The Element Encyclopedia of Secret Signs and Symbols: The Ultimate A–Z Guide from Alchemy to the Zodiac

The phrase, “In vino veritas” links wine to the truth and is a reminder that those intoxicated by perhaps a little too much of that nice claret will be more likely to speak the truth than most, which can be good or bad, depending on the circumstances.

GLOBUS CRUCIGER

This is the globe surmounted by a cross, which is one of the Christian symbols of authority, and its symbolism is obvious. The orb represents the Earth, and the Cross, that major symbol of the faith, is Christ’s supremacy over it.

The Globus Cruciger is often depicted as an actual object but was also used purely as a symbol on Roman coins from the time when Christianity became the prominent religion, round about the fifth century AD. Prior to this, the lone orb had been used in the same way, to imply authority. The addition of the cross brought the well-known emblem into the Christian domain. In Britain, the Globus Cruciger appears as a physical object that is used during the coronation of the monarch. It is called the Orb and is part of the Royal Jewels.

GOAT OF MENDES

Also called the Sigil of Baphomet or the Sabbatic Goat, this sinister-looking symbol features an inverted pentagram containing the head of a goat, the upward V of the star framing the horns. This symbol has become an icon of modern occultism, believed to be the very representation of the Devil himself, which was exacerbated when Anton La Vey adopted it in the 1960s for his Church of Satan.

Sometimes the symbol is encircled with a double ring, containing the Hebrew letters spelling “Leviathan,” the mythical sea monster that features in the Old Testament.

GOPURA

The ornately elaborate gateway into the Hindu temples, the Gopura carry the same significance as the Japanese Torii, marking a transition between the world of matter and the world of spirit.

GRAY WOLF

Otherwise known as Lupus Mettalorum, in alchemy antimony is disguised as the gray wolf. This gray wolf is the penultimate stage in the making of the Philosopher’s Stone, so in terms of the spiritual and psychological development of man it symbolizes the condition that brings him very close to the enlightenment he seeks; however, both physically and metaphorically speaking, the final stage of making lead into gold is yet to come, so the gray wolf can symbolize either success or failure.

GREAT SEAL OF THE UNITED STATES OF AMERICA

See United States dollar bill.

GREEN MAN

The symbol of the Green Man could be said to lurk in the subconscious minds of anyone with an affinity for leafy, wooded, and bosky places, although the term was not coined in the UK until the 1930s. Such a character—latterly interpreted as being the raw spirit of Nature—exists not only in the British Isles but in India, Asia, and Arabic countries too.

With a head seemingly constructed of leaves and vines, the Green Man is sometimes depicted as human, and sometimes as an animal. Despite his popularity as a garden ornament and its proliferation in garden centers, one of the oldest Green Man symbols discovered thus far is a piece of stonework on an Irish obelisk that dates back to 300 BC. Irish myth features a character called a Derg Corra, meaning “man in the tree,” and it may well be the case that he and the Green Man are one and the same. See Part 5, “Sacred Geometry and Places of Pilgrimage,” for an example of the Green Man made into a living maze.

SIGNS AND SYMBOLS OF FREEMASONRY

Although many of the entries in this encyclopedia have an association with Freemasonry, many secret signs and sacred symbols belong specifically to this discipline, hence the need for a separate entry dedicated to the Craft.

The Catholic Encyclopedia describes Freemasonry as

a system of morality veiled in allegory and illustrated with symbols.

Many of the signs and symbols associated with this ancient brotherhood are necessarily to do with building and architecture, and the instruments of these disciplines are used to carry analogies. One of the central tenets of Freemasonry, however, is that there should be as little dogma as possible, and so the meanings of many of the associated symbols are deliberately oblique and can remain open to personal interpretation.

1. ACACIA

Represents the idea of initiation, and is also used in Masonic funerals as a symbol of rebirth. The martyred master mason who designed the Temple of Solomon at Jerusalem, Hiram Abiff, had his burial place marked with an acacia branch. See Acacia in Part 4.

2. BLAZING STAR

Freemasons give this name to the Pentagram. Freemasons, like Pythagoras, regard the number 5 as sacred.

3. COLUMN

Many of the symbols within Freemasonry take their inspiration from the Temple of Solomon, the first temple in Jerusalem.

The structure of the Masonic Hall generally has two columns at either side of its main door that relate to the original columns set by the architect, Hiram, in the porch of the temple. These original columns were made of brass or bronze. The pillars are known by their Hebrew names and are also referred to in the Kabbalah; on the right is Jachin (meaning stability) and the left is Boaz (meaning strength). The columns also have a male/female polarity, Jachin often painted red to symbolize the Sun and fiery qualities of the active male principle, and the female Boaz painted white for the Moon and the passive feminine virtues. In rites, the columns are used to denote the grade of mason. Apprentices stand before the red column, Masons stand in front of the white column, and the Master Masons in the central space between the two.

