HOLY GRAIL
To say that something is like searching for the Holy Grail implies that the search is for a highly treasured and elusive object that might never be found. If there is a genuine Holy Grail, like the Philosopher’s Stone, it has retained its hard-to-get status.
The Holy Grail legend has direct links with two mystical pre-Christian items; the magical cauldron of the Celtic Gods that never emptied and kept everyone satisfied, and the magical chalice that represents spiritual authority and kingship. However, received information about an actual physical Holy Grail says that it is either the cup that Christ drank from at the Last Supper or the vessel that caught his blood during his crucifixion. The sacred vessel subsequently went missing.
There is a rumor that a fragment of the true Holy Grail, known as the Nanteos Cup, is secreted somewhere in the United Kingdom, specifically in Wales. The cup, made of olivewood, is reputed to have been brought to Glastonbury by Joseph of Arimethea, where it was looked after by the monks who lived at the abbey. The Dissolution of the Monasteries in the sixteenth century, in which monasteries were abolished and their valuable property seized by the Crown, meant that the sacred relic had to be removed. It allegedly ended up at Nanteos Mansion near Aberyst-wyth. Although it is now just a small fragment of wood, water drunk from it is claimed to have healing powers. Sadly, this marvelous story currently has no forensic evidence to support it and so the Holy Grail remains true to its symbolic meaning, tantalizingly beyond our grasp, for the time being at least.
The Grail Legends of the Arthurian Tales also symbolize the quest for something beyond reach. The knights, galvanized into action to find this object of desire, soon realize that they are seeking something much more than a cup; given that the shape of the grail is a feminine symbol and a powerful emblem of the spirit, according to Jung it symbolizes “the inner wholeness for which men have always been searching.” As such, the Holy Grail has marked parallels with the Philosopher’s Stone of the alchemists, and an equally elusive nature.
HORIZONTAL LINE
See First signs: Horizontal line.
HORNED SHAMAN
This symbol has a deep resonance for many, and was first discovered in the cave paintings of Ariège in France. These paintings date back to 10,000 BC. The figure may be the precursor to Cernunnos and other antlered deities. The horned shaman is also called the Dancing Sorcerer, said to represent a shaman performing a ritual ceremony. However, this theory cannot be proven conclusively.
HORNS OF ODIN
Norse legends tell of a magical mead that was brewed from the blood of a wise God, Kvasir; to drink this mead would be to benefit from the wisdom of the God. Odin managed to find this drink, and the triple horns represent the three draughts that he drank.
The horn itself is both a masculine and phallic symbol, but because it can be used as a container, it encompasses the female aspect, too. The triple horn appears in stone carvings, over the heads of warriors, implying rewards in Valhalla, the Hall of Slain Warriors that is the home of Odin.
Today, the symbol is used as a sign of identity by followers of the Asatru faith. Asatru is a relatively modern religion that acknowledges the much more ancient pre-Christian Norse beliefs.
HORSESHOE
The horseshoe has acquired symbolic significance not because of its function, but because of its shape and the metal used to make it. It is shaped like the arc, one of the first sacred symbols that represents the vault of the Heavens. When it is “upside down” it is also shaped like the last letter of the Greek alphabet, the Omega.
Flip the horseshoe the other way up, however, and it resembles the crescent Moon, therefore invoking the protection of the Moon Goddess. The iron that the horseshoe is made from further enhances this protective quality. Iron is a protective metal, which evil entities will go out of their way to avoid. The horseshoe also looks like the yoni, further strengthening its links with the Goddess.
The horseshoe is a well-known good-luck symbol and appears on greetings cards, wedding souvenirs, and the like. People nail them up over doorways for the same reason, although there is some controversy as to which way up the horseshoe should go. One school of thought says that it should rest on its curved end to hold in the luck, which, if the horseshoe were reversed, would pour away. However, pre-Christian superstition says that the horseshoe should be positioned so that it looks like the sky, and also like the yoni.
HOURGLASS
The function of the hourglass is to mark the passing of time, as sand trickles through the narrow waist in the middle of the transparent glass container that is the same shape as a figure of eight. Therefore, the hourglass is often used as a motif to show the inevitability of death.
However, the shape of the hourglass, as well as being a visual symbol and a word used to describe the figure of a shapely woman, is a lemniscate, or infinity sign. This indicates eternity. That the hourglass can be turned upside down to start the cycle all over again makes it an optimistic symbol of rebirth.
I CHING
The I Ching is an ancient Chinese system of philosophical divination, possibly dating back to the eighth century BC, which is still in use today.
