Eleven Possible Cases

"Oh, but my heart is not so old! Take my hand – it is firm and strong; touch my lips – they are burning – "

A low whistle sounded at the top of the lane. As I took her hands I pushed her back, and turning, ran for my life. I suppose that, as I ran, I counted forty before her scream came, and then the sound of her feet pattering after me.

She must have run like a demon; for I was less than ten yards ahead when Peter caught my wrist and pulled me up on to the back-seat of the dog-cart. And before George could set the horse going her hand clutched at the flap on which my feet rested. It missed its grasp, and she never got near enough again. But for half a minute I looked into that horrible face following us and working with silent rage; and for half a mile at least I heard the patter of her feet in the darkness behind. Indeed, I can hear it now.

THE MYSTIC KREWE

BY MAURICE THOMPSON

CHAPTER I

About seventy years ago a young man of strong physique and prepossessing appearance arrived at New Orleans. He had come from New York, of which city he was a native, and had brought with him a considerable sum of money, supplemented by a letter of introduction to Judge Favart de Caumartin, who was then at the flood tide of his fame.

It would not be fair to call our young man ("our hero" would be the good old phrase) an adventurer, without taking pains to qualify the impression that might be produced. Hepworth Coleman had his own way of looking at life. Fifty years later he would have been a tragedian – probably a famous one, but the conditions were not favorable to awakening histrionic ambition at the time when his character, his tastes, his ambition should have been forming. What he saw that was most fascinating to him had no distinct form; it lay along the south-western horizon, a dreamy, mist-covered something not unlike the confines of romance.

Hepworth Coleman was rich, and what was, perhaps, a greater misfortune, he had no living kinsfolk for whom he cared or who cared for him. Practically speaking, he was alone in the world: moreover, he had an imagination. Scott's novels, Byron's poetry, the French romances, and I know not what else of the sort, had been his chief reading. For physical recreation he had turned to fencing and pistol practice. When I add that he was but twenty-two and unmarried, the rest might be guessed, but Coleman was not a young man of the world in the worst sense – he had not turned to evil sources of dissipation. Healthy, vigorous, full of spirit, he nevertheless had sentimental longings as indefinite as they were persistent.

Youth is the spring time when "Longen folk to gon on pilgrimages," as old Chaucer words it, and it would be hard to find the young man who has not felt the vaguely outlined yet irresistible desire to wander, to go over the horizon into a strange, new world. Hepworth Coleman, when he was taken with this longing, felt no restraint cast around him. He was absolutely free, had all the means necessary – why should he not go where he pleased? If it seems strange that he should have been attracted to New Orleans rather than to the Old World, we must remember what New Orleans was in 1820. No other city, not even Paris, could at that time compare with it as a center of genuine romance, nor was this romance unmixed with lawlessness of the most picturesque kind. Money poured into it from a hundred sources more or less illegitimate, besides the streams of wealth produced by cotton, sugar, and rice industries. Gambling was indeed a fine art, duelling appeared more a pastime than anything else, and what went on in the gilded halls and melody-filled salles may be imagined, I suppose, though, I do not care to cast a glance that way.

Hepworth Coleman had heard much of the gay city, of its warm, odorous atmosphere, its hospitality, its social charm, the smack of reckless romance in all its ways. Somehow the desire to go there got hold of his imagination and he went.

The letter to Judge Favart de Caumartin was given to Coleman by his banker, who in handing it to him said:

"I don't know the Judge personally, never saw him; but he has done a lot of business through us. He is very rich, evidently very influential, and certainly will be of use to you. I feel that I can take the liberty of sending you to him, because – well, he is under many obligations to the bank, and is likely to want many more large favors. I fancy that you'll find him a trifle eccentric, but enthusiastically hospitable. A creole of the creoles I judge him to be, and a representative of the nabobs."

