Eleven Possible Cases

"You tormented him," the girl interrupted. "I once saw the best-natured mastiff in the world lose his temper and turn on a – " She stopped before saying "cur," and added instead: "If he was foolish, you were not very wise to tease him."

"He is-a what to you, zat you take-a hees part?"

She bit her lip in resentment, but made no reply.

"Pare-haps he is one-a lover oof you?"

Still she would not reply to his impertinence. That angered him more than the severest rejoinder would have done.

"Oh, I am sure-a zat he ees one suitor."

She gave way at length to his provocation, and yet without any violent words, for she simply said: "You are insulting, while he is at least reasonably polite – when he heeds me at all, which isn't often."

"Not-a often? But some-what closely he heed-a you. See zat."

With an open palm he struck the place on the sapling where Gerald had whittled. The spot was on the outer edge, where Mary could not see it from her seat. She went around to the front of the primitively constructed desk, or high counter, to gratify her curiosity. There she saw that Gerald had carved a hand – her own hand, as she instantly perceived. The small and shapely member was reproduced in the fresh, pale wood with rare fidelity. She had unconsciously posed it, while working the key of the telegraphic instrument under the jack-knife sculptor's eyes, and there had been ample time for him to whittle a fac-simile into the birch.

"He is almost as impertinent as you are," she said, and turned to see how Ravelli took the comment.

But Ravelli had disappeared.

Then, being alone, she laid a hand of her own coquettishly alongside its wooden counterpart, and critically admired the likeness.

"It was an unwarranted liberty," she said to herself, "but he did it very well."

The delicate fiber of the wood had favored the carver's purpose. The imitation hand bore a shade of flattery in the barely tinted birchen white, and in the fine grained satin smoothness that the keen blade had wrought, but this was not too much for more than a reasonable compliment. As to the modeling, that was sincerely accurate, and the fingers rested on the key precisely as Mary had seen them during many hours of many days. It is an excessively vain girl who admires herself as actually as she does a portrait, and the telegrapher really saw more beauty in the birchen hand than she had ever observed in the live one. As she contemplated it, Ravelli returned noiselessly behind her.

"I a-wish to say something, Mees Warriner."

The Italian accent of Ravelli grated with unnatural harshness on Mary's ears, and if he had been an intruder upon her privacy, instead of a man in a really public place, she would not have been surprised into a deep flush. She snatched her hand away from its wooden counterpart, and clasped it with its mate behind her, as she leaned her shoulder against the carving to hide it.

"If you have a message to send," she said, "I can't get it on the wire too soon. It's within five minutes of time to shut off."

She started to go behind the desk. He stopped her with a touch upon her shoulder, and she shrank away reprovingly, although it was solely the man's earnestness that had made him do it.

"No, no; it ees not words for-a ze wire zat I have-a for you," he said. "I wish-a to tell to yourself something. Will you lees-ten?"

"Yes, if it is something that I ought to hear."

"Thees eez it. I am a-more than I seem here – deef-e-rent – so deef-e-rent you would hardly know-a me. In zis place I am on-ly a contractor for ze laborer. I am-a as com-mon as my gang in-a clothes – in-a manner, too, eh? But een one hour – een one minute – I could-a con-veence you zat I am-a something finer."

Mary did not show in her perfectly regained composure that she was so much as puzzled by the man's enigmatic talk. She said: "I don't see how it could be worth while, Mr. Ravelli."

"O, yes – I beg-a par-don for ze contradiction – yes, it ees worth-a while. Away from-a here, Mary, I would-a be so deef-e-rent zat you a-love me."

"Stop, Mr. Ravelli – stop."

The command was positive, but it was not obeyed.

"I love-a you."

He caught her by one wrist as he began. She was utterly unresistant. If she had struggled or cried out, he would have gone on with his voluble, excited declaration; but her placidity was incomprehensible to him.

"Mr. Ravelli," she began after a moment, "you understand English?"

"Perfectly, Mees Warriner."

"Well, here is plain English for you. I would use Italian if I could, so that you mightn't mistake me. You are to let go of my hand."

He did it.

"You are to go away instantly, and never come here again except on business. Go at once."

