The Rev. Mr. Moore had come gambolling back, striking actively hither and thither with his net, still pursuing the same butterfly. The butterfly – at his leisure – flew inland; and then Mr. Moore gave up the chase, and joined Mrs. Harold calmly, seeming not in the least out of breath, his face, indeed, so serious that she received the impression that while his legs might have been gambolling, his thoughts had perhaps been employed with his next Sunday's sermon; he had had an introspective, mildly controversial air as he leaped.
Garcia and Winthrop walked on in advance. The beach waved in and out in long scallops, and when they had entered the second they found themselves alone, the point behind intervening between them and their companions.
"What a dreadfully lonely place this beach is, after all!" said Garda, pausing and looking southward with a half-appreciative, half-disturbed little shudder.
"Not lonely; primeval," answered Winthrop. "Don't you like it? I am sure you do; take time to think."
"Oh, I don't want any time. Yes, I like it in one way, in one way it's beautiful. One could be perfectly lazy here forever, and I should like that. As for the loneliness, I suppose we should not mind it after a while – so long as we could be together."
Before Winthrop could reply to this, "Suppose we race," she went on, looking at him with sudden animation. And she began to sway herself slightly to and fro as she walked, as though keeping time to music.
"I think you mean suppose we dance," he answered. She had soon deserted the mood that chimed in with his own; still, he had not misjudged her, she had it in her to comprehend the charm of an existence which should be primitive, far from the world, that simple free life towards which the thoughts of imaginative men turn sometimes with such inexpressible longing, but to whose attractions feminine minds in general are said to be closed. The men of imagination seldom carry, are seldom able to carry, their aspirations to a practical reality; that makes no difference in their appreciation of the woman who can comprehend the beauty of the dream. Here was a girl who, under the proper influences, would be able to take up such a life and enjoy it; the vast majority of educated women, no matter what influences they should be subjected to, would never be able to do this in the least; they would long for – silk lamp-shades and rugs.
"Racing or dancing," Garda had replied, "you would never win a prize in either; you are far too slow."
"And you too indolent," he rejoined.
He had scarcely spoken the words when she was off. Down the beach she sped, and with such unexpected swiftness that he stood gazing instead of following; the line of her flight was as straight as that of an arrow. He was surprised; he had not thought that she would take the trouble to run, he had not thought her fond of any kind of exertion. But this did not seem like exertion, she ran as easily as a slim lad runs; her figure looked very light and slender, outlined against the beach and sky. As he still stood watching her, she reached the end of the scallop, passed round its point, and disappeared.
He looked back, there was no one in sight; if he had a mind to revive his school-boy feats, he could do so without being observed. It was a beautiful day; but running might make it warmer. At thirty-five one does not run for the pure pleasure of it, as at sixteen; if one is not an acrobat, it seems a useless waste of energy. Garda was probably waiting for him beyond the next point, even her desire to surprise him would not take her farther than that; he walked onward at a good pace, but he did not run; he reached the point, turned it, and entered the next scallop. She was not there.
It was not a very long scallop, she had crossed it, probably, while he was crossing the last; he went on and entered the next. Again she was not there. But this scallop was a mile long, she had certainly not had time to cross it; where, then, could she be? There was nothing moving on the white beach, the perpendicular sand-cliff afforded no footing; he walked on, thinking that there must be some niche which he could not see from where he stood. But though he went farther than she could possibly have gone in the time she had had, he found nothing, and retraced his steps, puzzled; the firm white sand showed no trace of her little feet, even his own heavier tread was barely visible.
Not far from the entrance of the scallop across which he was now returning, there was a pile of drift-wood higher than the other chance heaps, its base having been more solidly formed by portions of an old wreck which had been washed ashore there. Upon this foundation of water-logged timbers, branches and nondescript fragments, the flotsam and jetsam of a Southern ocean, had been flung by high tides, and had caught there one upon the other, until now the jagged summit was on a level with the top of the sand cliff, though an open space, several feet in width, lay between. Could it be that Garda had climbed up this insecure heap, and then sprung across to the firm ground of Patricio beyond? It seemed impossible; and yet, unless she had an enchanted chariot to come at her call, she must have done so, for there was no other way by which she could have escaped. Winthrop now essayed to follow her. But it was not without difficulty that he succeeded in reaching the top; for it was not so much a question of strength (of which he had an abundance) as of lightness; it was not so much a question of a good hold, as of no hold at all; the very place, he said to himself, for feminine climbing, which is generally hap-hazard clutches diversified by screams. At length, not without much fear of bringing the whole pile toppling down upon himself, he reached the summit, and from an insecure foothold looked across to the firm land. Patricio at this point was covered, at a short distance back from the edge, by a grove of wild-myrtle trees. There was no path, but the grove was not dense, Garda could have passed through it anywhere; there was no sign of her visible, but he could not see far. He sprang across, and went inland through the myrtles, his course defined in a measure by the thick chaparral which bordered the grove on each side. Suddenly he heard the sound of voices, he pushed on, and came to a little open space, thickly dotted with large bright flowers. On the farther side of this space an easel had been set up, and a young man was at work sketching; behind this young man, looking over his shoulder, stood Garda.
