At this instant a woman detached herself from the distant groups of revellers and rushed towards the grove. And as she came on her figure was such a vision of swiftness of motion and of intensity of purpose that Gray unconsciously held his breath as he watched her. The plateau was broad; she was a full minute in crossing it. As she drew near the grove she lifted her head a little, and the moonlight, which had been behind her, fell across her forehead; then he saw that it was Modesta.
The harlequin also had recognized her, for, suddenly ceasing his gyrations, he released his companion, and ran off in the opposite direction, bounding as he went, in accordance with his assumed character, and joining the chain of dancers near the house with a high leap which gained for him their loud applause. Meanwhile his partner, freed at last, stood still for an instant with her eyes closed, dizzy from the whirling.
It was during this instant that Modesta reached her; coming down the slope with all the gathered impetus of her tremendous speed, she swooped upon the girl, bore her to the ground, struck her across the cheek, and then, holding her down with one hand, she fumbled in her own pocket with the other.
Dennison meanwhile, as soon as he had recognized his waitress at the top of the descent (he had not distinguished who it was before, his eyesight not being so keen as Gray's), had left his tree, and, darting across the intervening space, he now caught her arm tightly at the elbow, while her hand was still in her pocket. Gray hurried to his aid, and seized her other wrist, dragging her fingers away from the girl on the ground; thus holding her between them, they pulled her to her feet. As they did so her right hand came out of her pocket. It held a murderous-looking knife.
"You devil," said Dennison, in Italian, "drop that knife!"
They held her so closely that she could not move, but her face glared at them in the moonlight. It was like nothing human; her head was thrust out, the eyes were narrowed and glittering, the nostrils flattened, and the lips drawn up and back from the set, fierce teeth. Their four figures – three standing, one on the ground – were below the slope, and no one saw them. There had been no sound from the prostrate girl, who had lost consciousness from fright, paralyzed by the terrible countenance of the woman who had attacked her; and the waitress herself had made no sound as she came. She made no sound now, save that she panted as she breathed; she was like a wild beast who had made one spring and is about to make another.
"Drop the knife, or you shall go to prison," said Dennison, sternly, his hands on her shoulder like a vise.
Her fingers did not move.
"Listen. If you don't drop it, I swear to you I'll send Goro to America by the next Leghorn steamer, with five hundred lire in his pocket."
The knife dropped.
"Pick it up," said Dennison to Gray, in English. "Now see if you can lift that girl and carry her down the hill. Get her across the field somehow to that stone wall where we climbed over; wait there for me – unless she should come to on the way, in which case perhaps she will be able to climb over the wall herself. If she does, wait there with her by the phaeton. I sha'n't be long. But I must take this she-wolf back to the house first."
Gray had bent down; he lifted the inert body at their feet, raising it a little, and as he did so the head fell back, and the moonlight, shining on the hair and temples, showed that it was the Swede. Modesta, as she too saw the face, made a spring at it. But Dennison jerked her back. Then, with a snarling sound in her throat, she twisted her head round, and bit savagely at his hand where it held her shoulder.
"Do hurry. She is perfectly insane," he said to Gray.
Gray, having got the Swede off the ground, put his left arm under her back at the shoulders, and his right under her knees, and, lifting her in this position, he carried her down the hill with as much speed as was possible. This was not great, because the ground was uneven, and as he could not see where to place his steps, he was obliged to feel his way with his feet as he advanced – to shuffle along cautiously. In time, however, he reached the bottom of the hill. Then slowly he began to cross the field. This, too, was difficult, owing to the soft, crumbling earth of the freshly ploughed furrows. But here at last the girl opened her eyes.
"Can you stand?" asked Gray, breathlessly. Then he thought, with irritation, "None of them can speak anything!"
But the Swede now made of her own accord the motion of trying to get to her feet, and gladly enough he let her slip down and stand on the ground, as his arms were aching. He still supported her, however, lest she should fall.
But the girl seemed to be more terrified than weak; the instant her feet touched the earth she began to run towards the stone boundary wall, looking back every half-minute to see that no one was following. He went with her, trying to help her over the furrows; and as they hurried onward side by side, her face was such a picture of deathly fear that the feeling took possession of him also; he found himself regretting that their figures were so plainly visible on the moonlit expanse, and he too looked nervously over his shoulder, as though he expected to see the Italian woman coming after them madly, with her glittering eyes and the shining knife.
They reached the wall, and climbed over into the road outside, the Swede needing no help, but quicker in her movements than he was. In the road he tried to stop her, but she pulled herself from him. Still holding her, he showed her the horses tied in the shadow of the hedge. This she comprehended. She waited, therefore; but she kept herself several yards away from him, so that he should not stop her in case she should again wish to flee. She was a slender young creature, and she stood there much as a bird poises itself on a twig; not resting, not bearing its full weight, but perched provisionally, as it were – ready to fly away again in an instant.
Gray, who had now recovered his composure, tried to soothe her. With his most encouraging inflections he repeated: "All safe now. All-ll safe! Stay right here with me."
