Operas Every Child Should Know

Tamino, an Egyptian Prince.

Monostatos, a Moor in the service of Sarastro.

Sarastro, High Priest of the Temple.

Papageno, Tamina's servant.

Speaker of the Temple.

Two priests.

Two armed men.

Chorus of priests of the Temple, slaves, and attendants.

The scene is near the Temple of Isis, in Egypt.

Composer: Mozart.

ACT I

Once upon a time an adventurous Egyptian youth found himself near to the Temple of Isis. He had wandered far, had clothed himself in another habit than that worn by his people, and by the time he reached the temple he had spent his arrows, and had nothing but his useless bow left. In this predicament, he saw a monstrous serpent who made after him, and he fled. He had nothing to fight with, and was about to be caught in the serpent's fearful coils when the doors of the temple opened and three ladies ran out, each armed with a fine silver spear.

They had heard the youth's cries of distress, and had rushed out to assist him. Immediately they attacked the monster and killed it, while Tamino lay panting upon the ground. When they went to him they found him unconscious. He seemed to be a very noble and beautiful youth, whose appearance was both heroic and gentle, and they were inspired with confidence in him.

"May not this youth be able, in return for our services to him, to help us in our own troubles?" they inquired of each other; for they belonged to the court of the Queen of the Night, and that sovereign was in great sorrow. Her beautiful daughter, Pamina, had been carried away, and none had been able to discover where she was hidden. There was no one in the court who was adventurous enough to search in certain forbidden and perilous places for her.

As Tamino lay exhausted upon the ground, one of the women who had rescued him declared that she would remain to guard him – seeing he had no arrows – while the others should go and tell the Queen that they had found a valiant stranger who might help them.

At this suggestion the other two set up a great cry.

"You stay to guard the youth! Nay, I shall stay myself. Go thou and tell Her Majesty." Thereupon they all fell to quarrelling as to who should remain beside the handsome youth and who should go. Each declared openly that she could gaze upon him forever, because he was such a beauty, which would doubtless have embarrassed Tamino dreadfully if he had not been quite too tired to attend to what they said.

The upshot of it was that all three went, rather than leave any one of them to watch with him. When they had disappeared into the temple once more, Tamino half roused himself and saw the serpent lying dead beside him.

"I wonder where I can be?" he mused. "I was saved in the nick of time: I was too exhausted to run farther," and at that moment he heard a beautiful strain of music, played upon a flute:

[Listen]

He raised himself to listen attentively, and soon he saw a man descending from among the rocks behind the temple. Still fearful of new adventures while he was unarmed and worn, Tamino rose and hid himself in the trees. The man's name was Papageno, and he carried a great cage filled with birds upon his back; in both hands he held a pipe, which was like the pipe of Pan, and it was upon this that he was making music. He also sang:

[Listen]

A fowler bold in me you see,
A man of mirth and minstrelsy;
My name is ever in demand,
With old and young thro'out the land —
I set my traps, the birds flock round,
I whistle, and they know the sound.

For wealth my lot I'd not resign,
For every bird that flies is mine.

I am a fowler, bold and free,
A man of mirth and minstrelsy;
My name is ever in demand,
With old and young throughout the land.
But nets to set for pretty maids:
That were the most divine of trades.

I'd keep them safe 'neath lock and key,
And all I caught should be for me.

So that exceedingly jolly fellow sang as he passed Tamino. He was about to enter the temple when Tamino, seeing he had nothing to fear, stopped him.

"Hello, friend! Who are you?"

"I ask the same," the fowler answered, staring at Tamino.

"That is easily answered. I am a prince and a wanderer. My father reigns over many lands and tribes."

"Ah, ha! Perhaps in that land of thine I might do a little trade in birds," the fowler said, jovially.

"Is that how you make your living?" Tamino asked him.

"Surely! I catch birds and sell them to the Queen of the Night and her ladies."

"What does the Queen look like?" Tamino asked, somewhat curious.

"How do I know? Pray, who ever saw the Queen of the Night?"

"You say so? Then she must be the great Queen of whom my father has often spoken."

"I shouldn't wonder."

"Well, let me thank you for killing that great serpent. He nearly did for me," Tamino replied, taking it for granted that the man before him had been the one to rescue him, since he had fallen unconscious before he had seen the ladies. The fowler looked about at the dead serpent.

"Perfectly right! A single grasp of mine would kill a bigger monster than that," the fowler boasted, taking to himself the credit for the deed; but by this time the three ladies had again come from the temple and were listening to this boastful gentleman with the birds upon his back.

"Tell me, are the ladies of the court beautiful?" Tamino persisted.

"I should fancy not – since they go about with their faces covered. Beauties are not likely to hide their faces," he laughed boisterously. At that the ladies came toward him. Tamino beheld them with pleasure.

"Now give us thy birds," they said to the fowler, who became suddenly very much quieter and less boastful. He gave them the birds and received, instead of the wine he expected, according to custom, a bottle of water.

"Here, for the first time, her Majesty sends you water," said she who had handed him the bottle; and another, holding out something to him, said:

"And instead of bread she sends you a stone."