As Winthrop came out from the myrtles, "How long you have been!" she said. Then, "Come and see this sketch," she went on immediately, her eyes returning to the picture. "I've never seen anything so pretty in my life."
As Winthrop, after a moment's survey of the scene, came towards her over the flowers, "Oh," she said, "I forget that you don't know each other. Mr. Winthrop, Mr. Lucian Spenser, civil engineer, from Washington, the District of Columbia. Mr. Spenser, Mr. Evert Winthrop – he is nothing in particular now, I believe – from the city of New York."
"It's an occupation in itself, isn't it? to be from New York," said the artist, going on with his sketching, after the little motion, half nod, half wave of the hand, with which he had acknowledged Garda's introduction. Winthrop in the mean while had neither spoken nor bowed; he had only, as slightly as possible, raised his hat.
"Why do you stop there?" said Garda. She came to him, took his arm, and led him behind the easel. "The picture – the picture's the thing to look at!"
The sketch – it was in water-colors – represented the little arena, which was in itself a brilliant picture, done by Nature's hand. It was an open oval space about fifteen feet in diameter, entirely bare of trees or bushes, and covered with low green, through which rose lightly slender leafless stalks, each holding up, several inches above the herbage, a single large bright-faced flower; the flowers did not touch each other, they were innumerable spots of gold and bright lavender, which did not blend; on three sides the thick dark chaparral, on the fourth the dark myrtles, enclosed this gayly decked nook, and seemed to have kept it safely from all the world until now. The artist was making a very good sketch, good, that is, in the manner of the new foreign school.
"Isn't it beautiful – wonderful?" insisted Garda.
"Very clever," Winthrop answered.
The artist laughed. "You hate the manner," he said. "Many people do; I think I hate it a little myself, now and then." And he began to sing softly to himself as he worked:
"'Oh, de sun shines bright in my ole Kentucky home,
’Tis summah, de darkies are gay – '"
"'Twas his singing, you know, that attracted my attention," said Garda to Winthrop, under cover of the song. She did not seem to be explaining so much as repeating a narrative that pleased herself. "I had climbed up here to hide myself from you, when I heard singing; I followed the sound, and – here he was!"
"You have met him before, of course?" was Winthrop's reply.
"Never in the world – that is the beauty of it; it's so delightful to meet people you have never met before. And then to find him here in the woods, where I didn't expect to see anybody, save perhaps you, later, coming slowly along. And isn't it nice, too, that we shall have a new person to add to our excursions, and parties! For they were getting to be a little dull, – don't you think so? always the same people. He is a cousin of Mr. Moore's," she added, "or rather his mother was; he has just been telling me about it." She did not bring out this last fact as though it were the most important. Important? – the only important point was that she should be pleased. She had kept Winthrop's arm during this time; now she relinquished it, and turned back to the easel.
"'De corn-tops ripe, an' de meddars all abloom,
In my ole Kentucky home far away,'"
sang the stranger; and this time he let out his voice, and sang aloud. It was a very good voice. But Winthrop did not admire it.
"The others have probably no idea what has become of us," he said to Garda; "shall we go and look for them?"
"Yes," answered Garda; "of course they must be wondering. You go; I will wait here; go and bring Mr. Moore to see his cousin."
"It will be quite easy for Mr. – for this gentleman – "
"Spenser," said the artist, good-humoredly, as he painted on.
" – to see Mr. Moore at any time in Gracias," continued Winthrop, without accepting the name. For the life of him he could not put full confidence in this impromptu relationship which Garda had discovered, any more than he could in this, as one might say, impromptu man, whom she had also unearthed, miles from any inhabited point, on a wild shore. If the stranger were indeed a cousin of the Rev. Mr. Moore's, why had he not made himself known to him before this? He must have come through Gracias; Gracias was not so large a place that there could have been any difficulty in finding the rector of St. Philip and St. James'; nor was it so busy a place that one could have been pressed for time there.