She paid not the least attention to him. Her eyes continued their strained watch of the lower trees of the grove. At length a man's figure emerged from these trees, and the girl gave a muffled scream. But Gray had caught hold of her arm; pointing to the horses and then to Dennison, he said, gesticulating energetically: "Horses are his. Dennison's. My friend. Your friend. (Oh, what is 'friend?') Amicus! Don't you see he's alone? Nobody with him? Solo? Sola?"
And the girl could indeed see for herself that the person approaching was alone. She had understood the fact that the horses belonged to this person, and her hope was in the horses; they could take her away – away from here!
As soon as Dennison was near enough he began speaking in Italian, and he continued to talk to her as he climbed over the wall, calming her, explaining and arranging. Then he turned the phaeton, and they all took their places within, the Swede sitting between the two men on the broad seat. Dennison drove down the lane, still talking encouragingly. When they reached the main road he took a direction which led them away from Casa Colombina and Tre Ponti. "We're in for it!" he said in English to Gray. "I shall take her to the nearest railway station – not the one you know, but another – and pack her off to Florence; there her consul can see to her. I have explained it to her clearly. She is glad enough to go."
"What was it all about, anyhow?"
"Didn't you comprehend? That harlequin (I'll mention no names, and then she won't be startled) was no less a person than the lover of your Madonna beauty – the youth she expects to marry. During the game he was flirting, or trying to flirt after his fashion, with our present companion. This was too much for the older woman. Hence the knife."
"Which I have in my pocket, by-the-bye."
"Don't take it out now; you can throw it away after we have disposed of our Scandinavian. I suppose she has never before seen such a thing as a brandished weapon of that sort. It's a knife used by the peasants about here to cut hides with; your Madonna probably took it from among Filippo's tools somehow while the festivities were going on. She must have been jealous even then."
"I told you that her laugh wasn't natural. 'Twas an awful sight, though! She would certainly have murdered the girl if we hadn't happened to be standing just where we were."
"Very likely," answered Dennison. "Tchk, tchk," he added to the horses.
"I hope she is safely locked up by this time."
"Locked up! She is probably dancing with her harlequin."
"You don't mean to say that you let her go?"
"Quite so. She is all right now; she has come back to her senses. I had six words with the youth, however; he'll treat her better – for the present, at least; I have frightened him."
"What did you mean when you said you'd send him away?"
"That was what brought her round. He has had a hankering for a long time to emigrate to – to the land of the free; he would go in a minute if his passage were paid and he had a hundred dollars in his pocket – go and never think of her again; she knows this. But the land of the free doesn't want him – he is incorrigibly lazy; and his departure would end her as far as I am concerned – make her perfectly useless."
"Good heavens! you're not going to take that murderess back?"
"I can't take her back without sending her away first. And that I haven't done," answered Dennison.
"But won't she be arrested, in any case? Every one will know that she attacked this girl, and that the girl has fled."
"No one knows that she attacked her. And even if it is guessed, Tuscan peasants are not so easily alarmed as you suppose; they understand each other. As to the disappearance of this one, I shall explain it by saying that I decided to advance the money to send her as far as Florence, instead of making her wait for the remittance which is expected from the consul; it is known that she was to go before long, in any case. It will cost me something, but I like peace and quietness. The other woman is perfect as a servant, and the cause of her jealousy removed she will continue perfect."
"Brrrr!" said Gray, uttering the sound that accompanies a shudder.
The Swede recognized the meaning of this; she looked at him quickly with parted lips and her hand extended. She was ready to spring from the phaeton.
"Do be quiet!" said Dennison. Then he spoke to the girl in Italian, quieting her dread.
They reached the station in safety, and soon after sunrise the Northerner, her breath still hurried, her hands cold, was placed in the care of the official who had charge of the Florence train. Dennison gave her his white silk handkerchief to tie over her uncovered head. The daylight had revealed the discolored lines of the bruise on her cheek produced by Modesta's blow. "Poor thing!" said Gray, as the train started on its way, and they had a last glimpse of her frightened eyes at the window.
"Yes. But she will get over it in time – she is strong and healthy. I have telegraphed to the consul at Florence to meet her, and take every care of her; he is to give her money from me, and then he is to send her to Stockholm, comfortably, in the charge of a suitable person. When she arrives there she will find a tidy little sum to her credit at a banker's."
"You're paying well for her scare."
"I'm paying well for my comfort."
They took fresh horses and returned to Casa Colombina.
As the Tower of the Dove came into sight on its hill, Gray said: "She won't be there, will she – I mean at the house?"
"Oh yes."
"What will she do when she sees us?"
"She will bring in the breakfast just as she brings it every morning, and Hannibal and the cats will follow behind. Perhaps she will talk rather more than usual; if she does, it will be on the most agreeable topics, and her smile (which you admire so much) will be sweeter than ever; her hair will be braided to perfection, and, what is more important, her work will be done to perfection. We shall pretend, both of us, she and I, that we don't see the mark of the bite on my hand. Shall I go on? In a week or two, probably, she will marry her Goro, and then he will be so constantly under my feet that I shall end by installing him as my gardener for life. He will do no work of importance; but, owing to his presence, I shall continue to enjoy the services of a waitress whom you yourself have described as a regular marvel."