain. The beauty of art is deeper; it is all human."

"I must be quite ignorant about art," she answered, "because it does not impress me in that way; I wish it did. I wish you would instruct me a little, Mr. Morgan."

"Good!" he thought. "What next?" But although he thought, he of course was obliged to talk also, and so he began about the two art masters he had mentioned. He delivered quite an epic upon Giotto's two little frescos in the second cloister of Santa Maria Novella, and he openly preferred the third there – the little Virgin going up the impossible steps – to Titian's splendid picture of the same subject, in Venice. He grew didactic and mystic over the round Botticelli of the Uffizi and the one in the Prometheus room at the Pitti; he invented as he went along, and amused himself not a little with his own unusual flow of language. His companion listened, and now and then asked a question. But her questions were directed more towards what he thought of the pictures (after a while he noticed this), and what impressions they made upon him, than to the pictures themselves or their claims to celebrity. As he went on he made some slight attempts to diverge a little from the subject in hand, and skirt, if ever so slightly, the borders of flirtation; he was curious to see if she would follow him there. But she remained unresponsive; and, while giving no sign of even perceiving his digressions, she brought him back to his art atmosphere, each time he left it, with a question or remark very well adapted for the purpose; so well, indeed, that it could not have been by chance.

She declined his escort homeward, pretexting a visit she wished to pay; but she said, of her own accord, that she would sing for him the next time he came. He knew this was a favor she did not often grant; Madame Ferri had so informed him.

He went, without much delay; and she sang several songs in the dusky corner where her piano stood while he sat near. The light from the wax candles at the other end of the large room, where Miss Harrison was knitting, did not penetrate here; but she said she liked to sing in a semi-darkness, as she had only a twilight voice. It was in truth not at all powerful; but it was sweet and low, and she sang with much expression. Trafford Morgan liked music; it was not necessary to make up a conviction or theory about that; he simply had a natural love for it, and he came more than once to hear Miss Stowe sing.

In the meantime Miss Harrison continued to like "the grandson of old Adam," and again invited him to drive. A month went by, and, by the end of it, he had seen in one way and another a good deal of these two ladies. The "later manner" (as he mentally called it) of Miss Stowe continued; when they were in company, she was as she had been originally, but when they were unobserved, or by themselves, she gave him the peculiar sober attention which he did not quite comprehend. He had several theories about it, and varied between them. He was a man who did not talk of persons, who never told much. If questioned, while answering readily and apparently without reserve, it was noticed afterwards that he had told nothing. He had never spoken of Sicily, for instance, but had talked a good deal of Sweden. This reticence, so exasperating to many women, seemed agreeable to Miss Stowe, who herself did not tell much, or talk of persons – that is, generally. One person she talked about, and with persistence. Morgan was hardly ever with her that she did not, sooner or later, begin to talk to him about himself. Sometimes he was responsive, sometimes not; but responsive or unresponsive, in society or out of it, he had talked, all told, a goodly number of hours with Miss Stowe when May attained its zenith and the season waned.

The tourists had gone to Venice; the red gleam of guide-books along the streets and the conscientiousness of woollen travelling-dresses in the galleries were no longer visible. Miss Stowe now stepped over the boundary-line of her caution a little; many of the people she knew had gone; she went with Trafford to the Academy and the Pitti; she took him into cool, dim churches, and questioned him concerning his creed; she strolled with him through the monastery of San Marco, and asked what his idea was of the next world. She said she liked cloisters; she would like to walk in one for an hour or two every day.

He replied that there were a number of cloisters in Florence; they might visit them in succession and pace around quietly. The effect would be heightened if she would read aloud, as they paced, short sentences from some ancient, stiff-covered little book like De Contemptu Mundi.

"Ah," she said, "you are not in earnest. But I am!"

And she seemed to be; he said to himself that he had hardly had a look or word from her which was not only earnest, but almost portentously so. She now began to do whatever he asked her to do, whether it was to sing Italian music or to read Dante's Vita Nuova, both of which she had said she did not like. It is probable that he asked her to do a number of things about this time which he did not especially care for, simply to see if she would comply; she always did.

"If she goes on in this sort of way," he thought, "never showing the least opposition, or personal moods different from mine, I really don't know where we shall end!"

But at last she did show both. It was in the evening, and she was at the piano; after one or two ballads he asked her to sing a little English song he had found among her music, not printed, but in manuscript.

"Oh, that is nothing," she said, putting out her hand to take it from him. "I will sing this of Schumann's instead; it is much prettier."

But he maintained his point. "I like this better," he said. "I like the name – of course it is impossible, but it is pleasant – 'Semper Fidelis.'"

She took it, looked at it in silence for a moment, and then, without further reply, began to sing. There was nothing remarkable in the words or the music; she did not sing as well as usual, either; she hurried the time.

"SEMPER FIDELIS

"Dumb and unchanged my thoughts still round thee hover,
Nor will be moved;
E'en though I strive, my heart remains thy lover,
Though unbeloved;