The I Ching, or Book of Changes, was the only book that escaped destruction when all the Chinese philosophical works were burned in the third century BC. Either dried yarrow stalks or special coins, usually with square holes in the center, plus knowledge and a fair sprinkling of intuition, are the tools of the I Ching.
The basis of the system is just two simple lines, one continuous, one broken. The most profound symbols are usually the simplest, and these two lines encompass the universal source of all things, also known as the Tao (as in Taoism).
The unbroken line represents all aspects of the positive; male, Sun, fire, heat, action, odd numbers, yang. The broken line represents the opposites.
These lines combine to make 64 possible combinations.
The lines also form a set of eight trigrams that represent the elements of air, water, fire, and earth, with the four sub-elements of breath, sea, thunderbolt, and mountain.
The interpretations of the I Ching are beautifully oblique; the philosophy behind this system is about finding balance. Both the flags of Vietman and of South Korea feature trigrams from the I Ching.
ICELANDIC STAVE SYMBOLS
Early Icelandic grimoires (magical texts full of spells and occult information) contain long lists of curious, angular-looking symbols, all intended for a specific purpose. Their origins go back to the ancient rune system, with a sprinkling of later medieval and Renaissance magic thrown in for good measure.
The purposes of the symbols tell the story of the lifestyles and concerns of the people down the passage of the years; the importance of a good catch for fishermen, protection against thieves and ghosts, how to frighten away enemies.
The intentions of these ancient symbols are extremely varied and there seems to be one for almost every conceivable occasion. The lists read a little bit like a magical book of household management. There are staves included to help ensure the quality of butter, for lock breaking, and even for raising the dead.
Popularly referred to as Magical Staves, these signs are sometimes comprised of several runic symbols merged together (a bind rune), while others stand alone.
AEGISHJALMUR
One of these stave symbols is called the Helm of Awe or Aegishjalmur. It looks like a snowflake, except it has eight arms radiating from the central point instead of six.
Its purpose, as the name suggests, was to instill fear in the hearts of enemies and to guard the wearer against abuse of his own power. To work properly it needs to be engraved onto lead and then pressed into the forehead.
Latterly, followers of the Asatru belief adopted the Helm of Awe as one of their cornerstone symbols.
HULINHJALMUR: TO MAKE YOURSELF INVISIBLE
Although invisibility is likely to be an incredibly useful asset, the construction of this stave is particularly tricky. It might not seem too difficult to engrave it on a piece of lignite using magnetic steel that has been hardened by soaking in human blood, but the instructions for blending of the ink could be a real nuisance. The recipe calls for three drops of blood from the index finger of the left hand, and three from the ring finger of the right hand; two drops of blood from the right nipple and one from the left. To this is added six drops of blood from the heart of a living raven. All this blood needs to be melted down with the raven’s brain and parts of a human stomach. Voilà. Now you see me…
DISCLAIMER
Hulinhjalmur, it will be noted, has no counter stave to restore visibility. Neither the author nor the publishers of this book accept any responsibility for misuse of rune staves.
ICHTHYS WHEEL
At first glance, this looks like a simple six-spoked wheel. However, the name of Christ is cleverly hidden within it, and like the vesica piscis, was a way for early, persecuted Christians to recognize one another. The Greek letters I X O Y E can be laid over the circle.
I H S
These initials form a symbolic monogram for Christ. The monogram comprises the letters iota, ete, and sigma, which are the first three letters of the name of Jesus in Greek, Iesous. The letters also stand for the Latin phrase, Iesous Hominum Salvator, meaning Jesus, Saviour of Man.
Later, the symbol became a sign of peace.
The IHS symbol is generally embossed onto the communion wafer, and the initials surrounded by the rays of the Sun.
INCENSE
Its origins in incendere, the Latin word for fire, the importance of incense as a magical symbol lies in the resins and spices that it is made from, its perfume, and the action of its smoke that rises up toward the sky. This smoke is believed to conduct prayers, messages, and devotions toward the deities. The scent is said to please the Gods as well as lifting the spirits of worshippers, and the fact that frankincense was one of the three gifts given by the Wise Men to the infant Christ is a reminder of its significance. In Christianity, incense was first used in burials as a symbol of purity that would drive away demons and to carry the soul up to Heaven. However, its use soon expanded, and today, incense has a prominent part to play in rites of all kinds, especially within the Roman Catholic Church and the High Church of England. Neopagan groups, too, use incense for the same reasons.
Burning of incense transcends faiths and cultural boundaries. For Native Americans, the fragrant smoke given off by tobacco and other herbs when they share the calumet or pipe carries exactly the same significance as the incense that is burned in churches and the “dhupa” (or dhoop sticks) of Hindu ritual. For Hindus, incense represents the element of air and the perception of consciousness.