4. COMPASSES

One of the foremost symbols within Freemasonry, the compasses combine with the Masons’ Square. The letter G might be incorporated into the design, especially in older representations, and other elements might be added; a Sun and Moon, for example.

Although Freemasons prefer to leave many of their associated symbols open to interpretation, we can make some assumptions about this particular emblem simply by looking at its form and by bearing in mind how the tools are used.

Both the compass and the square are mathematical tools, used for precise measurements in disciplines that can leave no room for error: building, construction, and architecture. There is a natural symbiosis between these tools, since the circle is used to form the square, and the square can be used to give form to the circle; this is called squaring the circle and is a fundamental rule applied to geometry, sacred or otherwise. Any instruments used for measuring must, ergo, be symbols of judgement and definition.

Further, in this Masonic pairing, the feminine circle (which it is the sacred task of the compasses to create) forms a perfect union with the masculine square; therefore the spiritual combines with the material, Earth with Heaven. Another aspect of the compasses and the square delves even further into the symbolism of the circle and the square, with the former representing space and the latter, time. The mason, as “architect,” rules over all these aspects and dimensions.

Because they are used to draw a perfect circle, the compasses themselves have significance as a tool used by God as the “architect” of the Universe. This idea is represented perfectly in the William Blake painting The Ancient of Days Measuring Time in which God stretches toward Earth, compasses in hand, with the golden disc of the Sun behind him.

Compasses work by turning on a central axle or pivot. This means that they are also a symbol of the Axis Mundi, of the circular nature of time, and of the ouroboros, the serpent which continually swallows its own tail.

4a. THE SQUARE

There’s a common phrase, “on the square” or “on the level.” This means to be open, honest, proper, and above board, and springs directly from Masonic practice and ritual.

All the symbolism of the square and of the number 4 is applicable to this tool; it stands for solidity, respect, security.

4b. THE ANGLE OF THE COMPASS

Accounts differ as to whether the angle of the compass carries any special significance. The Masonic Compass is certainly drawn in different degrees. Some say that this represents the different degrees within Masonry, but again this is a matter for the inner sanctum of Masons.

4c. THE TRIANGLE

Both the square and the compasses form a triangle, a symbol both of stability and of the spirit world.

4d. THE SIX-POINTED STAR

Hidden within the square and compasses symbol is another magical sign, the Seal of Solomon, the hexagram or six-pointed star. This can be made if a line is drawn across the open point of the square and compasses. The seal is formed of two interlocking triangles and is one of the most ancient and universal magical symbols, also used in alchemy. Among other meanings, this star can be interpreted to mean “as above, so below.”

4e. THE LETTER G

This does not always feature in the symbol of the compass and the square, and when it does there is ambivalence as to its meaning. Some say that it stands for God, others argue Geometry. Other interpretations including the notion that the G stands for Generation or possibly Government or even the Great Bear, the star that signifies the celestial pole or center, not only a physical center but a philosophical one. However, Masons agree that there is no definitive answer.

5. HIRAM ABIFF

The legend of Hiram Abiff is the central core and inspiration for Freemasons. Hiram was a Master Mason who specialized in metalwork, and was one of the prime designers of the Temple of Solomon in Jerusalem. Here is the legend.

After the temple was completed, three of the other workers decided that they wanted to extract the secrets from Hiram that would qualify them to be Master Masons. They positioned themselves at the doors of the temple and individually demanded to know these secrets. Hiram refused each one in turn, telling them that the knowledge they desired could be gained only by experience. The three turned on Hiram and killed him; one struck a blow to his throat with a rule, the next hit him on the chest with an iron measuring square, and the third finished the job by hitting him on the forehead with a hammer. Full of remorse for the crime that they quickly realized was a fruitless murder, the “three ruffians,” as they came to be called, buried Hiram and placed an acacia tree over his grave.

However, although Hiram was effectively dead, his memory lives on and so effectively he is reborn. The initiation of the grade of Master Mason re-enacts the ritual of the death of Hiram. In as much as there are any hard and fast rules which apply to the symbolism inherent within Freemasonry, the three blows symbolize three different kinds of death: the death of the body (the blow to the throat), the death of the feelings (the strike on the chest), and the death of the mind (the blow to the forehead). Thus, the would-be Master Mason leaves his old self behind, the initiatory process symbolizing his rebirth into the higher moral values that were held by Hiram, of integrity, knowledge, and detachment. In other words, the mason is reborn as a better individual, having risen above the ignorance, hypocrisy, and envy personalized by his murderers.