Young Coleman considered himself lucky to carry with him a document that would give him introduction to a person so renowned as Judge Favart de Caumartin, of whom he had been recently reading a good deal owing to a duel fought between the Judge and one Colonel Sam Smith, of the United States army, in which the latter had been killed. The duel had brought out history from which it appeared that Judge Favart de Caumartin had fought before, not once only, but many times, and always to the death of his antagonist. Along with these facts were disclosed numerous picturesque details of the Judge's past life, with more than hints that in his young days he had been a pirate or something of the sort. The account also made the most of his wealth, his almost reckless liberality, his eccentricity, and, most of all, the air of mystery which still hung over his business operations.

All this was rich food for an imagination already thoroughly saturated with the spirit of romantic adventure, and during the voyage from New York to New Orleans Hepworth Coleman found deep satisfaction in anticipating what he felt was in store for him. In every fiber of his frame he felt the assurance that he was on the way to new and strange experiences.

His banker had sent a letter to precede his arrival by a few days, asking a friend to secure suitable apartments for Mr. Hepworth Coleman, gentleman, the consequence being that a dark young man, small but well-built and handsome, met him at the landing to conduct him to his suit of elegant rooms on Royal Street.

"Is you Meestu Coleman, sah?" inquired this young stranger in a musical and respectful tone of voice. "I look fo' zat ma' at prayson."

"Yes, sir, that is my name," said Coleman briskly, at the same time he showed by his look that he would like to know whom he was meeting.

"Varee glad you come, Meestu Coleman; varee glad, sah, indeed. Got your rooms all prepare fo' you, sah. Yes, sah, zey is beautifu' an' sharming rooms."

"Thank you; I am much indebted. Are you the gentleman to whom Mr. Cartwright, the banker, wrote in my behalf?"

"Nah, sah, not any banker write to me; I been told to meet you at zis place at prayson. Happy to see you. Mist Coleman; varee happy."

There was an elegant carriage at hand waiting for our friend. A negro driver in livery and a small black footman stood by.

Coleman entered the vehicle, followed closely by the young creole who had met him on the landing. He saw his baggage hoisted into a little wagon to come after the carriage.

For some reason not exactly explained this whole proceeding affected Coleman peculiarly; he felt a sort of vague uneasiness, as if he were passing into an atmosphere of mystery, if not of danger.

As he was whirled through the narrow streets he caught glimpses of queer tile-covered houses with curious hanging galleries. High walls and gloomy courts flanked these, and here and there a dusky palm or a bright orange tree flung up its foliage. Blooming magnolia clumps filled the air with a heavy, languid odor.

But what most attracted the attention of Coleman was a company of four or five young men dressed like dandies, swaggering along on one of the banquettes (sidewalks) and singing a drinking song at the top of their voices. One of these hilarious fellows made a lasting impression on our young friend's imagination. He was a tall, olive-skinned, handsome man, apparently about twenty-five, strikingly dressed in a plaid coat, a vest of red and black velvet, gray trousers, and a profusely ruffled shirt. Evidently he was the leading spirit of the party. At all events he was somewhat in front, with his black cap set well back on his shapely head, while his jet black hair fell in shining curls over his strong shoulders. He was shouting forth the French drinking carol in a voice as sweet as it was loud, and at the same time waving in the air a small cane. The entire group looked the worse for wine, their faces flushed and their eyes brilliant.

"Who is that strange-looking man in front?" inquired Coleman of his creole companion, as they passed them by.

"Zat ge'man ees ze goozh Favart de Caumartin," was the answer that fairly startled the interrogator.

Coleman actually grew red in the face and exclaimed:

"That Judge Favart de Caumartin! Surely, sir, you are mistaken."

"Beg pahdon, sah, zat ees Monsieur le Juge Favart de Caumartin. I him know varee well myself at prayson."

Coleman turned and stared back through the window at the strutting youthful figure leading the noisy rout.

How could that be the celebrated duellist, the guardian pirate!

"It cannot be," he muttered aloud. "It is impossible."

"Varee well, Meestu Coleman," said the young Creole dryly; "but I mus' inqui yo' pahdon, sah. Monsieur le Juge Favart de Caumartin ees to me well acquainted. I wemark to you, sah, zat zare ees not any mistake."