That he did not do.

"For what-a did you come here, into one camp oof men eef – "

"If I didn't expect to be unsafe? I'll tell you. It was a mistake. Operator No. 9 was ordered to this post. No. 9 had been a man, who had within a week been discharged, and his number given to me. By an oversight, no alteration was made in the record to show the sex of the new No. 9. I couldn't afford to lose the work. Besides – "

"Well-a, besides – "

"Besides, I reasoned that every man at Overlook would protect me against all the other men – if – "

"Yes, eef – "

"Yes, if I cared absolutely nothing for any single one of them. Therefore, I am not afraid. But you must not annoy me."

Fury flashed into the man's eyes, into his reddened face, into the sudden tension of his gripped hands. The girl's contemptuous indifference maddened him. She saw this, and was at once alarmed, for she realized that here was a reckless lover – one who heated dangerously where another would have chilled under disdain; but she maintained an unshaken voice, as she said: "You may as well know, however, that I am amply protected. The night watchman is ordered to include this combined office and residence of mine in every round he makes. So I sleep quite unconcernedly. In the daytime, too, I shall have defense, if it becomes necessary."

"O, have-a no alarm, Mees Warriner," and the man's facial expression softened singularly as he gazed wistfully at the girl. "I haf said I love-a you." Then, with a startlingly quick transition, he glared menacingly off in the direction that Gerald Heath had gone. It seemed curious to Mary, too, that in his rage his English was clearer than usual, as he growled: "It is your lover that should be afraid of me." He flung out one fist in a fierce menace, and added in Italian: "Nel vindicarvi bisogna ch'egli mi rende la sua vita."

CHAPTER II

The full moon looked for Mary Warriner's little house that night as soon as a clearance of the sky permitted, and then beamed down on her abode effulgently. But it was eleven o'clock before the gusty wind blew the thick clouds aside and let the orb illumine Overlook. Back of the shed in which the telegrapher worked by day was a structure in which she slept at night. It was built of slabs, with big growing trees to form its irregular corners, and their lowest limbs contributed the rafters, while stripped bark and evergreen boughs made the roof. The foliage swayed above in the fitful wind, and covered the cabin and the grass around it with commingling, separating, capering shadows of leaves, as though a multitude of little black demons were trying to get to the slumberer within. Their antics looked spiteful and angry at first: but as the wind lessened to a breeze, and as the moon seemed to mollify them, they became frolicsome without malice; and at length, when the merest zephyrs impelled their motions, they gambolled lazily, good-humoredly above and around the couch of Mary Mite.

It was midnight when a man shot into the open space around the cabin like a missile. He ran first to the front of the structure, where a tarpaulin curtained the shed for the night, and gazed for a moment blankly at this indication that the hour was not one of business. Tremendous haste was denoted in his every step and gesture. He plucked twice at the canvas, as though to pull it down. Then he skurried around to the single window of Mary's apartment, whose only door opened into the shed, and pounded with his knuckles on the ill-fitted sash, making it clatter loudly. Silence within followed this noise without. "Hello! Wake up!" he cried. "Don't fool for a minute. Wake up!"

There was no response, and he skipped to and fro in his impatience. He was an ordinary shoveler and pounder, with nothing to distinguish him from the mass of manual laborers at Overlook, but, unlike the usual man with an errand at the telegraphic station, flourished a scrap of paper.

"I want to telegraph," he shouted, and struck the window again. "Get up quick! It's life and death!"

Mary Warriner was convinced that her services were urgently and properly required. She peeped warily out to inspect the man, estimated him to be merely a messenger, and then opened wide the sash, which swung laterally on hinges. Her delicate face bore the same sort of calm that characterized it in business hours, but the moon shone on it now, the hair had got loose from the bondage of knot and pin, and for an outer garment she was carelessly enwrapped in a white, fleecy blanket. The man did not give her time to inquire what was wanted.

"You're the telegraph girl, ain't you?" he exclaimed. "Well, here's something to telegraph. It's in a hurry, hurry, hurry. Don't lose a minute."

"I couldn't send it to-night," Mary said.

"You must."