The Mesmerist's Victim

The Mesmerist's Victim
Alexandre Dumas

Alexandre Dumas

The Mesmerist's Victim

CHAPTER I

THE DESPERATE RESCUE

ON the thirteenth of May, 1770, Paris celebrated the wedding of the Dauphin or Prince Royal Louis Aguste, grandson of Louis XV. still reigning, with Marie-Antoinette, Archduchess of Austria.

The entire population flocked towards Louis XV. Place, where fireworks were to be let off. A pyrotechnical display was the finish to all grand public ceremonies, and the Parisians were fond of them although they might make fun.

The ground was happily chosen, as it would hold six thousand spectators. Around the equestrian statue of the King, stands were built circularly to give a view of the fireworks, to be set off at ten or twelve feet elevation.

The townsfolk began to assemble long before seven o’clock when the City Guard arrived to keep order. This duty rather belonged to the French Guards, but the Municipal government had refused the extra pay their Commander, Colonel, the Marshal Duke Biron, demanded, and these warriors in a huff were scattered in the mob, vexed and quarrelsome. They sneered loudly at the tumult, which they boasted they would have quelled with the pike-stock or the musket-butt if they had the ruling of the gathering.

The shrieks of the women, squeezed in the press, the wailing of the children, the swearing of the troopers, the grumbling of the fat citizens, the protests of the cake and candy merchants whose goods were stolen, all prepared a petty uproar preceding the deafening one which six hundred thousand souls were sure to create when collected. At eight at evening, they produced a vast picture, like one after Teniers, but with French faces.

About half past eight nearly all eyes were fastened on the scaffold where the famous Ruggieri and his assistants were putting the final touches to the matches and fuses of the old pieces. Many large compositions were on the frames. The grand bouquet, or shower of stars, girandoles and squibs, with which such shows always conclude, was to go off from a rampart, near the Seine River, on a raised bank.

As the men carried their lanterns to the places where the pieces would be fired, a lively sensation was raised in the throng, and some of the timid drew back, which made the whole waver in line.

Carriages with the better class still arrived but they could not reach the stand to deposit their passengers. The mob hemmed them in and some persons objected to having the horses lay their heads on their shoulder.

Behind the horses and vehicles the crowd continued to increase, so that the conveyances could not move one way or another. Then were seen with the audacity of the city-bred, the boys and the rougher men climb upon the wheels and finally swarm upon the footman’s board and the coachman’s box.

The illumination of the main streets threw a red glare on the sea of faces, and flashed from the bayonets of the city guardsmen, as conspicuous as a blade of wheat in a reaped field.

About nine o’clock one of these coaches came up, but three rows of carriages were before the stand, all wedged in and covered with the sightseers. Hanging onto the springs was a young man, who kicked away those who tried to share with him the use of this locomotive to cleave a path in the concourse. When it stopped, however, he dropped down but without letting go of the friendly spring with one hand. Thus he was able to hear the excited talk of the passengers.

Out of the window was thrust the head of a young and beautiful girl, wearing white and having lace on her sunny head.

“Come, come, Andrea,” said a testy voice of an elderly man within to her, “do not lean out so, or you will have some rough fellow snatch a kiss. Do you not see that our coach is stuck in this mass like a boat in a mudflat? we are in the water, and dirty water at that; do not let us be fouled.”

“We can’t see anything, father,” said the girl, drawing in her head: “if the horse turned half round we could have a look through the window, and would see as well as in the places reserved for us at the governor’s.”

“Turn a bit, coachman,” said the man.

“Can’t be did, my lord baron,” said the driver; “it would crush a dozen people.”

“Go on and crush them, then!”

“Oh, sir,” said Andrea.

“No, no, father,” said a young gentleman beside the old baron inside.

“Hello, what baron is this who wants to crush the poor?” cried several threatening voices.

“The Baron of Taverney Redcastle – I,” replied the old noble, leaning out and showing that he wore a red sash crosswise.

Such emblems of the royal and knightly orders were still respected, and though there was grumbling it was on a lessening tone.

“Wait, father,” said the young gentleman, “I will step out and see if there is some way of getting on.”

“Look out, Philip,” said the girl, “you will get hurt. Only hear the horses neighing as they lash out.”

Philip Taverney, Knight of Redcastle, was a charming cavalier and, though he did not resemble his sister, he was as handsome for a man as she for her sex.

“Bid those fellows get out of our way,” said the baron, “so we can pass.”

Philip was a man of the time and like many of the young nobility had learnt ideas which his father of the old school was incapable of appreciating.

“Oh, you do not know the present Paris, father,” he returned. “These high-handed acts of the masters were all very well formerly; but they will hardly go down now, and you would not like to waste your dignity, of course.”

“But since these rascals know who I am – ”

“Were you a royal prince,” replied the young man smiling, “they would not budge for you, I am afraid; at this moment, too, when the fireworks are going off.”

“And we shall not see them,” pouted Andrea.

“Your fault, by Jove – you spent more than two hours over your attire,” snarled the baron.

“Could you not take me through the mob to a good spot on your arm, brother?” asked she.

“Yes, yes, come out, little lady,” cried several voices; for the men were struck by Mdlle. Taverney’s beauty: “you are not stout, and we will make room for you.”

Andrea sprang lightly out of the vehicle without touching the steps.

“I think little of the crackers and rockets, and I will stay here,” growled the baron.

“We are not going far, father,” responded Philip.

Always respectful to the queen called Beauty, the mob opened before the Taverneys, and a good citizen made his wife and daughter give way on a bench where they stood, for the young lady. Philip stood by his sister, who rested a hand on his shoulder. The young man who had “cut behind” the carriage, had followed them and he looked with fond eyes on the girl.

“Are you comfortable, Andrea?” said the chevalier; “see what a help good looks are!”

“Good looks,” sighed the strange young man; “why, she is lovely, very lovely. She is lovelier here, in Parisian costume, than when I used to see her on their country place, where I was but Gilbert the humble retainer on my lord Baron’s lands.’”

Andrea heard the compliment; but she thought it came not from an acquaintance so far as a dependent could be the acquaintance of a young lady of title, and she believed it was a common person who spoke.

Infinitely proud, she heeded it no more than an East Indian idol troubles itself about the adorer who places his tribute at its feet.

Hardly were the two young Taverneys established on and by the bench than the first rockets serpentined towards the clouds, and a loud “Oh!” was roared by the multitude henceforth absorbed in the sight.

Andrea did not try to conceal her impressions in her astonishment at the unequalled sight of a population cheering with delight before a palace of fire. Only a yard from her, the youth who had named himself as Gilbert, gazed on her rather than at the show, except because it charmed her. Every time a gush of flame shone on her beautiful countenance, he thrilled; he could fancy that the general admiration sprang from the adoration which this divine creature inspired in him who idolized her.

Suddenly, a vivid glare burst and spread, slanting from the river: it was a bomshell exploding fiercely, but Andrea merely admired the gorgeous play of light.