"The truth is," answered Spenser, after he had completed a bit of work which seemed much to his mind – "the truth is," he repeated, looking at it critically, with his head on one side, "that I have, so far at least, rather shirked my good cousin; I am ashamed to say it, but it is true. You see, I only faintly remember him; but he will very clearly remember me, he will have reminiscences; he will be sure to tell me that he knew me when I was a dear little baby! Now I maintain that no man can really welcome that statement, it betokens recollections into which he cannot possibly enter; all he can do is to smirk inanely, and say that he fears he must have been a bad little boy."
"I know Mr. Moore will say it," said Garda, gleefully; "I know he will! Do go and call him," she said to Winthrop; "he will walk down to Jupiter Inlet if you don't stop him."
But Winthrop stood his ground; Mr. Moore's cousin or not Mr. Moore's cousin, he did not intend to leave Garda Thorne alone again with this chance, this particularly chance acquaintance. True, this was a very remote place, to which city rules did not apply; but the very seclusion had been like a wall, probably the girl had never made a chance acquaintance in all her life before.
"I will go myself, then," said Garda, seeing that he did not move. She did not seem annoyed, she was, in truth, very seldom ill-tempered. On the present occasion Winthrop might have been better pleased if she had showed some little signs of irritation; for she was simply not thinking of him at all, she was thinking only of Mr. Moore's cousin.
She crossed the flower-decked space quickly, and entered the myrtle grove; Winthrop followed her. When they reached the verge, "There they are," she said, looking southward.
"I don't know how I am to get you down," said Winthrop. "You could jump across from the drift-wood, but you cannot jump back upon it; it's not steady."
"I don't want to go down," said Garda. "They must come up." And she called, in a long note, "Mar – garet!" "Mar – garet!"
Mrs. Harold heard her and turned.
"There! I've called her Margaret to her face!" exclaimed the girl.
"To her back, you mean."
"I never did it before. But I was sure to do it some time; we always call her Margaret when we talk about her, mamma and I; and we talk about her by the hour."
"Mr. Moore and I together can perhaps get you down," said Winthrop, trying the edge of the sand-cliff to see if a niche could be trodden out.
"How odd you are – when I tell you I'm not going down! The others are to come up. Mr. Moore will be enchanted to see his cousin; I am sure I was – though he isn't mine."
Winthrop asked himself whether he should take this opportunity to give this beautiful Florida girl a first lesson in worldly wisdom. Then he reflected that what he had admired the most in her had been her frank naturalness, the freedom with which she had followed her impulses, without pausing to think whither they might lead her. So far, her impulses had all been child-like, charming. As regarded this present one, though it was child-like also, he would have liked, with it, a little more discrimination; but discrimination is eminently a trait developed by time, and time, of course, had not yet had a chance to do much for Edgarda Thorne.
He decided to leave her to herself, and to return for the moment to his old position (from which he had rather departed of late), the position of looking on, without comment, to see what she would do or say next. What she did was simple enough. She directed, with much merriment, the efforts of the Rev. Mr. Moore, as in response to her request he climbed up the jagged pile of drift-wood first, in order to show Mrs. Harold the best footholds, his butterfly pole much in his way, but not relinquished; for had not that butterfly flown inland? When he was safely landed on Patricio, Margaret Harold followed him. Winthrop, in spite of the difficulties of descent, wished to come down and assist her; but this she would not allow, and assistance, indeed, was plainly worse than useless in such a place. Nor did she betray any need of it; she climbed with an ease which showed a light foot and accurate balance, and was soon standing by Garda's side.
When they reached the little flower cove it immediately became apparent that the mother of this singing, painting stranger had really been (she had been dead many years) a cousin of Middleton Moore's, Winthrop himself, unless he was prepared to believe in an amount of plotting for which there seemed no sufficient motive, being forced to acknowledge the truth of the story. The conversation between the clergyman and Spenser went on with much animation. Mr. Moore was greatly interested, he was even excited; and they talked of many things. At last he said, with feeling, "I remember you so well, Lucian, as a baby; I was in the same house with you once for a whole week when you were just able to walk alone."
"Ah, yes! I am afraid I was rather a bad little boy," Spenser answered.