"Oh certainly, sir; I beg a thousand pardons!" exclaimed Coleman, pulling himself together and seeing his breach of etiquette. "Of course you were right; but I was so surprised to see the Judge looking so young. I had supposed he was an aged man. I am astonished."

"Oh, Monsieur le Juge ees not so young – not so varee – hees hair not much gray." While they were still discussing this matter the carriage stopped in front of a square, heavy-looking house, which, painted a dull red and projecting its upper gallery over the banquette, flung out on either side a heavy brick wall on whose top was a jagged dressing of broken bottles and jags. It looked more like a convent than like an apartment-house.

Hepworth Coleman found his suit of rooms admirable in every respect, large, airy, luxuriously furnished. His creole conductor parted with him at the door without giving his name or address and without any explanation whatever of his connection with the matter of securing these elegant apartments or with making his arrival easy and pleasant.

Some silent and obsequious negro servants were at hand to do his bidding; but he soon dismissed them; while he flung himself upon a sofa and lit his pipe. Altogether incomprehensible to him were the suggestions of secrecy and mystery connected with his reception; scarcely less so was the youthful, nay, boyish appearance of Judge Favart de Caumartin.

As if the mysterious atmosphere meant to continue growing denser, it was while he lay along the luxuriant scarlet sofa, smoking, resting, and meditating, that a beautiful girl came and stood for a moment in the doorway of his chamber. She blushed sweetly at sight of him, recoiled violently, and then slipped swiftly away, leaving behind her a rustle of fine stuff, a sparkle of rare jewels, and a lingering bouquet of violets and roses.

Coleman felt the delicious shock of her magnetic beauty thrill through him. A sort of shimmering outline of her body wavered or appeared to waver in the door after she had gone, so dazzling had been the effect of her fresh, pure, flower-like, yet intensely human, beauty. He heard her feet tap swiftly and lightly along the hall. Involuntarily and with unpardonable curiosity he sprang up and, hurrying to the door, looked out, but she was not in sight. For the first time in his life, he felt his heart beating unnaturally.

CHAPTER II

Evening was drawing on, sending a soft twilight into the room, when Coleman's dinner was brought in by a shy and silent old colored woman. He had not ordered the meal, nor had he felt the need of it. Doubtless the stimulus afforded by the unusual character of his surroundings held his sense of hunger in abeyance.

The old woman retired as soon as she had arranged the repast on a round mahogany table. Coleman found the oysters, the wine, the broiled fish, the French bread, and the black coffee excellent to such a degree that he ate almost everything before him; then leaning far back in his chair he began to study the silver set from which all those good things had been taken. The platter was in the form of a flounder, the sugar bowl was a frog, the cream pitcher a heron, the coffee-pot a pelican. These curious pieces were exquisitely carved, and on each was cut the name Favart de Caumartin in plain, bold letters. Even on the five-armed silver candle-stick in which burned fragrant myrtle wax tapers appeared that striking inscription. He surveyed the room now with a more critical eye, discovering at once that the pictures, the curtains, the carpets, and indeed all the articles of furniture were costly and beautiful beyond anything he had ever seen before. Evidently he was in Judge Favart de Caumartin's house.

The moon was shining brilliantly when Coleman went forth for a short walk in the street. Not many people were abroad, it being the dinner-hour, but certain cafés were crowded with men and women who were drinking champagne and discussing the dishes on well-spread tables.

At the door of one these gorgeous rooms Coleman met the young man whom a few hours before he had seen leading the singers in the street. It occurred to him that now was as good as any time to present his letter to the Judge, so he forthwith stepped near him and said, lifting his hat:

"I believe I have the honor of meeting Judge Favart de Caumartin?"

The gentleman stared at him a moment very deliberately, then, with just a suspicion of a smile and with a courteous dignity wholly inimitable and indescribable, doffed his queer little black cap as he spoke:

"And who does me the honor of addressing me?"

"I am Hepworth Coleman of New York?"